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- Nicht Hoch im Himmel [UK-Import]
- New Lives [UK-Import]
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- Only Ones,the
- Who Cares a Lot? (Lim. ed.)
- Lollo Rosso
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- Mtv's 120 Minutes Live [US-Import]
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Average customer rating:
- Uneven quality but great value
- A superb collection of Mendelssohn
|
Mendelssohn: The Masterworks [Box Set]
Manufacturer: Brilliant Classics
ProductGroup: Music
Binding: Audio CD
Octets
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Similar Items:
- Dvorák: The Masterworks [Box Set]
- Haydn: The Masterworks [Box Set]
- Vivaldi: The Masterworks (Box Set)
- Brahms: The Masterworks (Box Set)
- Schubert: The Masterworks [Box Set]
ASIN: B00062FLJ2
Release Date: 2004-11-30 |
Customer Reviews:
Uneven quality but great value.......2007-04-30
Brilliant Classics has found a niche with their extremely low-price multi-disc collections of the work of a single composer or performer. The Bach, Mozart and Chopin Complete Editions are legitimately considered to be artistic and economical triumphs. But the Masterworks series are more uneven. Currently available from Amazon France at about a buck per CD, they're still a bargain for those interested in quickly building a music library. But it's worth keeping a few things in mind. Unlike the Bach and Mozart Editions, these are not always historically informed performances. In this Mendelssohn set, the Hanover Band puts in a cameo (in Calm Sea and Prosperous Voyage), but most of the ensembles use modern instruments, techniques and proportions. This doesn't always work out, as in the case of the ponderously heavy recordings of the String Symphonies by an apparently full complement of Gewandhausorchester Leipzig strings (Mendelssohn likely wrote these early works for a much smaller group). The caliber of the performances varies too, ranging from good to poor, and from marquis musicians such as Dietrich Fischer-Dieskau to a few Dutch who-dats. The chamber musicians generally acquit themselves well (though the Octet recording is marred by an engineering flaw in the last movement, distortion, at least on my copy). But the symphonies suffer from some substandard performances, such as the Italian Symphony's live recording with not only audience noise but also ensemble flaws such as a distracting clarinet squeak in the first movement's recapitulation. Another strike is the lack of program notes. Brilliant's Complete Editions provide a booklet or CD-ROM with program notes, but here you'll need to do your own research.
Despite these shortcomings, this set is still good value (at least at Amazon France's current price of 31 Euros). And it's a fine way to become acquainted with Mendelssohn's music.
A superb collection of Mendelssohn.......2007-03-24
Let me preface this by saying that most of these works were not new to me - I own many other Mendelssohn CDs and have enjoyed his compositions for some time now. Also, this set is available much cheaper elsewhere, particularly from European retailers.
The symphonies are well-performed. 'Reformation' is an inspired live recording. The 12 string symphonies, written in Mendelssohn's youth, are also included. The concertos are exceptional - the violin concerto is as good as you'll find anywhere. The oratorios Elijah and Paulus are included, as well as the complete chamber works and a diverse assortment of choral works. The last few discs include the Lied ohne worte, the epic organ sonatas, and excellent renditions of A Midsummer Night's Dream and Fingal's Cave. While there are a few sketchy performances in the choral and chamber works, the performances and recordings are generally very solid, and the body of work couldn't be better.
Average customer rating:
- A Major Document of an Incredible Oeuvre...
|
Schubert: Lieder
Manufacturer: Deutsche Grammophon
ProductGroup: Music
Binding: Audio CD
All Works by Schubert
| Schubert, Franz
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Similar Items:
- Schubert: The Piano Sonatas
- Beethoven: Piano Sonatas
- The Schubert Song Companion
- Schubert: Schwanengesang; 4 Lieder
- Schubert: The String Quartets
ASIN: B000AYQCIK
Release Date: 2005-12-13 |
Customer Reviews:
A Major Document of an Incredible Oeuvre..........2007-03-12
.
Of over 600 songs, Fischer-Dieskau and Gerald Moore realized over three-quarters: these are those. Gerald Moore was of course as important to this project as Fischer-Dieskau.
DGG's sound is excellent.
This set is a remarkable document of art.
.
Average customer rating:
- Bach for professional listeners
- Bach Organ Works on original organs
|
Bach: The Organ Works (Box Set)
J.S. Bach , and Werner Jacob
Manufacturer: EMI Classics
ProductGroup: Music
Binding: Audio CD
All Works by Carl Philipp Emman. Bach
| Bach, Carl Philipp Emman.
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Similar Items:
- Beethoven - The Complete String Quartets / Alban Berg Quartet
- Water Music / Fireworks Music / Concerti Grossi
- Bach: Orchestral Suites & Concertos
- Beethoven: Piano Trios; Violin & Cello Sonatas
- Tchaikovsky: The Ballets / André Previn
ASIN: B00004YA0W
Release Date: 2000-11-07 |
Tracks:
- Fantasia C, BWV.570
- Chorale Vars (Partite Diverse): Sei Gegrusset, Jesu Gutig, BWV.768
- Fugue On A Theme C, BWV.574
- Chorale: Wir Christenleut', BWV.710
- Trio Son No.4 e, BWV.528: I: Adagio
- Trio Son No.4 e, BWV.528: II: Vivace
- Trio Son No.4 e, BWV.528: III: Andante
- Trio Son No.4 e, BWV.528: IV: Un Poco Allegro
- Chorale: O Lamm Gottes, Unschuldig
- Chorale: Christ Lag In Todesbanden, BWV.718
- Kleines Harmonisches Labyrinth, BWV.591: Introitus - Centrum - Exitus (Andante)
- Chorale: Allein Gott In Der Hoh', Sei Ehr', BWV. 711
- Toccata, Adagio And Fugue in C, BWV.564: I: Toccata
- Toccata, Adagio And Fugue in C, BWV.564: II: Adagio
- Toccata, Adagio And Fugue in C, BWV.564: III: Fugue
Tracks:
- Prld And Fugue in E, BWV.566: Prld
- Prld And Fugue in E, BWV.566: Fugue
- Prld And Fugue in E, BWV.566: Chorale Vars (Partite Diverse): O Gott, Du Frommer Gott, BWV.767
- Prld And Fugue in E, BWV.566: Fantasia in C, BWV.573
- Prld And Fugue in E, BWV.566: Fugue in G, BWV. 577
- Prld And Fugue in E, BWV.566: Chorale: Ein' Feste Burg Ist Unser Gott, BWV.720
- Prld And Fugue in E, BWV.566: Chorale: Allein Gott In Der Hoh', Sei Ehr', BWV.717
- Prld And Fugue in E, BWV.566: Chorale: Christ Lag in Todesbanden, BWV.695
- Prld And Fugue in E, BWV.566: Fugue in c, BWV.575
- Prld And Fugue in E, BWV.566: Chorale: Wie Schon Leucht' Uns Der Morgenstern, BWV.739
- Prld And Fugue in E, BWV.566: Chorale: Vater Unser Im Himmeireich, BWV.737
- Prld And Fugue in E, BWV.566: Chorale: Wir Glauben All' An Einen Gott Vater, BWV.740
- Prld And Fugue in E, BWV.566: Chorale Var (Partite Diverse): Christ, Der Du Bist Der Helle Tag....
Tracks:
- Prld And Fugue in a, BWV.551: Prld
- Prld And Fugue in a, BWV.551: Fugue
- Orgel-Buchlein Nos.1-7, BWV 599-605: 1. Chorale: Nun Komm' Der Heiden Heiland
- Orgel-Buchlein Nos.1-7, BWV 599-605: 2. Chorale: Gott, Durch Deine Gute
- Orgel-Buchlein Nos.1-7, BWV 599-605: 3. Chorale: Herr Christ, Der Ein'ge Gottes-Sohn
- Orgel-Buchlein Nos.1-7, BWV 599-605: 4. Chorale: Lob Sei Dem Allmachtigen Gott
- Orgel-Buchlein Nos.1-7, BWV 599-605: 5. Chorale: Puer Natus In Bethlehem
- Orgel-Buchlein Nos.1-7, BWV 599-605: 6. Chorale: Gelobet Seist Du, Jesu Christ
- Orgel-Buchlein Nos.1-7, BWV 599-605: 7. Chorale: Der Tag, Der Ist So Freudenreich
- Aria in F, BWV.587
- Orgel-Buchlein Nos.8-10, BWV.606-608: 8. Chorale: Vom Himmel Hoch, Der Komm' Ich Her
- Orgel-Buchlein Nos.8-10, BWV.606-608: 9. Chorale: Vom Himmel Kam Der Engel Schar
- Orgel-Buchlein Nos.8-10, BWV.606-608: 10. Chorale: In Dulci Jubilo
- Pastorale in F, BWV.590
- Orgel-Buchlein Nos.11-12, BWV.609-610: 11. Chorale: Lobt Gott, Ihr Christen Allzugleich
- Orgel-Buchlein Nos.11-12, BWV.609-610: 12. Chorale: Jesu, Meine Freude
- Prld And Fugue in c, BWV.549: Prld
- Prld And Fugue in c, BWV.549: Fugue
- Orgel-Buchlein Nos.13-14, BWV.611-612: 13. Chorale: Christum Wir Sollen Loben Schon
- Orgel-Buchlein Nos.13-14, BWV.611-612: 14. Chorale: Wir Christenleut'
- Prld And Fugue in b, BWV.544: Prld
- Prld And Fugue in b, BWV.544: Fugue
- Orgel-Buchlein Nos.15-19, BWV.613-617: 15. Chorale: Helft Mir Gottes Gute Preisen
- Orgel-Buchlein Nos.15-19, BWV.613-617: 16. Chorale: Das Alte Jahr Vergangen Ist
- Orgel-Buchlein Nos.15-19, BWV.613-617: 17. Chorale: In Dir Ist Freude
- Orgel-Buchlein Nos.15-19, BWV.613-617: 18. Chorale: Mit Fried' Und Freud' Ich Fahr Dahin
- Orgel-Buchlein Nos.15-19, BWV.613-617: 19. Chorale: Herr Gott, Nun Schleuss Den Himmel Auf
- Fantasia Con Imitazione in b, BWV.563
Tracks:
- Prld And Fugue in e, BWV.533: Prld
- Prld And Fugue in e, BWV.533: Fugue
- Orgel-Buchlein Nos.20-24, BWV.618-622: 20. Chorale: O Lamm Gottes, Unschuldig
- Orgel-Buchlein Nos.20-24, BWV.618-622: 21. Chorale: Christe, Du Lamm Gottes
- Orgel-Buchlein Nos.20-24, BWV.618-622: 22. Chorale: Christus, Der Uns Selig Macht
- Orgel-Buchlein Nos.20-24, BWV.618-622: 23. Chorale: Da Jesus An Dem Kreuze Stund
- Orgel-Buchlein Nos.20-24, BWV.618-622: 24. Chorale: O Mensch, Bewein' Dein' Sunde Gross
- Fantasia And Fugue in c, BWV.562: Fantasia
- Fantasia And Fugue in c, BWV.562: Fugue (Fragment)
- Prld And Fugue in f, BWV.534: Prld
- Prld And Fugue in f, BWV.534: Fugue
- Orgel-Buchlein Nos.25-26, BWV.623-624: 25. Chorale: Wir Danken Dir, Herr Jesu Christ
- Orgel-Buchlein Nos.25-26, BWV.623-624: 26. Chorale: Hilf Gott, Dass Mir's Gelinge
- Trio in c, BWV.585
- Orgel-Buchlein Nos.25-26, BWV.625-627: 27. Chorale: Christ Lag In Todesbanden
- Orgel-Buchlein Nos.25-26, BWV.625-627: 28. Chorale: Jesus Christus, Unser Heiland
- Orgel-Buchlein Nos.25-26, BWV.625-627: 29. Chorale: Christ Ist Erstanden
- Prld And Fugue in C, BWV.531: Prld
- Prld And Fugue in C, BWV.531: Fugue
- Orgel-Buchlein Nos.30-32, BWV.628-630: 30. Chorale: Erstanden Ist Der Heil'ge Christ
- Orgel-Buchlein Nos.30-32, BWV.628-630: 31. Chorale: Erschienen Ist Der Herrliche Tag
- Orgel-Buchlein Nos.30-32, BWV.628-630: 32. Chorale: Heut' Triumphieret Gottes Sohn
- Trio in d, BWV.583
- Orgel-Buchlein Nos.33-34 & 36, BWV.631-632 & BWV.634: 33. Chorale: Komm, Gott Schopfer..
