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  22. Red House Painters [II]
  23. Hot Animal Machine+6 Bonus Ep
  24. Life Time
  25. Live in Australia 1990
Power in the Blood
Average customer rating: 4.5 out of 5 stars
  • Blood Type: A+
  • Most original band I've heard in YEARS
  • Take all that crap you like and throw it in a blender...
  • Acoustic Power is worth it all
  • The world's best unknown band part 3
 Power in the Blood
A3
Manufacturer: One Little Indian Us
ProductGroup: Music
Binding: Audio CD

GeneralGeneral | Alternative Rock | Styles | Music
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Similar Items:
  1. Last Train to Mashville, Vol. 2
  2. Outlaw
  3. La Peste
  4. The Sopranos: Music From The HBO Original Series
  5. Come On In

ASIN: B0000AKY59
Release Date: 2003-08-12

Tracks:

  1. Two Heads
  2. Power In The Blood
  3. Reachin'
  4. Woody Guthrie
  5. Year Zero
  6. R.EH.A.B.
  7. Strobe Life
  8. R.EH.A.B.
  9. The Moon Has Lost The Sun
  10. Let The Caged Bird Sing
  11. Yellow Rose
  12. Bullet Proof
  13. Badlands
  14. Lord Have Mercy
  15. Come On Home

Tracks:

  1. Woke Up This Morning
  2. Power In The Blood
  3. Disneyland Is Burning
  4. U Don't Dans 2 Tekno Anymore
  5. Year Zero
  6. Mansion On The Hill

Product Description

1. Two Heads
2. Power In The Blood
3. Reachin'
4. Woody Guthrie
5. Year Zero
6. The Devil Went Down to Ibiza
7. Strobe Life
8. R.E.H.A.B
9. The Moon Has Lost The Sun
10. Let The Caged Bird Sing
11. Yellow Rose
12. Bullet Proof
13. Badlands
14. Lord Have Mercy
15. Come On Home

*First 10K CDs have bonus acoustic disc included
1. Woke Up This Morning
2. Power In The Blood
3. Disneylad Is Burning
4. U Don't Danse 2 Tekno Anymore
5. Year Zero
6. Mansion On The Hill

Format: CD

Amazon.com

With Power in the Blood, A3 may have finally gotten everything right. Their first album, as good as it was, came across as a bit of a novelty record (maybe the world just wasn't quite ready for a mix of country and techno music?). Their second album, La Peste, upped the production stakes a bit too much, to the sacrifice of their country soul. So it's reassuring that Power in the Blood takes the best bits of both previous releases, resulting in their best album yet. It's still as slickly produced as the best dance music (they are, after all, labelmates with Bjork), but they manage to infuse their electronics with genuine heart and soul--they may be the first dance act that would sound just as good unplugged. Best of all, they manage to combine guitars and drum machines with catchy anti-establishment songs while never fully lapsing into the dubious realm of Chumbawamba, which is why it's perfectly acceptable to dance along to the banjos and fiddle on standout track "Woody Guthrie", even if it does boast a chorus that says "Don't need no country / Don't fly no flag / Cut no slack for the Union Jack / Stars and Stripes have got me jetlagged". Granted, Power in the Blood is not a perfect album--it's too long and the lyrics get a bit preachy and heavy handed--but it is a good one. The lyric "Mommas don't let your babies grow up to be DJs" (on the superbly-titled "The Devil Went Down to Ibiza") is alone worth the price of admission. --Robert Burrow

Customer Reviews:

5 out of 5 stars Blood Type: A+.......2007-02-10

A3 has done it again. Their first album, "Exile on Coldharbour Lane," was a western-gospel inspired acid house party album, a blossoming transufsion of sparkling wit and musical genius. Their second album, "La Peste," was a darker, earthier treatise on pain, regret, and hope. "Power in the Blood," their third album, mixes the country harmonics and electro-house frequencies of the one with the crooning prison-cell flavor of the other, making for a product that is soulfully liquid but buzzing with dance-floor energy.

As always, the lyrics are rather political (in some cases, their message is almost too weighty to take -- see "Lord Have Mercy"), but this rarely gets in the way of their remarkably unique sound. As before, they slide between beautiful extremes, offering up uncut house with "Strobe Life" and acoustic spiritualism with "Let The Caged Bird Sing." There is the wickedly funny ("Yellow Rose"), the playfully ironic ("R.E.H.A.B."), the incriminating ("Woody Guthrie"), and the delightfully dark ("Power In The Blood").

The blend is wickedly sharp as usual. Their mix of soothing prarie psalms with the sneering static of hard house is something I never get tired of, a combo that lights a fire behind and beneath each of the songs. A3 is still belting out the beats, and they're still doing it in a way you have very likely never heard of before.

5 out of 5 stars Most original band I've heard in YEARS.......2005-06-18

If you're not listening to Alabama 3 (A3 in the U.S.) you are definitely missing out on some amazingly original and refreshing music. This is the best "NEW" stuff I've heard in maybe 10 years. Thank goodness for "The Sopranos" which turned me on to the band(theme song).

These guys don't even fit into a typical genre . . . we might need to invent one just for them. From the intense beats of the title track to the gospel beauty of REHAB, this album (and all of their albums) are filled with profound lyrics and a broad mixture of vocal and instrumental variety. One listen and you'll be ordering all of their albums.

4 out of 5 stars Take all that crap you like and throw it in a blender..........2003-11-23

So you like music, huh? You're picky too, eh? You say you like a little country, a dab of electronica, some crazy-cool techno, acid jazz, rock AND the blues!!!??? Well, why not listen to all of them at the same time? Alabama 3 can help you do just that, my little friend!! This disc has everything you'd ever want readily available to you, the demanding listener.

4 out of 5 stars Acoustic Power is worth it all.......2003-10-28

Power in the Blood is my least favorite album by this band. Having grown up in the south and in a gospel church most of my life, I loved the fusion of music styles on the first two albums. Power, is more of a pure house flavor, and Im not a big fan of house. Alas, I am an Alabama 3 fan and I have both the 1 CD England version and the US 'A3" 2CD album of Power, that has the 2ed CD Acoustic Power. It was worth it for these cool country flavored tunes from their albums.
Id do it again.

4 out of 5 stars The world's best unknown band part 3.......2003-09-20

Power in the blood is a melting pot of the first two albums from Alabama 3 (A3 in America.) With the deep dark gritty blues from La Peste to the sweet upbeat country groove of Exile on Coldharbour lane. But with mixing the two it still falls slightly short of it's predecessors. I feel the flashy production took a bit away from the band being musicians. No harmonica and less acoustica shifts "Power" to a more Moby atmosphere. It's great album in itself but Exile and Le Peste really shows what this band can do. The album kicks off with a short little acoustic story that always makes me smile. Then rips into the album's title track with great lyrics but again turns me off a bit with the techno. The album's first single "Reachin" gives us the A3 we all know and love; smooth tranquility. Other tracks that stick out above the rest are Woody Guthrie, R.E.H.A.B. and Let the Caged Bird Sing which sound like sweet leftover Exile work and Load Have Mercy has a haunting Le Peste groove. New fans of A3; I'd pick up the albums in order to really appreciate a great band's original sound and progression.
Instruments of the Orchestra
Average customer rating: 4.5 out of 5 stars
  • Instruments of the Orchestra - Great Reference Material!
  • Beginner or Expert
  • Very Informative and Enjoyable
  • Frank's view
  • Excellent Intro for Those Not Familiar with the Orchestra
 Instruments of the Orchestra
Various Artists
Manufacturer: Naxos
ProductGroup: Music
Binding: Audio CD

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Similar Items:
  1. Britten: Young Person's Guide to the Orchestra Op34; Simple Symphony Op4
  2. The Life and Works of Ludwig van Beethoven
  3. What to Listen for in Music
  4. Study of Orchestration, Third Edition
  5. The Life and Works of Frédéric Chopin

ASIN: B00006O0NT
Release Date: 2002-12-03

Tracks:

