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Still the Same...Great Rock Classics Of Our Time
Average customer rating: 3.5 out of 5 stars
  • Somewhere Between Fair to Blah
  • Better to get a root canal
  • Still the Same
  • Still has that voice, the Rod Stewart sound
  • AWESOME
 Still the Same...Great Rock Classics Of Our Time
Rod Stewart
Manufacturer: J-Records
ProductGroup: Music
Binding: Audio CD

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Similar Items:
  1. Duets: An American Classic
  2. The Greatest Songs of the Sixties
  3. Bring It on Home... The Soul Classics
  4. Thanks For The Memory...The Great American Songbook IV
  5. Face The Promise

ASIN: B000HEVYR2
Release Date: 2006-10-10

Tracks:

  1. Have You Ever Seen The Rain
  2. Fooled Around And Fell In Love
  3. I'll Stand By You
  4. Still The Same
  5. It's A Heartache
  6. Day After Day
  7. Missing You
  8. Father & Son
  9. The Best Of My Love
  10. If Not For You
  11. Love Hurts
  12. Everything I Own
  13. Crazy Love

Amazon.com

Unquestionably one of rock's greatest vocalists, Rod Stewart should have titled this album Great Rock Classics of My Time. Most of these Top 40 tunes and others like Dylan's "If Not for You" were popularized in the early to mid-'70s, when Stewart was entering his rock prime. He's perfect to croon Elvin Bishop's "Fooled Around and Fell in Love," soulfully pained on Bonnie Tyler's "It's a Heartache," and right in the pocket on the Pretenders' "I'll Stand by You." And his unmistakable raspiness puts another layer of wisdom on the old Cat Steven's classic "Father & Son." But you also have to wonder about some of the safe song choices, such Badfinger's "Day After Day" and Nazareth's "Love Hurts." Why he continues to record mossy cover songs is a legitimate question. What's stopping him from getting back in trenches with some contemporary rock songwriters and really reinventing himself? The karaoke lounge is no place for a guy this great to hang. --Martin Keller

More Great Rod Stewart


It Had to Be You... The Great American Songbook


It Had to Be You... The Great American Songbook [ENHANCED]


Thanks For The Memory...The Great American Songbook IV

Customer Reviews:

2 out of 5 stars Somewhere Between Fair to Blah.......2007-07-16

Gosh darn, I was really looking forward to this CD, glad to see that the singer was getting back to roots & away from the schlutz of the previous Frank Sinatra style disaster. It's probably my own fault for not inspecting the traks more carefully. Anyway, I listened to it once & probably won't again. It's not a total waste, but geeze it's dull.

1 out of 5 stars Better to get a root canal.......2007-06-11

First off, I like Rod Stewart. But this piece of dreck SHOULD be called "The tape is full, when do I get paid?". It's fun sometimes to hear a performer at a concert jump into an inspired cover. This is neither inspired, nor at a concert. It's a whole CD of, "well I need some money and I am too lazy to even add something to a cover song, let alone actually come up with something new." Bad enough it's all covers, his performance is lifeless, lethargic, and apathetic. Certainly, if I wanted to hear any of these songs, I would reach for the original first. This collection is unnecessary.

5 out of 5 stars Still the Same.......2007-05-23

Rod Stewart still makes beautiful music. I recommend this CD highly.

5 out of 5 stars Still has that voice, the Rod Stewart sound.......2007-05-18

Rod is still the same, he still can sing a ballad better than most rock stars, and his voice is once again unmistakably Rod. I was worried when he started singing 40s and 50s music that he'd lost his touch, or his voice after surgery. I'm glad for the success of those albums, but it's grand to hear Rod doing "our" standards.

5 out of 5 stars AWESOME.......2007-05-10

LOVE IT, EVERY SONG!
Cant wait to catch ROD on Tour this summer
He's still got it!
Man of La Mancha: A Decca Broadway Original Cast Album (Original 1965 Broadway Cast)
Average customer rating: 4.5 out of 5 stars
  • Check out Other Versions. Don't be swayed by Others' Reviews.
  • beautiful music for a haunting story.....
  • Man of LaMancha As Good As Ever
  • Don Quixote
  • Magnificent voices
 Man of La Mancha: A Decca Broadway Original Cast Album (Original 1965 Broadway Cast)
Mitch Leigh , Joe Darion , Richard Kiley , and Joan Diener
Manufacturer: Decca Broadway
ProductGroup: Music
Binding: Audio CD

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Similar Items:
  1. Camelot (1960 Original Broadway Cast)
  2. Man of La Mancha
  3. Fiddler on the Roof (1964 Original Broadway Cast)
  4. My Fair Lady (1956 Original Broadway Cast)
  5. The Music Man (1957 Original Broadway Cast)

ASIN: B00005A8KE
Release Date: 2001-03-06

Tracks:

  1. Overture
  2. Man Of La Mancha (I, Don Quixote)
  3. It's All The Same
  4. Dulcinea
  5. I'm Only Thinking Of Him
  6. I Really Like Him - Joan Diener
  7. What Do You Want of Me - Joan Diener
  8. Little Bird, Little Bird
  9. Barber's Song/Golden Helmet
  10. To Each His Dulcinea (To Every Man His Dulcinea)
  11. The Impossible Dream
  12. The Combat (Previously Unreleased Reissue Track)
  13. Dubbing (Knight of the Woeful Countenance) - Joan Diener
  14. The Abduction
  15. Aldonza - Joan Diener
  16. A Little Gossip
  17. Dulcinea (Reprise) /The Impossible Dream (Reprise) /Man of Mancha (Repr - Joan Diener
  18. Finale (The Impossible Dream) - Joan Diener