- Orgel-Buchlein Nos.33-34 & 36, BWV.631-632 & BWV.634: 34. Chorale: Herr Jesu Christ,...
- Orgel-Buchlein Nos.33-34 & 36, BWV.631-632 & BWV.634: 36. Chorale: Liebster Jesu, Wir Sind Hier
Tracks:
- Prld And Fugue in c, BWV.546: Prld
- Prld And Fugue in c, BWV.546: Fugue
- Orgel-Buchlein Nos.37-39, BWV.635-637: 37. Chorale: Dies Sind Die Heil'gen Zehn Gebot'
- Orgel-Buchlein Nos.37-39, BWV.635-637: 38. Chorale: Vater Unser Im Himmelreich
- Orgel-Buchlein Nos.37-39, BWV.635-637: 39. Chorale: Durch Adams Fall Ist Ganz Verderbt
- Trio in G, BWV.586
- Orgel-Buchlein Nos.40-42, BWV.638-640: 40. Chorale: Es Ist Das Heil Uns Kommen Her
- Orgel-Buchlein Nos.40-42, BWV.638-640: 41. Chorale: Ich Ruf' Zu Dir, Herr Jesu Christ
- Orgel-Buchlein Nos.40-42, BWV.638-640: 42. Chorale: In Dich Hab' Ich Gehoffet, Herr
- Pedal-Exercitium, BWV.598
- Fuge in g, BWV.578
- Orgel-Buchlein Nos.43-46, BWV.641-644: 43. Chorale: Wenn Wir in Hochsten Nothen Sein
- Orgel-Buchlein Nos.43-46, BWV.641-644: 44. Wer Nur Den Lieben Gott Lasst Walten
- Orgel-Buchlein Nos.43-46, BWV.641-644: 45. Chorale: Alle Menschen Mussen Sterben
- Orgel-Buchlein Nos.43-46, BWV.641-644: 46. Chorale: Ach Wie Nichtig, Ach Wie Fluchtig
- Trio in g, BWV.584
- Orgel-Buchlein No.35, BWV.633: 35. Chorale: Liebster Jesu, Wir Sind Hier
- Chorale: Gott, Durch Dein Gute, BWV.724
- Chorale: Gottes Sohn Ist Kommen, BWV.703
- Chorale: Herr Christ, Der Ein'ge Gottes Sohn, BWV.698
- Trio Son No.3 in d, BWV.527: I: Andante
- Trio Son No.3 in d, BWV.527: II: Adagio E Dolce
- Trio Son No.3 in d, BWV.527: III: Vivace
- Fantasia And Fugue in g, BWV.542: Fantasia
- Fantasia And Fugue in g, BWV.542: Fugue
Tracks:
- Con in a, BWV.596: I: Grave - Fuga
- Con in a, BWV.596: II: Largo
- Con in a, BWV.596: Finale
- Con in a, BWV.593: I: (Unknown)
- Con in a, BWV.593: II: Adagio
- Con in a, BWV.593: III: Allegro
- Con in C, BWV, 595
- Chorale: Liebster Jesu, Wir Sind Hier, BWV.731
- Chorale: Liebster Jesu, Wir Sind Hier, BWV.730
- Con in C, BWV.592: I: (Unknown)
- Con in C, BWV.592: Grave
- Con in C, BWV.592: Presto
- Con in C, BWV.594: I: (Unknown)
- Con in C, BWV.594: II: Rezitativ: Adagio
- Con in C, BWV.594: III: Allegro
- Chorale: Nun Freut Euch, Lieben Christen G'mein, BWV.734
Tracks:
- Toccata And Fugue in d, BWV. 734: Toccata
- Toccata And Fugue in d, BWV. 734: Fugue
- Trio Son No.6 in G, BWV.530: I: Vivace
- Trio Son No.6 in G, BWV.530: II: Lento
- Trio Son No.6 in G, BWV.530: III: Allegro
- Alla Breve in D, BWV.589
- Fantasia in G, BWV.572
- Chorale: Herr Gott, Dich Loben Wir, BWV.725
- Chorale: Herr Jesu Christ, Dich Zu Uns Wend, BWV.709
- Chorale: Herr Jesu Christ, Dich Zu Uns Wend, BWV.726
- Prld And Fugue in G, BWV.541: Prld
- Prld And Fugue in G, BWV.541: Fugue
Tracks:
- Fantasia Super Komm, Heiliger Geist, Herre Gott, BWV.651
- Chorale: Komm, Heiliger Geist, Herre Gott, BWV.652
- Toccata And Fugue in d, BWV.538: Toccata
- Toccata And Fugue in d, BWV.538: Fugue
- Prld And Fugue in D, BWV.532: Prld
- Prld And Fugue in D, BWV.532: Fugue
- Trio Son No.5 in C, BWV.529: I: Allegro
- Trio Son No.5 in C, BWV.529: II: Largo
- Trio Son No.5 in C, BWV.529: III: Allegro
- Chorale: Komm, Gott Schopfer, Heiliger Geist, BWV.667
- Prld And Fugue in G, BWV.550: Prld
- Prld And Fugue in G, BWV.550: Fuge
- Chorale: Jesus Christus, Unser Heiland, BWV.665
- Chorale: Jesus Christus, Unser Heiland, BWV.666
- Prld in a, BWV.569
Tracks:
- Toccata And Fugue in F, BWV.540: Toccata
- Toccata And Fugue in F, BWV.540: Fugue
- Chorale: Nun Komm, Der Heiden Heiland, BWV.659
- Chorale: Nun Komm, Der Heiden Heiland, BWV.660
- Chorale: Nun Komm, Der Heiden Heiland, BWV.661
- Prld And Fugue in a, BWV.543: Prld
- Prld And Fugue in a, BWV.543: Fugue
- Trio Super Herr Jesu Christ, Dich Zu Uns Wend, BWV.655
- Fugue On A Theme in b, BWV.579
- Chorale: An Wasserflussen Babylon, BWV.653b
- Fantasia And Fugue in c, BWV.537: Fantasia
- Fantasia And Fugue in c, BWV.537: Fugue
- Chorale: O Lamm Gottes, Unschuldig, BWV.656
- Canzona in d, BWV.588
- Chorale: Vor Deinen Thron Tret'ich, BWV.668
Tracks:
- Prld And Fugue in C, BWV.547: Prld
- Prld And Fugue in C, BWV.547: Fugue
- Chorale: Von Gott Will Ich Nicht Lassen, BWV.658
- Prld And Fugue in A, BWV.536: Prld
- Prld And Fugue in A, BWV.536: Fugue
- Chorale: Allein Gott in Der Hoh' Sei Ehr', BWV.662
- Chorale: Allein Gott in Der Hoh' Sei Ehr', BWV.663
- Chorale: Allein Gott in Der Hoh' Sei Ehr', BWV.664
- Trio Son No.1 in Eflat, BWV.525: I: (Unknown)
- Trio Son No.1 in Eflat, BWV.525: II: Adagio
- Trio Son No.1 in Eflat, BWV.525: III: Allegro
- Chorale: Schmucke Dich, O Liebe Seele, BWV. 654
Tracks:
- Passacaglia And Fugue in c, BWV.582
- Fantasia Super Jesu, Meine Freude, BWV.713
- Prld And Fugue in d, BWV.539: Prld
- Prld And Fugue in d, BWV.539: Fugue
- Chorale Vars: Vom Himmel Hoch, Da Komm' Ich Her, BWV.769
- Prld And Fugue in g, BWV.535: Prld
- Prld And Fugue in g, BWV.535: Fugue
- Chrale: An Wasserflussen Babylon, BWV.653
- Prld And Fugue in C, BWV.545: Prld
- Prld And Fugue in C, BWV.545: Fugue
- Chorale: Nun Danket Alle Gott, BWV.657
Tracks:
- Prld: Eflat, BWV.552/1
- 1. Chorale: Kyrie, Gott Vater in Ewigkeit, BWV.669
- 2. Chorale: Christe, Aller Welt Trost, BWV.670
- 3. Chorale: Kyrie, Gott Heiliger Geist, BWV.671
- 8. Chorale: Allein Gott in Der Hoh' Sei Ehr', BWV.676
- 10. Chorale: Dies Sind Die Sind Die Heil'gen Zehn Gebot', BWV.678
- 12. Chorale: Wir Glauben All' An Einen Gott, BWV.680
- 14. Chorale: Vater Unser Im Himmelreich, BWV.682
- 16. Chorale: Christ, Unser Herr, Zum Jordan Kam, BWV.684
- 18. Chorale: Aus Tiefer Not Schrei Ich Zu Dir, BWV.686
- 20. Chorale: Jesus Christus, Unser Heiland, BWV.688
- Fugue: Eflat, BWV.552/2
- Duetto No.1: e, BWV.802
- Duetto No.2: F, BWV.803
- Duetto No.3: G, BWV.804
- Duetto No.4: a, BWV.805
Tracks:
- 7. Chorale: Allein Gott in Der Hoh' Sei Ehr', BWV.675
- 4. Chorale: Kyrie, Gott Vater in Ewigkeit, BWV.672
- 5. Chorale: Christe, Aller Welt Trost, BWV.673
- 6. Chorale: Kyrie, Gott Heiliger Geist, BWV.674
- 9. Fughetta Super Allein Gott in Der Hoh' Sei Ehr', BWV.677
- 11. Fughetta Super Dies Sind Die Heil'gen Zehn Gebot', BWV.679
- 13. Fughetta Super Wir Glauben All' An Einen Gott, BWV.681
- 15. Chorale: Vater Unser Im Himmelreich, BWV.683
- 17. Chorale: Christ, Unser Herr, Zum Jordan Kam, BWV.685
- 19. Chorale: Aus Tiefer Not Schrei Ich Zu Dir, BWV.687
- 21. Fuga Super Jesus Christus, Unser Heiland, BWV.689
- Prld And Fugue in e, BWV.548: Prld
- Prld And Fugue in e, BWV.548: Fugue
- Chorale: Wachet Auf, Ruft Uns Die Stimme, BWV.645
- Chorale: Wo Soll Ich Fliehen Hin, BWV.646
- Chorale: Wer Nur Den Lieben Gott Lasst Walten, BWV.647
- Chorale: Meine Seele Erhebet Den Herren, BWV.648
- Chorale: Ach, Blieb' Bei Uns Herr Jesu Christ, BWV.649
- Chorale: Kommst Du Nun, Jesu, Vom Himmel, BWV.650
- Trio Son No.2 c, BWV.526: I: Vivace
- Trio Son No.2 c, BWV.526: II: Largo
- Trio Son No.2 c, BWV.526: III: Allegro
Tracks:
- Fuga Sopra Il Magnificat, BWV.733
- Chorale: Nun Komm' Der Heiden Heiland, BWV.699
- Chorale: Lob Sei Dem Allmacht'gen Gott, BWV.704
- Chorale: Vom Himmel Hoch, Da Komm' Ich Her, BWV.738
- Chorale: Allein Gott in Der Hoh' Sei Ehr', BWV. 715
- Chorale: Gelobet Seist Du, Jesu Christ, BWV.722
- Chorale: Vom Himmel Hoch, Da Komm' Ich Her, BWV.700
- Chorale: Christum Wir Sollen Loben Schon, BWV.696
- Chorlae: Lobt Gott, Ihr Christen, Allzugleich, BWV.732
- Chorale: In Dulci Jubilo, BWV.729
- Chorale: Gelobet Seist Du, Jesu Christ, BWV.697
- Chorale: Vom Himmel Hoch, Da Komm' Ich Her, BWV.701
- Prld in G, BWV.568
- Fantasia Super Valet Will Ich Dir Geben, BWV.735
- Chorale: Ach Gott, Vom Himmel Sieh' Darein, BWV.741
- Chorale: Ach Gott Und Herr, BWV.714
- Chorale: In Dich Hab' Ich Gehoffet, Herr, BWV.712
- Chorale: Erbarm' Dich Mein, O Herre Christ, BWV.721
- Chorale: Herzlich Tut Mich Verlangen, BWV.727
- Chorale: Wo Soll Ich Fliehen Hin, BWV.728
- Chorale: Jesus, Meine Zuversicht, BWV.728
- Chorale: Wer Nu Den Lieben Gott Lasst Walten, BWV.691
- Chorale: Wer Nur Den Lieben Gott Lasst Walten, BWV.690
- Chorale: Liebster Jesu, Wir Sind Hier, BWV.706
- Chorale: Valet Will Ich Dir Geben, BWV.736
Tracks:
- 1. Chorale: Der Tag, Der Ist So Freudenreich, BWV.719
- 2. Chorale: Wir Christenleut', BWV.1090
- 3. Chorale: Das Alte Jahr Vergangen Ist, BWV.1091
- 4. Chorale: Her Gott, Nun Schleuss Den Himmel Auf, BWV.1092
- 5. Chorale: Herzliebster Jesu, Was Hast Du Verbrochen, BWV.1093
- 6. Chorale: O Jesu, Wie Ist Dein Gestalt, BWV.1094
- 7. Chorale: O Lamm Gottes, Unschuldig, BWV.1095
- 8. Chorale: Christe, Der Du Bist Tag Und Licht, BWV.1096
- 9. Chorale: Ehre Sei Dir, Christe, Der Du Leidest Not, BWV.1097
