Music

Average customer rating:

Good up and coming band!
Fantastic
Really Great
Great cd
My New Obsession

Teenage Graffiti
The Pink Spiders
Manufacturer: Geffen Records
ProductGroup: Music
Binding: Audio CD

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Hot Pink
Civilian
Waterloo to Anywhere
Under the Influence of Giants
Don't You Fake It

ASIN: B000G6BL9W
Release Date: 2006-08-01

Tracks:

Soft Smoke
Saturday Nite Riot
Modern Swinger
Hollywood Fix
Little Razorblade
Back To The Middle
Nobody Baby
Hey Jane
Still Three Shy
Adalae
Easy Way Out
Pretend That This Is Fiction
Bonus Track 1 - The Pink Spider

Amazon.com

Most bands that come from Nashville wear cowboy hats write songs about punching their horses. No such problems with the Pink Spiders, who at an early age sound like they traded in their Oak Ridge Boys CDs for the complete back catalog of New York's mid-'90s garage rock revivalists, D-Generation. Like that group's breakthrough album, No Lunch, this disc was also produced by Ric Ocasek, the former Cars front man who has built a second career out of creating hits for guys that dress like his old band. Cue a fast and furious racket of skuzzy guitars, blasting power-pop drum fills and skinny-tie sound effects that turn up pleasantly stupid guilty pleasures like "Saturday Nite Riot" and "Little Razorblade." --Aidin Vaziri

Customer Reviews:

Good up and coming band!.......2007-01-03

The album is good and when I saw them warm up for Good Charlotte I was impressed with their stage presence.

Fantastic.......2006-11-26

This album is fantastic if not perfect. I like the first track "Soft Smoke" which has great guitar playing at the beginning of the song. Wicked song. The second "Saturday Nite Riot" ain't as good as the first one but still good. My favorite songs on this cd are "Modern Swinger" a extremely catchy song and "Little Razorblade" a awesome track. I usually go for stuff like The Click Five and Mcfly but I do like the Pink Spiders too.

Really Great.......2006-11-06

This is one of my favorite CD's I own. They have a ver unique type of music that I find very appealing. I would reccomend it to anyone who loves music!

Great cd.......2006-11-03

wow i was pretty impressed by this cd i just heard one song kind of liked it so i got the cd and let me tell you it was worth it all the songs are pretty good so i would tell you to get this cd

My New Obsession.......2006-08-27

I love this CD. It's soo amazing. I bought it the day it came out and listened to it a lot and then I bought a couple more CDs a couple weeks later, but I just kept coming back to this one. I can't even describe it's amazing-ness. It's like a combination of some retro influenced rock with modern touches. I also read an article on them in AP and they were so fabulously cocky (in a good way of course!) that you can't help but love them. I love every single song on the album! I'd do a rundown of the songs and rate them, but they'd all just be 10/10, so what's the point? I will tell you that my favorites are:
Modern Swinger
Still Three Shy
Pretend that this is Fiction
Little Razorblade

and EVERY other song!

Please buy this. You won't regret it.

Average customer rating:

All of the five star reviews are dead right
NOT The Same Old Rock
this is the one
SO good, I can't recommend it enough
Weathercock Points to Superb

Stormcock
Roy Harper
Manufacturer: Science Friction
ProductGroup: Music
Binding: Audio CD

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Flat, Baroque And Berserk
HQ
Jugula
The Nightmare of J.B. Stanislas
Lifemask

ASIN: B00004SZAL
Release Date: 1999-09-21

Tracks:

Hors d'Oeuvres
Same Old Rock
One Man Rock and Roll Band
Me and My Woman

Album Description

Reissue of 1971 EMI album by the great English folk singer/ songwriter. Four tracks. Includes the original artwork. 1994 release.

Customer Reviews:

All of the five star reviews are dead right.......2006-08-16

It's wonderful to see so many uniformly enthusiastic reviews of this album. It's truly a classic album from a classic time, albeit unfortunately obscure.

Harper was a "musician's musician". never achieving (undoubtedly never striving for!) top ten fame. His folksy, soft approach ensured that. However he was rightly recognized by his peers at the time, including Jimmy Page and the rest of Led Zep, and Pink Floyd, as a consummate songwriter, singer, arranger, and all-round musician.

I had the great pleasure of seeing Harper live one evening, back around 1986. He played (of all places!) McMaster University's Rathskeller pub in Hamilton, Ontario. The Rat was a decent folk pub for those who didn't want to get their eardrums blasted out by second-rate bands at the other University pub. But it was certainly their all-time coup to land Harper one summer evening.

I dragged fellow grad students out to see him. They had no idea who he was, although I did my best to explain that they were seeing and listening to an icon. Much of the rest of the audience was the same -- they just happened to be there that night, or they were dragged along by their own fanatical friend.

To be fair, there were a respectable number of other Harper fans there that evening, who must have caught wind of his appearance one way or another.

I drank too much. And I (to my later chagrin) pestered Roy too much with requests for "Me and My Woman", which was my wistful romantic anthem for many years. He finally, somewhat begrudgingly, indulged me. I sang along (not too loudly!).

Every few months or so, I hit his website, hoping that he might venture to "the colonies" another day. Probably not. I fantasize about taking a trip to England to see him.

Part of me is happy that Roy Harper will always remain somewhat obscure -- appreciating him boosts you into an elite category (or so I like to pretend, anyway). The rest of me wonders why he isn't played regularly on better classic rock stations.