Amazon.com

Man of La Mancha, the show that introduced "The Impossible Dream" to the world (and lounge singers everywhere), was the hit of the 1965 Broadway season. Richard Kiley is magnificent in his career-defining performance as the deluded wannabe knight Don Quixote. His leading lad Joan Diener sings the role of the kitchen wench Aldonza with just the right balance of dignity and vulgarity. Irving Jacobson turns in a fine comic performance as the Don's faithful squire, Sancho Panza. The score, with music by Mitch Leigh and lyrics by Joe Darion, was revolutionary in its time. The orchestra had no violins--just brass, woodwinds, percussion, and flamenco guitars. Man of La Mancha is one of Broadway's most inspiring musicals and it well deserves its high reputation. --Michael Simmons

Customer Reviews:

3 out of 5 stars Check out Other Versions. Don't be swayed by Others' Reviews........2007-06-09

I've never seen this show on stage and my first exposure to the music was the Sony CD Man of La Mancha featuring Placido Domingo, Pandy Patankin, and Julia Migenes-Johnson. Despite lackluster reviews of the disk, I enjoy it, and when I saw this version at a second hand book/music store, I decided check it out too. My initial impression was that the Sony version was the better disk but decided to compare both versions by setting up a playlist in Media Player, playing tracks from both version back-to-back.

After that test, I have to agree with the reviews here that Richard Kiley is the superior Don Quixote. Domingo's voice is, of course wonderful, but Kiley acts the role better on the CD and Domingo's accent is a major distraction.

In the role of Aldonza - no contest. Julia Mingenes-Johnson's singing and performance on the Sony version is far superior to Joan Diener's. I didn't have to hear the tracks back-to-back to realize that. Ms. Diener's performance just grated on my ears from the beginning.

Bucking the crowd, I prefer Mandy Patankin's Sancho (Sony version) to Irving Jacobson's. I may be biased, having had more exposure to the Sony version, but Patankin seemed to be trying to inject a bit more feeling into the character. Jacobson, singing in an annoying, scratchy voice, came across almost like a cartoon trying to fit in among live characters. It seems like most people either like Patankin or hate him. Guess I'm one of the former.

The Orchestration does seem brighter/clearer in this version compared to the Sony version, but, in general, the tempo on most tracks seems slower than the same tracks on the Sony version. I preferred the up-tempo, Sony versions of "The Barber Song", "Little Bird, Little Bird", "The Dubbing" and "A Little Gossip".

In Summary: For Kiley's Don Quixote, you'll probably want this version, but for tracks featuring Aldonza (and maybe Sancho) you'll want to check out the Sony version. Since I have both disks, I will probably come up with a mix of my favorite tracks, in general, favoring the Sony disk but substituting the tracks that feature Richard Kiley's Don Quixote where I can.

5 out of 5 stars beautiful music for a haunting story............2007-06-07

I remember reading excerpts from Cervantes' DON QUIXOTE, as a Spanish student, way back in junior high school. The saga of the madman fighting windmills and pursuing his illusions [and delusions] was very sad, but very romantic at the same time. When the musical adaptation, MAN OF LA MANCHA, was brought to the stage in 1965, Richard Kiley (as the title character, Don Quixote) absolutely transfixed the audience with his sensitively heartfelt portrayal of the tragic madman. The plight of Don Quixote, who travels on horseback, with his faithful companion, Sancho Panza (Irving Jacobson), and absolutely lovestruck by kitched wench Aldonza (Joan Denier), is alternately pathetic and profound. Perhaps one of the best known (and most remade) songs in the repertoire from LA MANCHA, is "The Impossible Dream." Richard Kiley really make it his own, here, and after you hear his version, it's hard to listen to others' versions of it. It's just not the same. Though, this story is anything but joyful, the music will glide through your ears and carry you on a surrealistic journey through attempted triumph and (ultimately) tragedy.

5 out of 5 stars Man of LaMancha As Good As Ever.......2007-05-07

Very pleased with ourchase of this item. Quality is great as was the price. Delivery was timely. Easy transaction! A++++++++

5 out of 5 stars Don Quixote.......2006-09-14

Back in High School my band leader, Mr. DeYoung, decided (agianst much opposition from those of us in the band let me tell you) to have us perform select pieces from this musical

I hated the idea. But when we began to play, he even had us watch the musical, I fell in love with the melody. The many songs of a man who believes the best in the world. YOu find that in Dulcinea, The Impossible Dream, etc.

From one maginificently rendered song to another, you can be lost in its melodic elegance.

My favorite song is the initial rendition of 'Little Bird, Little Bird'. It's a soft song, sung as a love ballad. In the musical you discover it's being sung to a local whore by a bunch of randy men. Despite that, I still like it.

This along with others are among the great works of the stage!

5 out of 5 stars Magnificent voices.......2006-07-05

Voices and music make a revival of this beautiful play. Full of passion.
Beethoven's Wig, Vol. 2: More Sing-Along Symphonies
Average customer rating: 5 out of 5 stars
  • Greatest baby gift ever
  • Great for the whole family
  • More Great Fun
  • One is better but this is still awesome!! Gotta have it!
  • Absolute joy, and endless fun!
 Beethoven's Wig, Vol. 2: More Sing-Along Symphonies

Manufacturer: Rounder / Umgd
ProductGroup: Music
Binding: Audio CD

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  1. Beethoven's Wig: Sing Along Symphonies
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  5. World's Very Best Opera for Kids... in English!

ASIN: B0001I2C8O
Release Date: 2004-03-16

Tracks:

  1. Stuck In The Saddle Again (Light Cavalry March, Suppe)
  2. Sing Verdi Very Loud (La donna e mobile, from Rigoletto, Verdi)
  3. Its The Same Every Verse (In The Hall of The Mountain King, from Peer Gynt Suite, Grieg)
  4. Musical Bs (Hungarian Dance #5, Brahms)
  5. Dont Play That Violin (Violin Concerto #2, Paganini)
  6. Schuberts Trout (Trout Quintet, Schubert)
  7. Dvorak The Czechoslovak (Humoresque #7, Dvorak)
  8. A Fan of Chopin (Prelude 7, Op. 28, Chopin)
  9. Please Do Not Tease The Viennese (Blue Danube Waltz, Strauss)
  10. Its Spring! (Spring, from The Four Seasons, Vivaldi)
  11. Wow What a Wedding Cake (Wedding March, from A Midsummer Nights Dream,. Mendelssohn)
  12. Instrumental Performances:
  13. Light Cavalry March, Suppe
  14. La donna e mobile, from Rigoletto, Verdi (with vocals)
  15. In The Hall of The Mountain King, from Peer Gynt Suite, Grieg
  16. Hungarian Dance #5, Brahms
  17. Violin Concerto #2, Paganini
  18. Trout Quintet, Schubert
  19. Humoresque #7, Dvorak
  20. Prelude 7, Op. 28, Chopin
  21. Blue Danube Waltz, Strauss
  22. Spring, from The Four Seasons, Vivaldi