- 10. Chorale: Wir Glauben All in Einen Gott, BWV.1098
- 11. Chorale: Aus Tiefer Not Schrei Ich Zu Dir, BWV.1099
- 12. Chorale: Allein Zu Dir, Herr Jesu Christ, BWv.1100
- 13. Chorale: Ach Gott Und Herr, BWV.714
- 14. Chorale: Ach Herr, Mich Armen Sunder, BWV.742
- 15. Chorale: Durch Adams Fall Ist Ganz Verderbt, BWV. 1101
- 16. Chorale: Du Friedefurst, Herr Jesu, BWV.1102
- 17. Chorale: Erhalt Uns, Herr, Bei Deinem Wort, BWV.1103
- 18. Chorale: Vater Unser Im Himmelreich, BWV.737
- 19. Chorale: Wenn Dich Ungluck Tut Greifen An, BWV.1104
- 20. Chorale: Jesu, Meine Freude, BWV.1105
- 21. Chorale: Gott Ist Mein Heil, Mein Hilf Und Trost, BWV.1106
- 22. Chorale: Jesus, Meines Lebens Leben, BWV.1107
- 23. Chorale: Als Jesus Christ in Der Nacht, BWV.1108
- 24. Chorale: Ach Gott, Zu Dich Erbarmen, BWV.1109
- 25. Chorale: O Herre Gott, Dein Gottlich Wort, BWV.1110
Tracks:
- 26. Chorale: Nun Lasst Uns Den Leib Begraben, BWV.1111
- 27. Chorale: Christus, Der Ist Mein Leben, BWV.1112
- 28. Chorale: Ich Hab' Mein Sach Gott Heimgestellt, BWV.1113
- 29. Chorale: Herr Jesu Christ, Du Hochstes Gut, BWV.1114
- 30. Chorale: Herzlich Lieb Hab' Ich Dich, O Herr, BWV.1115
- 31. Chorale: Was Gott Tut, Das Ist Wohlgetan, BWV.1116
- 32. Chorale: Alle Menschen Mussen Sterben, BWV.1117
- 33. Chorale: Mach's Mit Mir Gott, Nach Deiner Gut
- 34. Chorale: Werde Munter Mein Gemute, BWV.1118
- 35. Chorale: Wie Nach Einer Wasserquelle, BWV.1119
- 36. Chorale: Christe, Der Du Bist Der Helle Tag, BWV.1120
- 37. Chorale: Ich Ruf' Zu Dir, Herr Jesu Christ, BWV.639
- 38. Chorale: Herr Christ Der Ein'ge Gottes-Sohn, BWV.601
- Prld And Fugue in C, BWV.553
- Prld And Fugue in d, BWV.554
- Prld And Fugue in e, BWV.555
- Prld And Fugue in F, BWV.556
- Prld And Fugue in G, BWV.557
- Prld And Fugue in g, BWV.558
- Prld And Fugue in a, BWV.559
- Prld And Fugue in Bflat, BWV.560
Customer Reviews:
Bach for professional listeners.......2006-01-30
What I found amazing about this boxset is the opportunity to enjoy Bach in complete form. From my point of view Passacaglia performed by Werner Jacob is a five star performance. Also BWV 593 and BWV 596 push up and show up no limits for the listener. This 16 CDs aggregate the perfect union between the artist, instrument, listener and Bach. And at the end of the day I can say that organ works can still be ... trendy. Enjoy!
Bach Organ Works on original organs.......2004-10-24
121 organ tracks or works on 16 CDs has to be spaced out in about six days. The music is so restful I found myself dowsing. The price for a new set through Amazon was right. Bach organ hymns made Luther.
Average customer rating:
- Complete set CD review of Bach
- The Definitive Collection of Bach
- Absolutely wonderful!
- Monumental Artistry
- A Happy Sacrifice
|
J.S. Bach: Complete Works for Organ (Box Set)
Manufacturer: Erato
ProductGroup: Music
Binding: Audio CD
All Works by J.S. Bach
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Similar Items:
- Bruckner: The Complete Symphonies
- Schubert: The Piano Sonatas
- Bach: The Art of Fugue; Musical Offering
- Mendelssohn: 5 Symphonies; 7 Overtures
- Bach - The Complete Brandenburg Concertos / Pearlman, Boston Baroque
ASIN: B000005ECW
Release Date: 1994-10-04 |
Tracks:
- Prld & Fuge in e, BWV 548: Praludium
- Prld & Fuge in e, BWV 548: Fuge
- Choral: An Wasserflussen Babylon..., BWV 653
- Choral: Von Gott will ich nicht lassen..., BWV 658
- Choral: Schmucke dich, o liebe Seele..., BWV 654
- Prld & Fuge in b, BWV 544: Praludium
- Prld & Fuge in b, BWV 544: Fuge
- Drei Chorale: Allein Gott in der Hoh' sei Ehr'...: Cantus firmus im Sopran, BWV 662
- Drei Chorale: Allein Gott in der Hoh' sei Ehr'...: Cantus firmus im Tenor, BWV 663
- Drei Chorale: Allein Gott in der Hoh' sei Ehr'...: Trio, BWV 664
Tracks:
- Toccata (Dorisch) & Fuge in d, BWV 538: Toccata
- Toccata (Dorisch) & Fuge in d, BWV 538: Fuge
- Orgelbuchlein, BWV 618: O Lamm Gottes unschuldig
- Orgelbuchlein, BWV 619: Christe, du Lamm Gottes
- Orgelbuchlein, BWV 620: Christus, der uns selig macht
- Orgelbuchlein, BWV 621: Da Jesus an dem Kreuze stund
- Orgelbuchlein, BWV 622: O Mensch, bewein' dein' Sunde gro
- Orgelbuchlein, BWV 623: Wir danken dir, Herr Jesu Christ
- Orgelbuchlein, BWV 624: Hilf Gott, damir's gelinge
- Prld & Fuge in g, BWV 535: Prld
- Prld & Fuge in g, BWV 535: Fuge
- Orgelbuchlein, BWV 625: Christ lag in Todesbanden
- Orgelbuchlein, BWV 626: Jesus Christus, unser Heiland
- Orgelbuchlein, BWV 627: Christ ist erstanden (3 vers)
- Orgelbuchlein, BWV 628: Erstanden ist der heil'ge Christ
- Orgelbuchlein, BWV 629: Erschienen ist der herrliche Tag
- Orgelbuchlein, BWV 630: Heut' triumphiret Gottes Sohn
- Toccata & Fuge in C, BWV 566: Toccata
- Toccata & Fuge in C, BWV 566: Fuge
- Orgelbuchlein, BWV 631: Komm, Gott Schopfer, heilieger Geist
- Orgelbuchlein, BWV 632: Herr Jesu Christ, dich zu uns wend
Tracks:
- Prld & Fuge in C, BWV 545: Prld
- Prld & Fuge in C, BWV 545: Fuge
- Fuge in G, BWV 577
- Prld & Fuge in d, BWV 539: Prld
- Prld & Fuge in d, BWV 539: Fuge
- Choral: Wo soll ich fliehen hin, BWV 694
- Partita sopra: O Gott, du frommer Gott, BWV 767
- Choral: Wir Christenleut hab'n jetzund Freud, BWV 710
- Alla Breve in D, BWV 589
- Canzona in d, BWV 588
- Fuge in c, BWV 575
- Fuga sopra il Magnificat: Meine Seele erhebet den Herren, BWV 733
- Kleines harmonisches Labyrinth (Introitus, Centrum, Exitus), BWV 591
- Prld & Fuge in a, BWV 551: Prld
- Prld & Fuge in a, BWV 551: Fuge
Tracks:
- Prld & Fuge in e, BWV 533: Prld
- Prld & Fuge in e, BWV 533: Fuge
- Chorale: Nun freut euch, lieben Christen g'mein, BWV 734
- Chorale: Liebster Jesu, wir sind hier, BWV 730
- Chorale: Liebster Jesu, wir sind hier, BWV 731
- Chorale: In dulci jubilo, BWV 729
- Chorale: Herzlich tut mich verlangen, BWV 727
- Prld & Fuge in C, BWV 531: Prld
- Prld & Fuge in C, BWV 531: Fuge
- Chorale: Herr Jesu Christ, dich zu uns wend, BWV726
- Chorale: Allein Gott in der Hoh'sei Ehr' (Bicinium), BWV 711
- Chorale: Allein Gott in der Hoh'sei Ehr', BWV 715
- Chorale: Fuga super Allein Gott in der Hoh' sei Ehr', BWV 716
- Chorale: Allein Gott in der Hoh' sei Ehr' (manualiter), BWV 717
- Chorale: Christ lag in Todesbanden, BWV 718
- Chorale: Ach Gott und Herr (per canonem), BWV 714
- Fantasia con imitazione in b, BWV 563
- Chorale: Gelobet seist du, Jesu Christ, BWV 722
- Chorale: Gottes Sohn ist kommen, BWV 724
- Chorale: Jesus, meine Zuversicht, BWV 728
- Chorale: Lobt Gott, ihr Christen, allzugleich, BWV 732
- Chorale: Vater unser im Himmelreich, BWV 737
- Chorale: Vom Himmel hoch, da komm'ich her, BWV 738
- Chorale: Wie schon leuchter der Morgenstern, BWV 739
- Chorale: Wir glauben all' an einen Gott, BWV 765
- Chorale: Herr Gott, dich loben wir, BWV 725
Tracks:
- Prld & Fuge in c: Prld
- Prld & Fuge in c: Fuge
- Chorale: Herr Jesu Christ, dich zu uns wend, BWV 709
- Chorale: Liebster Jesu, wir sind hier, BWV 706 (1+2)
- Chorale: Erbarm' dich mein, o Herre Gott, BWV 721
- Chorale: Wer nur den lieben Gott la walten, BWV 690
- Chorale: Wer nur den lieben Gott la walten, BWV 691
- Chorale: Christ lag in Todesbanden, BWV 695
- Prld & Fuge in c: Prld
- Prld & Fuge in c: Fuge
- Partita: sopra Christ, der du bist der helle Tag, BWV 766
- Sieben Fughetten Fur Die Weinachtszeit: Christum wir sollen loben schon, BWV 696
- Sieben Fughetten Fur Die Weinachtszeit: Gelobet seist du, Jesu Christ, BWV 697
- Sieben Fughetten Fur Die Weinachtszeit: Herr Christ, der ein'ge Gottes Sohn, BWV 698
- Sieben Fughetten Fur Die Weinachtszeit: Nun komm'der Heiden Heiland, BWV 699
- Sieben Fughetten Fur Die Weinachtszeit: Von Himmel hoch da komm' ich her, BWV 701
- Sieben Fughetten Fur Die Weinachtszeit: Gottes Sohn ist kommen, BWV 703
- Sieben Fughetten Fur Die Weinachtszeit: Lob sei dem allmachtigen Gott, BWV 704
- Choral: Vom Himmel hoch da komm' ich her, BWV 700
- Fuge in b uber ein Theme von Corelli, BWV 579
- Fantasia: Jesu, meine Freude, BWV 713
- Choral: In dich hab' ich gehoffet, Herr, BWV 712
Tracks:
- Prld & Fuge in C, BWV 547: Prld
- Prld & Fuge in C, BWV 547: Fuge
- Canonic Vars: Vom Himmel hoch, da komm' ich her, BWV 769
- Clavier Ubung Dritter Teil: Prld in E flat, BWV 552
- Chorale: Kyrie, Gott Vater in Ewigkeit, BWV 669
- Chorale: Christe, aller Welt Trost, BWV 670
- Chorale: Kyrie, Gott heilinger Geist, BWV 671
- Chorale: Kyrie, gott Vater in Ewigkeit (manualiter), BWV 672
- Chorale: Christe, aller Welt Trost (manualiter), BWV 673
- Chorale: Kyrie, Gott heiliger Geist (manualiter), BWV 674
- Chorale: Allein Gott in der Hoh' sei Ehr', BWV 675
- Chorale: Allein Gott in der Hoh' sei Ehr', BWV 676