NOT The Same Old Rock.......2006-05-25

I ordered this from Amazon UK and had it sent to my brother-in-law's home. My wife picked it up when she went for a visit. All the reviews you read here are spot on. this is a great, classic record with some fabulous vocal and orchestral overdubbing. I don't play this CD constantly but everytime I do pull it out I find myself amazed by what Harper and his engineer achieved way back in 1971. Anyone interested in the music of Pink Floyd will want a copy of this. It isn't a synthesizer-electronica-laden as Pink Floyd but clearly Pink Floyd and Roger Waters were heavily influenced by this CD. Waters could have written the lyric here 'round about the time of his Brick in the Wall period. This is mostly an acoustic release but, my God! It's heavy in places! By the way, Harper had a guest spot on Pink Floyd's Wish You Were Here. Jimmy Page appears on Stormcock under a psuedonym playing some great acoustic guitar along with Harper.

Follow up note: I see that Jimmy Page will be appearing with Roy Harper at Festivals this year playing all of the material from Stormcock - awesome.

this is the one.......2005-06-30

all of a sudden, i can't stop listening to roy harper. i guess i go through it every so often, but i've got a bad case of it right now. thank god, there is a lot of roy harper to choose from. i bet i have played flashes from the archives of oblivion twenty times in the past two days. today i loaded flat, baroque, and berserk and stormcock into the player. all three of these pieces of work are 5-star albums...and he's got several more that would qualify as well. but, the bottom line is that, if pressed, i'd have to say stormcock is the one. one can easily understand how his name showed up on albums by led zeppelin, pink floyd, and kate bush. one can easily understand how he warranted contributions from jimmy page, kate bush, paul mccartney, bill bruford, dave gilmour, and the rest of his "famous" friends. what one can not understand is how he avoided the trappings of mega-stardom.... even if this particular album had been the only one he recorded, his name should have/could have been a household name. this album is a true treasure... only four songs (long ones), but in those four songs are all the qualities for which one listens to roy harper: the intense vocals; the layering of voices; crazy, wonderful, and perfect (atypical/close/shocking) harmonies; that ringing guitar; the sheer poetry of the lyrics. this is one of the albums i most treasure. do yourself a favor. listen to this one. listen closely. you'll be glad you did.
i've already got bullinamingvase and HQ ready to load when i'm finished with these two.

SO good, I can't recommend it enough.......2004-11-12

Roy's 1971 album Stormcock is underrated but every bit as classic (and more so in my opinion) as albums like Zoso, Who's Next, Dark Side of the Moon, and Freewheelin' Bob Dylan. Why, you ask? I'll try to distill it in a short synopsis: The album opens with Hors d'Oeuvres, a beautiful track showcasing Roy's poetic, clever and biting lyrics as well as his exellent voice and vocal arrangements (just listen to the chorus). The Same Old Rock, track 2, is regarded by many to be Roy's best song--a beautifully cutting critique of religion set to exquisite acoustic guitar backed by Jimmy Page (who lays down some blistering lead parts that really complement Roy's inimitable style). The last 3 minutes of the song are priceless for Roy's riff and Jimmy's bluesy solo. Track 3, One Man Rock n'Roll Band, is a piece played in open guitar tuning and has an otherworldly air about it. It's a comment on war and displays some of Roy's very unique and skilled (take it from a fellow guitar player) guitar playing. The final track, Me and My Woman, has multiple parts in which Roy displays his AMAZING singing and lyrics, is backed by an orchestra, and plays some sweet riffs on the acoustic guitar. Unfortunately for me and you, the text-based Amazon review can't convey the fantastic experience that Stormcock is. The record's overall sound and feel, Roy's "A-ha" inducing lyrics, and the quality of the playing makes it a record I would recommend to anyone who is a fan of classic rock, folk, psychadelia, British music, etc. Don't be tricked by the track count; the album is over 40 minutes (the songs are long). My other top recommendations from Roy's collection are Valentine (shorter acoustic songs with a broad range of styles) HQ (more classic rock, and every bit as good as Stormcock) and Bullinamingvase (very similar to HQ in quality and rockingness). You can also find these records at royharper.com. Discover Roy Harper's music--you won't regret it.

Weathercock Points to Superb.......2004-04-12

Back in the day, you could actually buy this LP as a cut-out for $3.49 or less. When you hear it, and reflect on the fact that we now have to pay $$13.00 for the CD, you will feel sick. Of course he was under-appreciated then. Yeah, like he is appreciated now. DO NOT be mis-led by the fact that the down-load for pay services don't have his early stuff. Bullinamingvase, Folkjokeopus, are the princes in Harper's discology, where Stormcock reigns as king. Not exactly representative of his work, it is not a radical departure, a blending of jazz vocal stylings with his innate British folk sensibilities and a pinch of rock stylings thrown in for good measure, it compares more to John Martyn than anything, except more folky. It is very hard to describe, you have to hear it, because "unique" truly fits this one. Another comparison might be Tim Buckley. Get the picture? ....other uniques? Very intense: if anything in the rock genre brings tears to you, this might; if anything inspires you this will; it's in my top 10 all-time along-side the likes of Buddy Holly, David Bowie, Beatles. 5 stars because I can't give 10. If you still don't get it, stop reading reviews.

Average customer rating:

Once you hear them your hooked!
Nice
A long, long wait has paid off
still rumbling along
This is real music from inside America!