Amazon.com

From a pure-pleasure standpoint, the first Beethoven's Wig was nothing to flip over, and the second disc in the series follows suit. However, that is not to say that this is not a valuable and possibly ingenious record. Those unfamiliar with the premise will quickly get the picture: Producer/writer/lead singer/chief clever guy Richard Perlmutter gathers a bundle of important classical works (Paganini's "Violin Concerto #2," Strauss' "Blue Danube Waltz") and makes up silly, catchy lyrics to lay over them, informing the listener about the piece or its composer. Standing out for their offbeat brilliance this time are "Dvorak the Czechoslovak" ("Humoresque #7," Dvorak) and "Wow What a Wedding Cake" (Wedding March from A Midsummer Night's Dream, Mendelssohn). Few stabs at mixing education with entertainment succeed so well. As a bonus, the second half of the CD repeats the symphonies straight up, presenting a neat opportunity to quiz kids 5-12 on what and who they've just heard. --Tammy La Gorce

Customer Reviews:

5 out of 5 stars Greatest baby gift ever.......2007-03-15

Both of my grandchildren (and their parents and grandparents) are hooked on this CD and all of the silliness and beauty it brings into our lives. We sing to it, dance to it, and find ourselves thinking about it at odd times. Who can't love singing Verdi VERY LOUD? I've now started giving this as a simple baby gift, especially to those with older siblings. They are already equipped with clothing and nursery gear, and Beethoven's Wig invites the whole family to gather round...even if it is just on short car rides.

5 out of 5 stars Great for the whole family.......2007-01-04

My husband, 18 month old daughter and I all love this CD. It's a staple in the car. One caveat- these lyrics will get stuck in your head and I now find myself singing the "words" to these songs when I hear them in a store or commercial! I'm hoping this means my daughter will recognize these songs as she gets older.

5 out of 5 stars More Great Fun.......2006-03-13

Like the first volume, this CD encourages young children to enjoy classical music. The silly lyrics sometimes impart factual information on the composer or the piece. There are 11 sing-along symphonies and then the 11 symphonies are replayed without the lyrics--total of 22 tracks. Booklet with lyrics and trivia is included. All our children (aged 2-12) enjoy this CD, as do we.

5 out of 5 stars One is better but this is still awesome!! Gotta have it!.......2006-01-10

My children loved Beethovens Wig 1. I checked this one out at the library. Then, we decided we had to have this one too.
Yes, one is the best but 2 is still wonderful.
Save yourself the shipping and order both at the same time.
We all thoroughly enjoy it. My 4 yr old can name these classicals when he hears them elsewhere and he can hum these beautiful songs. Much better than kiddie rhymes and Disney jingles. Culture your children the funniest way!!

5 out of 5 stars Absolute joy, and endless fun!.......2005-11-15

The tunes and word stay with you and before you know it, you are signing them along. My two kids (ages 9 and 7) ask me to put the CD on as soon as we get into the car. What a wonderful and fun way to get them to love classical music!
The Song Remains The Same: Soundtrack From The Led Zeppelin Film
Average customer rating: 4 out of 5 stars
  • The low end ratings are a shining example...
  • Why doesn't this happen??
  • Ragged, but right!
  • Good but not great
  • Great Band, Flawed Record
 The Song Remains The Same: Soundtrack From The Led Zeppelin Film
Led Zeppelin
Manufacturer: Atlantic / Wea
ProductGroup: Music
Binding: Audio CD

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  1. Physical Graffiti
  2. Coda
  3. Presence
  4. BBC Sessions
  5. How The West Was Won

ASIN: B000002I3D
Release Date: 1990-10-25

Tracks:

  1. Rock And Roll
  2. Celebration Day
  3. The Song Remains The Same
  4. Rain Song
  5. Dazed And Confused

Tracks:

  1. No Quarter
  2. Stairway To Heaven
  3. Moby Dick
  4. Whole Lotta Love

Amazon.com

Long acknowledged as one of the most formidable concert acts on the rock & roll arena circuit, Led Zeppelin finally bit the grenade and in 1976 released this, the only live album of their career. The companion to a same-named full-length feature film combing concert footage and oblique "personal" visual statements by each member, this collection still stands up as a souvenir of Zeppelin's winning stage combination of fire and fury. A sort of live greatest-hits disc, the album features good versions of "Rock and Roll," "Dazed and Confused" (complete with violin-bowed guitar, of course), "Whole Lotta Love," and the inevitably climactic "Stairway to Heaven." --Billy Altman

Customer Reviews:

5 out of 5 stars The low end ratings are a shining example... .......2007-07-10

of what is wrong with listeners today: They say: "this is what I want ... exactly the same song played live that was recorded by the musicians on the CD I bought" - except that the CD and concert tours now have to be pre-approved by their corporate sponsorship and the label that says "yes, sir" to a hierarchy who knows nothing about music just the imperitive to make money - which it can't because the music is so "banal" with no redeeming quality. Why? Because of the narrow and unredeeming people who claim that a band who dares to improve upon the original songs with touches of brilliant improv. is "banal" . It is these very people who are now responsible for the music industry losing *billions* of dollars (read the new Rolling Stone article). You did this - you killed the creativity, the sense of fun and pure muscianship. Give the low stars and go back to your bands that all rip off Pearl Jam, U2, REM, LZ, Floyd, The Stones, and every other band worth anything. Whew!