- Chorale: Allein Gott in der Hoh' sei Ehr' (Fughetta), BWV 677
- Chorale: Dies sind die heil'gen zehn Gebot, BWV 678
- Chorale: Dies sind die heil'gen zehn Gebot (Fughetta), BWV 679
Tracks:
- Chorale: Wir glauben all' an einen Gott, BWV 680
- Chorale: Wir glauben all' an einen Gott (Fughetta) (manualiter), BWV 681
- Chorale: Vater unser im Himmelreich, BWV 682
- Chorale: Vater unser im Himmelreich (manualiter), BMV 683
- Chorale: Christ, unser Herr, zum Jordan kam, BWV 684
- Chorale: Christ, unser Herr, zum Jordan kam (manualiter), BWV 685
- Chorale: Aus tiefer Not schrei' ich zu dir, BWV 686
- Chorale: Aus tiefer Not schrei' ich zu dir (manualiter), BWV 687
- Chorale: Jesu Christus, unser Heiland, BWV 688
- Chorale: Jesu Christus, unser Heiland (Fuga) (manualiter), BWV 689
- Vier Duette: Duetto I, BWV 802
- Vier Duette: Duetto II, BWV 803
- Vier Duette: Duetto III, BWV 804
- Vier Duette: Duetto IV, BWV 805
- Fuge in E flat, BWV 552
- Chorale: Herr Jesu Christ, dich zu uns wend' (Trio), BWV 655
- Chorale: Vor Deinen Thron tret' ich, BWV 668
Tracks:
- Prld & Fuge in c, BWV 546: Prld
- Prld & Fuge in c, BWV 546: Fuge
- Orgelbuchlein: Chorale: Liebster Jesu, wir sind hier, BWV 633
- Orgelbuchlein: Chorale: Liebster Jesu, wir sind hier, BWV 634
- Orgelbuchlein: Chorale: Dies sind die heil' gen zehn Gebott, BWV 635
- Orgelbuchlein: Chorale: Vater unser im Himmelreich, BWV 636
- Orgelbuchlein: Chorale: Durch Adam's Fall ist ganz verderbt, BWV 637
- Orgelbuchlein: Chorale: Es ist das Heil uns kommen her, BWV 638
- Orgelbuchlein: Chorale: Ich ruf' zu dir, Herr Jesu Christ, BWV 639
- Orgelbuchlein: Chorale: Ich dich hab'ich gehoffet, Herr, BWV 640
- Orgelbuchlein: Chorale: Wenn wir in hochsten Noten sein, BWV 641
- Orgelbuchlein: Chorale: Wer nur den lieben Gott la walten, BWV 642
- Orgelbuchlein: Chorale: Alle Menschen mussen sterben, BWV 643
- Orgelbuchlein: Chorale: Ach wie nichtig, ach, wir fluchtig, BWV 644
- Partita Sopra: Sei gregrut, Jesu gutig, BWV 768
- Prld & Fuge in f, BWV 534: Prld
- Prld & Fuge in f, BWV 534: Fuge
- Fant in C, BWV 570
Tracks:
- Piece d'Orgue in G, BWV 572: Tres vitement-Gravement-Lentement
- Orgelbuchlein: Chorale: Nun komm' der Heiden Heiland, BWV 599
- Orgelbuchlein: Chorale: Gottes Sohn ist kommen, BWV 600
- Orgelbuchlein: Chorale: Herr Christ, der ein' ge Gottes Sohn, BWV 601
- Orgelbuchlein: Chorale: Lob sei dem allmachtigen Gott, BWV 602
- Orgelbuchlein: Chorale: Puer natus in Bethlehem, BWV 603
- Orgelbuchlein: Chorale: Gelobt seist du, Jesu Christ, BWV 604
- Orgelbuchlein: Chorale: Der Tag, der ist so freudenreich, BWV 605
- Orgelbuchlein: Chorale: Vom Himmel hoch da komm' ich her, BWV 606
- Orgelbuchlein: Chorale: Vom Himmel kam der Engel Schar, BWV 607
- Orgelbuchlein: Chorale: In dulci jubilo, BWV 608
- Orgelbuchlein: Chorale: Lobt Gott, ihr Christen, allzugleich, BWV 609
- Orgelbuchlein: Chorale: Jesu, meine Freude, BWV 610
- Orgelbuchlein: Chorale: Christum wir sollen loben schon, BWV 611
- Orgelbuchlein: Chorale: Wir Christenleut, BWV 612
- Orgelbuchlein: Chorale: Helft mir, Gootes Gute preisen, BWV 613
- Orgelbuchlein: Chorale: Das alte Jahr vergangen ist, BWV 614
- Orgelbuchlein: Chorale: In dir ist Freude, BWV 615
- Orgelbuchlein: Chorale: Mir Fried' und Freud' ich fahr' dahin, BWV 616
- Orgelbuchlein: Chorale: Herr Gott, nun schleuden Himmel auf, BWV 617
- Fant in c, BWV 562
- Choral: Wir glauben all' an einen Gott, Vater, BWV 740
- Fant: Super Valet will ich dir geben, BWV 735
- Choral: Valet will ich dir geben, BWV 736
- Fuge uber ein Thema von Giovanni Legrenzi in c, BWV 574
Tracks:
- Prld & Fuge, BWV 532: Prld
- Prld & Fuge, BWV 532: Fuge
- Trio in d, BWV 656
- Orgelchorale aus Achtzehn Chorale: O Lamm Gottes, unschuldig, BWV 656
- Orgelchorale aus Achtzehn Chorale: Nun komm, der Heiden Heiland, BWV 659
- Orgelchorale aus Achtzehn Chorale: Trio super 'Nun komm, der Heiden Heiland, BWV 660
- Orgelchorale aus Achtzehn Chorale: Nun komm, der Heiden Heiland' in organo pleno, BWV 661
- Orgelchorale aus Achtzehn Chorale: Fantasia super Komm, heiliger Geist, BWV 651
- Orgelchorale aus Achtzehn Chorale: Komm, heiliger Geist, BWV 652
- Orgelchorale aus Achtzehn Chorale: Nun danket alle Gott, BWV 657
- Orgelchorale aus Achtzehn Chorale: Jesus Christus, unser Heiland, BWV 665
- Orgelchorale aus Achtzehn Chorale: Jesus Christus, unser Heiland, BWV 666
- Orgelchorale aus Achtzehn Chorale: Komm, Gott Schopfer, BWV 667
Tracks:
- Konzert in a, BWV 593: Allegro
- Konzert in a, BWV 593: Adagio
- Konzert in a, BWV 593: Allegro
- Konzert in d, BWV 596: (Allegro)-Grave-Fuga
- Konzert in d, BWV 596: Largo
- Konzert in d, BWV 596: Finale
- Konzert in C, BWV 594: (Allegro)
- Konzert in C, BWV 594: Rezitativ Adagio
- Konzert in C, BWV 594: Allegro
- Konzert in G, BWV 592: (Allegro)
- Konzert in G, BWV 592: Grave (Adagio)
- Konzert in G, BWV 592: Presto (assai)
- Konzert in C, BWV 595: (Allegro)
- Aria in F, BWV 587
- Prld & Fuge in A, BWV 536: Prld
- Prld & Fuge in A, BWV 536: Fuge
- Choral: An Wasserflussen Babylon, BWV 653b
- Prld & Fuge in G, BWV 550: Prld
- Prld & Fuge in G, BWV 550: Fuge
- Trio in g, BWV 584
Tracks:
- Toccata in d, BWV 565
- Toccate & Fuge in F, BWV 540: Toccata
- Toccate & Fuge in F, BWV 540: Fuge
- Prld (Fant) & Fuge in g, BWV 542: Prld
- Prld (Fant) & Fuge in g, BWV 542: Fuge
- Pastorella, BWV 590: 1
- Pastorella, BWV 590: 2
- Pastorella, BWV 590: 3
- Pastorella, BWV 590: 4
- Prld & Fuge in a, BWV 543: Prld
- Prld & Fuge in a, BWV 543: Fuge
- Toccata in C, BWV 564: Toccata
- Toccata in C, BWV 564: Adagio
- Toccata in C, BWV 564: Fuge
Tracks:
- Son I in E flat, BWV 525: Allegro moderato
- Son I in E flat, BWV 525: Adagio
- Son I in E flat, BWV 525: Allegro
- Son II in c, BWV 526: Vivace
- Son II in c, BWV 526: Largo
- Son II in c, BWV 526: Allegro
- Son III in d, BWV 527: Andante
- Son III in d, BWV 527: Adagio e dolce
- Son III in d, BWV 527: Vivace
- Son IV in e, BWV 528: Adagio
- Son IV in e, BWV 528: Andante
- Son IV in e, BWV 528: Un poco allegro
- Son V in C, BWV 529: Allegro
- Son V in C, BWV 529: Largo
- Son V in C, BWV 529: Allegro
- Son VI in G, BWV 530: Vivace
- Son VI in G, BWV 530: Lento
- Son VI in G, BWV 530: Allegro
Tracks:
- Passacaglia E Tema Fugatum in c, BWV 582
- Sechs Chorale von Verschiedener Art (Schubler-Chorale), BWV 645: Wachet auf, ruft uns die Stimme
- Sechs Chorale von Verschiedener Art (Schubler-Chorale), BWV 646: Wo soll ich fliehen hin
- Sechs Chorale von Verschiedener Art (Schubler-Chorale), BWV 647: Wer nur den lieben Gott la...
- Sechs Chorale von Verschiedener Art (Schubler-Chorale), BWV 648: Meine Seele erhebet den Herren
- Sechs Chorale von Verschiedener Art (Schubler-Chorale), BWV 649: Ach, bleib' bei uns
- Sechs Chorale von Verschiedener Art (Schubler-Chorale), BWV 650: Kommst du nun, Jesu...
- Fuge in g, BWV 578
- Prld & Fuge in g, BWV 541: Prld
- Prld & Fuge in g, BWV 541: Fuge
- Choral: Ein' feste Burg ist unser Gott, BWV 720
- Prld in G, BWV 568
- Adagio, BWV 1027: Adagio
- Adagio, BWV 1027: Allegro moderato (trio) (1027a)
- Ricercare a 6 (aus Das musikalische Opfer), BWV 1079-5
- Prld in a, BWV 569
Amazon.com
Marie-Claire Alain is not only one of the greatest organists alive today, but she stands directly in a what is undoubtedly the world's greatest tradition of organ playing. It was France that first rediscovered and cultivated Bach's organ music, and which in turn stimulated the great works of Franck, Widor, Vierne, and their school. Alain has recorded Bach's complete organ music no less than three times, here on historical organs of Bach's own time. Each disc is planned as a recital that showcases both the music and the instrument. Her performances are simply the last word in style, musicianship, and virtuosity. Magnificent. --David Hurwitz
Customer Reviews:
Complete set CD review of Bach.......2007-05-12
I discovered Bach organ music 40 years ago. I love Bach, everything he wrote. I have 4 complete sets of Bach organ recordings. Marie Claire-Alan is my favorite organist of everyone I have heard. I met Marie and her husband in person after a performance she gave in Chicago. I have 2 complete sets of Bach organ played by Marie. One is on records and the other the new CD set. She is a little older now when she recorded the CD's. The albums have a more youthful sound to them, a little more energy and different registration selection on the organs. I love Marie in her youthful recordings more than these. I love the albums so much I will digitize them and listen to them over the new CD collection. I play the albums on my Linn turntable through McIntosh equipment.