  1. Overture To 'Tannhauser'
  2. Domna, Pos Vos Ay Chausida
  3. We Don't Merely Use Instruments, We Play On Them. And They Play On Us.
  4. Hungarian Dance No.7
  5. The Violin Is One Of The Most Tender And Beautiful Instruments Ever Invented.
  6. Violin Concerto In D Major (Adagio)
  7. But For A Long Time It Was Seen As The Instrument Of The Devil.
  8. The Soldier's Tale: Triumphal March Of The Devil
  9. The Manipulative Seductiveness Of The Gypsy Violin.
  10. Csardas Music
  11. The Violin And The Initiation Of Nature
  12. The Four Seasons (Spring, Mvt 1)
  13. Birds Are Again Evoked In The Second Concerto, Especially Music's Natural Favourite.
  14. The Four Seasons (Summer, Mvt 1)
  15. Like The Devil, The Violin Is A Master Of Disguise.
  16. Old Viennese Dance No.3 'Schon Rosmarin'
  17. The Menacing Sensuality Of Ravel's Tzigane: A Very Different Side Of The Violin:
  18. Tzigane
  19. Do We Now Have The True Measure Of This Instrument? Not Just Yet.
  20. Caprice No.24
  21. The Many Effects Of The String Tremolando: Brandenburg Concerto No.4 (Last Mvt)/From Joy To Fright/Quartettsatz In C Minor/The String Tremolo Practically Spells The World Agitato.
  22. Variations On A Theme Of Frank Bridge (No.7)
  23. Prokofiev's Tremolo In Romeo And Juliet Should Not Be Heard Just Before Bedtime.
  24. Romeo And Juliet: Act IV
  25. Vivaldi Use It To Illustrate The Shivering Of Travellers Crossing The Ice.
  26. The Four Seasons (Winter, Mvt 1)
  27. The Violin Muted
  28. Clair De Lune
  29. The Gentleness Of Muted Strings Persists Even When A Whole Orchestra Plays.
  30. Piano Concerto No.21 In C Major, K.467 (Slow Mvt)
  31. The Pizzicato Violin
  32. Pizzicato Polka
  33. In Prokofiev's Second Violin Concerto, The Accompaniment Is Pizzicato.
  34. Violin Concerto No.2 In G Minor (Slow Mvt)
  35. Varieties Of Pizzicato: Colas Breugnon (The People's Feast)/Now A Drier, Leaner, Hungrier Pizzicato. There's Not A Lot Of Comfort Here./Capriol Suite (Tordion)/The Use Of Pizzicato As 'Percussion'/Romeo And Juliet (Act I)/Mahler Used Pizzicato...
  36. The Planets (Mars - The Bringer Of War)
  37. The Technique Of Double-Stopping Enables The Violin To Play Duets With Itself./Sonata No.3 In C Major For Unaccompanied Violin (Fugue)/Now A Later Example Of The Same Technique
  38. Hungarian Dance No.4
  39. Double-Stopping Is A Standard Feature Of A Lot Of Folk Music.
  40. The Four Seasons (Autumn, Mvt 1)
  41. Now The Same Technique, But The Sound Might Have Come From Another World.
  42. Bolero
  43. Double-Stopping Can Only Approximate The Sound Of A Real Violin Duet.
  44. Cadenza To The Violin Concerto By Brahms
  45. Now Compare That With A Real Violin Duet.
  46. Forty-Four Duos (No. 1: Teasing Song)
  47. Another Duo By Bartok, Demonstrating The Violin's Rich Lower Register
  48. Forty-Four Duos (No.2: Maypole Dance)
  49. And Now What May Be The Most Beautiful Accompanied Violin Duet In History
  50. Concerto In D Minor For Two Violins (Largo)
  51. The Soul Of The Violin Is In Song; But What About This Weird Passage?
  52. Violin Concerto No.1 In D Major (Mvt 2)
  53. The Use Of Harmonies In The Orchestra Can Be Both Magical And Unsettling.
  54. Symphony No.1 'Titan' (Mvt 1, Opening)
  55. Tchaikovsky's Use Of Harmonics In The Sleeping Beauty Is Both Strange And Darling.
  56. The Sleeping Beauty (Act II, No.15: Entr'Acte)
  57. Ravel's Harmonics In Mother Goose Effect A Magical Transformation.
  58. Ma Mere L'Oye - Mother Goose (Beauty And The Beast)
  59. Stravinsky's Harmonics In The Firebird Transport Us Almost Into Another World./The Firebird (Introduction)
  60. The Natural Upper Notes Of The Violins Have A Unique Emotional 'Grab'.
  61. Also Sprach Zarathustra (Of The Afterworldsmen)
  62. Still In Their Upper Register, The Violins Unleash The Energy Of A Young Colt.
  63. Variations On A Theme Of Frank Bridge (No. 4)
  64. Elsewhere, Britten Uses The Same High Register To Create A Very Different Mood.
  65. Four Sea Interludes (Dawn) From 'Peter Grimes'
  66. To End This Outing With The Violins, A Charming Little Elfin Dance
  67. Elfenreigen

Tracks:

  1. Introduction To The Viola
  2. Viola Concerto (Mvt 1)
  3. Khatchaturian Gets A Very Different Sound From It: Fuller, Fruitier, More Exotic.
  4. Gayane Suite No.1 (Armen's Solo)
  5. Very Nearly The Whole Of The Violin's Upper Register Is Also Available To The Viola.
  6. Passacaglia, Op.33b From 'Peter Grimes'
  7. The Viola Can Bring A Special, Rich Twanginess To Pizzicato That The Violins Lack./Don Quixote/Berlioz Drew Sounds From It That Retain Their Metallic Strangeness Even Today.
  8. Harold In Italy (Mvt 4)
  9. The Muted Viola: Intimate, Gentle, Poignant In Dvork
  10. Cypresses (No.9)
  11. The Massed Violas Of The Modern Symphony Orchestra In Mahler
  12. Symphony No.4 (Mvt 3)
  13. The 'Period' Viola In Bach
  14. Brandenburg Concerto No.6 (Last Mvt)
  15. The Cello: A Voice Of Unique Nobility
  16. Suite No.1 For Unaccompanied Cello (Prelude)
  17. Brahms And The 'Soul' Of The Cello
  18. Piano Concerto No.2 In B Flat Major (Mvt 3)
  19. Most Orchestral Composers Tend To Emphasize The Cello's Lower Register.
  20. Cantata 'Herz Und Mund Und Tat Und Leben', BWV 147 (Soprana Aria: Bereite Dir, Jesu)
  21. In The Time Of Beethoven The Cello Remained As Fundamental As Ever.
  22. Symphony No.3 'Eroica' (Finale)
  23. But The Cello Is Not Condemned To Spend Its Life In The Basement.
  24. Elfentanz, Op.39
  25. Not Only In Recital Showpieces Like That Is The Cello Is Used In Its Highest Register.
  26. The Protecting Veil (Opening)
  27. A Cello With An Identity-Crisis: The Pizzicato Flamencan
  28. Flamenco
  29. Double-Stopping In The Lower Reaches Of The Cello's Range
  30. Solo Suiet For Cello And Piano (Sardana)
  31. It's In The Middle Register That The Cello Really Comes Into Its Own.
  32. Oriental Dance, Op.2 No.2
  33. It Was To The Cellos That Beethoven Gave Two Of His Most Famous Themes./Symphony No.5 (Mvt 2)/Still More Famous Than That Theme Is This One From The Ninth Symphony.
  34. Symphony No.9 (Finale)
  35. Introduction To The Double-Bass
  36. The Carnival Of The Animals (The Elephant)
  37. But The Double-Bass Can Be Intensely Expressive And Graceful.
  38. Elegy No.1 In D Major
  39. The Range Of The Double-Bass Is The Greatest Of All The String Instruments/Allegro Di Concerto, 'Alla Mendelssohn'/And It's Also Capable Of Very Considerable Virtuosity.
  40. Capriccio Di Bravura
  41. Double-Bass Solos In Orchestral Scores Are Rare But Often Memorable./Symphony No.1 'Titan' (Mvt 3)/In His Third Symphony Mahler Makes A Very Different Use Of The Instrument./Symphony No.3 (Mvt 1)
  42. The Double-Bass Muted In Prokofiev/Lieutenant Kije Suite (Kije's Wedding)/In Another Work Prokofiev Uses The Double-Bass To Enhance The Winds./Romeo And Juliet (Act III)/And He Combines The Bass Clarinet With A Shivering Tremolo From The Double-Basses....
  43. Symphony No.5 (Mvt 3)/So Much For The Strings/On Now To The Winds

Tracks:

  1. The Antiquity And Magic Of The Flute
  2. Prelude A L'Apres-Midi D'Un Faune
  3. The Versatility And Agility Of The Flute
  4. Orchestral Suite No.2 In B Minor (Badinerie)
  5. The Flute In Fifteenth-Century Spain
  6. Sa'Dawi
  7. Other Flutes: The Bass And Alto
  8. Chamber Music No.II
  9. The Piccolo - Aptly Named
  10. La Naissance D'Osiris (Mvt 6)
  11. From A Piccolo Of The Eighteenth Century To One Of Its Descendants In The Twentieth
  12. Suite No.1 For Small Orchestra (Valse)
  13. A Variety Of Techniques
  14. Chamber Music No.II
  15. Flutter-Tonguing. But Tchaikovsky Got There Eighty Years Before.
  16. The Nutcracker (Act II, No.2: Scene)
  17. From The Transverse To The Vertical: The Baroque Recorder
  18. Recorded Suite In A Minor (Menuet II)
  19. An Unfamiliar, Early Vision Of The Instrument
  20. Naelden, Naelden
  21. The Bachian Oboe
  22. Cantata 'Ein Feste Burg Ist Unser Gott', BWV 80 (No.7: Duetto)
  23. Introduction To The Cor Anglais Or 'English Born'
  24. Symphony No.9 'From The New World' (Mvt 2)
  25. The Loneliness Of The Cor Anglais
  26. The Swan Of Tuonela
  27. The Cor Anglais Joins The French Horn In Haydn.
  28. Symphony No.22 'The Philosopher' (Opening)
  29. Introduction To The Oboe D'Amore, Beloved Of Bach - But Also Of Ravel
  30. Bolero
  31. The Clarinet Family: Boxing The Compass, From The Depths Of The Bass Clarinet.../The Egyptian (Violence)/...To The Raucous And Squealy.../Taras Bulba (The Death Of Ostap)/...To The Shrill And Complaining...
  32. Petrushka (No.8: Peasant With Bear)/...To The High Sprits Of A Playful Puppy./Symphonie Fantastique (Last Mvt)/And To The Downright Jazzy/Romeo And Juliet (Act II)
  33. As The High Clarinets Tend To Be Loud, So The Bass Tends To Be Soft:
  34. Gayane Suite No. 1 (Mvt 5)
  35. The Bass Clarinet Is Used By Most Composers Mainly As A Colouring Agent.../Petrushka (No.4: The Blackamoor)/...But It Does Occasionally Get A Whole Tune To Itself./Iberia (Almeria).
  36. The Range Of The Normal Clarinet Parts Goes Quite High...
  37. The Snow Maiden (Scene 5: Melodrama)
  38. ...And Quite Low.
  39. Peter And The Wolf (The Cat)
  40. The Clarinet As Concerto Soloist
  41. Clarinet Concerto In A Major (Rondo)
  42. But That's Not The Instrument Mozart Wrote It For; This Is:
  43. Clarinet Concerto In A Major (Rondo)
  44. Introduction To The Saxophone
  45. Hary Janos Suite (Mvt 4)
  46. The Soprano Saxophone Has Quite A Different Feel To It.
  47. L'Arlesienne Suite No.1 (Minuet)
  48. The Little Sopranino Sax Goes Even Higher.
  49. Bolero
  50. The Most Famous Use Of The Saxophone Is In An Orchestration By Ravel.
  51. Pictures At An Exhibition (The Old Castle)
  52. The Saxophone Can Be Quite Contagiously Good-Humoured.
  53. Sax-O-Phun
  54. The Puffa-Puffa Image Of The Bassoon
  55. Peter And The Wolf (Grandfather)
  56. The Bachian Bassoon, In Accompanimental Mode
  57. Cantata 'Weichet Nur, Betrubte Schatten' ('Wedding Cantata'), BWV 202 (Aria No.1)
  58. Bizet Leaves The Puffa-Puffa Image Out, Allowing The Bassoon To Sing./Carmen Suite No.1 (Les Dragons D'Alcala)
  59. And Ravel, Also In Spanish Mode, Does Likewise.
  60. Bolero
  61. The Bassoon As A Voice Of High Seriousness, Indeed Desolate Loneliness
  62. Symphony No.3 (Opening)
  63. The Eerie Bassoon In Its Highest Register
  64. The Rite Of Spring (Opening)
  65. Stravinsky Now Draws On Its Lowest Register, Lonely And Melancholy.
  66. The Firebird Suite (1919, Berceuse)
  67. The Bassoon As Concerto Soloist, Avoiding All Exaggeration
  68. Bassoon Concerto In G Minor (Finale)
  69. The Deep-Voiced Contra-Bassoon, As A Fairy-Tale Beast
  70. Ma Mere L'Oye - Mother Goose (Beauty And The Beast)
  71. The French Horn Under Its Woodwind Hat
  72. Wind Quintet, Op.43 (Last Mvt)
  73. Now A More Prominent Role, In A Woodwind Quintet From An Earlier Era
  74. Wind Quintet In A Minor, Op.100 No.5 (Mvt 2)
  75. The Horn In Harmonious Blend With Strings In Another Quintet
  76. Horn Quintet, K.407 (Finale)

Tracks:

  1. The Trumpet As Virtuoso Soloist
  2. Brandenburg Concerto No.2 (Last Mvt)
  3. The Special Brillance Of Paired Trumpets
  4. Concerto In C For Two Trumpets, RV537 (Mvt 1)
  5. The Ceremonial Trumpet
  6. Fanfare For The Common Man
  7. Trumpets And Drums - An Incomparable Alliance
  8. Messiah (The Trumpet Shall Sound)
  9. The Versatility Of The Trumpet, From The Most Public To The Most Lonely
  10. Piano Concerto In F (Slow Mvt)
  11. The Trumpet As The Voice Of The City/An American In Paris/The Trumpet As Recruitment Officer/The Soldier's Tale (The March)/The Trumpet As Swaggerer
  12. Carmen Suite No.2 (Habanera)
  13. The Trumpet As The Voice Of Strength And Courage
  14. Carmet Suite No.2 (Toreador's Song)
  15. The Trumpet Muted/Petrushka (No.4: The Blackamoor)/Lieutenant Kije Suite (Opening)/The Trumpet As The Voice Of Weariness
  16. Billy The Kid
  17. The Trumpet As Character Actor
  18. Pictures At An Exhibition (No.6)
  19. The Trumpet As The Voice Of God
  20. Mass In B Minor ('Et Exspecto')
  21. The Birth Of The Trombone
  22. Aenmerckt Nu Hier
  23. The Birth Of The Brass As A Family
  24. Canzon 12 In Double Echo
  25. The Trombone In The Eighteenth Century
  26. Trombone Concerto In B Flat Major (Finale)
  27. The Tone Of The Tenor Trombone/Romance For Trombone And Organ/The Memorable Voice Of The Bass Trombone/Requiem (Mvt 2)/But The Bass Trombone Is More Than An Instrumental Bullfrog.
  28. Hosannah
  29. The Trombones Become Part Of The Orchestra.
  30. Symphony No.5 (Finale)
  31. The Wagnerian Trombone:/Overture To 'Tannhauser'
  32. The Trombone As Caricaturist
  33. Pulcinella (No.19: Vivo)
  34. The Trombone As Raspberry/Concerto For Orchestra (Intermezzo)
  35. The Horn And The Hunt
  36. Horn Concerto No.4 In E Flat, K.495 (Finale)
  37. The Challenging Horn Of The Baroque
  38. Abaris Ou Les Boreades (Menuet)
  39. The Scarcity Of First-Rate Players In Handel's Time
  40. Walter Music (Minuet 1)
  41. The Horn As Magician/The Firebird Suite (1919, Finale)
  42. Horns And The Sound Of Nobility
  43. Overture To 'Tannhauser' (Opening)
  44. The Special Sound Of The Horn In Its Higher Register
  45. Mass In B Minor ('Quoniam Tu Solus Sanctus')
  46. The Trumpet-Like Sound Of Massed Horns
  47. Symphony No.3 (Mvt 1, Opening)
  48. The Tuba - Unfairly Maligned?
  49. Symphony No.6 (Mvt 3)
  50. The Tuba Perfectly Cast By Ravel
  51. Pictures At An Exhibition (Bydlo)

Tracks:

  1. Introduction. And We Begin With A Bang.
  2. Fanfare For The Common Man/The Bass Drum On The Battlefields/Wellington's Victory, Op.91 (Opening)
  3. At The Opposite Extreme Is The Triangle.
  4. Piano Concerto No.1 In E Flat (Scherzo)
  5. Categories Of Percussion: Tuned And Untuned. The Side Drum
  6. Overture To 'La Gazza Ladra' - The Thieving Magpie (Opening)
  7. The Side Drum In An Effective But Unexpected Role/Clarinet Concerto (Mvt 1)
  8. The Tambourine. One Of The Oldest Instruments In The World
  9. Den Hoboecken Dans
  10. Even Older Is The Originally Oriental Gong.
  11. Ma Mere L'Oye - Mother Goose (Laideronette)
  12. No Single Instrument Can Match The Gong In Evoking The Breaking Of Waves./Passacaglia, Op.33b From 'Peter Grimes'/But Gongs Don't Have To Be Struck To Be Effective.
  13. Gymnopedie No.2
  14. The Cymbals Are Generally Discovered Early In Life./The Sanguine Fan/And They Do More Than Clash Together Loudly. They Can Be Clashed Together Softly./Studio Example: But They Needn't Be Clashed Together At All/Studio Example: They Can Be Lightly...
  15. Other Untuned Percussion Instruments Include The Whip.: Piano Concerto In G Major (Opening)/And Here Are No Fewer Than Twenty, Cracked By Tchaikovsky: The Nutcracker (Act I, Scene 5)
  16. More Versatile Than The Whip Are The Wood Blocks.../Studio Example/...Which Crop Up All Over The Place In Twentieth-Century American Music.
  17. Rodeo (Hoe-Down)
  18. Related To The Wood Blocks, By Sound, Are The Castanets./Jota Aragonesa/But The Castanets Were Also Used By Monteverdi Back In The Seventeenth Century.
  19. Scherzi Musicali (Damigella Tutta Belle)
  20. A Still Earlier Example From Fifteenth-Century Spain
  21. Yo M'Enamori D'Un Aire
  22. The Birth Of The Bongo
  23. Symphonic Dances From 'West Side Story'
  24. From The Streets Of New York To The Blacksmith's Shop/Il Trovatore ('Anvil Chorus')
  25. Desert-Island Decibels: Grand Canyon Suite (On The Trail)/Arcana
  26. From One Vegetable To Another: The Humble Squash, Or Marrow/Huapango
  27. Onwards To The Tuned Percussion. First, The Timpani
  28. Also Sprach Zarathustra (Introduction)
  29. But The Drum Roll Can Be More Effectively Frightening Than The Big Bang.: Symphony No.2 'Resurrection' (Mvt 3)
  30. Not One Drum Roll, But Many/Grand Canyon Suite (Sunrise)/Symphonie Fantastique (Last Mvt)
  31. Taking Advantage Of Tunability
  32. Music For Strings, Percussion And Celeste (Mvt 2)
  33. The Russian Composer Rodion Shchedrin Takes A Downward Turn./Carmen Suite (Changing Of The Guard)/Tuned, Yes; But For The Truly Melodic We Must Look Elsewhere.
  34. Introducing The Glockenspiel/Carmen Suite (Carmen's Entrance And Habanera)
  35. Saint-Saens And The Xylophone
  36. The Carnival Of The Animals (Fossils)
  37. Ravel And The Xylophone
  38. Ma Mere L'Oye - Mother Goose (Laideronette)
  39. Introducing The Marimba/Carmen Suite (First Intermezzo)
  40. Introducing The Vibraphone
  41. The Treasure Of The Sierra Madre (Narange Dolce)
  42. The Vibraphone Goes Russian.../Carmen Suite (Carmen's Entrance And Habanera)/...And Is Joined By The Marimba./Carmen Suite (Carmen's Entrance And Habanera)
  43. Introducing The Hungarian Cimbalom
  44. Folk Dances
  45. The Cimbalom And The Symphony Orchestra
  46. Hary Janos Suite (Mvt 3)
  47. Introducing The Tubular Bells
  48. Hary Janos Suite (Viennese Musical Clock)
  49. A More 'Up-Front' Approach From Rodion Shchedrin
  50. Carmen Suite (Introduction)
  51. But The Bells Can Also Make The Sinister Even More Sinister./Symphony No.7 'Sinfonia Antartica' (Mvt 1)
  52. Introducing The Celeste
  53. The Nutcracker (Dance Of The Sugar Plum Fairy)
  54. Magic, In The Use Of Collective Percussion
  55. Miroirs (La Vallee Des Cloches)
  56. Plucked Instruments: The 'Undercover Percussion'/Carmen Suite (Scene)
  57. A Prime Case In Point Is The Harp, Irresistible To The Romantics./The Nutcracker (Act II, No.1: Scene)/The Non-Solo Harp As An Integral Part Of The Orchestra/Hungarian Rhapsody No.1
  58. The Traditionally Subservient Role Of The Harpsichord In The Baroque Orchestra
  59. Brandenburg Concerto No.2 (Slow Mvt)
  60. The Piano: King Of The Tuned Percussion/Symphony No.3 'Organ' (Mvt 3)/And A Quarter Of A Century After That:
  61. Petrushka (Russian Dance)
  62. The Anti-Romantic Piano As An Integral Part Of The Orchestra
  63. Music For Strings, Percussion And Celeste (Last Mvt)