The point is simple: From the beginning, even in 1968, LZ showed up record companies, the media, and sometimes listeners. They are still showing record companies today why they are losing billions of dollars. They always took risks and I love that it doesn't seem to play well to new listeners - because their dull and listless ears, which accept todays crap and are now trained to not accept anything "out of bounds". This the reason why there will be no major labels in about 5 years.

I would argue that in some of Page's solo's alone on this CD are more moments of unadulterated creativity than bands like Nickelback have ever had by all of their bandmembers on all of their CD's combined.

If you are reading this you are deeper into LZ than just what you hear on the radio- Thank God, for you! Have an open mind and listen to what 4 masters of their instruments can do with a basic song structure. It is sheer brilliance from start to end.

4 out of 5 stars Why doesn't this happen??.......2007-06-26

They really need to release the entire show now that they have all the additional tracks from the new DVD and songs such as celebration day on the audio soundtrack. Put out a special edition, remastered complete show-please!! This show is incredibly underrated and I don't care how many people used to say that this was sub par performances it is absolutely not true!! This has just been self perpetuating opinions over the years from hot winded nobodies that really don't know what the hell they're talking about yet, back in the day when it was actually released it was one of the most popular live albums on the market and constantly listened to by music heads and fans throughout my Junior high and high school days in southern Cal. I have listened and own all the great bootlegs and proclaimed greatest Zep shows but I have to say that "Dazed and Confused", "No Quarter", "The song remains the same", "The Rain Song", "Celebration Day", "Stairway to Heaven", and the recent release of "The Ocean" are still some of the best, if not The best live versions of these songs ever -period!! I've been a die hard Zep fan for nearly thirty years and have heard all the live stuff and if this entire show was re-released and remastered it would shed new found light on these great performances. Not to mention would be a huge success for Jimmy, Percy and Jonesy. Please do this!!
Think about this NO Brainer- 30th Anniversary complete 73 show edition-complete and remastered!! They do have the added tracks in the new DVD and the audio tracks from the soundtrack of "Celebration day" for example. Why does this not happen??
Pleeeaaase Jimmy!

3 out of 5 stars Ragged, but right!.......2007-06-18

I've heard many recordings of the 1973 tour and this album is a good representation of how they sounded on stage at the time. How The West Was Won captures a cleaner Zeppelin and a superior performance, but there's a swagger to these NYC shows that is undeniable. The Houses Of The Holy material is more exploratory and satisfying here than the studio versions as well.

Like many other reviewers, I'd like to see an updated version with SIBLY, Misty Mountain Hop and the rest. Three and half stars.

4 out of 5 stars Good but not great.......2007-02-05

Way back in the early 90s I got this on vinyl and loved it, yet my fondness has gone down over the years. Though most of the performances are awesomee, Percy's voice is clearly shot and hoarse in most of the songs, and in those that it's not it must have been over-dubbed in the studio. Not that Led Zeppelin is the only group to have ever done that, of course. Fortunately the rhythm section shines and even Pagey does.

The song listing is good but lacks a few songs, that would have fitted were it not for the overlong Dazed And Confused. Rock and Roll is featured in all its strength, Celebration Day is awesome (too bad it was left off the film) and so are The Song Remains The Same/Rain Dong. As stated above, Dazed And Confused is way too long (nearly 27 minutes) and half of its running time would have been enough. No Quarter is probably my favorite song on the whole cd, slowing the pace some. It features a fine Pagey solo. Then it's off to Stairway To Heaven, impeccably played. After this somewhat calmer part we are treated to a superb drum solo by Bonzo in Moby Dick. Contrary to most people's opinion, I prefer the album version over the one that eventually was included on the film, which is different and has been clearly edited. They close the album with another long version, this time of Whole Lotta Love, featuring the weird middle section and bits of Let That Boy Boogie and some lyrics from The Crunge.

To sum up, not their best live document - BBC Sessions or even the somewhat flawed How The West Was Won are better, but if you are a fan and not a very demanding one you'll like it. The movie is another story, that will have its own review.

4/5.

3 out of 5 stars Great Band, Flawed Record.......2007-01-16

Sure, it's them in the raw, it's not edited on Pro-Tools. They're not playing very well, however. Bob Plant's lost his upper register and Jimmy Page is starting his long, slow slide to stale. There are some great moments for sure, it's really not worth picking through all this stuff if you're a new Zeppelin fan.

Get the far more inspired performances on the DVD, if you don't have it already. Then try "How the West Was Won", DVD-Audio version if possible. When you get sick of that, this'll be waiting for you.
The Same Old Blood Rush with a New Touch
Average customer rating: 4 out of 5 stars
  • Great CD, You gotta get this one!
  • DEAR GOD! I LOVE CUTE IS WHAT WE AIM FOR!
  • Cute Is What They Are
  • I listen to it over and over...and over and over and over
  • Must Own...Without a doubt
 The Same Old Blood Rush with a New Touch
Cute Is What We Aim For
Manufacturer: Fueled By Ramen
ProductGroup: Music
Binding: Audio CD

GeneralGeneral | Alternative Rock | Styles | Music
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  1. Don't You Fake It
  2. Santi
  3. This Is Where You Belong
  4. Infinity on High
  5. Every Second Counts

ASIN: B000FFP00A
Release Date: 2006-06-20

Tracks:

  1. Newport Living
  2. There's A Class For This
  3. Finger Twist & Split
  4. Risque
  5. Sweat the Battle Before the Battle Sweats You
  6. The Fourth Drink Instinct
  7. Sweet Talk 101
  8. The Curse of Curves
  9. I Put the "Metro" In Metronome
  10. Lyrical Lies
  11. Moan
  12. Teasing to Please (Left Side, Strong Side)

Album Description

This Buffalo, NY group is best known for their countless hooks, pop sensibility, and witty lyrics. Their debut was produced by Matt Squire (Panic! At The Disco, Thrice, Northstar). Their online presence is unlike anything Fueled By Ramen has ever experienced. They've consistently been in the top ten on purevolume.com for over six months, racking up over 1.6 million plays. Alternative Press named them one of the 100 Bands You Need To Know In 2006.