The Definitive Collection of Bach .......2005-09-25
Marie-Claire Alain has recorded Bach's complete organ music 3 times, this set being the second time. She plays quite differently now, but these are some of the best interpretations. Each cd fearures a different organ dating from Bach's time, and all of the booklets are filled with pictures, history, and even the stop registrations for each of the pieces are given. Quite alot of research! If those of you who are new to Bach's organ works, I would recommend starting on a smaller scale, as some of these works can be quite intense to listen to. At any rate, this possibly may go down as one of the famous recordings of the century.
Absolutely wonderful!.......2004-07-27
From this huge box set, it is quite obvious that Bach was a dedicated composer for the organ (and obviously a virtuoso organist for that matter). Bach was a very prominent composer who lived in the Baroque era, and to truely understand his works and their style you must have a general outline of knowledge of the timeframe in which he lived. And so the Baroque era, (1600-1750) was characterized by vastness of proportion, rich counterpoint, great splendor and a highly ornamented melodic line. (One should note that the era abruptly ended after Bach's death which actually shows his importance in it) Some of these pieces are examples of works that require performers at the very highest degree to play them. His works go way beyond the famous Toccata and Fuge in D Minor, and with a "Complete" edition you can listen and hear them all for yourself, hence grasping the full view of his genious. This set is of wonderful value and worth every penny. Unfortunately, the Master's version is not available in a CD store, and so we must indulge upon other's interpretations. This out of the others stands as one of the very best. It is also complementing to the experience to have an instrument of the period (which is so in this set). Bach devoted his entire frame of mind towards the spreading of God's kingdom, therefore one could derive that he felt that by creating enlightening and insightful music, he was doing a lowly service to his God. Overall--this is a fabulous interpretation, and it will deepen one's respect and awe for Johann Sebastian Bach, the greatest organist who ever lived.
Monumental Artistry.......2003-03-08
Although I am partial to the Romantic Organ, particularly in the vein of Widor, Vierne and Rheinberger, it all begins with Bach. And in this case, one could say that it all begins with Marie-Claire Alain and her wonderful interpretations. Alain seems to understand that Bach was above all else a religious composer. Many "complete" works of Bach play short shrift with the liturgical works whereas these are some of the most satisfying of the group.
The sound is pure sonority, almost perfect, and the technical prowess is just awesome. Out of the millions of notes played, I never heard a miscue or slight jiggle. Still, keyboard wizardry is only part of the story. The registration is a work of art in itself. Alain understand the difference between the Baroque and the Modern, the French and the German and the old and the new. Just as she is a "natural" for Widor or Vierne, she also seems to have entered the Bach mind on some of these.
This is a fabulous collection worthy of any serious student of classical music. Nowhere can one derive such satisfaction that listenting to Bach played by Ms. Alain.
A Happy Sacrifice.......2001-06-30
I gladly sacrificed two of the four speakers in my car to this wonderful, wonderful treasure. What more can I say?
Average customer rating:
- Bach Organ Works - Helmut Walcha
- Glorious
- Religious experience.
- A real bargain at under $100
- Heavenly music
|
Bach: The Organ Works (Box Set)
Manufacturer: Deutsche Grammophon
ProductGroup: Music
Binding: Audio CD
All Works by J.S. Bach
| Bach, Johann Sebastian
| ( B )
| Featured Composers, A-Z
| Classical
| Styles
| Music
Fugues
| Forms & Genres
| Classical
| Styles
| Music
Improvisation
| Forms & Genres
| Classical
| Styles
| Music
Preludes
| Forms & Genres
| Classical
| Styles
| Music
Canzones
| Sonatas
| Forms & Genres
| Classical
| Styles
| Music
Passacaglias
| Variations
| Forms & Genres
| Classical
| Styles
| Music
General
| Baroque (c.1600-1750)
| Historical Periods
| Classical
| Styles
| Music
Chamber Music
| Forms & Genres
| Classical (c.1770-1830)
| Historical Periods
| Classical
| Styles
| Music
General Modern
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| Classical
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| Music
General
| Keyboard
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| Styles
| Music
Organ
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General
| Sacred & Religious
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General
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Classical
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Deutsche Grammophon: Music
| Specialty Stores
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Similar Items:
- Bach: WTC; Goldberg Variations
- Bach: Cantatas Volumes 1-5 (75 Cantatas for Sundays and Feast Days of the Church Year)
- Bach: Sacred Masterpieces
- J.S. Bach: 6 Brandenburgische Konzerte [Australia]
- Vivaldi Concertos
ASIN: B00004SAAX
Release Date: 2001-10-09 |
Customer Reviews:
Bach Organ Works - Helmut Walcha.......2007-01-05
I never thought I would like Bach's organ works as they can be dense and daunting. However, if you can get onto Bach's wavelength, he can transport you to an electric cosmos of beauty and enlightenment. I was given a collection of Bach organ LPs by Helmut Walcha some time ago. My friend said that Germans regard Walcha as the premier interpreter of this music. He certainly knows how to play the organ and this music soars in his hands. This music is more varied than most people imagine. Some is extremely simple and delicate while some crushes your brain! I have always loved Archive recordings and these did not disappoint!
Glorious.......2006-07-01
Helmut Walcha was named my TIME as "the" Bach interpreter for organ. I think that is true more than ever today with all the influences of the French Romantic school, the slam-dunk American style and the avant garde crowd. The recording has a German sound, quintessentially Teutonic in both style and approach. While Bach sounds different and even magnificient on an Aristide Cavaillé-Coll organ it does not sound authentic - or as we perceive authenticity.
The fact that the artist is blind(!) means that unlike other folks who can use the music as aids, he must rely on his phenomenal memory. This is truly the stuff of genius. The sonatas are brilliant and I have never heard a better B Minor Prelude & Fugue. I only with that his stupendous "Kunst der Fuge" could have been transferred from record to CD.
Religious experience........2006-03-04
This set of many Bach's Organ works by Helmut Walcha is, in my opinion, the greatest recording of these immortal treasures. There are almost all of Bach's Preludes and Fugues for organ, as well as many fantasias, miscallenous works and his chorals for this instrument. Walcha plays with utmost respect to the original scores, his playing is clear and powerful. Many other organists have allowed themselves quite a bit of experiment with these pieces (likes of Ton Koopman are over the top), but in the end, i've always came back to Walcha's renditions. If you want to treat yourself with some of the greatest music ever written, then get this rare set! Bach's organ music can be challenging at first, especially the fugues, and many of my friends have complained that they hear nothing else than noise in these pieces. I suppose you have to have listened this kind of music for quite some time, before you can wholly appreciate these unique pieces. But once you have, you find a world full of riches and wonder, world which only Bach can bring you. And this is a world i wouldn't change for any riches in the world.
A real bargain at under $100.......2005-12-20
It is hard to express in words what an incredible achievement this is. The immense feats of memory alone, demanding far greater efforts than sighted performers face, command our respect. So does the consistent quality of Walcha's playing.
Bach's almost mathematical absorbtion with fugue lies at the centre of his genius. He was an organist first and foremost, an organist all his life. Like Bach, Walcha is an obsessive controller who uses music to shape his world. He treats each piece as a treasure to be cherished and burnished, and this makes him the greatest Bach organist since Schweitzer. We are told that Bach would travel miles to hear great organists perform, and Helmut Walcha is just such an organist as those.
The magnificent instrument used here is celestial in tone. To those for whom Bach fugues conjure up images of Christopher Lee playing Dracula, or dull Sundays in church, here is one of the great achievements of Western civilization, a glittering pinnacle of Baroque art, performed by a great modern spirit, in one handy box. You can't have Michaelangelo ceilings in your home, or Bernini bronzes in your living room, but by golly, you can put this on your stereo.
Heavenly music.......2005-02-23
I'm not a big organ music fan- maybe it's because it reminds this atheist too much of church! But the music here by Bach, and especially the playing by Walcha are just fantastic. I was dubious that I could find interest in 11 CDs of organ music, but I'm enthralled by every minute of each disc. A wonderful bargain!
Average customer rating:
|
Organ Works Complete
Johann Sebastian Bach , and Christopher Herrick
Manufacturer: Hyperion UK
ProductGroup: Music
Binding: Audio CD
Chamber Music
| Forms & Genres
| Classical (c.1770-1830)
| Historical Periods
| Classical
| Styles
| Music
General
| Classical
| Styles
| Music
General
| Chamber Music
| Classical
| Styles
| Music
Classical
| Imports
| Stores
| Music
ASIN: B00006L3WC
Release Date: 2002-11-12 |
Customer Reviews:
The royal music!.......2003-11-05
Organ king's music performed by a prominent organist at his best on ones of the best organs in the world!
Average customer rating:
- Bach is priceless
- Buy the works you like....
- Poor Bach
- A Treasure Trove
- 147 out of 153 ain't bad!
|
Bach 2000: The Complete Bach Edition (Includes Commemorative Book) (Box Set)
Nikolaus Harnoncourt , Robin Gritton , Giovanni Antonini , Gustav Leonhardt , Ton Koopman , Alice Harnoncourt , and Zehetmair, Thomas
Manufacturer: Teldec
ProductGroup: Music
Binding: Audio CD
Allemandes
| Baroque Dance Suites
| Ballets & Dances
| Classical
| Styles
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Minuets
| Ballets & Dances
| Classical
| Styles
| Music
Trios
| Chamber Music
| Classical
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| Music
General
| Chamber Music
| Classical
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| Music
All Works by Carl Philipp Emman. Bach
| Bach, Carl Philipp Emman.
| ( B )
| Featured Composers, A-Z
| Classical
| Styles
| Music
All Works by J.S. Bach
| Bach, Johann Sebastian
| ( B )
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| Classical
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| Music
All Works by Heinichen
| Heinichen, Johann David
| ( H )
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| Music
Canons
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| Classical
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Concertinos
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Concerto Grossi
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General
| Concertos
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| Classical
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Fantasies
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| Classical
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Fugues
| Forms & Genres
| Classical
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| Music
Inventions
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| Classical
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| Music
Preludes
| Forms & Genres
| Classical
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Canzones
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| Classical
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| Music
General
| Sonatas
| Forms & Genres
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Sonatinas
| Sonatas
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Trio Sonatas
| Sonatas
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Suites
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| Classical
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| Music
Sinfonia
| Symphonies
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Toccatas
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| Variations
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| Classical
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Scherzo
| Forms & Genres
| Classical
| Styles
| Music
Variations
| Forms & Genres
| Baroque (c.1600-1750)
| Historical Periods
| Classical
| Styles
| Music
General
| Baroque (c.1600-1750)
| Historical Periods
| Classical
| Styles
| Music
General
| Classical (c.1770-1830)
| Historical Periods
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| Music
General Modern
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General
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Organ
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| Strings
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Lute
| Strings
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Academy of Ancient Music
| ( A )
| Featured Performers, A-Z
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Baroque (c.1600-1750)
| Symphonies
| Classical
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General
| Symphonies
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General
| Sacred & Religious
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General
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Cantatas
| Classical (c.1770-1830)
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| Opera & Vocal
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| Opera & Vocal
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| Vocal Non-Opera
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Classical
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Opera & Vocal
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ASIN: B00001IV8B
Release Date: 1999-09-14 |
Tracks:
- Wie schon leuchtet der Morgenstern
- Du Wahrer Gottes und Marien Sohn
- Erfuellet, ihr himmlischen goettlichen Flammen
- Ein irdscher Glanz, wein leiblich Licht
- Unser Mund und Ton der Saiten
- Wie Schon Leuchtet Der Morgenstern, BWV 1: Chor: 'Wie Bin Ich Doch So Herzlich Froh' - Wiener Sangerknaben/Chor Viennensis/Hans Gillesberger
- Ach Gott, Vom Himmel Sieh Darein, BWV 2: Chor: 'Ach Gott, Vom Himmel Sieh Darein' - Wiener Sangerknaben/Chor Viennensis/Hans Gillesberger
- Ach Gott, Vom Himmel Sieh Darein, BWV 2: Recitativo: 'Sie Lehren Eitel Falsche List' - Kurt Equiluz
- Ach Gott, Vom Himmel Sieh Darein, BWV 2: Aria: 'Tilg, O Gott, Die Lehren' - Paul Esswood
- Ach Gott, Vom Himmel Sieh Darein, BWV 2: Recitativo: 'Die Armen Sind Verstort' - Max Van Egmond
- Ach Gott, Vom Himmel Sieh Darein, BWV 2: Aria: 'Durchs Feuer Wird Das Silber Rein' - Kurt Equiluz
- Ach Gott, Vom Himmel Sieh Darein, BWV 2: Chor: 'Das Wollst Du, Gott, Bewahren Rein' - Wiener Sangerknaben/Chor Viennensis/Hans Gillesberger
- Ach Gott, Wie Manches Herzeleid, BWV 3: Chor: 'Ach Gott, Wie Manches Herzeleid' - Wiener Sangerknaben/Chor Viennensis/Hans Gillesberger
- Ach Gott, Wie Manches Herzeleid, BWV 3: Choral Recitativo: 'Wie Schwerlich Lasst Sich Fleisch Und... - Wiener Sangerknaben/Hans Gillesberger/Paul Esswood/Kurt Equiluz/Max Van Egmond...
