Music

Average customer rating:

Awesome CD!
Unique and upbeat
Incredible - the only word to describe it
My mind has been blown
Afro celt all the best the world has to offer in one band...

Volume 3: Further in Time
Afro Celt Sound System
Manufacturer: Real World
ProductGroup: Music
Binding: Audio CD

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Vol. 2, Release
Volume 1: Sound Magic
Volume 5: Anatomic
Seed
Pod (Bonus DVD)

ASIN: B00005ASHF
Release Date: 2001-06-19

Tracks:

North - Part 1
North - Part 2
When You're Falling (featuring Peter Gabriel)
Shadow Man
Lagan
Colossus
Life Begins Again (featuring Robert Plant)
Further in Time
Go on Through
Persistence of Memory
Silken Whip
Onwards

Amazon.com's Best of 2001

While not as out-of-left-field revelatory and astonishing as their exalted debut, nor as darkly magnetic as their sophomore follow-up, Volume 3: Further in Time finds Afro Celt Sound System fleshed out, funky, and fiercely fresh. Now a band of 20-some-odd players, the Afro Celts push forward with unbounded energy and focus, organically driven beats, and a thoroughly joyous fusion of West African and Irish traditional music enhanced with dissonant Eastern influence, psychedelic trip-hop groove, and a monster flood of sonic waves. The resultant sound is somehow both cutting-edge futuristic and primitive in its visceral virility. Demba Barry steps up with an unexpectedly punchy African hip-hop-styled vocal on "Shadowman," "Lagan" plays out into an orchestral swan dive, and, throughout, Johnny Kalsi and Moussa Sissokho come on like gangbusters with the drums. Real World label honcho and world-music champion Peter Gabriel does a stunning turn on the eminently catchy "When You're Falling," and Robert Plant contributes a powerfully epic rock vocal on "Life Begins Again." Fine as all these moments are, the centerpiece of volume 3, where the band achieves beyond perfect synthesis, is the ecstatic groove-lock on the African acid ceilidh of "Colossus." Volume 3 is the tune-in turn-on we've been waiting for. --Paige La Grone

Customer Reviews:

Awesome CD!.......2006-11-26

I just can't get enough of this group. They have such a unique sound: the name of the group sums it up pretty well. This is an awesome CD like the others.

Unique and upbeat.......2006-11-06

I was introduced to this music by a coworker and I really like it! I've always been a fan of celtic music, but this is like celtic on espresso. It's very upbeat and truly unique. I highly recommend it - enjoy!!

Incredible - the only word to describe it.......2006-08-02

My aunt put this in the car one day when we were driving to my uncle's house. I had just played the song "Chaiyya Chaiyya" from Inside Man, and she said I bet you'll like this, it's a lot of the same style. As soon as she put it on, "North" came on, and absolutely blew me away. The beautiful ambient sounds and the sparse, yet undeniably enchanting African vocals were just beautiful. By the time "North Part 2" came on, we were both drumming our hands and dancing in the car. Whoever thought of mixing African and Celtic music, then setting it to a rave/techno beat is a genius.

She bought me the CD (and also "Seed, which is great too), and I've been listening to it obsessively since. I know it's now a cliche so rate this CD 5 stars, but the beautiful, haunting melodies and the catchy, rythmic tehcno beats make this CD one of the best in my collection. It was a great find for me especially, since I'm getting sick of all the horrible pop/rock/rap that's out there. If you're like me, and you're sick of all "today's hits" and are looking for something to dance to and have a great time listening to, BUY THIS ALBUM! It is something very fresh and amazing. Aah, North 2 just came on with that awesome celtic instrument riff and dance club style techno beat. I gotta get back to dancing!

My mind has been blown.......2006-05-30

Peter Gabriel, Robert Plant, plus musicians from all over the world combining their grooves together to make a whole that surpasses anything I could have imagined. This CD not only transports, it elevates! Essential for the world music collector.

Afro celt all the best the world has to offer in one band..........2006-04-20

Every album is better than the one before...I love the depth to the music and the fact that it is depth from the number of musicians playing and not the number of sound effects is wonderful. There is a difference...and wow it is powerful....thank you thank you thank you

Average customer rating:

Instruments of the Orchestra - Great Reference Material!
Beginner or Expert
Very Informative and Enjoyable
Frank's view
Excellent Intro for Those Not Familiar with the Orchestra

Instruments of the Orchestra
Various Artists
Manufacturer: Naxos
ProductGroup: Music
Binding: Audio CD

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Britten: Young Person's Guide to the Orchestra Op34; Simple Symphony Op4
The Life and Works of Ludwig van Beethoven
What to Listen for in Music
Study of Orchestration, Third Edition
The Life and Works of Frédéric Chopin

ASIN: B00006O0NT
Release Date: 2002-12-03

Tracks:

Overture To 'Tannhauser'
Domna, Pos Vos Ay Chausida
We Don't Merely Use Instruments, We Play On Them. And They Play On Us.
Hungarian Dance No.7
The Violin Is One Of The Most Tender And Beautiful Instruments Ever Invented.
Violin Concerto In D Major (Adagio)
But For A Long Time It Was Seen As The Instrument Of The Devil.
The Soldier's Tale: Triumphal March Of The Devil
The Manipulative Seductiveness Of The Gypsy Violin.
Csardas Music
The Violin And The Initiation Of Nature
The Four Seasons (Spring, Mvt 1)
Birds Are Again Evoked In The Second Concerto, Especially Music's Natural Favourite.
The Four Seasons (Summer, Mvt 1)
Like The Devil, The Violin Is A Master Of Disguise.
Old Viennese Dance No.3 'Schon Rosmarin'
The Menacing Sensuality Of Ravel's Tzigane: A Very Different Side Of The Violin:
Tzigane
Do We Now Have The True Measure Of This Instrument? Not Just Yet.
Caprice No.24
The Many Effects Of The String Tremolando: Brandenburg Concerto No.4 (Last Mvt)/From Joy To Fright/Quartettsatz In C Minor/The String Tremolo Practically Spells The World Agitato.
Variations On A Theme Of Frank Bridge (No.7)
Prokofiev's Tremolo In Romeo And Juliet Should Not Be Heard Just Before Bedtime.
Romeo And Juliet: Act IV
Vivaldi Use It To Illustrate The Shivering Of Travellers Crossing The Ice.
The Four Seasons (Winter, Mvt 1)
The Violin Muted
Clair De Lune
The Gentleness Of Muted Strings Persists Even When A Whole Orchestra Plays.
Piano Concerto No.21 In C Major, K.467 (Slow Mvt)
The Pizzicato Violin
Pizzicato Polka
In Prokofiev's Second Violin Concerto, The Accompaniment Is Pizzicato.
Violin Concerto No.2 In G Minor (Slow Mvt)
Varieties Of Pizzicato: Colas Breugnon (The People's Feast)/Now A Drier, Leaner, Hungrier Pizzicato. There's Not A Lot Of Comfort Here./Capriol Suite (Tordion)/The Use Of Pizzicato As 'Percussion'/Romeo And Juliet (Act I)/Mahler Used Pizzicato...
The Planets (Mars - The Bringer Of War)
The Technique Of Double-Stopping Enables The Violin To Play Duets With Itself./Sonata No.3 In C Major For Unaccompanied Violin (Fugue)/Now A Later Example Of The Same Technique
Hungarian Dance No.4
Double-Stopping Is A Standard Feature Of A Lot Of Folk Music.
The Four Seasons (Autumn, Mvt 1)
Now The Same Technique, But The Sound Might Have Come From Another World.
Bolero
Double-Stopping Can Only Approximate The Sound Of A Real Violin Duet.
Cadenza To The Violin Concerto By Brahms
Now Compare That With A Real Violin Duet.
Forty-Four Duos (No. 1: Teasing Song)
Another Duo By Bartok, Demonstrating The Violin's Rich Lower Register
Forty-Four Duos (No.2: Maypole Dance)
And Now What May Be The Most Beautiful Accompanied Violin Duet In History
Concerto In D Minor For Two Violins (Largo)
The Soul Of The Violin Is In Song; But What About This Weird Passage?
Violin Concerto No.1 In D Major (Mvt 2)
The Use Of Harmonies In The Orchestra Can Be Both Magical And Unsettling.
Symphony No.1 'Titan' (Mvt 1, Opening)
Tchaikovsky's Use Of Harmonics In The Sleeping Beauty Is Both Strange And Darling.
The Sleeping Beauty (Act II, No.15: Entr'Acte)
Ravel's Harmonics In Mother Goose Effect A Magical Transformation.
Ma Mere L'Oye - Mother Goose (Beauty And The Beast)
Stravinsky's Harmonics In The Firebird Transport Us Almost Into Another World./The Firebird (Introduction)
The Natural Upper Notes Of The Violins Have A Unique Emotional 'Grab'.
Also Sprach Zarathustra (Of The Afterworldsmen)
Still In Their Upper Register, The Violins Unleash The Energy Of A Young Colt.
Variations On A Theme Of Frank Bridge (No. 4)
Elsewhere, Britten Uses The Same High Register To Create A Very Different Mood.
Four Sea Interludes (Dawn) From 'Peter Grimes'
To End This Outing With The Violins, A Charming Little Elfin Dance
Elfenreigen