Customer Reviews:

5 out of 5 stars Great CD, You gotta get this one!.......2007-07-07

I love this CD, its full of catchy little songs you can sing a long too. There are a couple of serious songs, but for the most part its upbeat and fun. When I first bought this I listened to it every day for a month. It is so awesome. I saw them in concert and they were pretty good also. It was a fun concert. If you like fall out boy, panic at the disco and other bands like that, you will probably like this song. The last two songs are the best, although some of the others are just really great too.

5 out of 5 stars DEAR GOD! I LOVE CUTE IS WHAT WE AIM FOR!.......2007-05-08

buy this cd!

seriously, just do it. it's super fun pop/punk deliciousness. cute is what we aim for is going to blow up very soon, and don't you want to brag about how you knew about them BEFORE they went platinum? oh yes, you do. the vocals and lyrics are amazingly original. random even.

cute is what we aim for can also be seen on warped tour this year, so you should check them out there too.

4 out of 5 stars Cute Is What They Are.......2007-04-12

According to All Music and their critics, Cute Is What We Aim For and their cheekiness is not much to their liking. But what's really strange to me is there was only a measely second of hesitation on my part to like this CD; by the time the ending of the first track "Newport Living" came along, this band had a brand new fan. "You wanted to sell out/ but you couldn't even do that right/ so your price tag has been slashed/ and now you're on a half price clearance rack," umm hello, what a crack up. I love the fact they make fun of everything including themselves, where some critics find that they are perhaps trying to too hard to be clever, I disagree and think they're just funny enough to be clever - "The Fourth Drink Instinct" the story of a girl who gets drunk and screws someone and turns around and is surprised when he leaves her in the morning is great. It's a power rock ballad and perhaps it's toned down in terms of lyrics I can surely relate to it (I know friends like that) (What made you think that he couldn't find the door in the morning/ when he found that bed so easily in the dark?) ; "There's A Class For This" includes lines "drama doesn't follow me/ it rides on my back/ I may be ugly/ but they sure love to stare..." and in "Risque" they give us "Medically speaking you're adorable/and from what I hear/ you're quite affordable..." I love it. Musically, the band is more poppy than Boy Kill Boy and less tragic guitars a la The Smiths, but they aren't quite as experimental and fun as say Wheatus, in fact they sound a lot like a lot of those bands I don't like that out now a days - the dime a door dozen type with the chugging guitars and the high pitced wincy voice, but this time around it has won me over, the music moves in jaunts and rhythmic motions and the vocals are actually giving me a thrill with the witty lyrics - so critics be damned I'm telling you The Same Old Blood Rush With A New Touch is clever and lovable and umm cute.

5 out of 5 stars I listen to it over and over...and over and over and over.......2007-03-26

This cd is really great-one of my favorites to listen to! The songs are catchy and it's fun to sing all the lyrics, unlike other bands. Don't really understand how you can not like this cd, honestly.

5 out of 5 stars Must Own...Without a doubt.......2007-03-18

This album is very impressive in all the important ways. The singer and lyricist Shaant has a charismatic vocal presence. The lyrics are honest and not cliche. The music is catchy but at the same time mellow and not shallow (mellow without being boring, I generally don't like mellow music). There are fast songs and slow songs but all are good. This album is worth listening to all the way through, unlike most albums. The first time I listened to it I was doing things on the net and so gave it no attention, it was so good that it impressed it's worth on me through the minimal subconscious attention it was given. When I listened to it without distraction I found it good but like all great albums, it took a while to grow on me, and grow it did. It is now one of the best albums I have bought in a long time. Pick it up, esp. if you like the emo scene, you won't regret it.
An Introduction to Der Ring des Nibelungen
Average customer rating: 4.5 out of 5 stars
  • Ring introduction critique
  • FASCINATING STUDY FOR NOVICES AND AFFICIONADOS ALIKE
  • Welcome back to a classic analysis
  • Essential for Understanding Wagner's Ring Cycle
  • Very Functional
 An Introduction to Der Ring des Nibelungen
Deryck Cooke , Georg Solti , Wiener Philharmoniker , Anita Valkki , Berit Lindholm , Birgit Nilsson , Brigitte Fassbaender , Christa Ludwig , Claire Watson , Claudia Hellmann , Dame Gwyneth Jones , Dietrich Fischer-Dieskau , Eberhard Wächter , George London , Gerhard Stolze , Gottlob Frick , Grace Hoffmann , Gustav Neidlinger , Hans Hotter , Helen Watts , Helga Dernesch , Hetty Plumacher , Ira Malaniuk , James King , Jean Madeira , Joan Sutherland , Kirsten Flagstad , Kurt Böhme , Lucia Popp , Marga Höffgen , Marilyn Tyler , Maureen Guy , Oda Balsborg , Paul Kuen , Régine Crespin , Set Svanholm , Vera Little , Vera Schlosser , Waldemar Kmentt , Walter Kreppel , and Vienna Philharmonic Orchestra
Manufacturer: Decca
ProductGroup: Music
Binding: Audio CD

Chamber MusicChamber Music | Forms & Genres | Classical (c.1770-1830) | Historical Periods | Classical | Styles | Music
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  1. Wagner's Ring: Turning the Sky Round
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ASIN: B00000424H
Release Date: 2005-09-13

Tracks:

  1. Of All Great Musical Compositions... (Examples 1-4)
  2. The Fundamental Symbol... (Examples 5-11)
  3. Returning Now To The Nature Motive... (Examples 6, 12-16)
  4. A Number Of Further Motives... (Examples 5, 17-21)
  5. A Second, Much Smaller Family... (Examples 22-25)
  6. So Much For Nature. (Examples 26-38)
  7. The Cause Of The Deterioration... (Examples 39-44)
  8. The Other Transformation... (Examples 45-48)
  9. Several Other Motives... (Examples 49-52)
  10. Two Further Motives... (Examples 41, 53-61)
  11. The Basic Motive Associated With The Spear... (Examples 62-68)
  12. Along Another, More Complex Line... (Examples 69-72)
  13. In Act Two Of Walkure... (Examples 69, 73-75)
  14. Returning Now To Act Two Of Walkure... (Examples 76-79)
  15. Love Is Another Of The Central Symbols... (Examples 80-83)
  16. Later In The Same Scene... (Examples 84-87)
  17. Freia's Motive Has Two Independent Segments... (Examples 88-91)
  18. The Label 'Flight'... (Example 92)
  19. When Fasolt, In Scene Two Of Rhinegold... (Examples 93-98)
  20. A Little Later In The Interlude... (Examples 99-103)

Tracks:

  1. The Other New Motive... (Examples 104-109)
  2. There Are Several Independent Love-Motives... (Examples 110-114)
  3. The Characters In Whose Lives... (Examples 115-120)
  4. One Further Motive Belongs... (Example 121)
  5. The Sword Motive Recurs... (Examples 122-130)
  6. Ironically, This Phrase... (Examples 131-135)
  7. Closely Associated With Gutrune's Motive... (Examples 136-140)
  8. Here We Come To The End... (Examples 141-146)
  9. Complemtary To This Symbol... (Examples 147-149)
  10. One Last Central Symbol... (Examples 150-157)
  11. One Further Motive Connected... (Examples 158-161)
  12. There Are One Or Two Motives... (Examples 162-168)
  13. These Motives Of Alberich And Mime... (Examples 169-171)
  14. Quite A Number Of The Subsidiary Motives... (Examples 172-176)
  15. Besides This Family Of Motives... (Examples 177-180)
  16. Our Final Example... (Examples 10, 181, 182)
  17. In The Final Scene Of Gotterdammerung... (Examples 181-183)
  18. Even More Masterly... (Examples 184-188)
  19. Now If We Return... (Examples 189-191)
  20. This Masterly Way... (Examples 192, 193)

Amazon.com

When Wagner set the Ring to music, he intended the orchestra to act in the fashion of a chorus from a classic Greek tragedy--setting the mood and commenting on the action. In order to allow a nonverbal musical line to reflect on the plot, Wagner developed a psychologically and musically complex symbology to communicate his thoughts to the listener. From the beginning the Ring has spawned numerous written commentaries on the relationships of the motif structure, but by using examples from the Decca Ring recording, Deryck Cooke's thoughtful spoken commentary is by far the most accessible guide for either the fledgling Ring enthusiast or the seasoned veteran. --Christian C. Rix

Customer Reviews:

4 out of 5 stars Ring introduction critique.......2006-11-04

This is very worthwhile, at the same time it requires time, patience and attention, but it does provide some keys to better enjoyment of a sensational piece of music.

5 out of 5 stars FASCINATING STUDY FOR NOVICES AND AFFICIONADOS ALIKE.......2006-08-16

This may look an intimidating, daunting and dull prospect - a 2+ hour lecture on the motifs in the Ring. Don't be put off. Whether you're a relative novice to the Ring and want to find out what it's all about, more experienced with a desire to understand the composer's methods better or an afficionado who thinks he knows it all inside out, there is great pleasure as well as elucidation to be had from this set. Originally made to accompany the Decca Solti Ring, it contains a multitude of musical illustrations taken from those recordings as well as some specially recorded by Solti just for this Introduction.

It wasn't the first time this has been tried. The famous HMV sets from the late 20's also included recorded examples of over 100 motifs. (These, by the way, are available as part of the Pearl reissue of those wonderful HMV recordings). What that set lacked was the wonderful insights as well as the approachability of the talk by Deryck Cooke. Cooke was a great and much missed musicologist - a Mahler expert responsible for the performing edition of the Tenth Symphony still most played today, a fascinating explorer into the nature of music's basic building-blocks in his excellent book, The Language of Music, and an inspiring and elucidating critic of Wagner's work as shown by the fascinating book he left unfinished at his death, I Saw the World End.

On these CDs he does much more than list the leitmotifs and identify them as calling-cards. He shows the amazingly integrated and organic growth of the musical material that Wagner uses throughout his vast work. He demonstrates how motifs can change their sense and meaning as they evolve through the drama. And he shows how the complex combinations of motifs can radically advance both the musical and the dramatic narrative of the piece. There are even places where he corrects the misinterpretation of some of the motifs that had become ingrained from early commentators' false labels.

This set should engage and enlighten anyone with an interest in Wagner's huge and inexhaustible tetralogy. Do give it a try - no matter how far down the road to Wagnerianism you are.

4 out of 5 stars Welcome back to a classic analysis.......2006-05-28

Deryck Cooke's lecture series upon THE RING is almost as much a classic by now as the Solti RING cycle, with which it was originally issued on LP, and from which it derives its musical examples. The difference is that whereas the Solti RING has been continuously in print ever since it was completed, and was among the first opera sets to benefit from the CD revolution, the Cooke analysis was for long almost totally unobtainable. Now we have it back. It should be welcomed: it is a classic. Cooke's mellow, deep voice with the hint of a Celtic burr - which made him ideal on BBC radio - patiently explains Wagner's melodic, rhythmic, and harmonic metamorphoses to such good effect that if you own this recording, you really require no other RING analysis. (A pity about the abrupt beginnings and endings of too many vocal and orchestral illustrations, though.) Musicology lost a fine, sensitive thinker with Cooke's premature death in 1976.

If all you want is dilettantish baby food, there are plenty of dumbed-down Wagner commentaries on the market, stretching from Anna Russell's famous monologue (which doesn't pretend to be anything other than a parody aimed at morons) to the latest standard-issue "Wagner-was-a-Nazi-boo-hiss" feuilleton (which, unfortunately, does). Without reasonable score-reading skill you will find Cooke useless, however diligently you have ploughed through Marx, Jung, Freud, or other gurus purportedly relevant to THE RING. Cooke expects you to use your brains and your musical sense. Quelle horreur. At today's BBC his "elitism" would render him unemployable.