- Ach Gott, Wie Manches Herzeleid, BWV 3: Aria: 'Empfind Ich Hollenangst Und Pein' - Max Van Egmond
- Ach Gott, Wie Manches Herzeleid, BWV 3: Recitativo: 'Es Mag Mir Leib Und Geist Verschmachten' - Kurt Equiluz
- Ach Gott, Wie Manches Herzeleid, BWV 3: Aria: 'Wenn Sorgen Auf Mich Dringen' - Wiener Sangerknaben/Hans Gillesberger/Paul Esswood
- Ach Gott, Wie Manches Herzeleid, BWV 3: Chor: 'Erhalt Mein Herz Im Glauben Rein' - Wiener Sangerknaben/Chor Viennensis/Hans Gillesberger
Tracks:
- Ich elender Mensch, wer wird mich erloesen
- O Schmerz, o Elend, so mich trifft
- Solls ja so sein
- Ach lege das Sodom der suendlichen Glieder
- Hier aber tut des Heilands Hand
- Ich Elender Mensch, Wer Wird Mich Erlosen, BWV 48: Aria: 'Vergibt Mir Jesus Meine Sunden' - Kurt Equiluz
- Ich Elender Mensch, Wer Wird Mich Erlosen, BWV 48: Chor: 'Herr Jesu Christ, Einiger Trost' - Wiener Sangerknaben/Chor Viennensis/Hans Gillesberger
- Ich Geh Und Suche Mit Verlangen, BWV 49: Sinf - Concentus Musicus Wien/Nikolaus Harnoncourt
- Ich Geh Und Suche Mit Verlangen, BWV 49: Aria: 'Ich Geh Und Suche Mit Verlangen' - Ruud Van Der Meer
- Ich Geh Und Suche Mit Verlangen, BWV 49: Recitativo Ed Arioso: 'Mein Mahl Ist Zubereit'' - Ruud Van Der Meer/Peter Jelosits
- Ich Geh Und Suche Mit Verlangen, BWV 49: Aria: 'Ich Bin Herrlich, Ich Bin Schon' - Peter Jelosits
- Ich Geh Und Suche Mit Verlangen, BWV 49: Recitativo: 'Mein Glaube Hat Mich Selbst So Angezogen' - Peter Jelosits/Ruud Van Der Meer
- Ich Geh Und Suche Mit Verlangen, BWV 49: Aria (Duetto): 'Dich Hab Ich Je Und Je Geliebet' - Peter Jelosits/Ruud Van Der Meer
- Nun Ist Das Heil Und Die Kraft, BWV 50: Chor: 'Nun Ist Das Heil Und Die Kraft' - Wiener Sangerknaben/Chor Viennensis/Hans Gillesberger
- Jauchzet Gott In Allen Landen, BWV 51: Aria: 'Jauchzet Gott In Allen Landen!' - Marianne Kweksilber
- Jauchzet Gott In Allen Landen, BWV 51: Recitativo: 'Wir Beten Zu Dem Tempel An' - Marianne Kweksilber
- Jauchzet Gott In Allen Landen, BWV 51: Aria: 'Hochster, Mache Deine Gute' - Marianne Kweksilber
- Jauchzet Gott In Allen Landen, BWV 51: Chor: 'Sei Lob Und Preis Mit Ehren' - Marianne Kweksilber
- Jauchzet Gott In Allen Landen, BWV 51: Aria: 'Alleluja!' - Marianne Kweksilber
Tracks:
- (Caro) Was Gott tut, das ist wohlgetan
- (Alto, Tenore) Was Gott tut, das ist wohlgetan
- (Soprano) Was Gott tut, das ist wohlgetan
- (Basso) Was Gott tut, das ist wohlgetan
- (Alto) Was Gott tut, das ist wohlgetan
- Was Gott Tut, Das Ist Wohlgetan, BWV 100: Chor: 'Was Gott Tut, Das Ist Wohlgetan' - Knabenchor Hannover/Heinz Hennig/Collegium Vocale, Gent/Philippe Herreweghe
- Nimm Von Uns, Herr, Du Treuer Gott, BWV 101: Chor: 'Nimm Von Uns, Herr, Du Treuer Gott' - Tolzer Knabenchor/Gerhard Schmidt-Gaden
- Nimm Von Uns, Herr, Du Treuer Gott, BWV 101: Aria: 'Handle Nicht Nach Deinen Rechten' - Kurt Equiluz
- Nimm Von Uns, Herr, Du Treuer Gott, BWV 101: Recitativo-Chor: 'Ach! Herr Gott, Durch Die Treue Dein' - Wilhelm Wiedl
- Nimm Von Uns, Herr, Du Treuer Gott, BWV 101: Aria: 'Warum Willst Du So Zornig Sein?' - Philippe Huttenlocher
- Nimm Von Uns, Herr, Du Treuer Gott, BWV 101: Recitativo-Chor: 'Die Sund Hat Uns Verderbet Sehr' - Kurt Equiluz
- Nimm Von Uns, Herr, Du Treuer Gott, BWV 101: Aria (Duetto): 'Gedenk An Jesu Bittern Tod!' - Wilhelm Wiedl/Paul Esswood
- Nimm Von Uns, Herr, Du Treuer Gott, BWV 101: Chor: 'Leit Uns Mit Deiner Rechten Hand' - Tolzer Knabenchor/Gerhard Schmidt-Gaden
- Herr, Deine Augen Sehen Nach Dem Glauben, BWV 102, Prima Parte: Chor: 'Herr, Deine Augen Sehen... - Tolzer Knabenchor/Gerhard Schmidt-Gaden
- Herr, Deine Augen Sehen Nach Dem Glauben, BWV 102, Prima Parte: Recitativo: 'Wo Ist Das Ebenbild' - Philippe Huttenlocher
- Herr, Deine Augen Sehen Nach Dem Glauben, BWV 102, Prima Parte: Aria: 'Weh Der Seele' - Paul Esswood
- Herr, Deine Augen Sehen Nach Dem Glauben, BWV 102, Prima Parte: Arioso: 'Verachtest Du Den... - Philippe Huttenlocher
- Herr, Deine Augen Sehen Nach Dem Glauben, BWV 102, Seconda Parte: Aria: 'Erschrecke Doch, Du... - Kurt Equiluz
- Herr, Deine Augen Sehen Nach Dem Glauben, BWV 102, Seconda Parte: Recitativo: 'Beim Warten Ist... - Paul Esswood
- Herr, Deine Augen Sehen Nach Dem Glauben, BWV 102, Seconda Parte: Chor: Heut Lebst Du, Heut... - Tolzer Knabenchor/Gerhard Schmidt-Gaden
Tracks:
- Sinfonia
- Nach dir, Herr, verlanget mich
- Doch bin und bleibe ich vergnuegt
- Leite mich in deiner Wahrheit
- Zedern muessen von den Winden
- Nach Dir, Herr, Verlanget Mich, BWV 150: Chor: 'Meine Augen Sehen Stets Zu Dem Herrn' - Knabenchor Hannover/Heinz Hennig/Collegium Vocale, Gent/Philippe Herreweghe
- Nach Dir, Herr, Verlanget Mich, BWV 150: Chor: 'Meine Tage In Dem Leide' - Knabenchor Hannover/Heinz Hennig/Collegium Vocale, Gent/Philippe Herreweghe
- Susser Trost, Mein Jesus Kommt, BWV 151: Aria: 'Susser Trost, Mein Jesus Kommt' - Sebastian Hennig
- Susser Trost, Mein Jesus Kommt, BWV 151: Recitativo: 'Erfreue Dich, Mein Herz' - Max Van Egmond
- Susser Trost, Mein Jesus Kommt, BWV 151: Aria: 'In Jesu Demut Kann Ich Trost' - Paul Esswood
- Susser Trost, Mein Jesus Kommt, BWV 151: Recitativo: 'Du Teurer Gottessohn' - Kurt Equiluz
- Susser Trost, Mein Jesus Kommt, BWV 151: Chor: 'Heut Schleusst Er Wieder Auf Die Tur' - Knabenchor Hannover/Heinz Hennig/Collegium Vocale, Gent/Philippe Herreweghe
- Tritt Auf Die Glaubensbahn, BWV 152: Con - Concentus Musicus Wien/Nikolaus Harnoncourt
- Tritt Auf Die Glaubensbahn, BWV 152: Aria: 'Tritt Auf Die Glaubensbahn' - Thomas Hampson
- Tritt Auf Die Glaubensbahn, BWV 152: Recitativo: 'Der Heiland Ist Gesetzt' - Thomas Hampson
- Tritt Auf Die Glaubensbahn, BWV 152: Aria: 'Stein, Der Uber Alle Schatze' - Christoph Wegmann
- Tritt Auf Die Glaubensbahn, BWV 152: Recitativo: 'Es Argre Sich Die Kluge Welt' - Thomas Hampson
- Tritt Auf Die Glaubensbahn, BWV 152: Duetto: 'Wie Soll Ich Dich, Liebster Der Seelen, Umfassen?' - Christoph Wegmann/Thomas Hampson
- Schau, Lieber Gott, Wie Meine Feind, BWV 153: Chor: 'Schau, Lieber Gott, Wie Meine Feind' - Tolzer Knabenchor//Gerhard Schmidt-Gaden
- Schau, Lieber Gott, Wie Meine Feind, BWV 153: Recitativo: 'Mein Liebster Gott' - Stefan Rampf
- Schau, Lieber Gott, Wie Meine Feind, BWV 153: Aria: 'Furchte Dich Nicht, Ich Bin Mit Dir' - Thomas Hampson
- Schau, Lieber Gott, Wie Meine Feind, BWV 153: Recitativo: 'Du Sprichst Zwar, Lieber Gott' - Kurt Equiluz
- Schau, Lieber Gott, Wie Meine Feind, BWV 153: Chor: 'Und Ob Gleich Alle Teufel - Tolzer Knabenchor//Gerhard Schmidt-Gaden
- Schau, Lieber Gott, Wie Meine Feind, BWV 153: Aria: 'Sturmt Nur, Sturmt, Ihr Trubsalswetter' - Kurt Equiluz
- Schau, Lieber Gott, Wie Meine Feind, BWV 153: Recitativo: 'Getrost! Mein Herz, Erdulde Deinen... - Thomas Hampson
- Schau, Lieber Gott, Wie Meine Feind, BWV 153: Aria: 'Soll Ich Meinen Lebeslauf' - Stefan Rampf
- Schau, Lieber Gott, Wie Meine Feind, BWV 153: Chor: 'Drum Will Ich, Weil Ich Lebe Noch' - Tolzer Knabenchor//Gerhard Schmidt-Gaden
Tracks:
- Die Zeit, die Tag und Jahre macht
- Auf, Sterbliche, lasset ein Jauchzen ertoenen
- So bald, als dir die Sternen hold
- Es streiten, es siegen die kuenftigen Zeiten
- Bedenke nur, begluecktes Land
- Die Zeit, Die Tag Und Jahre Macht, BWV 134A: Aria: 'Der Zeiten Herr Hat Viel Vergnugte Stunden' - Michael Chance
- Die Zeit, Die Tag Und Jahre Macht, BWV 134A: Recitativo: 'Hilf, Hochster, Hilf' - Michael Chance/Paul Agnew
- Die Zeit, Die Tag Und Jahre Macht, BWV 134A: Chor: 'Ergetzet Auf Erden' - The Amsterdam Baroque Chor/Ton Koopman
- Durchlauchtster Leopold, BWV 173A: Recitativo: 'Durchlauchtster Leopold' - Lisa Larsson
- Durchlauchtster Leopold, BWV 173A: Aria: 'Guldner Sonnen Frohe Stunden' - Lisa Larsson
- Durchlauchtster Leopold, BWV 173A: Aria: 'Leopolds Vortrefflichkeiten' - Klaus Mertens
- Durchlauchtster Leopold, BWV 173A: Aria: 'Unter Seinem Purpursaum' - Lisa Larsson/Klaus Mertens
- Durchlauchtster Leopold, BWV 173A: Recitativo: 'Durchlauchtigster, Den Anhalt Vater Nennt' - Lisa Larsson/Klaus Mertens