Tracks:

Introduction To The Viola
Viola Concerto (Mvt 1)
Khatchaturian Gets A Very Different Sound From It: Fuller, Fruitier, More Exotic.
Gayane Suite No.1 (Armen's Solo)
Very Nearly The Whole Of The Violin's Upper Register Is Also Available To The Viola.
Passacaglia, Op.33b From 'Peter Grimes'
The Viola Can Bring A Special, Rich Twanginess To Pizzicato That The Violins Lack./Don Quixote/Berlioz Drew Sounds From It That Retain Their Metallic Strangeness Even Today.
Harold In Italy (Mvt 4)
The Muted Viola: Intimate, Gentle, Poignant In Dvork
Cypresses (No.9)
The Massed Violas Of The Modern Symphony Orchestra In Mahler
Symphony No.4 (Mvt 3)
The 'Period' Viola In Bach
Brandenburg Concerto No.6 (Last Mvt)
The Cello: A Voice Of Unique Nobility
Suite No.1 For Unaccompanied Cello (Prelude)
Brahms And The 'Soul' Of The Cello
Piano Concerto No.2 In B Flat Major (Mvt 3)
Most Orchestral Composers Tend To Emphasize The Cello's Lower Register.
Cantata 'Herz Und Mund Und Tat Und Leben', BWV 147 (Soprana Aria: Bereite Dir, Jesu)
In The Time Of Beethoven The Cello Remained As Fundamental As Ever.
Symphony No.3 'Eroica' (Finale)
But The Cello Is Not Condemned To Spend Its Life In The Basement.
Elfentanz, Op.39
Not Only In Recital Showpieces Like That Is The Cello Is Used In Its Highest Register.
The Protecting Veil (Opening)
A Cello With An Identity-Crisis: The Pizzicato Flamencan
Flamenco
Double-Stopping In The Lower Reaches Of The Cello's Range
Solo Suiet For Cello And Piano (Sardana)
It's In The Middle Register That The Cello Really Comes Into Its Own.
Oriental Dance, Op.2 No.2
It Was To The Cellos That Beethoven Gave Two Of His Most Famous Themes./Symphony No.5 (Mvt 2)/Still More Famous Than That Theme Is This One From The Ninth Symphony.
Symphony No.9 (Finale)
Introduction To The Double-Bass
The Carnival Of The Animals (The Elephant)
But The Double-Bass Can Be Intensely Expressive And Graceful.
Elegy No.1 In D Major
The Range Of The Double-Bass Is The Greatest Of All The String Instruments/Allegro Di Concerto, 'Alla Mendelssohn'/And It's Also Capable Of Very Considerable Virtuosity.
Capriccio Di Bravura
Double-Bass Solos In Orchestral Scores Are Rare But Often Memorable./Symphony No.1 'Titan' (Mvt 3)/In His Third Symphony Mahler Makes A Very Different Use Of The Instrument./Symphony No.3 (Mvt 1)
The Double-Bass Muted In Prokofiev/Lieutenant Kije Suite (Kije's Wedding)/In Another Work Prokofiev Uses The Double-Bass To Enhance The Winds./Romeo And Juliet (Act III)/And He Combines The Bass Clarinet With A Shivering Tremolo From The Double-Basses....
Symphony No.5 (Mvt 3)/So Much For The Strings/On Now To The Winds

Tracks:

The Antiquity And Magic Of The Flute
Prelude A L'Apres-Midi D'Un Faune
The Versatility And Agility Of The Flute
Orchestral Suite No.2 In B Minor (Badinerie)
The Flute In Fifteenth-Century Spain
Sa'Dawi
Other Flutes: The Bass And Alto
Chamber Music No.II
The Piccolo - Aptly Named
La Naissance D'Osiris (Mvt 6)
From A Piccolo Of The Eighteenth Century To One Of Its Descendants In The Twentieth
Suite No.1 For Small Orchestra (Valse)
A Variety Of Techniques
Chamber Music No.II
Flutter-Tonguing. But Tchaikovsky Got There Eighty Years Before.
The Nutcracker (Act II, No.2: Scene)
From The Transverse To The Vertical: The Baroque Recorder
Recorded Suite In A Minor (Menuet II)
An Unfamiliar, Early Vision Of The Instrument
Naelden, Naelden
The Bachian Oboe
Cantata 'Ein Feste Burg Ist Unser Gott', BWV 80 (No.7: Duetto)
Introduction To The Cor Anglais Or 'English Born'
Symphony No.9 'From The New World' (Mvt 2)
The Loneliness Of The Cor Anglais
The Swan Of Tuonela
The Cor Anglais Joins The French Horn In Haydn.
Symphony No.22 'The Philosopher' (Opening)
Introduction To The Oboe D'Amore, Beloved Of Bach - But Also Of Ravel
Bolero
The Clarinet Family: Boxing The Compass, From The Depths Of The Bass Clarinet.../The Egyptian (Violence)/...To The Raucous And Squealy.../Taras Bulba (The Death Of Ostap)/...To The Shrill And Complaining...
Petrushka (No.8: Peasant With Bear)/...To The High Sprits Of A Playful Puppy./Symphonie Fantastique (Last Mvt)/And To The Downright Jazzy/Romeo And Juliet (Act II)
As The High Clarinets Tend To Be Loud, So The Bass Tends To Be Soft:
Gayane Suite No. 1 (Mvt 5)
The Bass Clarinet Is Used By Most Composers Mainly As A Colouring Agent.../Petrushka (No.4: The Blackamoor)/...But It Does Occasionally Get A Whole Tune To Itself./Iberia (Almeria).
The Range Of The Normal Clarinet Parts Goes Quite High...
The Snow Maiden (Scene 5: Melodrama)
...And Quite Low.
Peter And The Wolf (The Cat)
The Clarinet As Concerto Soloist
Clarinet Concerto In A Major (Rondo)
But That's Not The Instrument Mozart Wrote It For; This Is:
Clarinet Concerto In A Major (Rondo)
Introduction To The Saxophone
Hary Janos Suite (Mvt 4)
The Soprano Saxophone Has Quite A Different Feel To It.
L'Arlesienne Suite No.1 (Minuet)
The Little Sopranino Sax Goes Even Higher.
Bolero
The Most Famous Use Of The Saxophone Is In An Orchestration By Ravel.
Pictures At An Exhibition (The Old Castle)
The Saxophone Can Be Quite Contagiously Good-Humoured.
Sax-O-Phun
The Puffa-Puffa Image Of The Bassoon
Peter And The Wolf (Grandfather)
The Bachian Bassoon, In Accompanimental Mode
Cantata 'Weichet Nur, Betrubte Schatten' ('Wedding Cantata'), BWV 202 (Aria No.1)
Bizet Leaves The Puffa-Puffa Image Out, Allowing The Bassoon To Sing./Carmen Suite No.1 (Les Dragons D'Alcala)
And Ravel, Also In Spanish Mode, Does Likewise.
Bolero
The Bassoon As A Voice Of High Seriousness, Indeed Desolate Loneliness
Symphony No.3 (Opening)
The Eerie Bassoon In Its Highest Register
The Rite Of Spring (Opening)
Stravinsky Now Draws On Its Lowest Register, Lonely And Melancholy.
The Firebird Suite (1919, Berceuse)
The Bassoon As Concerto Soloist, Avoiding All Exaggeration
Bassoon Concerto In G Minor (Finale)
The Deep-Voiced Contra-Bassoon, As A Fairy-Tale Beast
Ma Mere L'Oye - Mother Goose (Beauty And The Beast)
The French Horn Under Its Woodwind Hat
Wind Quintet, Op.43 (Last Mvt)
Now A More Prominent Role, In A Woodwind Quintet From An Earlier Era
Wind Quintet In A Minor, Op.100 No.5 (Mvt 2)
The Horn In Harmonious Blend With Strings In Another Quintet
Horn Quintet, K.407 (Finale)