Positive Friction
Donna the Buffalo
Manufacturer: Sugarhill [Country]
ProductGroup: Music
Binding: Audio CD

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Life's a Ride
Rockin' in the Weary Land
Wait Til Spring
Mule to Ride
Live from the American Ballroom

ASIN: B00004TDPC
Release Date: 2000-07-17

Tracks:

No Place Like The Right Time
Movin' On
Yonder
Riddle Of The Universe
Front Porch
In Another World
Revolution
Family Picture
Positive Friction
Man Of Constant Sorrow
I Wish You Love
Arrows Pointing Sideways
Your Way Home

Amazon.com

Roots-rockers Donna the Buffalo count both Bob Marley and Ralph Stanley as major influences. It's a tribute to the band's musicianship and to the songwriting talents of Tara Nevins and Jeb Puryear that they are able to blend such disparate styles into a cohesive whole. On "Yonder," for example, the sound of Nevins's Appalachian fiddle and slightly nasal country voice soar over the driving drum and wah-wah guitar groove as if it is the most natural thing in the world. And their mournful version of "Man of Constant Sorrow" is such a surprisingly perfect blend of tropical island rhythms and old-time mountain harmonies, you wonder if Ralph Stanley might have spent some time as a member of the Wailers. But for all of their contemporary genre-bending, Positive Friction has an earthy feel that makes you realize they are just an old-time string band who have picked up a few tricks to help them survive in the modern world. --Michael Simmons

Customer Reviews:

Once you hear them your hooked!.......2006-07-29

I first heard No Place Like the Right Time two years ago on a college radio station from Hartford, CT WWUH. I just had to know who this was singing this wonderful song. Luckily WWUH can be heard on the internet [...] and I was able to get the playlist that morning. I immediately bought Positive Friction and after listening to the album, I had to have it all.
I am now a 100% devoted DTB fan and I can't get enough. I am eagerly awaiting their next album. If you have the opportunity to see them live you will be totally mistified as I was at the Rhythym and Roots Festival where I first saw them. They are by far the best fun band out there right now in my opinion.

Nice.......2006-03-20

Ilove this cd. I love her voice! what a good kick back, kinda mellow, kinda groovy music. I would love to see these guys live.

A long, long wait has paid off.......2003-02-04

I first saw this band at Riverbend in Chattanooga and my cynical musical heart skipped a beat. I couldn't believe I was hearing music this original, this fun, this RIGHT. I am a wandering pilgrim of a Deadhead, and I have been so disappointed in all the vane attempts other bands have made to try to capture that musical magic that it has left me wondering if there was any music out there that would ever grab my attention again. Phish was sophomoric and forgettable, ditto moe., Widespread Panic completely escaped me, etc. etc. These bands would pop up on the horizon, offer lame lyrics and forgettable monotonous melodies, and I wondered if any band could get it right. Well, Donna the Buffalo got it right.

This is a great album to start with, in my opinion. I did, and I'm a serious fan now. The music is so incredibly addictive and listenable that it didn't leave my CD player for weeks after I got it. They can (gasp!) write gorgeous melodies!! They can (imagine!) construct interesting and poetic lyrics that actually make sense! I couldn't believe my ears. Music I hummed again, all day long. Little turns of phrase that crept into my speech and thoughts. What a refreshing thing.

Try this band out on this or any other of their discs. This one is as good as any. But I've never heard a band (except for one) that had this much quality stuff to lay on the table. Enjoy, and eat hearty.

still rumbling along.......2001-12-21

I'm going to disagree with my fellow Rochesterian and say that this is a good DTB album with which to start, if you haven't heard them before. It was recorded live in the studio, so it managed to capture the headlong-but-relaxed feel of their live shows better than any previous album.

The title cut, "Positive Friction", is one of the best Jeb Puryear songs yet. He generally comes up with at least one anthemic epic per album (e.g., "Conscious Evolution" on Rockin' in the Weary Land and "Mystic Water" on The Ones You Love) and this is the brawniest one yet.

In this band Tara writes the pop songs and Jeb writes the rock songs. They are both excellent songwriters and the polarity of their styles is part of what broadens the appeal of the band and also creates the tension that is at least part of what makes their live shows worth seeing.

DTB beat the Coen Brothers to the punch with their re-recording of "A Man of Constant Sorrow" and Jim Miller does as good a job with the song as Norman Blake did on the O Brother, Where Art Thou? soundtrack.

Check out DTB's website to pick up their new double live CD. Then you will *really* know what all the fuss is about.

This is real music from inside America!.......2001-08-23

Donna the Buffalo are like Dylan meets the Wailers via Louisiana and Appalachia. On this record, they manage to capture almost perfectly the wonderful, warm, homey rhythm that is really their main appeal. I don't care for most "jam" type music, but the thing that makes this music irresistable is the fact that the deep grooves and improvisational parts never lose the sense of the main tune that everything is built around. The music is, on some level, always pretty. It is also an ineffable combination of so many American genres of music that fans of country, reggae, rock, any branch of American folk music, and zydeco music will all find something familiar.

Now, about "Positive Friction" in particular: Donna the Buffalo is a band to hear live. That's the truth. BUT this album does manage to translate the energy and sound of the band live into very enjoyable snapshots. All of the elements are there, and it is hard to pick out a standout song. "No Place Like the Right Time" mixes a rich sense of harmony with a kind of country wistfulness that contrasts nicely with Tara Nevins' other more groove-based songs on the record. "Positive Friction" is a good example of the band's really striking sense of rhythm that encorporates a tonal breadth. With a booming bass guitar note marking the beginning of each chorus and the higher sounds of the washboard mixing with the drums, the beat of this song is as important and as recognizable as the tune itself.

As my final recommendation, I just need to say that this is also a hopeful, happy thing to listen to, even if some of the songs deal with sad or angsty subjects. The music is also a rich, generous celebration of rural America which, being from here and living here still, I can relate to and really like.