- Durchlauchtster Leopold, BWV 173A: Aria: 'So Schau Des Holden Tages Licht' - Lisa Larsson
- Durchlauchtster Leopold, BWV 173A: Aria: 'Dein Name Gleich Der Sonnen Geh' - Klaus Mertens
- Durchlauchtster Leopold, BWV 173A: Chor: 'Nimm Auch, Grosser Furst, Uns Auf' - Lisa Larsson/Klaus Mertens
Tracks:
- Kyrie eleison
- Christe eleison
- Kyrie eleison
- Gloria in excelsis Deo
- Laudamus te
- Mass in b, BWV 232: I. Missa: Gloria: Gratias Agimus Tibi - Arnold Schoenberg Chor/Erwin Ortner
- Mass in b, BWV 232: I. Missa: Gloria: Domine Deus - Angela Maria Blasi/Kurt Equiluz
- Mass in b, BWV 232: I. Missa: Gloria: Qui Tollis - Arnold Schoenberg Chor/Erwin Ortner
- Mass in b, BWV 232: I. Missa: Gloria: Qui Sedes - Jadwiga Rappe
- Mass in b, BWV 232: I. Missa: Gloria: Quoniam To Solus - Arnold Schoenberg Chor/Erwin Ortner
- Mass in b, BWV 232: I. Missa: Gloria: Cum Sancto Spiritu - Arnold Schoenberg Chor/Erwin Ortner
Tracks:
- Singet dem Herrn ein neres Lied
- Der Geist hilft unser Schwachheit auf
- Komm, Jesu, komm
- Jesu, meine Freude
- Fuerchte dich nicht, ich bin bei dir
- Lobet Den Herrn, Alle Heiden, BWV 230 - Stockholm Bach Chor/Anders Ohrwall
Tracks:
- Fantasia et Fuga in g BWV 542
- Fuga in g BWV 578
- Canzona in d BWV 588
- Praeludium et Fuga in h BWV 544
- Praeludium et Fuga in a BWV 543
- Fant in c, BWV 562 - Ton Koopman
- Prld Et Fuga in C, BWV 531 - Ton Koopman
- Fant in G, BWV 572 - Ton Koopman
- Fant in C, BWV 570 - Ton Koopman
- Passacaglia in c, BWV 582 - Ton Koopman
Tracks:
- Inventio 1 BWV 772
- Inventio 2 BWV 773
- Inventio 3 BWV 774
- Inventio 4 BWV 775
- Inventio 5 BWV 776
- Inventio 6 in E, BWV 777 - Zuzana Ruzickova
- Inventio 7 in e, BWV 778 - Zuzana Ruzickova
- Inventio 8 in F, BWV 779 - Zuzana Ruzickova
- Inventio 9 in f, BWV 780 - Zuzana Ruzickova
- Inventio 10 in G, BWV 781 - Zuzana Ruzickova
- Inventio 11 in g, BWV 782 - Zuzana Ruzickova
- Inventio 12 in A, BWV 783 - Zuzana Ruzickova
- Inventio 13 in a, BWV 784 - Zuzana Ruzickova
- Inventio 14 in B flat, BWV 785 - Zuzana Ruzickova
- Inventio 15 in b, BWV 786 - Zuzana Ruzickova
- Sinf 1 in C, BWV 787 - Zuzana Ruzickova
- Sinf 2 in c, BWV 788 - Zuzana Ruzickova
- Sinf 3 in D, BWV 789 - Zuzana Ruzickova
- Sinf 4 in d, BWV 790 - Zuzana Ruzickova
- Sinf 5 in E flat, BWV 791 - Zuzana Ruzickova
- Sinf 6 in E, BWV 792 - Zuzana Ruzickova
- Sinf 7 in e, BWV 793 - Zuzana Ruzickova
- Sinf 8 in F, BWV 794 - Zuzana Ruzickova
- Sinf 9 in f, BWV 795 - Zuzana Ruzickova
- Sinf 10 in G, BWV 796 - Zuzana Ruzickova
- Sinf 11 in g, BWV 797 - Zuzana Ruzickova
- Sinf 12 in A, BWV 798 - Zuzana Ruzickova
- Sinf 13 in a, BWV 799 - Zuzana Ruzickova
- Sinf 14 in B flat, BWV 800 - Zuzana Ruzickova
- Sinf 15 in b, BWV 801 - Zuzana Ruzickova
Tracks:
- Prelude and Fugue in A minor: Praeludium
- Prelude and Fugue in A minor: Fuga
- Prelude and Fughetta in E minor: Praeludium
- Prelude and Fughetta in E minor: Fuga
- Prelude in G major BWV 902a
- Fant And Fugue in a, BWV 904: Fant - Zuzana Ruzickova
- Fant And Fugue in a, BWV 904: Fuga - Zuzana Ruzickova
- Clavier-Buchlein Vor W.F. Bach: Prld in C, BWV 924 - Zuzana Ruzickova
- Clavier-Buchlein Vor W.F. Bach: Prld in D, BWV 925 - Zuzana Ruzickova
- Clavier-Buchlein Vor W.F. Bach: Prld in d, BWV 926 - Zuzana Ruzickova
- Clavier-Buchlein Vor W.F. Bach: Prld in F, BWV 927 - Zuzana Ruzickova
- Clavier-Buchlein Vor W.F. Bach: Prld in F, BWV 928 - Zuzana Ruzickova
- Clavier-Buchlein Vor W.F. Bach: Prld in g, BWV 930 - Zuzana Ruzickova
- Clavier-Buchlein Vor W.F. Bach: Prld in a, BWV 931 - Zuzana Ruzickova
- Prld in E, BWV 937 - Zuzana Ruzickova
- Prld in C, BWV 939 - Zuzana Ruzickova
- Prld in d, BWV 940 - Zuzana Ruzickova
- Applicatio in C, BWV 994 - Zuzana Ruzickova
Tracks:
- Suite in G minor BWV 995: Prelude
- Suite in G minor BWV 995: Allemande
- Suite in G minor BWV 995: Courante
- Suite in G minor BWV 995: Sarabande
- Suite in G minor BWV 995: Gavotte I - Gavotte II en Rondeau
- Ste in g, BWV 995: Gigue - Luca Pianca
- Ste in e, BWV 996: Prld (Passagio-Presto) - Michele Barchi
- Ste in e, BWV 996: Allemande - Michele Barchi
- Ste in e, BWV 996: Courante - Michele Barchi
- Ste in e, BWV 996: Sarabande - Michele Barchi
- Ste in e, BWV 996: Bourree - Michele Barchi
- Ste in e, BWV 996: Gigue - Michele Barchi
- Ste in c, BWV 997: Prld - Michele Barchi/Luca Pianca
- Ste in c, BWV 997: Fuga - Michele Barchi/Luca Pianca
- Ste in c, BWV 997: Sarabande - Michele Barchi/Luca Pianca
- Ste in c, BWV 997: Gigue-Double - Michele Barchi/Luca Pianca
Tracks:
- Concerto for two violins BWV 1043: Vivace
- Concerto for two violins BWV 1043: Largo, ma non tanto
- Concerto for two violins BWV 1043: Allegro
- Concerto BWV 1042: Allegro
- Concerto BWV 1042: Adagio
- Con in E, BWV 1042: Allegro Assai - Alice Harnoncourt
- Con in a, BWV 1041: Allegro - Alice Harnoncourt
- Con in a, BWV 1041: Andante - Alice Harnoncourt
- Con in a, BWV 1041: Allegro Assai - Alice Harnoncourt
- Con in g, BWV 1056R: (Allegro) - Alice Harnoncourt
- Con in g, BWV 1056R: Largo - Alice Harnoncourt
- Con in g, BWV 1056R: Presto - Alice Harnoncourt
- Con in g, BWV 1060R: Allegro - Jurg Schaeftlein/Alice Harnoncourt
- Con in g, BWV 1060R: Adagio - Jurg Schaeftlein/Alice Harnoncourt
- Con in g, BWV 1060R: Allegro - Jurg Schaeftlein/Alice Harnoncourt
Amazon.com
The Bach renaissance--which began in earnest in the early 19th century thanks to the efforts of Felix Mendelssohn and others--inspired an endeavor of far-reaching significance. It led to the founding of the Bach Society in 1850, with the goal of gathering and publishing the composer's complete works, and thus set into motion one of the great projects of musical scholarship. That effort has continued and been refined throughout the 20th century, ultimately influencing not only our perception of how to perform early music but fundamental ideas of musical history, evolution, and reception as well.
Teldec's mammoth Bach 2000 box set represents a kind of culmination of that original attempt to come to terms with Johann Sebastian Bach's unparalleled legacy. This set brings together performances recorded over the last several decades--a small percentage of the recordings are previously unreleased--of all the extant works determined by modern scholarship to be authentic. There are also some pieces the authorship of which is still in question and a few now deemed "inauthentic" but familiarly associated with the composer. Bach was a prodigious reviser of his compositions, and alternate versions of a particular work have been included "where the changes seemed sufficiently important," such as the glorious Magnificat. No doubt manuscripts will continue to be unearthed here and there in various archives (Bach 2000 contains, for example, the "Neumeister chorales," which were rediscovered in 1984), but the set does not represent the many fragments of music that consist of just a few bars; however, there are some reconstructions of lost concertos (such as one for three violins reconstructed by Christopher Hogwood from an extant concerto for harpsichords).
Of course a truly comprehensive recorded edition of every note Bach wrote remains a utopian impossibility--about one-third of his cantatas, for example, have not survived. Even so, the dimensions of Bach 2000 are staggering. With its 12 boxes comprising 153 CDs, the set can be compressed into fewer boxes to save shelf space yet is still about ten times as long as the Ring cycle. (It should be noted that the packaging--using thin cardboard sleeves for the CDs--is distinctively unattractive.) That adds up to just under 160 hours of music--but a lifetime of discovery. Each box (grouped according to genre) contains a booklet with excellent notes on individual works and--for all the choral works--texts and translations. Tracking indexes are useful and thorough. Also included is a profusely illustrated hardbound volume of 24 Inventions, in which journalist Wolfgang Sandberger uses the composer's biography as a peg for some enigmatic and fascinating musings on the meaning of Bach today.