Tracks:

  1. Keyboard Instruments In The Orchestra - The Most Powerful Of Them All:
  2. Symphony No.3 'Organ' (Finale)
  3. But Things In Handel's Day Were Very Different.
  4. Organ Concerto In B Flat, Op.4 No.3 (Last Mvt)
  5. The Organ Is Difficult To Classify.
  6. An Unexpected, Organ-related Guest
  7. Concerto Pour Zampogna (Last Mvt)
  8. Peasant-Fancying... And A Touch Of The Roaming Cowboy
  9. Les Miserables (Drink With Me)
  10. Outside Artefacts And The Power Of Association
  11. Mahler's Sleighbells
  12. Symphony No.4 (Opening)
  13. A Roll-Call Of Some Unusual Guests/The Typewriter/Parade
  14. Chains, And More/Integrales/An American In Paris/Sandpaper Ballet
  15. Purpose-Built Oddities: Wind Machines/Symphony No.7 'Sinfonia Antartica' (Opening)
  16. Don Quixote (Variation VIII)
  17. National Calling Cards: The Guitar For Spain/Concierto De Aranjuez (Finale)
  18. And The Guitar's Poor American Relative, The Banjo/Washington Breakdown
  19. And Poorer Still, The Mouth Organ/The Treasure Of The Sierra Madre (Packing Up)
  20. The Balalaika For Russia/Romeo And Juliet (Act II: No.14)
  21. The Maracas For Mexico/The Treasure Of The Sierra Madre (El Desayuno)
  22. The Bongos And Congas And A Whole Wealth Of Other Drums For Africa And Central America/Studio Example
  23. The Sitar Of India/Evening Raga: Bhapoli
  24. The Accordion For France (Especially Paris)/Paris Canaille
  25. The Zither For Vienna/The Third Man (Theme)
  26. The Cimbalom For Hungary/Folk Dances
  27. The Guitar As An Integral Part Of The Orchestra/Rondena
  28. There Are Whole Orchestras Of Balalaikas./Sveit Mesiats
  29. The Effect Of The Wordless Human Voice, Used Purely As An Instrument/Symphony No.7 'Sinfonia Antartica' (Mvt 1)
  30. Nocturnes
  31. Instruments And the Imitation Of Nature. The Clarinet As Cuckoo
  32. The Carnival Of The Animals (The Cuckoo)
  33. The Flute As An All-purpose Aviary
  34. The Carnival Of The Animals (The Aviary)
  35. The Oboe As Duck
  36. Peter And The Wolf (The Duck)
  37. The Recording Of Reality. Does It Work As Well?
  38. The Pines Of Rome (The Pines Of The Janiculum)
  39. The Recording Of Reality Electronically Reborn In New Guises
  40. Cantus Articus - Concerto For Birds And Orchesra (Mvt 2)
  41. Beethoven Turns Avian: Cuckoo, Nightingale, And Quail
  42. Symphony No.6 'Pastoral' (Andante Molto Mosso)
  43. Some Improbable Casting: The Violin As Braying Donkey
  44. The Carnival Of The Animals (Persons With Long Ears)
  45. A Truly Orchestral Hee-haw To Be Reckoned With
  46. Overture To 'A Midsummer Night's Dream'
  47. A Thunderstorm In A Million
  48. Symphony No.6 'Pastoral (Allegro-Allegretto)
  49. the Instrumental Depiction Of A Silent World
  50. The Carnival Of The Animals (The Aquarium)
  51. Saint-Saens' Menagerie Takes A Curtain Call.
  52. The Carnival Of The Animals (Finale)

Tracks:

  1. The Grouping Of Instrumental Families. An Additive Approach. First, Two Violins
  2. Forty-Four Duos (No.4)
  3. A Great Contrast, Of Both Pitch And Character: Violin And Viola
  4. Duo For Violin And Viola In B Flat Major, K.424 (Finale, Vars 1 & 2)/Studio Example
  5. Arrival Of The Standard String Trio: Violin, Viola, And Cello
  6. String Trio In B Flat (Menuetto)
  7. The String Quartet: Two Violins, Viola, And Cello
  8. String Quartet In F, Op.18 No.1 (Mvt 3)
  9. The String Quintet - When The Extra Instrument Is A Second Viola
  10. String Quartet No.5 In D, K.593 (Adagio)
  11. The String Quintet - When The Extra Instrument Is A Second Cello
  12. String Quintet In C (Mvt 3)
  13. The String Sextet: Two Violins, Two Violas, And Two Cellos
  14. String Sextet In B Flat (Mvt 2)
  15. The String Octet: The Standard String Quaret Times Two
  16. Octet In E Flat, Op.20 (Mvt 1)
  17. Double The String Octet: A Fully Fledged String Orchestra
  18. String Symphony No.2 (Finale)
  19. The Massed Strings Of A Symphony Orchestra
  20. Fantasia On A Theme Of Thomas Tallis
  21. Contrasts Of Pitch And Instrumental 'Colour' In The Woodwind Section
  22. Wind Quintet In A Minor, Op.100 No.5 (Theme)
  23. In The First Variation It's The Horn That Gets The Lion's Share.
  24. Wind Quintet In A Minor, Variation 1
  25. In Variation Two The Torch Is Handed To The Bassoon.
  26. Wind Quintet In A Minor, Variation 2
  27. In Variation Three The Oboe Leads.
  28. Wind Quintet In A Minor, Variation 3
  29. Variation Four: Conversation Before Returning To A Solo-dominated Texture
  30. Wind Quintet In A Minor, Variation 4
  31. And Variation Five is Dominated By The Clarinet.
  32. Wind Quintet In A Minor, Variation 5
  33. The Next To Be Featured Is The Virtuoso Flute.
  34. Wind Quintet In A Minor, Variation 6
  35. Individual Farewells And A Closing Chorus
  36. Wind Quintet In A Minor, Variation 7
  37. A Mixed Group: Clarinet, Bassoon, Horn, String Quartet, And Double-Bass
  38. Octet In F (Mvt 3)
  39. The Early Classical Symphony Orchestra Of Haydn And Mozart
  40. Symphony No.29 In A, K.201 (Finale)
  41. Strings, Wind, But No Brass. What Haydn And Mozart Never Knew
  42. Canzon 28
  43. Beethoven's Fifth: Two Horns, Two Trumpets, And Three Trombones Join The Team.
  44. Symphony No.5 (Finale)
  45. From Beethoven To The Massive Orchestras Of Berlioz, Wagner, And Mahler
  46. Beethoven Changed The Face Of The Symphony And The Orchestra Forever
  47. Symphoy No.6 'Tragic' (Mvt 1)
  48. The Cult Of Orchestral Elephantiasis Reaches Its Peak.
  49. Symphony No.1 'Gothic' (VI: Te Ergo Quaesumus)
  50. When Large Doesn't Necessarily Mean Loud: Debussy
  51. Images (Gigues)
  52. A Crisis Of Confidence; The Orchestra's Survival Hangs In The Balance, But It Still Develops. The Ondes Martenot:
  53. Turangalila Symphony (Chant D'amour 1)
  54. The Advent Of The 'Early Music' Movement Brings A New Vitality And Freshness.
  55. Balle De Xerxes (Gavotte En Rondeau)
  56. Computer And Synthesiser: Friends Or Foes?
  57. Concerto In D Minor For Two Violins (Largo)
  58. A Speculative Look Ahead/Mass In B Minor ('Dona Nobis Pacem')

Customer Reviews:

5 out of 5 stars Instruments of the Orchestra - Great Reference Material!.......2007-04-04

This set lends itself to greatly enhancing one's knowledge of the orchestra, instruments in it, and their usage. I am a huge music buff, and I still picked up a great deal I previously did not know. I highly recommend this for all who wish to understand the origin of music, as well as the processes that are employed to create music!