Average customer rating:

Awesome rock and roll music
Great album from an excellent band
One of the MoreTalented releases of the Pop-Grundge era
Surprising gem of a CD
This is some quality music

Friction, Baby
Better Than Ezra
Manufacturer: Elektra / Wea
ProductGroup: Music
Binding: Audio CD

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How Does Your Garden Grow?
Before the Robots
Closer
Live At The House Of Blues New Orleans
Live in New Orleans at the House of Blues

ASIN: B000002HN2
Release Date: 1996-08-13

Tracks:

King Of New Orleans
R3wind
Long Lost
Normal Town
Scared Are You?
Return Of The Post Moderns
Hung The Moon
Desperatly Wanting
Still Life With Cooley
WWOZ
Happy Endings
Speeding Up To Slow Down
At Ch. DEGAULLE, Etc.

Amazon.com

The first two albums from Better Than Ezra were recorded as low-budget demos and released on tiny indie labels, even though the second one, Deluxe, was leased by Elektra and turned into a platinum smash. The third album, Friction, Baby, is the trio's first with a big budget and an experienced producer (Don Gehman of John Mellencamp, R.E.M., and Hootie & the Blowfish), and it crystallizes Better Than Ezra's identity as a mainstream pop band relying on catchy hooks, straightforward lyrics, and top-40 arrangements (which in 1996 meant grunge guitar). Kevin Griffin, the group's singer/songwriter/guitarist, has excellent pop instincts, and the 13 songs on Friction, Baby are as pleasurable as they are unadventurous. --Geoffrey Himes

Customer Reviews:

Awesome rock and roll music.......2007-01-31

This album is amazing. Ive had it since 1996 and I still love it. Speeding Up To Slow Down is one of the greatest songs Ive ever heard. Im not gonna overanalyze here because this music is unmistakably awesome. Some songs jump out at you at first and others come on strong after a few listens. Great melodies, crunchy guitar and outstanding vocals make this cd worth anyones money. Better Than Ezra are underappreciated when it comes to the mainstream but theyve got a core group of "Ezralites" who have been behind them for years. Honestly if you dont like this album then we have nothing to talk about when it comes to music.

Great album from an excellent band.......2007-01-28

BTE's "Friction, Baby" is a perfect reflection of the 1996 era in music, with so many other post-grunge bands crafting memorable (and very loud) hits. The fact remains that BTE is one of the few from this era that is still around. "Before the Robots," their most recent offering, is an equally good record in the 2005 mold.

Let's face it, "Desperately Wanting" is a legendary song. It buoys an album full of inspired rock tracks but none quite reaching the level of the aforementioned anthem. However, each of these tunes are different in feel and that makes "Friction, Baby" a very enjoyable listen.

While "R3wind" rings forth with the "now there is nothing but a mix tape left behind" chorus, "Long Lost" is thunderous, "Normal Town" is an atmospheric nod to Boston featuring a creative flute solo, and "Scared, Are You?" is a plodding rocker that eventually soars.

Later tracks like "WWOZ" and "Happy Endings" reflect a shift from the supersonic first half of the album to a reflective finish. "WWOZ" is beautiful lyrically and paints a wonderful picture. "Speeding Up To Slow Down" is a great example of rock in the mid-nineties, bringing back that heavy, riff-driven approach with thoughtful lyrics and an anthemic conclusion.

I don't think BTE has ever put together a "perfect" rock album, but "Friction, Baby" is as close as any of their attempts. The remarkable thing about BTE is that all of their albums have a different personality and thus, a variety of fans may embrace this record as the best while others favor "Deluxe" or "Before the Robots," for example. Then there's the other albums that haven't sold as well but probably mean just as much to other fans. In this light, their collection of great songs over the 12 years since they first hit the mainstream makes for an awesome concert experience filled with hits and catchy hooks. Their live album stands as my favorite record, personally. Maybe that's their "perfect" effort.

One of the MoreTalented releases of the Pop-Grundge era.......2005-10-01

Obviously affected by the widespread success of the harder grundge sound, BTE followed suit with similar peers, Counting Crows, and released a harder sophomoric album.

While some may brush it off simply for following the sonic trend at the time, the result here are some of the best songs created in the 96, 97 time period.

The harder sound invigorates and exacerbates Kevin's emotional lyrics, and overall this makes for a truly rewarding, full sounding album as a whole.

Surprising gem of a CD.......2005-07-28

I found this CD for $2 in my favourite record store and got purely on the basis of Desperately Wanting. As I listened to it, I instantly fell in love with nearly all the songs, particularly King of New Orleans and Still Life with Cooley. It does not disappoint.

This is some quality music.......2005-03-30

I just recently rediscovered this band. I had heard their mega-hit "Good" a long time ago, not realised it was them until now, and then picked up this CD. At first, I wasn't too keen on some of the songs, but now each song is great in it's own way. Kevin Griffin has a great voice.

King of New Orleans - This is the kind of song that becomes an instant classic. Everyone loves this song because it's just like that. It has catchy guitar riffs and a catchy chorus.

Rewind - I think this is the closest BTE ever comes to pop. Trust me, BTE IS NOT POP. This is another super-catchy song that's just as loud and gritty as 'King of New Orleans.'

Long Lost - The chorus of this song is definitely something I'll not forget. Kevin Griffin shows his range in this song. It has a more melancholy tone than the previous two songs.

Normal Town - Dude, this song has a flute solo in it. It sounds crazy, but it works for the song really well. While this song isn't one of my favourites on the CD, it is still a good listen.