Tracks:

The Trumpet As Virtuoso Soloist
Brandenburg Concerto No.2 (Last Mvt)
The Special Brillance Of Paired Trumpets
Concerto In C For Two Trumpets, RV537 (Mvt 1)
The Ceremonial Trumpet
Fanfare For The Common Man
Trumpets And Drums - An Incomparable Alliance
Messiah (The Trumpet Shall Sound)
The Versatility Of The Trumpet, From The Most Public To The Most Lonely
Piano Concerto In F (Slow Mvt)
The Trumpet As The Voice Of The City/An American In Paris/The Trumpet As Recruitment Officer/The Soldier's Tale (The March)/The Trumpet As Swaggerer
Carmen Suite No.2 (Habanera)
The Trumpet As The Voice Of Strength And Courage
Carmet Suite No.2 (Toreador's Song)
The Trumpet Muted/Petrushka (No.4: The Blackamoor)/Lieutenant Kije Suite (Opening)/The Trumpet As The Voice Of Weariness
Billy The Kid
The Trumpet As Character Actor
Pictures At An Exhibition (No.6)
The Trumpet As The Voice Of God
Mass In B Minor ('Et Exspecto')
The Birth Of The Trombone
Aenmerckt Nu Hier
The Birth Of The Brass As A Family
Canzon 12 In Double Echo
The Trombone In The Eighteenth Century
Trombone Concerto In B Flat Major (Finale)
The Tone Of The Tenor Trombone/Romance For Trombone And Organ/The Memorable Voice Of The Bass Trombone/Requiem (Mvt 2)/But The Bass Trombone Is More Than An Instrumental Bullfrog.
Hosannah
The Trombones Become Part Of The Orchestra.
Symphony No.5 (Finale)
The Wagnerian Trombone:/Overture To 'Tannhauser'
The Trombone As Caricaturist
Pulcinella (No.19: Vivo)
The Trombone As Raspberry/Concerto For Orchestra (Intermezzo)
The Horn And The Hunt
Horn Concerto No.4 In E Flat, K.495 (Finale)
The Challenging Horn Of The Baroque
Abaris Ou Les Boreades (Menuet)
The Scarcity Of First-Rate Players In Handel's Time
Walter Music (Minuet 1)
The Horn As Magician/The Firebird Suite (1919, Finale)
Horns And The Sound Of Nobility
Overture To 'Tannhauser' (Opening)
The Special Sound Of The Horn In Its Higher Register
Mass In B Minor ('Quoniam Tu Solus Sanctus')
The Trumpet-Like Sound Of Massed Horns
Symphony No.3 (Mvt 1, Opening)
The Tuba - Unfairly Maligned?
Symphony No.6 (Mvt 3)
The Tuba Perfectly Cast By Ravel
Pictures At An Exhibition (Bydlo)

Tracks:

Introduction. And We Begin With A Bang.
Fanfare For The Common Man/The Bass Drum On The Battlefields/Wellington's Victory, Op.91 (Opening)
At The Opposite Extreme Is The Triangle.
Piano Concerto No.1 In E Flat (Scherzo)
Categories Of Percussion: Tuned And Untuned. The Side Drum
Overture To 'La Gazza Ladra' - The Thieving Magpie (Opening)
The Side Drum In An Effective But Unexpected Role/Clarinet Concerto (Mvt 1)
The Tambourine. One Of The Oldest Instruments In The World
Den Hoboecken Dans
Even Older Is The Originally Oriental Gong.
Ma Mere L'Oye - Mother Goose (Laideronette)
No Single Instrument Can Match The Gong In Evoking The Breaking Of Waves./Passacaglia, Op.33b From 'Peter Grimes'/But Gongs Don't Have To Be Struck To Be Effective.
Gymnopedie No.2
The Cymbals Are Generally Discovered Early In Life./The Sanguine Fan/And They Do More Than Clash Together Loudly. They Can Be Clashed Together Softly./Studio Example: But They Needn't Be Clashed Together At All/Studio Example: They Can Be Lightly...
Other Untuned Percussion Instruments Include The Whip.: Piano Concerto In G Major (Opening)/And Here Are No Fewer Than Twenty, Cracked By Tchaikovsky: The Nutcracker (Act I, Scene 5)
More Versatile Than The Whip Are The Wood Blocks.../Studio Example/...Which Crop Up All Over The Place In Twentieth-Century American Music.
Rodeo (Hoe-Down)
Related To The Wood Blocks, By Sound, Are The Castanets./Jota Aragonesa/But The Castanets Were Also Used By Monteverdi Back In The Seventeenth Century.
Scherzi Musicali (Damigella Tutta Belle)
A Still Earlier Example From Fifteenth-Century Spain
Yo M'Enamori D'Un Aire
The Birth Of The Bongo
Symphonic Dances From 'West Side Story'
From The Streets Of New York To The Blacksmith's Shop/Il Trovatore ('Anvil Chorus')
Desert-Island Decibels: Grand Canyon Suite (On The Trail)/Arcana
From One Vegetable To Another: The Humble Squash, Or Marrow/Huapango
Onwards To The Tuned Percussion. First, The Timpani
Also Sprach Zarathustra (Introduction)
But The Drum Roll Can Be More Effectively Frightening Than The Big Bang.: Symphony No.2 'Resurrection' (Mvt 3)
Not One Drum Roll, But Many/Grand Canyon Suite (Sunrise)/Symphonie Fantastique (Last Mvt)
Taking Advantage Of Tunability
Music For Strings, Percussion And Celeste (Mvt 2)
The Russian Composer Rodion Shchedrin Takes A Downward Turn./Carmen Suite (Changing Of The Guard)/Tuned, Yes; But For The Truly Melodic We Must Look Elsewhere.
Introducing The Glockenspiel/Carmen Suite (Carmen's Entrance And Habanera)
Saint-Saens And The Xylophone
The Carnival Of The Animals (Fossils)
Ravel And The Xylophone
Ma Mere L'Oye - Mother Goose (Laideronette)
Introducing The Marimba/Carmen Suite (First Intermezzo)
Introducing The Vibraphone
The Treasure Of The Sierra Madre (Narange Dolce)
The Vibraphone Goes Russian.../Carmen Suite (Carmen's Entrance And Habanera)/...And Is Joined By The Marimba./Carmen Suite (Carmen's Entrance And Habanera)
Introducing The Hungarian Cimbalom
Folk Dances
The Cimbalom And The Symphony Orchestra
Hary Janos Suite (Mvt 3)
Introducing The Tubular Bells
Hary Janos Suite (Viennese Musical Clock)
A More 'Up-Front' Approach From Rodion Shchedrin
Carmen Suite (Introduction)
But The Bells Can Also Make The Sinister Even More Sinister./Symphony No.7 'Sinfonia Antartica' (Mvt 1)
Introducing The Celeste
The Nutcracker (Dance Of The Sugar Plum Fairy)
Magic, In The Use Of Collective Percussion
Miroirs (La Vallee Des Cloches)
Plucked Instruments: The 'Undercover Percussion'/Carmen Suite (Scene)
A Prime Case In Point Is The Harp, Irresistible To The Romantics./The Nutcracker (Act II, No.1: Scene)/The Non-Solo Harp As An Integral Part Of The Orchestra/Hungarian Rhapsody No.1
The Traditionally Subservient Role Of The Harpsichord In The Baroque Orchestra
Brandenburg Concerto No.2 (Slow Mvt)
The Piano: King Of The Tuned Percussion/Symphony No.3 'Organ' (Mvt 3)/And A Quarter Of A Century After That:
Petrushka (Russian Dance)
The Anti-Romantic Piano As An Integral Part Of The Orchestra
Music For Strings, Percussion And Celeste (Last Mvt)

Tracks:

Keyboard Instruments In The Orchestra - The Most Powerful Of Them All:
Symphony No.3 'Organ' (Finale)
But Things In Handel's Day Were Very Different.
Organ Concerto In B Flat, Op.4 No.3 (Last Mvt)
The Organ Is Difficult To Classify.
An Unexpected, Organ-related Guest
Concerto Pour Zampogna (Last Mvt)
Peasant-Fancying... And A Touch Of The Roaming Cowboy
Les Miserables (Drink With Me)
Outside Artefacts And The Power Of Association
Mahler's Sleighbells
Symphony No.4 (Opening)
A Roll-Call Of Some Unusual Guests/The Typewriter/Parade
Chains, And More/Integrales/An American In Paris/Sandpaper Ballet
Purpose-Built Oddities: Wind Machines/Symphony No.7 'Sinfonia Antartica' (Opening)
Don Quixote (Variation VIII)
National Calling Cards: The Guitar For Spain/Concierto De Aranjuez (Finale)
And The Guitar's Poor American Relative, The Banjo/Washington Breakdown
And Poorer Still, The Mouth Organ/The Treasure Of The Sierra Madre (Packing Up)
The Balalaika For Russia/Romeo And Juliet (Act II: No.14)
The Maracas For Mexico/The Treasure Of The Sierra Madre (El Desayuno)
The Bongos And Congas And A Whole Wealth Of Other Drums For Africa And Central America/Studio Example
The Sitar Of India/Evening Raga: Bhapoli
The Accordion For France (Especially Paris)/Paris Canaille
The Zither For Vienna/The Third Man (Theme)
The Cimbalom For Hungary/Folk Dances
The Guitar As An Integral Part Of The Orchestra/Rondena
There Are Whole Orchestras Of Balalaikas./Sveit Mesiats
The Effect Of The Wordless Human Voice, Used Purely As An Instrument/Symphony No.7 'Sinfonia Antartica' (Mvt 1)
Nocturnes
Instruments And the Imitation Of Nature. The Clarinet As Cuckoo
The Carnival Of The Animals (The Cuckoo)
The Flute As An All-purpose Aviary
The Carnival Of The Animals (The Aviary)
The Oboe As Duck
Peter And The Wolf (The Duck)
The Recording Of Reality. Does It Work As Well?
The Pines Of Rome (The Pines Of The Janiculum)
The Recording Of Reality Electronically Reborn In New Guises
Cantus Articus - Concerto For Birds And Orchesra (Mvt 2)
Beethoven Turns Avian: Cuckoo, Nightingale, And Quail
Symphony No.6 'Pastoral' (Andante Molto Mosso)
Some Improbable Casting: The Violin As Braying Donkey
The Carnival Of The Animals (Persons With Long Ears)
A Truly Orchestral Hee-haw To Be Reckoned With
Overture To 'A Midsummer Night's Dream'
A Thunderstorm In A Million
Symphony No.6 'Pastoral (Allegro-Allegretto)
the Instrumental Depiction Of A Silent World
The Carnival Of The Animals (The Aquarium)
Saint-Saens' Menagerie Takes A Curtain Call.
The Carnival Of The Animals (Finale)

Tracks:

The Grouping Of Instrumental Families. An Additive Approach. First, Two Violins
Forty-Four Duos (No.4)
A Great Contrast, Of Both Pitch And Character: Violin And Viola
Duo For Violin And Viola In B Flat Major, K.424 (Finale, Vars 1 & 2)/Studio Example
Arrival Of The Standard String Trio: Violin, Viola, And Cello
String Trio In B Flat (Menuetto)
The String Quartet: Two Violins, Viola, And Cello
String Quartet In F, Op.18 No.1 (Mvt 3)
The String Quintet - When The Extra Instrument Is A Second Viola
String Quartet No.5 In D, K.593 (Adagio)
The String Quintet - When The Extra Instrument Is A Second Cello
String Quintet In C (Mvt 3)
The String Sextet: Two Violins, Two Violas, And Two Cellos
String Sextet In B Flat (Mvt 2)
The String Octet: The Standard String Quaret Times Two
Octet In E Flat, Op.20 (Mvt 1)
Double The String Octet: A Fully Fledged String Orchestra
String Symphony No.2 (Finale)
The Massed Strings Of A Symphony Orchestra
Fantasia On A Theme Of Thomas Tallis
Contrasts Of Pitch And Instrumental 'Colour' In The Woodwind Section
Wind Quintet In A Minor, Op.100 No.5 (Theme)
In The First Variation It's The Horn That Gets The Lion's Share.
Wind Quintet In A Minor, Variation 1
In Variation Two The Torch Is Handed To The Bassoon.
Wind Quintet In A Minor, Variation 2
In Variation Three The Oboe Leads.
Wind Quintet In A Minor, Variation 3
Variation Four: Conversation Before Returning To A Solo-dominated Texture
Wind Quintet In A Minor, Variation 4
And Variation Five is Dominated By The Clarinet.
Wind Quintet In A Minor, Variation 5
The Next To Be Featured Is The Virtuoso Flute.
Wind Quintet In A Minor, Variation 6
Individual Farewells And A Closing Chorus
Wind Quintet In A Minor, Variation 7
A Mixed Group: Clarinet, Bassoon, Horn, String Quartet, And Double-Bass
Octet In F (Mvt 3)
The Early Classical Symphony Orchestra Of Haydn And Mozart
Symphony No.29 In A, K.201 (Finale)
Strings, Wind, But No Brass. What Haydn And Mozart Never Knew
Canzon 28
Beethoven's Fifth: Two Horns, Two Trumpets, And Three Trombones Join The Team.
Symphony No.5 (Finale)
From Beethoven To The Massive Orchestras Of Berlioz, Wagner, And Mahler
Beethoven Changed The Face Of The Symphony And The Orchestra Forever
Symphoy No.6 'Tragic' (Mvt 1)
The Cult Of Orchestral Elephantiasis Reaches Its Peak.
Symphony No.1 'Gothic' (VI: Te Ergo Quaesumus)
When Large Doesn't Necessarily Mean Loud: Debussy
Images (Gigues)
A Crisis Of Confidence; The Orchestra's Survival Hangs In The Balance, But It Still Develops. The Ondes Martenot:
Turangalila Symphony (Chant D'amour 1)
The Advent Of The 'Early Music' Movement Brings A New Vitality And Freshness.
Balle De Xerxes (Gavotte En Rondeau)
Computer And Synthesiser: Friends Or Foes?
Concerto In D Minor For Two Violins (Largo)
A Speculative Look Ahead/Mass In B Minor ('Dona Nobis Pacem')

Customer Reviews:

Instruments of the Orchestra - Great Reference Material!.......2007-04-04

This set lends itself to greatly enhancing one's knowledge of the orchestra, instruments in it, and their usage. I am a huge music buff, and I still picked up a great deal I previously did not know. I highly recommend this for all who wish to understand the origin of music, as well as the processes that are employed to create music!

Beginner or Expert.......2007-03-12

This CD is excellent for the beginner or expert! To be able to haear the instrumets separately and then together really provides a good education. and/or refresher. The book thaty comes with the CD is alomost worth the price by itself!

Very Informative and Enjoyable.......2006-11-20

Whether you're a music novice or pro, "The instruments of the Orchestra" is a very worthwhile purchase. The 7 CDs, with a total of 8 hours, are expertly narrated by Jeremy Siepmann. He's a great speaker, very much like the late Leonard Bernstein was. Mr. Siepmann takes you on an unforgetable musical journey covering the origins and use of the various orchestral instruments throughout musical history. The balance between his narration and a wealth of musical examples, which range from snippets to entire movements, is superb. The comprehensive enclosed booklet is excellent and faithfully follows the 7 CDs in content. Even with my 40+ years of music training I still learned new things from this wonderful collection. Considering the excellence of the content, and a cost that translates to about $5 per disc, this collection is a great value. Grab it, you won't regret that you did. Five solid stars!

Frank's view.......2006-08-19

This boxed set of CD's with booklet achieved all I had hoped that it would. There are good samples of individual instruments and well done commentary on each. The only drawback was that some of the samples were too brief and could have been longer, hoiwever I guess this fits in with time constraints of the medium. It has given me a lot of clues as to future purchases of CD's for listening to individual instruments. Altogeth a satisfactory purchase and a welcome addition to my collection.

Excellent Intro for Those Not Familiar with the Orchestra.......2003-11-08

I've listened to classical music for years and am interested in composition. I bought this CD set to learn how an orchestra and its instruments work. I thought the CDs would be a nice but boring lecture. They aren't! Not only are they FUN but they are informative as well. I learned a huge amount from each CD and couldn't wait to listen to the next one.

The narrator and writer is a great speaker and holds your attention well. He is definitely knowledgeable. He provides musical examples for each point he makes, so you get to "hear" what he just talked about. I'd say the CDs are about 65% music and 35% narration. You'll learn about the range of instruments, some history, different ways to play them, how they sound, and how they are used in the orchestra. This CD set was a great learning experience and is sold at such a low price!