5 out of 5 stars Beginner or Expert.......2007-03-12

This CD is excellent for the beginner or expert! To be able to haear the instrumets separately and then together really provides a good education. and/or refresher. The book thaty comes with the CD is alomost worth the price by itself!

5 out of 5 stars Very Informative and Enjoyable.......2006-11-20

Whether you're a music novice or pro, "The instruments of the Orchestra" is a very worthwhile purchase. The 7 CDs, with a total of 8 hours, are expertly narrated by Jeremy Siepmann. He's a great speaker, very much like the late Leonard Bernstein was. Mr. Siepmann takes you on an unforgetable musical journey covering the origins and use of the various orchestral instruments throughout musical history. The balance between his narration and a wealth of musical examples, which range from snippets to entire movements, is superb. The comprehensive enclosed booklet is excellent and faithfully follows the 7 CDs in content. Even with my 40+ years of music training I still learned new things from this wonderful collection. Considering the excellence of the content, and a cost that translates to about $5 per disc, this collection is a great value. Grab it, you won't regret that you did. Five solid stars!

3 out of 5 stars Frank's view.......2006-08-19

This boxed set of CD's with booklet achieved all I had hoped that it would. There are good samples of individual instruments and well done commentary on each. The only drawback was that some of the samples were too brief and could have been longer, hoiwever I guess this fits in with time constraints of the medium. It has given me a lot of clues as to future purchases of CD's for listening to individual instruments. Altogeth a satisfactory purchase and a welcome addition to my collection.

5 out of 5 stars Excellent Intro for Those Not Familiar with the Orchestra.......2003-11-08

I've listened to classical music for years and am interested in composition. I bought this CD set to learn how an orchestra and its instruments work. I thought the CDs would be a nice but boring lecture. They aren't! Not only are they FUN but they are informative as well. I learned a huge amount from each CD and couldn't wait to listen to the next one.

The narrator and writer is a great speaker and holds your attention well. He is definitely knowledgeable. He provides musical examples for each point he makes, so you get to "hear" what he just talked about. I'd say the CDs are about 65% music and 35% narration. You'll learn about the range of instruments, some history, different ways to play them, how they sound, and how they are used in the orchestra. This CD set was a great learning experience and is sold at such a low price!

I recommend this CD for those who want to learn about classical music and those who know about it but are interested in learning more about the inner workings of an orchestra. You'll learn much useful information. For instance, the Rite of Spring (with that eerie start) is written for bassoon! I never knew a bassoon could sound like that but now I do.

The one complaint I have is the last CD. This deals with the orchestra. I wanted more of a tour of how the orchestra has been used through history up to the present. Instead, it was a tour of how different groups of instruments sound. I thought it could have been better. The other 6 CDs are excellent.

The Power & The Majesty: Essential Choral Classics
Average customer rating: 4.5 out of 5 stars
  • Wonderful choir music CD
  • Best of American Choral Singing!
  • A good album, but--
  • Awesome
 The Power & The Majesty: Essential Choral Classics
Robert Shaw Festival Singers , and Atlanta Symphony Orchestra & Choruses
Manufacturer: Telarc
ProductGroup: Music
Binding: Audio CD

All Works by J.S. BachAll Works by J.S. Bach | Bach, Johann Sebastian | ( B ) | Featured Composers, A-Z | Classical | Styles | Music
All Works by BerliozAll Works by Berlioz | Berlioz, Hector | ( B ) | Featured Composers, A-Z | Classical | Styles | Music
All Works by BorodinAll Works by Borodin | Borodin, Alexander | ( B ) | Featured Composers, A-Z | Classical | Styles | Music
GeneralGeneral | Duruflé, Maurice | ( D ) | Featured Composers, A-Z | Classical | Styles | Music
GeneralGeneral | Fauré, Gabriel | ( F ) | Featured Composers, A-Z | Classical | Styles | Music
All Works by HandelAll Works by Handel | Handel, George Frideric | ( H ) | Featured Composers, A-Z | Classical | Styles | Music
All Works by Franz Joseph HaydnAll Works by Franz Joseph Haydn | Haydn, Franz Joseph | ( H ) | Featured Composers, A-Z | Classical | Styles | Music
All Works by Wolfgang Amadeus MozartAll Works by Wolfgang Amadeus Mozart | Mozart, Wolfgang Amadeus | ( M ) | Featured Composers, A-Z | Classical | Styles | Music
All Works by OrffAll Works by Orff | Orff, Carl | ( O ) | Featured Composers, A-Z | Classical | Styles | Music
All Works by VerdiAll Works by Verdi | Verdi, Giuseppe | ( V ) | Featured Composers, A-Z | Classical | Styles | Music
All Works by RachmaninovAll Works by Rachmaninov | Rachmaninov, Sergei | ( R ) | Featured Composers, A-Z | Classical | Styles | Music
GeneralGeneral | Baroque (c.1600-1750) | Historical Periods | Classical | Styles | Music
GeneralGeneral | Classical (c.1770-1830) | Historical Periods | Classical | Styles | Music
RequiemsRequiems | Forms & Genres | Early Music | Historical Periods | Classical | Styles | Music
General ModernGeneral Modern | Modern, 20th, & 21st Century | Historical Periods | Classical | Styles | Music
GeneralGeneral | Classical | Styles | Music
Atlanta Symphony OrchestraAtlanta Symphony Orchestra | ( A ) | Featured Performers, A-Z | Classical | Styles | Music
Hadley, JerryHadley, Jerry | ( H ) | Featured Performers, A-Z | Classical | Styles | Music
CompilationsCompilations | Classical | Styles | Music
CantatasCantatas | Classical (c.1770-1830) | Historical Periods | Opera & Vocal | Styles | Music
RomancesRomances | Classical (c.1770-1830) | Historical Periods | Opera & Vocal | Styles | Music
Romantic (c.1820-1910)Romantic (c.1820-1910) | Historical Periods | Opera & Vocal | Styles | Music
GeneralGeneral | Opera & Vocal | Styles | Music
ItalianItalian | Languages | Opera & Vocal | Styles | Music
RussianRussian | Languages | Opera & Vocal | Styles | Music
OratoriosOratorios | Opera & Vocal | Styles | Music
CantatasCantatas | Vocal Non-Opera | Opera & Vocal | Styles | Music
MassesMasses | Vocal Non-Opera | Opera & Vocal | Styles | Music
OratoriosOratorios | Vocal Non-Opera | Opera & Vocal | Styles | Music
RequiemsRequiems | Vocal Non-Opera | Opera & Vocal | Styles | Music
CDs $7 - $10CDs $7 - $10 | Classical General | Classical | Today's Deals in Music | Formats | Music
All Bargain TitlesAll Bargain Titles | Classical General | Classical | Today's Deals in Music | Formats | Music
Similar Items:
  1. Choral Masterpieces
  2. Gloria: Music of Praise & Inspiration
  3. The #1 Choral Album
  4. Sea Shanties
  5. O Magnum Mysterium

ASIN: B000003D10
Release Date: 1995-01-24

Tracks:

  1. Dies Irae
  2. Tuba Mirum
  3. Pie Jesu
  4. O Fortuna
  5. Dies Irae
  6. Rex Tremendae
  7. Confutatis
  8. Lacrimosa
  9. Polovtsian Dances
  10. Missa: Kyrie Eleison
  11. Hallelujah Chorus
  12. The Shepherd's Farewell
  13. Sanctus
  14. The Heavens Are Telling
  15. 'Va, pensiero' (Chorus Of The Hebrew Slaves)
  16. Nyne Otpushchayeshi (Now Let Thy Servant Depart)
  17. Dies Irae

Customer Reviews:

5 out of 5 stars Wonderful choir music CD.......2007-07-12

I just enjoy in it very much. The best of the choir music in very good performance.

5 out of 5 stars Best of American Choral Singing!.......2003-02-08

This CD could be the cornerstone of your choral music library! Wonderful performances of all of the essential choral pieces give a wonderful introduction to choral music for someone new to it, and also give a nice sampler of the best pieces for someone already familiar with the music. Listening to each excerpt may inspire you to purchase the entire work!

As you would expect of performances by Robert Shaw's groups, these performances are really extraordinary and show the best of American choral singing.

3 out of 5 stars A good album, but--.......2001-12-28

The three stars I have given this album are not for the performances, which are all tremendous and deserve five stars or more, but for the idea of releasing this sort of compilation. Every single one of these selections is part of a larger Shaw-recorded work already released by Telarc, and you are far better off seeking the complete recordings that all these pieces are from, than just buying a mere "sampler". (Shaw, however, never did get around to recording the complete " L' Enfance du Christ".) Of course, that can be very expensive for some people, and if one cannot afford all those recordings, I suppose this is the next best thing. One can't shake off the feeling, however, that because Shaw is no longer with us, Telarc is desperately trying to give the impression that "new" Shaw recordings are constantly being released by them, when the truth is that nearly all the new ones are mere recyclings. (The last complete Robert Shaw album released by Telarc was Dvorak's "Stabat Mater", a CD well worth buying.)