Scared Are You? - This is one of my favourite tracks. The lyrics are great, the riffs are great. This is a highlight track for sure.

Return of the Post Moderns - This was influenced by the 90's. It borders more on the political side oddly enough. It's a bit strange, but it does grow on one.

Hung the Moon - This has the perfect grunge feel to it. It starts off with the amps turned all the way up with plenty of distortion. Another instant classic.

Desparately Wanting - This is a really catchy track. It starts off toned down and gradually picks up. It's another track that's guaranteed popularity like 'King of New Orleans.'

Still Life With Cooley - This almost gives the impression of being country until you reach the end of the track. At the end, you get a classic Ezra sound like in 'Hung the Moon.' Another strong song by Kevin Griffin.

WWOZ - This is another favourite. It's a great ballad.

Happy Endings - This is like 'WWOZ,' but it does have its differences. I love the lyrics of this one.

Speeding Up to Slow Down - This has the feel of an epic: it starts off slowly and builds up to a huge climax. Great song.

At Ch. Degualle, Etc. - This is an instrumental. It has some great guitar work in it, and the brass that comes in later sounds great with the band. They did some very creative arrangements on this instrumental.

There is another segment on after the instrumental where it sounds like Kevin is singing in maybe French? Anyway, that's another good song. It's a live track and it sounds like the band was doing some improvisation. It sounds great. I wish I could see them live!

This is a great CD. Go out and listen to this band. They are so hard-working. They are another one of those under-rated 90's bands like Toad the Wet Sprocket or others.

Average customer rating:

should have been bigger...
Final Studio Album
THIS AIN'T LOVE
Excellent rock & roll CD

Friction
Coney Hatch
Manufacturer: Anthem
ProductGroup: Music
Binding: Audio CD

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Coney Hatch
Best of Three
Coney Hatch
Rough Cutt/Rough Cutt Wants You!

ASIN: B0000076AU
Release Date: 1997-04-28

Tracks:

This Ain't Love
She's Gone
Wrong Side of Town
Girl from Last Night's Dream
Coming to Get You
Fantasy
He's a Champion
State Line
Burning Love

Album Details

Canadian Rockers' Third and Final Studio LP, Originally Released in 1985.

Customer Reviews:

should have been bigger..........2007-06-30

their third and last album, listen to "Fantasy" which is a brilliant song, one of their best. Carl Dixon was a great singer, not a screamer but a real singer, closer to Coverdale than Halford. Steve Shelski was (is) above your average lead guitar player, and the rhythm section knew how to rock. famous producer max Norman did a very good job by producing this album, the sound is really amazing. a great album from a great canadian band, this is the business side of things that put an end to this band, not their music!

Final Studio Album.......2006-11-28

Released in 1985, Friction was the third and final album from Canadian rockers Coney Hatch. The band had a great, Foreigner meets April Wine arena rock sound that should have resulted in larger success, but for whatever reason they never caught on. It's a shame, because the band's albums - Friction in particular - had all of the right elements to appeal to rock fans in the 80's.

Of their three albums, Friction was the most AOR sounding. This might have been a sign of the times, but the album has a slick, polished sound similar to what bands like Y&T, Autograph, and Foreigner were releasing at the time. It's catchy as hell, and an absolute treat for 80's AOR aficionados.

Two thumbs way up for this great rock album. It's just about guaranteed to have you nodding your head and singing along in the car by the second track.

NOTE: So far, Friction remains the only Coney Hatch album that has not been remastered. One can only hope that situation will be remedied soon.

THIS AIN'T LOVE.......2002-03-01

This ain't love, but it's awfully close. This is the third and, unfortunately, final album by Coney Hatch. It was a short fast run, but ultimately left me with songs I would remember and look for until Anthem Records released this on CD. The cuts that make this a great addition to a Rock collection are "State Line" and "She's Gone".

I know most of you won't buy a CD for 2 songs, but there is more than that here. Coney Hatch is one of those groups that has an excellent retrospect package (BEST OF THREE) and the other great songs made that disc. For those of you that are unfamiliar with the band those tunes are "Wrong Side of Town", "Fantasy", "Girl From Last Night's Dream", and my favorite "This Ain't Love". There is also "He's a Champion", a better-than-average song.

I hate saying this is the same old Coney Hatch, but in a sense it is. Again, it is radio friendly no-nonsense Rock-n-Roll. Listening to these discs again, it is hard to fathom why Coney Hatch didn't take the music world by storm. It's probably the curse of my liking them. I can only say this is one of many groups that shows the fickleness of radio and it's inability to bring great bands into every market. Of course, maybe it's the curse of living in a market, where program director's don't have their thumbs up their ---!

Excellent rock & roll CD.......1999-10-08

Back in the early 80's I did a college radio show that focused on rock & roll, not heavy metal. We would have access to new music coming out and that's when I first heard this album...remember those?! I thought it was great!!! I must have marked every song on the album with 2 stars, meaning it was good enough to play the the show!

Get the CD ... you won't be disapointed!