I recommend this CD for those who want to learn about classical music and those who know about it but are interested in learning more about the inner workings of an orchestra. You'll learn much useful information. For instance, the Rite of Spring (with that eerie start) is written for bassoon! I never knew a bassoon could sound like that but now I do.

The one complaint I have is the last CD. This deals with the orchestra. I wanted more of a tour of how the orchestra has been used through history up to the present. Instead, it was a tour of how different groups of instruments sound. I thought it could have been better. The other 6 CDs are excellent.

Big: The Musical (1996 Original Broadway Cast)

Average customer rating:

didn't work for rehearsals
Big for folks doing the Musical
It's Awesome, It's Amazing, It's BIG!!!!
a lost gem
Ungodly awful

Big: The Musical (1996 Original Broadway Cast)
Richard Maltby Jr.
Manufacturer: Decca U.S.
ProductGroup: Music
Binding: Audio CD

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Big: The Musical
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ASIN: B000005AY0
Release Date: 2001-09-25

Tracks:

Overture/Can't Wait
Talk To Her/Carnival/Zoltar Speaks
This Isn't Me
I Want To Go Home
The Time Of Your Life/Fun
Josh's Welcome/Here We Go Again
Do You Want To Play Games?/Stars, Stars, Stars
Cross The Line
It's Time
Stop, Time
The Nightmare
Dancing All The Time/I Want To Know
Coffee, Black
The Real Thing
One Special Man
When You're Big/Skateboard Ballet
I Want To Go Home/Stars, Stars, Stars (Reprise)/Finale

Customer Reviews:

didn't work for rehearsals.......2007-03-22

I used this CD to help me rehearse for the BIG production I was in, but it didn't match the libretto at all. I think there was one song on there that I could use.

Big for folks doing the Musical.......2006-03-20

If you're getting this CD to help prepare for your school or community group doing the musical, there are a lot of changes from the CD to the book. Aside from finding the book in a new key and some chunks added/deleted, Here We Go Again and When You're Big aren't included anymore.

Overall, the music's a little trite, but there are some nice moments -- mostly the stuff sung by the female leads.

It's Awesome, It's Amazing, It's BIG!!!!.......2006-01-22

My high school did "Big" my sophomore year, and oh my god, it was such a fun musical to do. I kind of forgot about it until my senior year, when I suddenly craved some of that music again. So I purchased this CD and I've been loving it since. They got rid of a couple of the songs and replaced them with others as the show progressed on Broadway, so I was suprised to hear new material (to me anyways), and for the most part, I actually enjoyed these original songs over their replacements that my production contained. This cast is phenomenal and the guy who plays Josh Baskin sounds so much like Tom Hanks at points, its crazy. It's a simple, yet a bit fantastic musical about growing up, and it's funny and romantic, and a lot of fun. I love all the songs, and it's a shame it didn't do too well on B-way. At least this recording will keep the music alive.

"This Isn't Me" is one of my favorite tracks, as it's a lot of fun and has a great beat, but suprisingly it was replaced with "Good Morning to Mom", which was only so-so. "I Want To Go Home" is a great ballad that Josh sings, and its simple, a bit funny, and the ending is the best, as its cute and sad. Another song they got rid of, "Here We Go Again", is a song Susan sings, and again, I like it alot. It has a quirky melody that I like. "Stars, Stars, Stars" is another great song, and is quite cute. One of the more popular songs. "Cross The Line" is the finale to Act I and is also very excellent and up beat, and makes you want to dance. "Stop, Time" is my favorite song on the album by far. Sung by Josh's mom, it is one of the more poignant moments of the show. Heartfelt, sad, and truly beautiful, it defiantely makes you appreciate your mom. Barbara Walsh sounds superb on this: she has a great voice. I love this one. "Dancing all the Time" is another good Susan song, and it leads into "I Want To Know" by Young Josh, which is another good ballad. "Coffee, Black" is another showstopper, fun ensemble song, and again, very comedic. "One Special Man" is Susan's ballad to Josh, and it is very beatiful. My only regret is that its only 2:21 so its a short one, and I just want her to start belting at the end, but no, its a quiet ending. Still, I love this one too. The finale is great too, and features an amazing duet between Josh and Susan. I love the harmonies they do.

All in all, this is a great album. Sample the songs and give it a try. This is a must have!!

a lost gem.......2004-10-14

i saw this musical at the local high school in 2001 and was plesently suprised i of course saw the movie and the only thing i knew about this musical was it didnt stay long on broadway, so when i saw it was i shocked this is a delight cross the line still resenates in my head 5 years later.

Ungodly awful.......2004-06-19

BEWARE. This musical is perhaps one of the five worst pieces of music I have ever experienced. I began to wonder if the composer was attempting to make the world's worst musical. Listen for yourself and enjoy the disjunct vocal lines, the desperate attempt at "fun music", and - worst of all - how the highlight of the entire show both dramatically and musically is the insipidly awful "Heart and Soul". Stick to the movie because this baby is horrendous.

Average customer rating:

Can't Believe
A Must-have for the Fans, but...
God Bless the Generator!
Another monster
VdGG fans gotta have this !

Real Time
Van der Graaf Generator
Manufacturer: Fie
ProductGroup: Music
Binding: Audio CD

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Singularity
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Third

ASIN: B000MV8GWQ
Release Date: 2007-03-26

Tracks:

Undercover Man
Scorched Earth
Refugees
Every Bloody Emperor
Lemmings
(In The) Black Room
Nutter Alert
Darkness
Masks
Childlike Faith in Childhood's End
Sleepwalkers
Man-Erg
Killer
Wondering

Album Description

Two CD set from the Experimental Prog-Rock outfit that captures their reunion concert recorded in May of 2005. Branton, Hammill, Jackson and Evan are in top form throughout, with some of their most accomplished playing ever captured on a VDGG album. 13 tracks including 'Scorched Earth', 'Every Bloody Emperor', 'Nutter Alert' and more. FIE 2007

Album Details

2007 Released Audio Document of the Opening Night of the Band's 2005 Reunion Tour at London's Royal Festival Hall and Mixed by Hugh Banton. Anticipation Ran High on the Evening of May 6, 2005 as Thousands of the Group's Fans Awaited with Baited Breath as to What Would Occur During their Time in the Hall. The Ensemble Certainly Did Not Disappoint and Reviews were Absolutely Glowing, Lauding the Mix of Both Reninvented Classics from their Discography and Songs from the Reunion Album "Present". This Set Presents Every Moment of the Concert that Evening, a Magical Event that Attendees Will Never Forget.

Customer Reviews:

Can't Believe.......2007-07-05

I can't believe this concert is not coming out on DVD. This double cd is a must for any VDGG fan. Hammill has lost very little of his treasured instrument/voice. The band sounds fantastic. "Sleepwalkers" and "Arrow" have a harder edge to them, making classic tunes even better. The rest of the cd is equally as good. "Nutter Alert," "Every Bloody Emperor," "Man-Erg," and "Childlike Faith in Childhoods End" will make you stand-up and cheer as if you were there in Great Britain. BUY THIS CD then PLAY IT VERY LOUD. David Jackson will amaze as will Hammill.

A Must-have for the Fans, but..........2007-06-08

As a group that was completely obscure in their day, 30 years ago, and even more so now, it's only die-hard fans like myself who buy VdGG disks and write reviews on Amazon. So essentially every album gets 5 stars.

This is a very good recording of a historically important (for VdGG fans) concert, so it's a must-have, etc. etc. But I think it needs to be mentioned that, somewhat surprisingly, Peter Hammill flubs the lyrics from time to time - he forgets where he is and skips/repeats a verse or a line, on several occasions. Given the complexity of the material, it's forgiveable, and consistent with when I've seen him perform over the years. But it's annoying if you happen to know the lyrics by heart, as I'm sure a disturbing number of us do. So I only give it four stars.

God Bless the Generator!.......2007-06-01

You've got to admit, VDGG is a very brave band. They didn't play live for close to 30 years and decided to record and release their first night back on the stage. Any mere mortal band would have probably chosen a later performance so that they could have gotten comfortable playing again. That's what's so great about these guys, they take chances, in their lives and in the music. This collection is pretty much a greatest hits and well worth the money to any fan of the band. The musicianship, not unexpectedly, is stunning at times. I'll admit there a few rough spots, mostly towards the front of the show, but hey give the guys a break. They're not playing normal 4/4 time rock. Hugh Banton is the glue that holds everything together. He's so proficient at playing bass on the pedals that you don't miss a "true" bass-player. Hammill's always a joy to listen to (at least for me). David Jackson, who unfortunately is no longer with the band, plays his butt off. And Guy Evans is still a powerhouse. The sound quality is fine throughout. England can be proud of having produced such an extraordinary band.