5 out of 5 stars Awesome.......2000-04-04

This album is so up-lifting. As the music soars, so do your spirits.
One Night in America
Average customer rating: 4.5 out of 5 stars
  • The Gods of the Sunset Strip
  • Not The '80s VH-1 Wants You To Remember
  • What does your rant have to do with THIS RECORD?
  • One of the best live albums...EVER
  • Pure energy! Wow!
 One Night in America
The Plimsouls
Manufacturer: Oglio Records
ProductGroup: Music
Binding: Audio CD

GeneralGeneral | Alternative Rock | Styles | Music
New WaveNew Wave | New Wave & Post-Punk | Alternative Rock | Styles | Music
Jangle PopJangle Pop | Indie & Lo-Fi | Alternative Rock | Styles | Music
GeneralGeneral | Pop | Styles | Music
Pop RockPop Rock | Pop | Styles | Music
GeneralGeneral | Rock | Styles | Music
GeneralGeneral | Live Albums | Rock | Styles | Music
Power PopPower Pop | Rock | Styles | Music
Similar Items:
  1. Everywhere at Once
  2. Kool Trash
  3. The Beat/Kids Are the Same
  4. Who's Gonna Go Your Crooked Mile?
  5. Smashes Crashes and Near Misses

ASIN: B000A2H85S
Release Date: 2005-08-09

Tracks:

  1. Hush Hush
  2. Now
  3. How Long Will It Take
  4. I Want What You Got
  5. A Million Miles Away
  6. Time Won't Let Me
  7. In This Town
  8. One More Heartache
  9. Help Yourself
  10. I'll Get Lucky
  11. Dizzie Miss Lizzie
  12. Come On Now
  13. Sorry

Customer Reviews:

4 out of 5 stars The Gods of the Sunset Strip.......2007-05-19

Somewhere on Tour, Maybe Cleveland, One of Many,Many Nights that all flow into One. The Plimsouls were on a Stage. Well, we got lucky at last !!! The Energy of One of those Nights, is Captured Right here on CD. YAAAH !!!

This was the 80's that Nobody told you about, the Smelly, Sweaty Nights of Live Rock Bands that played in these Dark Little dives for Lot's of Fame but little Fortune.

And the Songs: "A Million Miles Away", "Time Won't Let Me", "Hush, Hush", "In this Town" ...This Music is PURE and it's American. This Music was Played in 1966 and somebody will be out there in 2026 Playing it all over again, thank you Peter, Lou, Eddie and David-O for letting us Peek into your World...

This is a very Cool CD...

4 out of 5 stars Not The '80s VH-1 Wants You To Remember.......2006-01-09

If you were a complex multi-celled being in the early '80s (i.e., more than just a sperm and egg), you probably recall "A Million Miles Away," the most ubiquitous radio and movie soundtrack (Valley Girl, The Last American Virgin) hit from The Plimsouls. But like The Knack, Cheap Trick and other guitar rock bands lost in the sea of synthy '80s new wave, The Plimsouls were best heard live. So here's your chance until the boys down in the lab get the flux capacitor into the Delorean to send you back to 1981.

4 out of 5 stars What does your rant have to do with THIS RECORD?.......2005-10-10

This is the long-overdue cd issue of the plimsouls live album.
In short, this release is the release that fully does the Plimsouls justice. Purchase this album.

As for Mr. Eric Brown - who seems to feel the need to express the same "Paul Collins-is-amazing" sentiment on an any Paul Colins related project (even asking why Paul Collins is NOT on the release if he's not included on a random power pop comp?!?)-
why not just start a Paul Collins page instead of cutting and pasting the same generic Paul Collins piece about his acheivments, blind to the release you you're (not) critically commenting on.

I don't think you've ever commented on any of these releases except noting what Paul Collins has done. And that he was in
The Nerves with Peter Case of The Plimsouls.

5 out of 5 stars One of the best live albums...EVER.......2005-08-22

In the 1983 film "Valley Girl" Nicholas Cage's character slams a Valley girl for what he describes as her love of "gutless" music. It is only appropriate that Cage's dialogue happens to be delivered as one of the world's greatest live bands plays in the background. And just what was the name of that decidedly non-gutless band helping Cage make his point? Why it was The Plimsouls, of course! The Plimsouls have two excellent 'scenes' in 'Valley Girl' and it is from this film that most people outside of L.A. became aware of the group.

As lead Plimsoul Peter Case more or less admits in his liner notes to "One Night in America," the group's studio albums never quite fully captured the spirit and energy of the band's live performances. This incredible release (which is a far superior sounding version of the French import release from 1988) (It also comes with a bonus track of "Sorry") should be purchased immediately by anyone who likes "non-gutless" rock and roll. It is a 13 track time capsule of pristine power pop from 1981 that will remain permanently lodged in your car CD player. Yes, it is THAT good. Oglio and the Plimsouls should be applauded for making this music available. PLEASE buy this CD so that the label will follow through on its promise to release a second installment (next year) in the live performance history of the one and only PLIMSOULS!

5 out of 5 stars Pure energy! Wow!.......2005-08-17

As Peter Case indicates in the liner notes to this CD, you just need to hear the Plimsouls live to really appreciate how good this band really was. This show, from a 1981 gig (Cleveland?), highlights the band at its raw best - live in concert! It wouldn't do this disc justice to mention highlights as the ENTIRE disc rocks from start to finish, including my personal favorite "A Million Miles Away". Concerned about how good the quality might be from a show that was taped 24 years, ago? Don't be? The sound quality is excellent and the rawness of the sound makes you feel like you're right there in the front row. If you're a Plimsouls fan or a fan of the L.A. punk scene of the early 80's, get this CD now. You will NOT be disappointed. Turn the dial up on this baby. This thing cranks!

And to top things off, Peter indicates there's another disc coming next year. Next year can't come fast enough.
Bruce Almighty
Average customer rating: 3.5 out of 5 stars
  • Wish they had Barry and The Vines
  • Tony Bennett Song
  • God Song
  • There's still one missing!!
  • The "stolen kiss" song.
 Bruce Almighty
Various Artists , and John Debney
Manufacturer: Varese Sarabande
ProductGroup: Music
Binding: Audio CD

Film ScoresFilm Scores | Theatrical, Incidental & Program Music | Forms & Genres | Classical | Styles | Music
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ASIN: B00009KTXM
Release Date: 2003-06-03

Tracks:

  1. One Of Us - Joan Osborne
  2. God-Shaped Hole - Plumb
  3. Youre A God - Vertical Horizon
  4. The Power - Snap!
  5. A Little Less Conversation - Elvis vs. JXL
  6. The Rockafeller Skank - Fatboy Slim
  7. God Gave Me Everything - Mick Jagger
  8. AB Positive
  9. Walking On Water
  10. Seventh at Seven
  11. Bruce Meets God
  12. Bruces Prayer
  13. Graces Prayer

Amazon.com

Taking its cue from the soundtrack's fluke Joan Osborne hit, "One of Us," this is the film that dares ask "What if one of us--or Jim Carrey--were God?" While the comedy here makes Ace Ventura sound like Noel Coward, its soundtrack is an energetic, if pedestrian, mix of modern rock (Osborne, Plumb's "God-Shaped Hole," "You're a God" by Vertical Horizon) and electronica (Snap!'s ubiquitous "The Power", the kitsch-hop of Elvis Vs. JXL's "A Little Less Conversation," Fatboy Slim) that's as fluffy as it is friendly. John Debney, a composer who's becoming to contemporary comedy what Bernard Herrmann was to murder mysteries, fills the album's second half with a sprightly collection of his trademark, breezily pastoral cues. --Jerry McCulley

Customer Reviews:

3 out of 5 stars Wish they had Barry and The Vines.......2006-12-29

I wish they would have included the Barry White song Bruce uses to seduce Grace with. Also they left out The Vines' song "Outtathaway" which is played when Bruce is driving his sportscar and parts all of the cars in traffic. I LOVE that song! But the album is OK otherwise, nice to listen to at work or while driving.

4 out of 5 stars Tony Bennett Song.......2006-01-05

Does anyone know the song Tony Bennett plays while Bruce is at the restaurante with Grace?

3 out of 5 stars God Song.......2005-08-07

The song at the beginning of the credits is: Are You Ready for A Miracle sung by The World Harvest Choir from the album: The Sound Of Jubilee.

3 out of 5 stars There's still one missing!!.......2005-05-25

I watch the DVD of Bruce.
There's a cute song during the DVD's "menu section".
It's not in the movie but I love it very much.
Anyone could help??