Average customer rating:

THEY ARE AN AWESOME DUO
Off the hizook scratching
Breakbeat heaven!
Two stars for 4 wheels-o-steel
insane

Transformed: The 4 Turntable Mix CD
DJ Friction & DJ Spice
Manufacturer: Street Beat Records
ProductGroup: Music
Binding: Audio CD

General | Dance & DJ | Styles | Music

General | Techno | Dance & DJ | Styles | Music

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Techno-House | Dance & DJ | Indie Music | Stores | Music
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Beat Box 2001: Essential Acid Funk

ASIN: B00000I8C6
Release Date: 1999-03-23

Tracks:

Bring H On Down
Break @ Dawn
A Long Night
Ride The Funk
Step Three
Antheum '98 'The Digital Blondes Future Retro Mix'
Music Take Control
Do It
Break Out
Glimmer Of Dope Theme
E-F-F-E-C-T
All A Dream

Customer Reviews:

THEY ARE AN AWESOME DUO.......2003-04-27

Transformed is one of their better albums. From their first c.d, Beatbox to Explorations, this one is more on the funky breaks side. I love all of their music and adore them for giving their fans the most of their flavor. From the first time I saw them perform in Montgomery in 1999 at a Zen Fest I was hooked. Now I have all of their c.d's and won't give them up for the world. Look for Spice in a Dj Booth near you. One track and you too will be hooked;-)) HAPPY DANCING.....

Off the hizook scratching.......2002-12-02

This is a super phat CD, the scratching is really good. It's defenitly excellent for dancing, very quick and upbeat. One of my favorite CDs.

Breakbeat heaven!.......2001-08-23

I met these two many, many years ago in Roanoke Va. Besides being really great guys on a personal level, they are increadibly, dedicated DJs and producers; their heart is where the music is rather than the money (although, $$ is nice!). This cd is great! CDs usually bore me very early on and I expect a dj to do more than own good records or have only mastered beat matching. But these two are great! I highly reccommend this cd to all of you that enjoy dancing and need something to pick you up off your couch and get you dancing! WARNING- Don't play in car or at work as you will find it hard to sit still!

Two stars for 4 wheels-o-steel.......2001-06-26

This CD is mediocre. The mixing is pretty good, but the song selection is bad. The scratching is something that more and more DJs are putting on breakbeat albums, and it seems out of place with all of these...trax. The only two tracks that are worth checking out are DJ Volume's "Ride the Funk" and 321 Crew's "E-F-F-E-C-T". Both have good basslines and quick beats, just find them on something else. I guess it must have been DJ Friction selecting the songs on this because DJ Spice's "Breaks are Delicious" CD is awesome(checkout my review on it). If you liked this review don't forget to vote. THANKS!

insane.......2000-03-18

This selection is one I've had my eye on for a long time. I picked it up only yesterday, and havent been able to put it down since. The style is in a breakbeat club mix that sends the rivet-shaking bass strait to the core, and the mix is very good as well. Both Friction and Spice really tear the tables apart with their fast, tone touch scratching. This cd has a great beat to dance to, and the song selection is superb. But I do belive that the most impressive part is the scratching and simultaneous mix by Friction and Spice throughout the whole cd. It hits hard in the first track, "Bring H on Down" by Biochip C., and doesn't let up from there. This cd's rolls, break, slides, stops, and rollercoaster ride is a very impressive mix. Its a fast, mad, crazy, insane selection from two extremely talented Djs who deserve their regocnition. Bravo gentlemen, bravo.

Average customer rating:

Roy's last great 70's album
The best of Roy's "Middle" period
Take Courage!

Bullinamingvase
Roy Harper
Manufacturer: Science Friction
ProductGroup: Music
Binding: Audio CD

British Folk | Traditional British & Celtic Folk | Folk | Styles | Music

General | Contemporary Folk | Folk | Styles | Music

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Folk | Imports | Stores | Music

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ASIN: B00005LNHE
Release Date: 2001-07-10

Tracks:

One Of Those Days In England
These Last Days
Cherishing The Lonesome
Naked Flame
Watford Gap
One Of Those Days In England (Parts 2-10)
Breakfast With You

Album Description

Reissue of 1977 album is the CD debut for it in it's original running order, and with the bonus track 'Breakfast With You'. Also includes a 16 page booklet with lyrics and archive photos. A total of seven tracks. Other 6 'One Of Those Days In England', 'These Last Days', 'Cherishing The Lonesome', 'Naked Flame', 'Watford Gap' & 'One Of Those Days In England' (Parts 2-10). Mastered with 20 bit super mapping. Guests include Paul & Linda McCartney, Alvin Lee (ex-Ten Years After), BJ Cole, Percy Jones and others!

Customer Reviews:

Roy's last great 70's album.......2004-12-01

This is, in my opinion, Roy's last classic folk-rock album from the 70's. It's recorded with a band called Chips, and features a number of acoustic as well as electric songs. The opener is part one of the "One of these Days In England" suite. It's poppy and has some cool slide guitar, as well as featuring Paul and Linda McCartney on background vocals. "These Last Days" is a great ballad with Roy's trademark vocal layering. "Cherishing the Lonesome" is one of the album's strongest tracks--it effortlessly switches styles from folk to rock with some awesome vibraphone--it's one of Roy's best songs. The "Naked Flame" is quick acoustic song, sort of playful. "Watford Gap" is a quite funny song that was originally nixed from the album because the people at Watford Gap were offended (rightly so) by the ridiculous lyrics. It was replaced by "Breakfast With You," a "piece of pap," as described by Roy himself. The centerpiece of the album, "One of these Days In England (P.2-10)" is sublime, like most of Roy's long works. It starts of with some trademark witty lines, then goes into a reprise of part one. The song is essentially a series of reflections about the state of England, past and present, and the nature of passing time. It's got some varied folky parts as well as bluesy and rock parts. Chips is tight, though just a notch below Trigger, the band that played with Roy on "HQ." This album is very strong, and includes Roy's excellent fingerstyle guitar work, as well as some of his most positive lyrics (fewer rants on religion and society). I recommend it very highly to fans of Roy's other work (with "Stormcock," "HQ," and "Valentine" as his best). I'd also recommend it to fans of Dylan's folk rock, Van Morrison, Pink Floyd, Led Zeppelin, and newer music like David Gray's earlier work. Get in on this--Roy's about as indie as they get!