5 out of 5 stars Essential for Understanding Wagner's Ring Cycle.......2006-05-15

I originally bought this set on vinyl in the early 70s when I discovered the Ring in college. I studied the records and booklet assiduously, and after about three run-throughs I finally started getting it. Wow! Thirty-five years later, I still remember Mr. Cooke's analyses of various motive families, and I don't know how I could have mastered and loved the Ring without him. I now own this set on CD and listen again on the rare occasion of attending a Ring performance. My wife calls me a "Ring nut," but of course I'm nuts about many other things as well.

Bottom line, buy this set and study it if the Ring has captivated you as it has countless others. The presentation is dry, but sticking with it brings measureless and longlasting rewards.

4 out of 5 stars Very Functional.......2006-03-19

This CD set is excellent for what it sets out to do: present the leitmotives of the Ring according to their relationship to one another and their role in developing both characters and plotlines. Deryck Cooke's lectures on each motive are very insightful, very helpful at cueing the listener into the semantic aspect of Wagner's orchestral writing. The one drawback is that the musical examples are a bit jarring. Without fade-ins or -outs, the engineering is quite barbaric. And though the orchestra was, I believe, conducted by Solti, and is beautifully done, the vocal performances can be quite unpleasant. Point being: this is not background music, but in accomplishing what it sets out to do, it is very successful, and I don't know of anything else like it.
Every Day Is Exactly The Same
Average customer rating: 3.5 out of 5 stars
  • bleak and stirring
  • NOT REALLY WORTH A HALO NUMBER.......................
  • A Somewhat Bland Release.
  • Surprisingly good remix EP.
  • Trent Reznor needs drugs.
 Every Day Is Exactly The Same
Nine Inch Nails
Manufacturer: Nothing
ProductGroup: Music
Binding: Audio CD

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ASIN: B000ETRBCM
Release Date: 2006-04-04

Tracks:

  1. Every Day Is Exactly the Same - Trent Reznor
  2. Hand That Feeds [DFA Mix]
  3. Hand That Feeds (Photek Straight Mix)
  4. Only [El-P Mix]
  5. Only (Richard X Mix)
  6. Every Day Is Exactly the Same [Sam Fog vs. Carlos D Mix]

Customer Reviews:

4 out of 5 stars bleak and stirring.......2007-04-09

thunderous, driving electronica that stirs the soul. America's answer to the lofty standards set by the likes of masters Front 242. Goes well with Pulse, by the aforementioned.

3 out of 5 stars NOT REALLY WORTH A HALO NUMBER..............................2006-11-30

I have been a DEVOTED NIN fan since 90' when I first heard "Sin" at a college party during my freshman year, and they will ALWAYS be my #1 band.....but seriously.......this EP does NOT deserve a Halo #....come on, Trent......you can do better than this!

3 out of 5 stars A Somewhat Bland Release........2006-10-12

"Every Day Is Exactly The Same," a six-track EP for the release of the third single off "With Teeth," is perhaps one of Trent's least interesting releases. Combining a few new remixes with some you most likely already have, this is the perfect EP to irritate the hardcore Nine Inch Nails collector.

Sounds Like: Something I already bought.

The Good:
- It's fairly inexpensive.
- Three remixes are exclusive to this release.
- Those three are worth listening to.

The Bad:
- The two remixes for "The Hand That Feeds" are recycled from previous releases.
- Overall, there isn't much material.

Hits: The "Sam Fog Vs. Carlos D" remix of the title track and the Richard X remix of "Only."

Misses: "The Hand That Feeds" remixes -- while good in their own right -- are kinda pointless additions to this release.

Personally: I like the new remixes, but when you think about it, half of this EP has already been released. I'm a moderate NIN collector, and I already own that stuff. What does that say to the hardcore enthusiast? If you aren't the biggest NIN fan on Earth, it's worth picking up. But don't expect something as good as "Things Falling Apart" or "Still."

Best Listened To When: You wanna dance to some 'nails.

4 out of 5 stars Surprisingly good remix EP........2006-10-05

It might disappoint "halo collectors" when they get a hold of this, seeing as some remixes previously appeared on other singles. However, this is much cheaper and considering I wasn't big on "With Teeth", I'm surprised how much I enjoyed this.

The title track is one of the great tracks on "With Teeth". While not the straightforward, anthemic "The Hand That Feeds" or the electro-funk "Only", it stands out in its own way. It's sort of a slow-burner, but with a nice melody. The DFA remix of "The Hand That Feeds" is worth the price of this thing. It is quite the contrast of the original, this one being much more of an electro track. If you like DFA stuff like LCD Soundsystem, I think you'll enjoy the remix. Sure, it's kind of lengthy, but that ain't such a bad thing. The other remix is sort of just an extended mix of the original, although focusing more on instrumental parts of the song.
The El-P remix of "Only" is also another great one here. It gives the song an awesome trip-hop feel, which I think fits better for the spoken word first verse than the actual song itself. It's a lot of fun to listen to. The other remix of the song is okay. And then there's the awesome "Sam Fog vs. Carlos D." remix of "Every Day...", which is quite an enjoyable track. The remix is kind of interesting, although I have never thought of the song as anything I'd dance to or would.

It isn't the greatest NIN single/album, but the best we could expect. It makes me optimistic about the future of NIN since I wasn't actually as consistently impressed with a lot of the recent stuff, in spite my love for the first four albums (esp. "The Fragile") and the live performance I saw last year. I recommend it if you are a NIN fan. Not quite as good as the "Downward Spiral" singles, but it's just about as good.