Another monster.......2007-04-14

These guys are getting up there in age, but man -- this is the best ever VdGG. Wish it had a DVD showing the concert too. Let's hope the buying public gets this in droves and VdGG decides to visit us here in the USA with a tour.

Peter Hammill, please get David Jackson back in the band! PLEASE!

VdGG fans gotta have this !.......2007-03-31

If your a VdGG fan...yes, you must have this. VdGG are still powerful and rocking. I only wish I could have been there to see it. For those of you who do not know VdGG but, are looking to expand your prog rock musical horizons. I'd suggest starting with either the "Godbluff" or "Pawn Hearts" album. Turn down the lights..sit back...and take it in. VdGG are probably one of the most interesting Prog rock bands of their era who can make it rock as well. They are easily one of my favorites. Interesting time signatures, very powerful vocals, menacing organs, and some great sax playing throughout.

Average customer rating:

Fabulous
Strange Days, Indeed
One of the best
"Prog Emo" before the term existed
beautiful, incredible, spiritual, engrossing, uplifting

The Rising Tide
Sunny Day Real Estate
Manufacturer: Time Bomb
ProductGroup: Music
Binding: Audio CD

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The Fire Theft
World Waits
EndSerenading
OK Computer
Power of Failing

ASIN: B00004TQSN
Release Date: 2000-06-20

Tracks:

Killed By An Angel
One
Rain Song
Disappear
Snibe
The Ocean
Fool In The Photograph
Tearing In My Heart
Television
Faces In Disguise
The Rising Tide

Amazon.com

When the defunct Sunny Day Real Estate regrouped for How It Feels to Be Something On in 1998, the band's fans were divided. Some saw it as a collection of frontman Jeremy Enigk's most potent songs, and others dismissed it because it didn't sound like the band's previous efforts. The Rising Tide will probably thin the herd even more, not because it's a bad album but because the band once again has gone traipsing through the fields to find a new pasture in which to graze. Tide engages their emo-antics with the kind of seven-cornered songs that made up Enigk's solo release, Return of the Frog Queen, but this time they're topped with a dose of progressive-rock overdrive. It sounds a bit hard to swallow, but producer Lou Giordano deserves a hand for making a shift of sound go down smooth. --Jason Josephes

Customer Reviews:

Fabulous.......2007-06-20

I'm new to this band and thrilled to have found them. Reminds me a little of Flaming Lips. Lovely harmonic progressions, singing, sounds, and lyrics. I will now proceed to purchase every other CD by this band.

Strange Days, Indeed.......2007-01-31

I was absolutely obsessed with this CD when it came out back in 2000. This is one of those "artistic statement" albums that are difficult to pigeonhole into a category. Their music is so subversive and unusual while simultaneously being so melodic and familiar that you can almost imagine record company execs puzzling over it's marketability with furrowed brows.

Sunny Day Real Estate play a sort of post-modern alternative rock that is both original and intelligent, like an even more surreal and nihilistic Radiohead. Frontman Jeremy Enigck lays down very melodic but eerie-sounding reverb-drenched vocals over a layered, dissonant wall of distorted guitar textures, creating a very unique and dreamlike vibe. Combined with the surrealist poetic lyrics which somehow manage to be disturbing, hallucinogenic and existentialist yet hopeful at times, the overall feel of the album is very compelling and original. Bo one quite sounds like this band. The songwriting and musicianship are also top-notch, with enough hooks to get stuck in your head, but enough use of unusual chord voicings, time changes, and skillful manipulation of effects to be interesting to progressive music fans-something not often found in your standard alt-rock "emo" album. This album has the avant-garde vibe of Radiohead's "Kid A" with better songwriting, musicianship and lyrics and without the pretense. Very, very highly recommended.

One of the best.......2006-11-04

I actually discovered Sunny Day Real Estate thanks to their track on the Batman Forever soundtrack. But it is this album which made them one of my favorite bands. Killed by an Angel, One, Snibe are incredible songs that you will enjoy right away, but the rest of the album is just as good. Unfortunately I got into this band after they already split up so I never got to see them in concert. Classic.

"Prog Emo" before the term existed.......2006-08-09

In hindsight, it seems impossible that the Sunny Day Real Estate whose post-hardcore early years inspired every horrible emo band on Earth could've been the same Sunny Day Real Estate that recorded "The Rising Tide." Sonically speaking, the group that made "The Rising Tide" -- here once more a trio, after being unable to find a permanent bassist -- is to emo as Rush is to the twee-pop. Indeed, Rush provides the ideal reference point for a review of SDRE's fourth album: Sounding higher-pitched and more British-affected than ever, bassist Jeremy Enigk's vocals hit Geddy Lee territory throughout "The Rising Tide." Guitarist Dan Hoerner's chord progressions eclipse Alex Lifeson's most visceral work in standout tracks such as "Killed by An Angel" and "One." Enigk's and Hoerner's lyrics -- earnestly decrying complacency, greed and other social ills -- at times sound ripped from Neil Peart's poetry diaries. And William Goldsmith's drumming, while not as rigidly asymmetric as that of Peart, puts complex grooves and accents in all the right places. It's as if SDRE were trying to make every album they thought Rush should've cut after "Moving Pictures" -- simultaneously dark, textural, riff-based and cliche-free, and yet filled with the sort of grand, sweeping gestures and lofty arrangements one usually finds in vintage prog.

beautiful, incredible, spiritual, engrossing, uplifting.......2006-01-16

i wouldn't believe a negative word you hear about this album. i'm a sdre fan and i enjoy their albums as well, but this is the first one i heard and it's captivated me from the first listens. i've listened to it a million times and it never fails to leave me uplifted - it's like a breath of fresh air.. but it rocks! the band is just really amazing here.. i would go so far as to say it's sdre at their VERY BEST. this is their PEAK. some people claim it's too prog-ish, and yes, it does bear a resemblance to rush due to the high vocals and prominent bass, but who cares? the songs are amazing. it's also interesting to see how their sound evolved through their different albums to end up here.

I Don't Want to Go Home/This Time It's for Real

Average customer rating:

southside johnny still has it
Excellent Value for the money
A Jukes two-fer that deserves space on your CD rack!
Highly Recommended
Music speaks for itself

I Don't Want to Go Home/This Time It's for Real
Southside Johnny & the Asbury Dukes
Manufacturer: Beat Goes On
ProductGroup: Music
Binding: Audio CD

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Hearts of Stone
Better Days
Restless Heart
The Best of Southside Johnny & the Asbury Jukes
INTO THE HARBOUR

ASIN: B0001IW2Q6
Release Date: 2004-04-05

Tracks:

I Don't Want to Go Home
Got to Get You Off My Mind
How Come You Treat Me So Bad - Lee Dorsey, Southside Johnny
Fever
Broke Down Piece of Man
Sweeter Than Honey
Fanny Mae
It Ain't the Meat (It's the Motion)
I Choose to Sing the Blues
You Mean So Much to Me - Southside Johnny, Ronnie Spector
This Time It's for Real
Without Love
Check Mr. Popeye - The Coasters, Southside Johnny
First Night - Satins 4 & the Cinnamon Angels, Southside Johnny
She Got Me Where She Wants Me
Some Things Just Don't Change
Little Girl So Fine - The Drifters, Southside Johnny
I Ain't Got the Fever No More
Love on the Wrong Side of Town
When You Dance

Album Details

Formed by Southside and Steve Van Zandt, These Albums were Originally Released in 1976 and 1977 Respectively.

Customer Reviews:

southside johnny still has it.......2006-08-22

a good sound from the southside johnny band,can't wait to see them @ the end of the week!!!

Excellent Value for the money.......2006-08-07

If you're searching for Southside Johnny albums, you're going to definitely want the first 3, which are not really easily found these days in the US. The best-of is good, but you really owe it to yourself to hear the first 3 records, complete. Since the 3-fer box is out of print, you should pick this cd up (it's a UK import) and then go score a copy of Hearts of Stone (total s/b around $30 all-in) and you'll add three essential Jersey albums to your collection. They're must-hears for fans of Bruce, a testimony to Miami Steve's genius, songwriting & production chops and good taste, and SSJ and the Jukes ain't too shabby live either (if you get a chance to see them).....