The best of Roy's "Middle" period.......2001-09-25

This album is one of Roy's best. It provides a sampling of most of the various sounds he experimented with over the first half of his long career: his simple, folksy arrangements (represented here by "Naked Flame" and the hilarious "Watford Gap"); his multi-layered overdubs of fascinating guitar work ("Cherishing the Lonesome"); and his epic, heavily orchestrated masterpieces ("One of Those Days In England, Parts 2-10").

The latter is a collection of "movements" that trace the roots of his English heritage and relate them to the modern English experience. The lyrics can be interpreted in a variety of ways; my take is that the piece recognizes that Britain is a culture in decline, but finds that enlightenment can still be found within such a decaying structure. Yes, it's that deep, and beyond.

A phenomenal live version of "One of Those Days" can be found on "In Between Every Line." For those who have trouble with the densely orchestrated sound on the studio version, the live one is just Roy's voice and guitar - yet the essential brilliance of the piece endures, and flourishes.

The bonus track "Breakfast With You" is not typical of Roy at all - it reminds me of early Alan Parsons (a la "Hypnotized"). Still, not a bad tune, just not essential Roy Harper.

A must-have for Roy fans, and not a bad place to start for those new to his music. (I personally don't recommend compilations - what a waste when you decide to get all the "real" albums.) Roy's voice is an acquired taste, but he can win you over with his unparalleled songwriting and playing abilities.

Take Courage!.......2000-01-30

I was in a record store in the early 1980s and saw this album for sale. At that time, it was getting harder and harder to find Harper albums in this area. Having heard this at a friend's, I bought two copies and still have the second one in plastic. At the time, I was afraid I would wear out the first and not be able to find it again. My favorite song is Cherishing the Lonesome. Mr. Harper was obviously in a jolly mood when he composed this album. Pardon the ale promotion.

Average customer rating:

A hard to find Classic

Genesis/Friction
The Soul Children
Manufacturer: Stax
ProductGroup: Music
Binding: Audio CD

General | R&B | Styles | Music

General | Soul | R&B | Styles | Music

Memphis Soul | Soul | R&B | Styles | Music
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My Toot Toot: Definitive Antology

ASIN: B0000296NJ
Release Date: 1999-10-26

Tracks:

I Want To Be Loved
Don't Take My Sunshine
Hearsay
All That Shines Ain't Gold
It Hurts Me To My Heart
I'm Loving You More Everyday
Just The One (I've Been Looking For)
Never Get Enough Of Your Love
All Day Preachin'
Get Up About Yourself
I'll Be The Other Woman
What's Happening Baby
Can't Let You Go
It's Out Of My Hands
Just One Moment
We're Gettin' Too Close
Love Makes It Right

Customer Reviews:

A hard to find Classic.......1999-12-19

"I'll be the other Woman" & "Tell me what's happening" will definately be re-made some day. Imitated but never duplicated.

Average customer rating:

One of the best later albums.

Death or Glory?
Roy Harper
Manufacturer: Science Friction
ProductGroup: Music
Binding: Audio CD

British Folk | Traditional British & Celtic Folk | Folk | Styles | Music

General | Folk | Styles | Music

Singer-Songwriters | Pop | Styles | Music

Pop Rock | Pop | Styles | Music

Blues Rock | Rock | Styles | Music

Folk Rock | Rock | Styles | Music

General | Rock | Styles | Music

Rock | Imports | Stores | Music
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The Dream Society
Stormcock
HQ

ASIN: B00004SZAK
Release Date: 2003-12-02

Tracks:

Death Or Glory?
The War Came Home Tonight
Duty
Waiting For Godot, Part Zed
Next To Me
The Methane Zone
The Tallest Tree
Miles Remains
The Fourth World
Why?
Evening Star
Cardboard City
One More Tomorrow
On Summer Day

Album Description

1994 album by the great English folk singer/ songwriter. 13 tracks. 1994 release.

Customer Reviews:

One of the best later albums........2006-12-22

It's well-known that Roy Harper was left by his wife before the writing and recording of this album, and it certainly shows in the mood and subject matter of the songs. However, this isn't simply a mopey self-pity party. Harper is a true artist, and even when dealing with emotional relationship trauma he doesn't provide the stock, trite response that most musicians tend to churn out like they don't even care. Yes, Death or Glory is Roy's painful recoil in response to being burned badly by a catastrophe in his life, but he's still Roy, and there's much more to this album than sad love songs. The genuine emotion imbued in these songs because of Roy's state at the time of writing them lends this album a truly unique place in his astoundingly good catalogue and it's one of his very best records in the last 30 years.

The album opens with the torrential title track. In 2006, the production does sound a tiny bit off--Harper has favored a plugged-in acoustic sound since the mid 80's. I really prefer the sound of a miked acoustic since it sounds more natural, and the plugged-in sound bothered me at first, but has since really grown on me (probably because the writing is so good). Roy's equally-talented son Nick backs him up with some wicked lead guitar. This song has some great energy and rocks pretty hard for an acoustic-powered tune. I really love the poem excerpt in the middle. "The War Came Home Tonight" has some great political commentary that is oh-so relevant today. "Duty" is probably my very favorite of Roy's spoken-word pieces--compelling art. "Next to Me" has some awesome fingerstyle guitar that we've all come to expect from Roy.