5 out of 5 stars The "stolen kiss" song........2005-04-10

When he is trying to call grace and gets kissed by Susan, the song that is being played is "I'm With You" by Avril Lavigne from the album Let Go.
Of Gods and Demons
Average customer rating: 4.5 out of 5 stars
  • Well sung and varied repertoire from a legend.
  • Terrifying, Thrilling, Gorgeous!
  • Satanic!
 Of Gods and Demons

Manufacturer: Sony
ProductGroup: Music
Binding: Audio CD

All Works by BerliozAll Works by Berlioz | Berlioz, Hector | ( B ) | Featured Composers, A-Z | Classical | Styles | Music
GeneralGeneral | Boito, Arrigo | ( B ) | Featured Composers, A-Z | Classical | Styles | Music
All Works by BorodinAll Works by Borodin | Borodin, Alexander | ( B ) | Featured Composers, A-Z | Classical | Styles | Music
All Works by GounodAll Works by Gounod | Gounod, Charles | ( G ) | Featured Composers, A-Z | Classical | Styles | Music
All Works by MassenetAll Works by Massenet | Massenet, Jules | ( M ) | Featured Composers, A-Z | Classical | Styles | Music
All Works by MussorgskyAll Works by Mussorgsky | Mussorgsky, Modest | ( M ) | Featured Composers, A-Z | Classical | Styles | Music
All Works by RubinsteinAll Works by Rubinstein | Rubinstein, Anton | ( R ) | Featured Composers, A-Z | Classical | Styles | Music
All Works by WagnerAll Works by Wagner | Wagner, Richard | ( W ) | Featured Composers, A-Z | Classical | Styles | Music
London, GeorgeLondon, George | ( L ) | Featured Performers, A-Z | Classical | Styles | Music
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Gounod, CharlesGounod, Charles | C to G | Featured Composers, A-Z | Opera & Vocal | Styles | Music
Massenet, JulesMassenet, Jules | M to P | Featured Composers, A-Z | Opera & Vocal | Styles | Music
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Similar Items:
  1. Ljuba Welitsch The Complete Columbia Recordings
  2. Famous Voices of the Past
  3. George London - The Singers
  4. Eileen Farrell Sings Verdi
  5. Mussorgsky: Boris Godunov (Excerpts); Pictures at an Exhibition

ASIN: B0000029U5
Release Date: 1997-01-14

Tracks:

  1. Faust: 'Le veau d'or'
  2. La Damnation de Faust: 'Mephistopheles' Serenade'
  3. Mefistofele: 'Ecco il mondo'
  4. The Demon: 'Ne plach', ditya'
  5. Patrie: 'Pauvre martyr obscur'
  6. Thais: 'Voila donc la terrible cite'
  7. Don Quichotte: Act V (Complete) - Massenet
  8. Prince Igor: 'Ni sna, ni otdykha'
  9. Boris Godunov: 'Dostig ya vysshei Vlasti'
  10. Boris Godunov: 'Uf, tyazhelo! Dai dukh perevadu'
  11. Das Rheingold: 'Abendlich strahlt der Sonne Auge'
  12. Die Walkure: Wotans Scheidegruss und Feuerzauber
  13. The Emperor Jones, Op. 36: 'Standin' In The Need Of Prayer'
  14. Goethe: 'Pesnya Mefistofely o blokhe' - Mussorgsky

Customer Reviews:

4 out of 5 stars Well sung and varied repertoire from a legend........2005-09-21

I first heard London as Wotan in a recording of das Rheindgold under Solti. I remember the voice as if resembling molten lava containing vast amounts of energy yet never too quick to release it. The voice was magnificent! When I read that its owner was passed his prime at the time of recording the role, I got quite excited and looked forward to getting to know this voice at the highpoint of its years portraying ( as is it is nicely put) gods and demons.

I value this CD mostly as a historic document of an artist not too well known, because I am missing the emotional build up and thus my own emotional engagement in the music. This is ofcourse often the case with anthologies such as this.

This being said, as I tread my way through more and more complete productions of operas I can see myself coming back to this recording comparing styles, textual insights and ofcourse the vocal techniques used by the different singers in the arias.

It does not sound as if George Londong did anything half heartedly and I believe his renditions are most definately to be reckoned with.

5 out of 5 stars Terrifying, Thrilling, Gorgeous!.......2003-08-29

George London is my idol as far as singing goes. I'm a bass-baritone, myself and I've always admired him. I particulary love the Mussorgsky and Wagner selections. The 'Clock Scene' was absolutely terrifying and the two Wagner songs were majestic and powerful.
London could take any song and do amazing things simply because of the sheer vocal quality of his voice. Not to mention his great acting ability.

5 out of 5 stars Satanic!.......2003-07-14

This is an excellent collection of a some of London's best roles, plus the recordings are clear and lively. His voice is very focused and totally overwhelming. While his "Le veau d'or" can't compare to that of Christoff, London still makes for a great devil.. and his acting is superb. It's unfortunate that they didn't include London's Scarpia (see the 1960 recording of Tosca with Tebaldi and del Monaco) or one of his villains from the Tales of Hoffmann. This CD is a necessity for all fans of one of the century's finest bass-baritones and actors!
Power in One
Average customer rating: 4 out of 5 stars
  • Greg Sage has done it again!
 Power in One
Wipers
Manufacturer: Zeno Records
ProductGroup: Music
Binding: Audio CD

GeneralGeneral | Alternative Rock | Styles | Music
HardcoreHardcore | Hardcore & Punk | Alternative Rock | Styles | Music
PunkPunk | Hardcore & Punk | Alternative Rock | Styles | Music
GeneralGeneral | American Alternative | Alternative Rock | Styles | Music
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  1. The Herd
  2. Silver Sail
  3. Wipers Box Set
  4. The Circle

ASIN: B00002S83R
Release Date: 1999-10-22

Tracks:

  1. The Fall
  2. Power In One
  3. Shaken
  4. Misleading
  5. Rocket
  6. I'll Be Around
  7. Still Inside Of Me
  8. Ship Of Dreams
  9. Rest Of My Life
  10. Losers Revenge
  11. Take It Now
  12. Stay Around
  13. What's Wrong?
  14. Too Many Strangers

Customer Reviews:

4 out of 5 stars Greg Sage has done it again!.......2000-02-19

Greg Sage has produced another amazing album! From the powerful cover art to the ringing chords inside, I can only marvel at this man's dedication to his music. Buy this record!
Channels
Average customer rating: 4.5 out of 5 stars
  • Addicting, emotionally exploitive
  • Vulpine = Metalica + REM (for now)
  • Awesome!!!!!!!!!!!!!!!!!!!!
 Channels
Vulpine
Manufacturer: Telekiness Records
ProductGroup: Music
Binding: Audio CD

GeneralGeneral | Dance & DJ | Styles | Music
GeneralGeneral | Techno | Dance & DJ | Styles | Music
GeneralGeneral | Dance Pop | Dance & DJ | Styles | Music
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Similar Items:
  1. A Thin Line
  2. Voodoo for Fun and Profit
  3. 10 Second Drop
  4. Fall as Well
  5. For the Taken

ASIN: B0009298UC
Release Date: 2005-03-31

Tracks:

  1. Magic Space
  2. Miracle
  3. Landing
  4. Planet Earth
  5. Machines Planet
  6. Message from Space
  7. Parallel World
  8. Traveling through the Universe
  9. Delusion
  10. Free feelings
  11. UFO Contact
  12. Magic Space ( Radio Edit )

Product Description

Music Styles : House Progress, Club Dance, Dream Dance, Techno, Club Trance. Influences : Telekinesis, Meditation, Magic, Hypnosis, Dream's. All This Came in One Project "TELEKINESS - The Power of Universe" For the last 3 years we have recorded about 20 tracks, and after all 12 tracks were chosen, and we have released the album under the allias Telekiness, album name " Power of Universe "

Customer Reviews:

5 out of 5 stars Addicting, emotionally exploitive.......2006-11-22

Since my first introduction to this band on myspace, I have become an avid fan. This music must have some sort of code in it that makes you become emotionally addicted to the songs and the band.
Drove a total of 20 hours to see them play and it was worth every mile.
Second album will knock our socks off no doubt.

3 out of 5 stars Vulpine = Metalica + REM (for now).......2006-09-24

Nice little starter disc. Yup, they pass their high school music exam. If they can come up with something punchy, personal and passionate, they might have a breakthrough second or third album. Check out Flyleaf (but ignore their title track "I'm So Sick") as an example of a new band playing from the heart rather than the studio.

5 out of 5 stars Awesome!!!!!!!!!!!!!!!!!!!!.......2005-05-13

THESE GUYS ARE GREAT!!!!!! YOU CAN PUT CD IN AND LET IT PLAY NO SKIP BUTTON NEEDED ON THIS ONE.
Magdalena Kozená - Love Songs (Dvorak, Janacek, Martinu)
Average customer rating: 4.5 out of 5 stars
  • On the Subject of Intelligent and Sensitive Recitals
  • Lovely
  • A Beautiful Disc
  • A stunning burst onto the world stage
  • Wonderful songs, and a singer with great potential
 Magdalena Kozená - Love Songs (Dvorak, Janacek, Martinu)
Antonin Dvorak , Bohuslav Martinu , Leos Janacek , Magdalena Kozená , and Graham Johnson
Manufacturer: Deutsche Grammophon
ProductGroup: Music
Binding: Audio CD

GeneralGeneral | Dvorák, Antonín | ( D ) | Featured Composers, A-Z | Classical | Styles | Music
Janácek, LeosJanácek, Leos | ( J ) | Featured Composers, A-Z | Classical | Styles | Music
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Similar Items:
  1. Songs: Magdalena Kozena
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  3. Lamento
  4. French Arias
  5. Bach - Cantatas BWV 199, 179, 113 / Kozená · Towers · Padmore · Loges · Gardiner

ASIN: B00004SDO1
Release Date: 2000-08-08

Tracks:

  1. Love Songs: Oh, Our Love Does Not Bloom
  2. Love Songs: Death Dwells In So Many A Heart
  3. Love Songs: Now I Stumble Past The House
  4. Love Songs: I Know That In Sweet Hope
  5. Love Songs: Gentle Slumber Reigns Over The Countryside
  6. Love Songs: Here In The Forest By A Brook
  7. Love Songs: In The Sweet Power Of Your Eyes
  8. Love Songs: Oh, Dear Matchless Soul
  9. New Miniatures: The Rich Sweetheart
  10. New Miniatures: The Forsaken Lover
  11. New Miniatures: Lounging
  12. New Miniatures: The Inquisitive Girl
  13. New Miniatures: The Cheerful Girl
  14. New Miniatures: The Unhappy Lover
  15. New Miniatures: The Request
  16. New Miniatures: The Tall Tower
  17. Songs For A Friend Of My Country: Ponies On The Fallow Land
  18. Songs For A Friend Of My Country: The Lost Little Slipper
  19. Songs For A Friend Of My Country: A Religious Song
  20. Songs For A Friend Of My Country: An Invitation
  21. Four Songs: You Heartfelt Songs
  22. Four Songs: Oh, That Was A Beautiful, Golden Dream
  23. Four Songs: In Pain, My Heart Often Broods
  24. Four Songs: Silence On The Mountains
  25. Lullaby
  26. Songs For One Page: Dew
  27. Songs For One Page: Unlocking With A Single Word
  28. Songs For One Page: Journey To The Beloved
  29. Songs For One Page: The Footpath
  30. Songs For One Page: At Mother's
  31. Songs For One Page: The Virgin Mary's Dream
  32. Songs For One Page: Rosemary
  33. New Slovak Songs: So Tell Me
  34. New Slovak Songs: I Had A Blouse
  35. Moravian Folk Poetry In Songs: Who Is The Posy For?
  36. Moravian Folk Poetry In Songs: A Lover's Picture
  37. Moravian Folk Poetry In Songs: Little Posy
  38. Moravian Folk Poetry In Songs: Constancy
  39. Moravian Folk Poetry In Songs: Love
  40. Moravian Folk Poetry In Songs: Parting
  41. Moravian Folk Poetry In Songs: My Lover's Horses
  42. Good Night, My Darling

Amazon.com

The composers Antonín Dvorák, Leos Janácek, and Bohuslav Martinu might not be the names that first spring to mind when love songs are mentioned, yet this fascinating collection gives us a taste of what delights we have been missing. They range from seven Moravian folk songs, collected by Janácek at the turn of the century, to songs written by Martinu in the U.S. in 1942. There's also early Martinu--including songs he collected in Slovakia in 1920--plus the world-premiere recording of Songs for a Friend of My Country, a cycle he wrote in France in 1940 on his way to America. All of these songs are of interest in giving us another aspect of each composer's work; most have much more to offer. Many are achingly lovely, especially those by Dvorák--including his Op. 2, a reworking of four songs from a cycle he had written almost 20 years earlier, and Love Songs, a revision of eight songs from the same cycle. "Good night, my darling," from his 1886 cycle In Folk Tone, is worth the price of this CD alone. Czech mezzo Magdalena Kozená, who put together the program, sings with pure, attractive tone. Graham Johnson is her excellent accompanist. --Richard Fawkes

Customer Reviews:

5 out of 5 stars On the Subject of Intelligent and Sensitive Recitals.......2005-05-19

Combing the recorded literature to find CDs that showcase singers who not only own brilliant vocal gifts but who also possess the intelligence to program recordings of lesser known works in a sequence that makes for intelligent recitals, it is becoming more obvious that there are many singers who opt for purity of purpose rather than 'salesmanship' of careers in the PR arena. Magdalena Kozená is one of these gifted singers whose intelligence and sensitivity match her physical and vocal beauty.

LOVE SONGS is a tastefully selected panorama of lesser-known songs by Kozená's fellow countrymen (Czech) Antonín Dvorák, Leos Janácek, and Bohuslav Martinu. And while many of the Dvorák and Janácek songs have been occasionally heard in recitals, the Martinu "Songs for a Friend of My Country", an exquisitely beautiful work written in 1940, here receives its World Premiere recording. Kozená's voice is in prime condition for these songs and she is ably accompanied by pianist Graham Johnson. The special flavor of these Slavic emotions and songs has rarely been so well captured.

But over and above the beauty of Kozená's performance of these neglected masterpieces shines the glow of her sensitive programming. Recordings such as these are rare and should be included in the libraries of those who appreciate the lieder genre. Highly recommended. Grady Harp, May 05

5 out of 5 stars Lovely.......2004-03-25

This is a beautifully performed selection of Czech lieder. Kozena has a lovely voice and sings with precision and nicely modulated emotion. The accompanying pianist, Graham Johnston, is excellent. Despite the title, not all these songs are love or romantic songs but all are well worth hearing. The selection of songs is excellent. Different listeners will prefer different songs. For me, the highlight of this recording are the rarely heard Martinu songs, many of which exhibit the lyrical aspect of his compositional style. Recommended strongly.

5 out of 5 stars A Beautiful Disc.......2002-01-06

This is simply a magnificent recording. I like it better every time I put it on. The voice is fresh, supple, and expressive. I even find myself trying to learn some of the Czech words (from the translation in the booklet) they sound so nice. Both Kozena and the brilliant piano contributions by Graham Johnson are faithfully caught on the recording. There is enough variety and contrast that one doesn't tire in the least (over the generous 67 minutes of playing time) of hearing these playful, sometimes poignant, songs. One of the best discs, in terms of programming, performance, and sound quality, of the past couple of years.

5 out of 5 stars A stunning burst onto the world stage.......2001-12-17

Magdalena Kozena is suddenly known around the world, thanks to this stunning disc of 42 lieder from her Czech homeland. Most of the songs are short - some come in under a minute, the longest 3-4 minutes. Each is a little gem and many have never been recorded before.

Kozena's voice is sheer delight. She does have resonances in her voice which are reminiscent of her compatriot, Lucia Popp, but is certainly a mezzo - although she has chosen her repertoire well so we hear no strain at the top. Her low resonances are delightful and consistent with her head voice. To compare Kozena's voice to that of the late diva (Popp), it is more pure, more consistent in tone from top to bottom, and doesn't have so much of the `squeezey' quality which Popp used to great effect in evincing the passion of her characters. Kozena can empty her voice of vibrato or let it out rich and full, and uses all her vocal resources to great effect in contrasting the individual songs. She has astoundingly mature lieder-singer's technique for such a young singer.

This recording rightly won a Gramophone award this year. Kozena deserves all the accolades she receives for this - doubtless all listeners will develop their own favourites from these delightful miniatures.

4 out of 5 stars Wonderful songs, and a singer with great potential.......2000-10-08

What a wonderful, carefully thought out CD! Kozena obviously revels in these rarely performed songs by Dvorak, Martinu, and Janacek, and Johnson accompanies with his usual ease and sensitivity. What a pity the piano is balanced distantly -- we hear little of Johnson's variety of touch and dynamics. As for Kozena, she is obviously an intelligent musician with a voice of great potential. It is qutie beautiful as it is, yet the colour is still rather pale. Yes, there is something of the late Lucia Popp's timbre, yet it has little of Popp's depth and range of colour. BBC Legends released a CD of Popp a year ago which includes three Dvorak songs also sung by Kozena. The differences are quite marked -- while Kozena's timbre and interpretation suggests a dreamy yet earnest youth, Popp brings out an autumnal glow and a sharp pain that pierces at least this listener's heart. Kozena has started a wonderful career. Only time will tell how her voice will develop. I do hope it goes in the direction of Popp's unique lyric timbre. No one could ever equal Popp (perhaps it's obvious by now that Popp is my favorite singer of all time), but perhaps Kozena will become something of Popp's heir, while still being her own person. I hope so. But her musicality is not in question. Let's keep our ears open!
Greatest Hits, Volume One
Average customer rating: 5 out of 5 stars
  • Who the hell is on the picture/cover?
 Greatest Hits, Volume One
Dom Irrera
Manufacturer: SCUNGILI BROS
ProductGroup: Music
Binding: Audio CD

GeneralGeneral | Alternative Rock | Styles | Music
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Spoken WordSpoken Word | Poetry, Spoken Word & Interviews | Miscellaneous | Styles | Music
ASIN: B0007M6Q7M
Release Date: 2003-09-02

Product Description

Originally from Philadelphia, Dom has one of the most natural styles in all of stand-up comedy. He has the ability to make almost any crowd laugh until it hurts, with an intricate mix of stories and characters weaved together seamlessly. He has appeared on The Oprah Winfrey Show, The View, Late Show with David Letterman, The Tonight Show with Jay Leno, and has made numerous cameo appearances on hit TV shows.

Customer Reviews:

5 out of 5 stars Who the hell is on the picture/cover?.......2006-06-23

This is not the artwork for the cover of my Ruff Trax. I've shared the correct image with you. Also, please note, it was released on Bad Axe records in 2004.


BTW: I think it's a pretty damn good record.

Thanks,

Barry Holdship

Music:

  1. The Architecture of a Year
  2. Teasing the Fat Kids [UK-Import]
  3. Forever scarlet passion (1993)
  4. Collision Course
  5. Lady Ablaze
  6. Aus Ruinen
  7. Harmony of the Spheres [US-Import]
  8. New Recovery
  9. X/the Name of the Rose [US-Import]
  10. Loser Illusion/Import

Music

Music