A Jukes two-fer that deserves space on your CD rack!.......2005-04-09

Let's just say Bruce Springsteen was the other guy who helped contribute to the "Asbury sound". It always amazes me how many Springsteen fans know so little about Southside Johnny & The Asbury Jukes. That is truly a shame. These first two albums reissued on a single CD is a fine place to start for anybody yearning for some great rock & roll with one of the finest singers & a crack horn section to boot. Oh, the guest appearances are great too, Lee Dorsey & Ronnie Spector duet with Johnny on a couple of numbers. Springsteen & Van Zandt contribute heavily to the writing & arranging of these 1st two albums. Steven Van Zandt was then still a member of The Asbury Jukes before becoming a full-time E Streeter behind Bruce. The fact that Southside Johnny & The Asbury Jukes have not yet been considered for the Rock & Roll Hall of Fame is an injustice. For more info on Jukes CDs not available here-go to southside johnny.com. Southside Johnny & The Asbury Jukes are America's best kept secret.

Highly Recommended.......2004-09-10

Superb songwriting, soulful singing, and the band ROCKS! These are the first two albums of that great Jukes Triumvirate. I bought "This Time It's For Real" at the time of its release, and I still listen to it at least once a week. This music is like fine wine - it only gets better with age. If these don't move you to your soul, nothing will. . .

Music speaks for itself.......2004-05-14

If you are reading this, then you know the music itself is 5 stars. I beleive the liner notes are rather extensive than the originals, and possibly re-mastered. But c'mon, Amazon, the Asbury DUKES? It's the Asbury Jukes...this ain't Hazzard County.

Average customer rating:

Breathtaking
Another beautiful hit
WOW!!
Another Winner

Dreaming In Real Time
Shanti Shanti
Manufacturer: Blue Halo Productions
ProductGroup: Music
Binding: Audio CD

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Shanti Shanti
Walkin' With the Devas
Dreaming in Real Time: The Shanti Shanti Story
When Angels Dream
East Meets South

ASIN: B00009W5C9
Release Date: 2003-02-09

Tracks:

Meditation To The Divine Mother
Angels Inside
Vedic Lullaby
Narayana Upanishad
Stay Within the Light
Narayana Suktam
Dreaming In Real Time
Language Of The Gods
Beloved Son/Stay With Me
Raag: Saraswati
Song of Compassion
Shri Suktam
Celtic Saraswati
Walkin' With the Devas (Live in Scotland)

Customer Reviews:

Breathtaking.......2007-02-03

I've never heard of Shanti Shanti until I heard Celtic Saraswati on the music channel: Soundscapes on Cable. I was hunting for some violin pieces on different music genres.

When I switched to Soundscapes for new age/world music/folk, I then heard an enchanting violin piece: Celtic Saraswati. Searched Amazon, Bought the CD. What a breath of fresh air. I love the mellow sound of Vedic Lullaby and the upbeat Language of the Gods. The track that was unusual, yet unique was Dreaming in Real Time.

If you want to explore your music world, Shanti Shanti should be one of your stops.

Another beautiful hit.......2006-11-23

I have been a fan of this group (two sisters) for some time. Their music is different and breath taking. I enjoy listening to the sanskirt and now realize why it is considered the mother tongue for most of the languages of today.

WOW!!.......2004-01-09

I just recently purchased this album. It is absolutely wonderful! There is a lot of vibration raising energy here. If you are reading this review, go ahead and purchase the album. You will not regret your decision.

Another Winner.......2003-09-01

Anther aesthically beautiful composition by the best of talent.
Makes me want to learn Sanskrit.

Average customer rating:

Great CD
Real Time...Real Music...Real Joy
One of my All-Time Favorites
Excellent album
This is an incredible album.

Real Time
Tim O'Brien & Darrell Scott
Manufacturer: Full Light Records
ProductGroup: Music
Binding: Audio CD

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Fiddler's Green
Live In NC
The Invisible Man
Cornbread Nation
Traveler

ASIN: B0007GADWC
Release Date: 2005-02-22

Tracks:

Walk Beside Me
With A Memory Like Mine
Weary Blues From Waiting
A House Of Gold
More Love
There Ain't No Easy Way
Little Sadie
Helen Of Troy, Pennsylvania
Five Rooms
Long Time Gone
I'm Not Gonna Forget You
Keep Your Lamp Trimmed And Burnin'
The Second Mouse

Amazon.com

The fruit of an ever-blossoming musical friendship, O'Brien and Scott's first co-billed collaboration recalls classic outings by Ricky Skaggs and Tony Rice, or the O'Kanes. Handling all of the various stringed instruments, the two lean into assorted originals, classic Hank Williams (including a stunning a cappella "A House of Gold"), and hill-country traditionals as if looking to move mountains. O'Brien has become a household name for acoustic aficionados, but Scott's dirty tenor and clever songwriting should win him new fans. Lines such as "When I was a young boy, I learned to play the guitar / It was me and ol' Jimmy Beam down at the local bar / I lost my childhood but I earned me a trade / There ain't no easy way" help explain why Scott has graduated from sideman to full-fledged partner. For his part, O'Brien plays like a wizard and sings like one of the elect. Spare and old-timey as a woodshed, driving as a steam-powered train, Real Time is as real as folk music gets. --Roy Kasten

Customer Reviews:

Great CD.......2007-07-13

This is one of the best CD's I own. I had bought it for my brother a few years ago and loved it so much that I had to buy one for myself. It is Darrell Scott and Tim O'Brien at their best. It is simple and straight forward and not overproduced. It's like you are sitting and listening to them singing live in a personal concert.

Real Time...Real Music...Real Joy.......2007-03-11

I have been a fan of Tim O'Brien since his days with Hot Rize. This duet album with like-minded multi-instrumentalist Darrell Scott only reaffirms my opinion of O'Brien as one of the greatest folk artists performing today. While Scott may not be a household name (he appeared on both of O'Brien's two solo Howdy Skies outtings: 1999's "The Crossing" and 2001's "Two Journeys"), he complements O'Brien nicely playing mandolin, banjo and guitar. O'Brien plays mandola, mandolin, guitar, bouzouki and banjo. The two share lead vocals on the Hank Williams tune "Weary Blues from Waiting"; otherwise, they alternate between lead and harmony vocals, including a lovely acapella reading of Hank Williams' "A House of Gold." The rest of album consists of O'Brien and Scott originals, along with two traditional tunes ("Little Sadie" and "Keep Your Lamp Trimmed and Burning"). The album closes with the playful "The Second Mouse" including kazoo, toy trombone, slide whistle, harmonica and toy guitar accompaniment--it's a hoot! The album title is explained in the liner notes: "We sat across from each other and played these songs in real time in Darrell's living room." Real time. Real Music. Real Joy. [Running Time - 51:04] HIGHLY RECOMMENDED

One of my All-Time Favorites.......2006-12-04

I enjoy all genres of music, and this CD ranks in my top 10 favorites. I too saw Scott and O'Brien play at the Bristol Rhythm and Roots Festival and agree that it was absolutely amazing. In fact, we went just to see these two perform, and were delighted when they joined each other on stage.

This is one CD I will always recommend to friends and coworkers. I love it.

Excellent album.......2006-06-23

I own some of Tim O'briens work and some of Darrell Scott's work, and I enjoy this album more than either of them. The collection of songs, and the collaboration of these 2 musicians makes this the kind of album you can sit and listen to straight through...then listen again and again for years. As one of the other reviewers said, its hard to believe these were recorded in a living room. Unless you just can't stand banjos, guitars and mandolins, you'll enjoy this album.
The tunes are mostly what I'd describe as "lively". Some might fall into the "heartfelt" category as well.

This is an incredible album........2005-11-15

I have long been a Tim O'Brien fan, but it was just this September that I was introduced to Darrell Scott at the Bristol Rhythm and Roots Reunion. It was one of the few musical moments in my life that left me sitting in the audience with my mouth wide open. On a beautiful Sunday afternoon I heard Tim O'Brien and Darrell Scott play a number of the tunes from this album as they played together during their respective sets. It was, simply, magical.

Perhaps my favorite tune on this album is "With a Memory Like Mine." Scott told the story of his dad (also a songwriter) writing the lyrics to this tune back in the 60s when it seemed that some of the Scott boys might be drafted to fight in Vietnam. This is one powerful tune.

If you like great pickin' and great songwriting, this is an album for you. The chemistry between O'Brien and Scott is otherworldly - you have to hear it to believe it.