The presiding philosophy behind this project and its approach to musical interpretation can be largely ascribed to Nikolaus Harnoncourt, a true musical pioneer and galvanizing force of the "period performance" movement. Harnoncourt's epoch-making recordings of the sacred cantatas (using, for instance, boy sopranos and choristers according to the practice in Bach's time) with the Concentus musicus Wien and colleague Gustav Leonhardt comprise the first four volumes here (those who already own them can turn to the Bach 2000 Light edition, which contains everything sans the cantatas). These recordings--which were not remastered for this set--have long been controversial and are notably uneven, embracing some magnificent accounts as well as others that lack fire and seem clearly underrehearsed. But Harnoncourt is one of the most fascinating conductors of our era, and his interpretations amply bear out his assertion: "I have never felt that Bach worked in a routine manner, that he repeated himself in his works." Harnoncourt--who has articulated many of his ideas in his book The Musical Dialogue--displays his gifts as a cellist in a remarkably probing performance of the Cello Suites (originally recorded in 1965) and in his concertizing for a number of chamber works. For the St. Matthew Passion, you get Harnoncourt's groundbreaking earlier account from 1970, while his 1986 recording of the sublime B Minor Mass is also represented here (the St. John Passion included is Harnoncourt's 1995 acount).
Other artists included are colleague Gustav Leonhardt, whose thoughtful if occasionally dry harpsichord artistry is heard in the Goldberg Variations as well as in the concertos and chamber music. The harpsichord is in fact used throughout in preference to piano for the keyboard works. Ton Koopman (himself the conductor of an ongoing complete cantata series and of the Easter Oratorio included here) performs the organ works, including some newly recorded offerings, while Il Giardino Armonico's well-known high-energy account represents the Brandenburg Concertos. Violinist Thomas Zehetmair is exceptionally compelling in the unaccompanied sonatas and partitas, and the Concentus musicus Wien--again under Harnoncourt--perform a superb Musical Offering that richly repays frequent listening.
The result of Bach 2000 as a whole is an aptly encyclopedic grappling with the infinite legacy of this most compendious of composers, whose works are on one level a summation of all the styles available to him. Bach was once thought to represent a "terminal point" (to use Albert Schweitzer's famous formulation), the end of an era; today he is at least equally recognized as a fertile source of inspiration for composers since. To be sure, individual recordings of particular works will be found to be preferable, and it would be misguided to consider Bach 2000 any kind of "final" or "definitive" word. Instead, it's an indispensable starting point that represents a monumental achievement for our own contemporary understanding of Bach. --Thomas May
Album Description
Volume 1, 15 Discs
Sacred Cantatas Nos. 1-14, 16-47; 15 CDs; Harnoncourt/Leonhardt
Volume 2, 15 Discs
Sacred Cantatas Nos. 48-52, 54-69, 69A, 70-99; 15 CDs; Harnoncourt/Leonhardt
Volume 3, 15 Discs
Sacred Cantatas Nos. 100-117, 119-140,143-149; 15 CDs; Harnoncourt/Leonhardt
Volume 4, 15 Discs
Sacred Cantatas BWV 150-159, 161-188, 192, 194-199; 15 CDs; Harnoncourt/Leonhardt
Volume 5, 11 Discs
Secular Cantatas App. Sacred Cantatas; 11 CDs; Koopman, Harnoncourt, Koopman, Goebel and others
Volume 6, 14 Discs
The Sacred Vocal Works Masses,Magnificat, Passions, Oratorios; 14 CDs; Harnoncourt, Koopman, Corboz and others
Volume 7
, 7 Discs
The Motets, Chorales & Songs Kirnberger Chorales,Schemelli Songs, Quodlibet
Volume 8, 16 Discs
The Organ Works; 16 CDs; Ton Koopman
Volume 9, 11 Discs
The Keyboard Works (I) The Well-Tempered Clavier, English & French Suites, Partitas etc; 11 CDs; Curtis, Ross, Wilson, Ruzickova
Volume 10, 11 Discs
The Keyboard Works (II) Goldberg Variations, Toccatas, Fugues, Italian Concerto, etc; 11 CDs; Staier, Barchi, Leonhardt, von Asperen, Baumont, and others
Volume 11, 13 Discs
The Chamber Music Violin Sonatas & Partitas, Flute Sonatas, Works for Lute, Art of Fugue, Musical Offering, etc; 13 CDs; Harnoncourt, Pianca, Tachezi, Brggen, Zehetmair, and others
Volume 12, 10 Discs
The Orchestral Works The Concertos & Orchestral Suite; 10 CDs; Il Giardino Armonico, Harnoncourt, Leonhardt
Customer Reviews:
Bach is priceless.......2006-11-10
I believe, as another reviewer has stated, Bach's music may be the best ever written. Also, I think the cantatas are not where Bach placed his heart and soul. He was, after all, employed as a canter and in a position he did not wish for, but was forced to take to feed his large family. (I recommend "Bach and the High Baroque" lecture series by TTC.) What really stands out on this collection are all works in volumes 8 and above. Some of these works are hard to find and having them all in this collection and preformed on original instruments is great. Bach is priceless and so then is this collection.
Buy the works you like...........2006-01-11
If you love Bach, which you must if you are looking at this particular item, you probably own a couple of his works already. Perhaps some of them are on the Teldec label. There is nothing wrong with Teldec if you are just getting into "classical" music. You will probably enjoy the music thoroughly. I know I did, as one of the first "classical" releases I bought was on Teldec, and it was Bach. I was amazed how great Bach was. Then my brother showed me the same recording, performed by another group, on another label. It had a lot more passion, and the instrumentalists were obviously of a higher level. Pardon my rambling, but what I'm trying to say is, the recordings found in this boxset are not the "cream of the crop." They are perfectly acceptable, easily listenable renditions of what many consider the greatest music...EVER. Take it from me, someone who has leapt into boxset land one too many times: Save your money, buy the individual albums. Take your time, talk to record store clerks (read Amazon reviews), do your research. If you are lucky enough to have a decent record store around, listen to multiple versions of the same work. No one said you had to buy it all at once. It can take a lifetime to fully realize the potency of this music, so enjoy the discovery as long as possible.
Poor Bach.......2005-11-26
In Antony & Cleopatra, Shakespeare wrote: "I shall see some squeaking Cleopatra boy my greatness...."
I am 99% in favor of original instrument performances, but there are limits. Just imagine if we had the same sort of thing going on with Shakespeare's plays -- men and boys playing all of the women's parts. And if we *really* wanted to be original, they would be squeaking boys "I' th' posture of a whore" (Shakespeare's words). Such performances would knock Monty Python
right out of business.
The Cantatas, which are the lion's share of this collection, are sung by boys, boys, boys. If you want to ruin boy choirs for yourself, then go for it. It might still be a novelty by the fifth CD but by the fiftieth, you will want to throw your &*%$ wig at the squeaking speakers, just as the exasperated Bach famously did with his own wig and his own boy choir. (For which he was reprimanded.)
Does Harnoncourt really, honestly think that Bach would have picked a boy choir if he could have had women? Does anyone seriously believe that Shakespeare would have preferred his parts played by boys instead of women?
If you buy this set, don't buy it for the Cantatas, unless (unlike Bach) you can tolerate immature voices with "wig-tossingly" inconsistent intonation. Hold out for Suzuki or Koopman. Stay away from the Rifkin perfomances, mostly because the recording quality is second and third rate by today's standards. Not that historical performances should be shunned, but you might want to think twice about 60 odd CDs worth of second rate sound.
A Treasure Trove.......2004-03-07
This set is the culmination of several decades of work on the part of the West German record label Teldec (formerly known as Telefunken-Decca). With their early-music subdivision Das Alte Werk (similar to DG's Archiv or Decca's L'Oiseau-Lyre), Teldec have been in the forefront of exploring the world of period instruments and authentic performance practice, with special emphasis on the works of J.S.Bach. The lion's share of recordings here was originally made for Das Alte Werk, with the odd exception here and there licensed from other labels in order to fill in the gaps. The centerpiece of the set is the famous recording of the 199 church cantatas by Nikolaus Harnoncourt and Gustav Leonhardt. If you're not familiar with the cantatas, there's a whole world of drama, color and expression right here waiting for you. You'll also be surprised to learn how many of the "tunes" you know from popular arrangements, like "Jesu, Joy of Man's Desiring" and "Sleepers Awake" are actually movements from cantatas. The names of Harnoncourt and Leonhardt pop up again and again; they were both mainstays of the Teldec roster. Leonhardt gives us his 1965 Goldberg Variations on a Dulcken harpsichord whose every tone is like a bell, and Harnoncourt's "home" recording of the Cello Suites (never intended for general release) shows the ferment of a great musical mind. Ton Koopman gives us his provocative and controversial re-thinkings of the organ works, and Thomas Zehetmair's performances of the unaccompanied violin sonatas and partitas are like dramatic scenes spoken by a solo violin. Here are the uniquely bizarre Brandenburg Concertos by Il Giardino Armonico; the rhetorical and transparent performance of the motets conducted by Harnoncourt (perhaps his best-ever recording); Leonhardt's relaxed and smiling versions of the harpsichord concertos; Alice Harnoncourt's tawny, leonine performances of the sonatas for violin and harpsichord; Harnoncourt's chiaroscuro-filled performance of the Christmas Oratorio, and so on. This set is one of the most worthwhile CD buys you could make. You will never be bored with this to dip into over the years.
147 out of 153 ain't bad!.......2001-04-29
Having listened to the complete set, I can confidently recommend it, if you would use a complete set of Bach's works.
If you really like Bach, it is well worth getting. You will read disparaging reviews which will tell you that there are better performances of individual works. But this is a great opportunity for a Bach lover to get very good versions of his entire oeuvre.
In the set of 60 CDs of sacred cantatas, there are about 6 duds, which feature out of tune boy sopranos! If you are not crazy about sacred cantatas, you can buy a set which omits them, which may be advised!
I love the version of the Mass in B minor, though it is very different from our set by Munchinger [which we really enjoy].
The Brandenburgs are great. THe first movement of the first concerto is a knock out! Very brassy and bombastic: quite different from the 3 or 4 other versions I have previously enjoyed.
We are a piano family and have many CDs of Bach keyboard works played on piano [though we also have the Well Tempered Clavier on harpsichord and clavichord] The keyboard performances in the set are all on harpsichord and are lively and very enjoyable.
It takes some getting used to the authentic Baroque flute performances: especially occasional out-of-tuneness. But these are also interesting and musically played.
If you would use a set of all of Bach's extant works, it is a great choice. It is competitively priced and I love the packaging.
Average customer rating:
- Marcel Dupré 79 chorales Op. 28 Jeremy Filsell
|
Dupré: Complete Organ Works, Vol. 12
Manufacturer: Guild
ProductGroup: Music
Binding: Audio CD
General
| Dupré, Marcel
| ( D )
| Featured Composers, A-Z
| Classical
| Styles
| Music
Chamber Music
| Forms & Genres
| Classical (c.1770-1830)
| Historical Periods
| Classical
| Styles
| Music
General
| Keyboard
| Instruments
| Classical
| Styles
| Music
General
| Classical
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| Music
General
| Chamber Music
| Classical
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ASIN: B000057B8K
Release Date: 2005-01-17 |
Customer Reviews:
Marcel Dupré 79 chorales Op. 28 Jeremy Filsell.......2007-05-02
This CD goes perfectly with the partition. Just sit, read and listen or listen and read, whatever you wish, depending on what comes first for you. Jeremy Filsell is intense but not so meditative regarding chorale style.
One small irritant for me is the too short time on « point d'orgue » at the end of each sentence making passage not so agreable from one sentence to the other.
For me, the experience is a pedagogic one, putting together the partition and sound recording. In short, both fit perfectly.
See my critic about the partition of Dupré 79 Chorales Seventy-Nine Chorales for the Organ: Opus 28 and get it as a support to your audition.
Happy listening !
Average customer rating:
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Brahms: Lieder
Manufacturer: EMI
ProductGroup: Music
Binding: Audio CD
All Works by Brahms
| Brahms, Johannes
| ( B )
| Featured Composers, A-Z
| Classical
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General
| Baroque (c.1600-1750)
| Historical Periods
| Classical
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| Music
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