"The Tallest Tree" and "Miles Remains," both tribute songs, are two of the album's most classic tracks. "Tree" was written for Chico Mendes, the Brazilian environmental activist. It's a great, positive, upbeat number with some great acoustic lead by Nick. "Miles Remains" is a genre-defying tribute to Miles Davis. Spacey and mostly instrumental, "Miles Remains" is a live favorite and a great use of space as music. "The Fourth World" is my favorite track of the album. It's a scathing indictment of the powers that be that's pulled off as only Roy could. Nick's acoustic lead cuts like a blade, and Roy's lyrics and fiery singing cut even deeper. The version on this CD includes better drums. Even though it's acoustic, this song rocks, and it rocks hard. "One More Tomorrow" is one of the most heartfelt and sad songs on the album, really summing up Roy's emotional state in a touching way.

A couple tracks don't stand as far out as others--"Evening Star" and "On Summer Day" aren't as musically interesting (although the lyrics are typically strong). "The Methane Zone" is really the only track that's not that great--the guitar sound just doesn't fit, and the lyric isn't quite as funny as many of Roy's earlier intentional throwaways.

Overall, though, this album is another Roy Harper classic. The singing is heartfelt and unique, the backing is tight and sometimes blazing, and the poetic writing is beautiful and worthy of much analysis. [...]This album is highly recommended as one of his best 90's recordings alongside Once. Hope you check it out!

Average customer rating:

Wrath and Beauty mixed perfectly
Best of the 90's
Absolutely classic.
has to be the best band
One Of Tooth & Nail's Finest Releases

Friction
Stavesacre
Manufacturer: Tooth & Nail Records
ProductGroup: Music
Binding: Audio CD

Hardcore | Hardcore & Punk | Alternative Rock | Styles | Music

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Speakeasy
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Commonwealth

ASIN: B000003ZFF
Release Date: 1996-06-07

Tracks:

Threshold
Loader
At The Moment
Suffocate Me
Minus
Devil
Tranewreck
Burning Clean
Anna Thema
Stars And Clouds

Customer Reviews:

Wrath and Beauty mixed perfectly.......2004-07-02

As a huge fan of Stavesacre, it is tempting to elaborate on the bands incredible talent for song writing and incredibly emotional and moving lyrics. However, i only have 1000 words. Friction is Stavesacre's incredible debut album, and it in my opinion is possibly their best release (this or Speakeasy). Hearing the more calm, smooth songs first hooked me on Stavesacre, but once you aquire the taste, their intense, thrash influenced side is equally enjoyable. This CD melds the two almost perfectly. You could use the cliche that this CD sounds like two different bands, but Stavesacre somehow manages to retain a intangible cohesive element through their diverse style. They combine excellent musicianship with sobering lyrics on softer songs such as At The Moment, Stars and Clouds, and Burning Clean. I honestly almost cried the first time I listened to Burning Clean, as it has very impacting lyrics. Then Stavesacre can switch gears and let out a blistering, brutal sonic attack in the form of songs such as Threshold, Tranewreck, and Loader. Stavesacre completes the album with the incredibly simple but beautiful "Minus", an instrumental that somehow has an emotional impact that connects very effectively with the listener through its simple melody. Overall, this is an incredible release, although it may take some time to get used to their more punk influenced songs. Make yourself listen to this CD until its full power hits you.

Best of the 90's.......2002-02-13

It's not often you hear a positive message presented with the breadth and power heard here; Stavesacre's music is thick and heavy and I think they are one of the most thought-provoking bands out there along with Sunny Day Real Estate and King's X. This disc is a jem from beginning to end. Essential for fans of hard rock/hard core.

Absolutely classic........2002-01-04

Stavesacre is one of the best rock bands on the planet, combining melody, power, and emotion, and excelling in musicianship and lyricism. This is probably one of the best debut albums I've ever heard, ranking just under Weezer's blue album. Taking notes from bands like Quicksand, Far, and Helmet, Stavesacre creates accessible post hardcore rock. However, they perfectly execute the sound that the afforementioned innovators were trying to reach, and it only took them one album to do it! Every song on here is excellent. There's the soaring melody and chill-inducing lyrics of "At The Moment". "Loader" is driving and aggressive, with a great hook to boot. "Stars and Clouds" is a ten minute opus that throws in a little of a prog rock feel to an already diverse album. A highly recommended album for musical innovation, lyrical inspiration, and spiritual reflection.

has to be the best band.......2000-10-30

okay, first of all stavesacre has to be the best band. i listen to other music like blindside, project 86, and other hardcore/punk but stavesacre is the one that i listen to when i'm feeling really emotional. they are one of the bands that you can never get sick of. this cd is , well i can't say the best of their 3 because they all rock, but is a very good one. threshold,at the moment, burning clean, and stars and clouds are really good. the rest are all awesome too. stavesacre never fails to amaze me with each album that comes out. i can't wait till the ones to come.

One Of Tooth & Nail's Finest Releases.......2000-08-04

I still remember when Tooth & Nail Records way hyping up this release...it was their 50th album, and they were raving about how Stavesacre was "a new sound" and "unlike anything you've ever heard"...and so I took a chance and bought it. And wow, was I impressed! The sound is so raw on this album, and Jeff Bellew is a superior guitarist. I love Mark Saloman's voice; it has such a great sound. This album is well worth your money; songs such as "Threshold", "Burning Clean", "Anna Thema", and "Stars & Clouds" especially stand out. Couldn't be better.

Music:

Music