Average customer rating:

Multi-talented Dynamo!
DEANNA ROCKS AGAIN !
Great music

Real Time
Deanna Bogart
Manufacturer: Blind Pig
ProductGroup: Music
Binding: Audio CD

General | Blues | Styles | Music

Electric Blues Guitar | Blues | Styles | Music

Modern Blues | Blues | Styles | Music

Jump Blues | Blues | Styles | Music

Piano | Blues | Styles | Music

General | Jazz | Styles | Music

Boogie-Woogie | Traditional Jazz & Ragtime | Jazz | Styles | Music

General | R&B | Styles | Music

General | Rock | Styles | Music

Pop Rock | Pop | Styles | Music
Similar Items:

Timing Is Everything
Crossing Borders
Dirty Deal
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Lucky 13

ASIN: B000H9I0WE
Release Date: 2006-09-12

Tracks:

Real Time
Everybody Has A Story
Blue By Night
Are You Lonely For Me Baby
Blues In The 'Bine
Baby You Got What It Takes
Tender Days
Bite The Bullet
Wonder What The Weather Is Today
Table For Three

Album Description

After interning in western swing and R&B with Cowboy Jazz and Root Boy Slim, Bogart has fronted her own tight ensemble for over fifteen years. Playing dazzling piano and soulful saxophone, Deanna's added the energy of boogie-woogie, contemporary blues, country, and Nora Jones-like jazz to create a unique fusion of musical styles. Her vocals and songwriting are as full of vitality as her playing - savvy, sensuous, and deep.

Customer Reviews:

Multi-talented Dynamo!.......2007-06-15

Wow, Deanna Bogart showcases all her many talents on this latest disc: sexy sax, smoky-bluesy vocals, well-crafted tunes, insightful lyrics, crazyfingered keyboards. Bogart defies pigeonholing, and this album runs the gamut from rockin' blues to piano and sax boogies to soulful ballads to a "martini jazz" instrumental. I keep one in my car for lively driving, and another at home for careful earphone listening.

DEANNA ROCKS AGAIN !.......2007-02-05

I have been loving Deanna Bogart (from a distance) for many years - hey, and her music too! In my humble estimation, this is her BEST album so far. I look forward to her live performances in the MD, DC, PA area.

Tom Hillegass

Great music.......2007-02-04

Great music. If you ever have a chance, go see her in concert. She plays in Maryland, Delaware and Penn.

DRG 25th Anniversary Show Stopping Performances

Average customer rating:

Great compilation
A disappointment

DRG 25th Anniversary Show Stopping Performances

Manufacturer: Drg
ProductGroup: Music
Binding: Audio CD

General | Classical | Styles | Music

General | Opera & Vocal | Styles | Music

Modern & 20th Century | Historical Periods | Opera & Vocal | Styles | Music

Musical Theater | Vocal Non-Opera | Opera & Vocal | Styles | Music

Movie Soundtracks | Soundtracks | Styles | Music

General | Soundtracks | Styles | Music

General | Musicals | Broadway & Vocalists | Styles | Music

General | Broadway & Vocalists | Styles | Music

General | Vocal Pop | Pop | Styles | Music

Broadway & Vocalists | Indie Music | Stores | Music

General | Soundtracks | Indie Music | Stores | Music
Similar Items:

Barbara Cook at the Met with Special Guests
Curtains (2007 Original Broadway Cast)
110 in the Shade (2007 Broadway Revival Cast)
ABC (Adler, Bock, Coleman)
The Drowsy Chaperone (2006 Original Broadway Cast)

ASIN: B00005Q6IN
Release Date: 2001-10-23

Tracks:

A Day In Hollywood A Night In Ukraine: Just Go To The Movies - Priscilla Lopez/David Garrison/Frank Lazarus/Stephen James/Peggy Hewett/Kate Draper
Babes In Arms: I Wish I Were In Love Again - Christopher Fitzgerald Jessica Stone
Pal Joey: Bewitched, Bothered And Bewildered - Patti LuPone
Gentlemen Prefer Blondes: Diamonds Are A Girl's Best Friend - KT Sullivan
Nunsense: I Just Want To Be A Star - Christine Anderson
Louisiana Purchase: Wild About You - Debbie Gravitte & New York Voices
Oil City Symphony: Beaver Ball At The Bug Club - Mike Craver/Mark Hardwick/Debra Monk/Mary Murfitt
Falsettoland: The Baseball Game - Michael Rupert/Chip Zien/Faith Prince/Janet Metz/Heather MacRae/Stephen Bogardus
Very Good Eddie: Isn't It Great To Be Married? - Virginia Seidel/Spring Fairbank/Charles Repole/Nicholas Wyman
The Fantasticks: A Perfect Time To Be In Love - Harvey Schmidt
Call Me Madam: You're Just In Love - Tyne Daly/Lewis Cleale
Taking My Turn: Fine For The Shape I'm In - Margaret Whiting/Marnie Nixon/Cissy Houston
A Party With Betty Comden & Adolph Green: The French Lesson - Betty Comdon/Adolph Green
The Madwoman Of Central Park: Better - Phyllis Newman
Greenwillow: Never Will I Marry - Anthony Perkins
Song Of Singapore: I Can't Remember - Loretta Swit & Company
Tintypes: Elite Syncopation/I'm Goin' To Live Anyhow, 'Til I Die - Lynne Thigpen
I Love My Wife: Someone Wonderful I Missed - Joanna Gleason/Ilene Graff
The Good Companions: The Pleasure Of Your Company - Malcolm Rennie/Christopher Gable
Forbidden Broadway 20th Anniversary: Liza One-Note - Christine Pedi
Meet Me In St. Louis: The Trolley Song - Donna Kane & Ensemble

Tracks:

4 Guys Named Jose...And Una Mujer Named Maria!: Feel It - Philip Anthony/Henry Gainza/Allen Hidalgo/Ricardo Puente
Fame - The Musical: There She Goes!/Fame - Natasha Rennalls & Ensemble
Do Re Mi: What's New At The Zoo? - Heather Headley/The Animal Girls
High Society: Once Upon A Time/True Love - Melissa Errico/Daniel McDonald
Tenderloin: Artificial Flowers - Patrick Wilson
State Fair: Driving At Night/Our State Fair - Company
Kiss Me, Kate: Were Thine That Special Face - Brian Stokes Mitchell
Black And Blue: Black And Blue - Linda Hopkins/Ruth Brown/Carrie Smith
The Green Bird: O Foolish Heart - Company
Out Of This World: From This Moment On - Marin Mazzie/Gregg Edelman
The Boys From Syracuse: This Can't Be Love - Davis Gaines/Sarah Berry
Snoopy!!!: Poor Sweet Baby - Pamela Myers
SeesawNobody Does It Like Me - Michele Lee
March Of The Falsettos: I Never Wanted To Love You - Michael Rupert/Stephen Bogardus/Alison Fraser/Chip Zien/James Kushner
Lunch: Perfectly Alone - Carol Burnett
3hree: Foolish Dreamin'/Something Beautiful/Real Enough To Change My Mind - Jessica Molaskey/Will Gartshore/Rachel Ulanet
Lucky In The Rain: Love Me As If There Were No Tomorrow - Barbara Cook
Godspell: All Good Gifts - Sal Sabella & Company
The Act: Walking Papers - Liza Minnelli & Company

Customer Reviews:

Great compilation.......2002-05-10

I don't actually own this particular compilation, however, since I own nearly every recording represented on these discs...I think I'm qualified to comment. This is a wonderful representation of the high quality of work that DRG Records does.
The previous review is way off the mark. This is definitely not a waste of time or money. This is 25 years of preserving Broadway shows, Off-Broadway shows, studio recordings (mostly from the city center concerts), etc. So what if they "aren't as good as the original", DRG is preserving many recordings and artists that other mainstream labels don't or won't. You have wonderful recordings from Brian Stokes Mitchell, Nathan Lane, Debbie Gravitte, Tyne Daly, Anthony Perkins, Joanna Gleason, Marin Mazzie, Carol Burnett, Heather Headley, Patti LuPone, Barbara Cook, etc., and many of these are from Original Cast Recordings just as they appeared on Broadway. This is an excellent sampler of the work going on at DRG. No...I'm not an employee...just an avid listener and collector of theatre recordings.

A disappointment.......2001-12-15

There's a reason you've probably never heard of most of the songs and shows on this album, not to mention most of the artists. This is a second-rate collection of second-rate numbers performed by mostly second-rate artists. In the case of the shows that were revivals, the performances on the original cast recordings were better. Don't waste your money.

Music:

Music