1 out of 5 stars Trent Reznor needs drugs........2006-08-30

Seriously. Somebody force Trent Reznor to get back on cocaine as quickly as possible. Without his source of inspiration, his music will just get worse from here on, and his idea of purchase-worthy releases will continue to confound and anger his fans. He'll wind up like Pink Floyd after Roger Waters left, with only a mere shred of his former musical glory left. For the good of the world, give Trent Reznor drugs right now.
The Antiphonal Music of Gabrieli
Average customer rating: 4.5 out of 5 stars
  • Antiphonal Masterpiece
  • All-star brass
  • Instant playing
  • A VERY special album
  • I think Gabrieli would like this album
 The Antiphonal Music of Gabrieli

Manufacturer: Sony
ProductGroup: Music
Binding: Audio CD

Gabrieli, GiovanniGabrieli, Giovanni | ( G ) | Featured Composers, A-Z | Classical | Styles | Music
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ASIN: B0000029PE
Release Date: 1996-10-01

Tracks:

  1. Giovanni Gabrieli: Canzon Septimi Toni No. 2
  2. Giovanni Gabrieli: Canzon Duodecimi Toni
  3. Giovanni Gabrieli: Canzon A 12
  4. Giovanni Gabrieli: Sonata Octavi Toni
  5. Giovanni Gabrieli: Canzon Per Sonare No. 27
  6. Giovanni Gabrieli: Canzon Quarti Toni
  7. Giovanni Gabrieli: Canzon A 12
  8. Giovanni Gabrieli: Canzon Per Sonare No. 28
  9. Giovanni Gabrieli: Sonate Pian'e Forte
  10. Giovanni Gabrieli: Canzon Primi Toni
  11. Giovanni Gabrieli: Canzon Septimi Toni No. 1
  12. Giovanni Gabrieli: Canzon Noni Toni
  13. Giovanni Gabrieli: Canzon Per Sonare No. 2
  14. Giovanni Gabrieli: Primo Tono
  15. Giovanni Gabrieli: Secondo Tono
  16. Giovanni Gabrieli: Terzo E Quarto Tono
  17. Giovanni Gabrieli: Canzon Per Sonare No. 1 La Spiritata
  18. Giovanni Gabrieli: Ottavo Tono
  19. Giovanni Gabrieli: Nono Tono
  20. Giovanni Gabrieli: Decimo Tono
  21. Giovanni Gabrieli: Canzon Per Sonare No. 3 Intonazioni D'organo
  22. Giovanni Gabrieli: Undicesimo Tono
  23. Giovanni Gabrieli: Duodecimo Tono
  24. Giovanni Gabrieli: Canzon Per Sonare No. 4
  25. Giovanni Gabrieli: Fantasia In The Sixth Tone
  26. Giovanni Gabrieli: Tocata In D Minor
  27. Giovanni Gabrieli: Canzon Prima In G Major
  28. Giovanni Gabrieli: Canzon Seconda In C Major
  29. Giovanni Gabrieli: Canzon Terza In A Minor
  30. Giovanni Gabrieli: Canzon Quarta In G Minor
  31. Giovanni Gabrieli: Canzon Quinta In G Minor
  32. Giovanni Gabrieli: Toccata In G Major

Amazon.com

Venice was a good place to be in the 17th century if you liked to hang out in church--not that you had much choice in those days. Gabrieli's reputation rests on his "polychoral" compositions: works for several choirs, a choir being any size group of voices or instruments. For example, a sacred composition for three choirs might have two brass groups and one chorus, or two choruses and one brass ensemble. The idea was to keep things flexible to allow for changing local conditions. The result, in any case, was a magnificent "question and answer" style of writing, in which great blocks of harmony challenged each other from opposite sides of San Marco Cathedral. If this sort of thing intrigues you, then you owe it to yourself to hear this terrific collection. It's a cosmic experience. --David Hurwitz

Customer Reviews:

5 out of 5 stars Antiphonal Masterpiece.......2007-05-16

This recording unifies arguably the 3 best brass sections from American Brass orchestras in a performance of the antiphonal music of Giovanni Gabrieli. The Chicago, Philadelphia, and Cleveland brass sections are used here and they work together as groups as well as they ever did with their corresponding orchestras. This was recorded without conductor, rehearsal, or even a tuning note, however, this is irrelevant when looking at the result. Given performers of the caliber of Adolph "Bud" Herseth, Arnold Jacobs, and Gilbert Johnson it is little wonder that this fine quality could be achieved with minimum preparation. I have looked at a number of other examples of this music including recordings by the Empire Brass and the Canadian Brass (and friends) and neither comes close to the emotion and beauty of this performance.

The different groups played directed off the vocal and instrumental parts written by Gabrieli making any adjustment for transposition in their head on sight, thus allowing them all to be as much focused on the music as possible as they were not looking at 3rd generation arrangements which always tend to leave out markings. These possibly were the best brass performers in America at the time and their interpretations are unified through exceptional listening across the ensemble for intonation, style, and tempo. A slightly non-justifiable reason that I hold for this album's excellence is the raw energy and beauty of this unprepared collaboration. In the time of Gabrieli, rehearsals were rare, and musicians would, on a daily basis, sit down and perform music that they hadn't studied, and while these are not the original instruments for which Gabrieli wrote, the quick pacing of this production (one weekend) to me lends more on the positive side for the enjoyment of the listener.

In short, this is a remarkable collaboration of some of the best performers on fantastic Renaissance literature and worthy of owning merely for that fact, and when combined with live and engaging performances where the music is played expertly from one section to the next off of each individual, this album becomes a gem for anyone with an interest in the brass ensemble sound.

5 out of 5 stars All-star brass.......2007-01-17

If you like antiphonal music or even just music, it doesn't get any better! With the best brass players in the world playing Gabrieli, you couldn't want more musically!

3 out of 5 stars Instant playing.......2006-07-11

I very like the diversity of instruments used in this recording, and it is shure something special to have all the first brass of so many US orchestras together. But they play on first sight, without preparation, and this results in lack of precision, it is just not the right kind of music to do "ad-hoc". They would do very well with Jazz, but not with Gabrieli. Nevertheless the performance is by far better then the one of Empire Brass. Overall I would recommend the complete Gabrieli Works on Naxos played by London Brass. They lack diversity of instruments because they play on Trumpets and Trombones only, but there is the precision adn musicality.

5 out of 5 stars A VERY special album.......2005-08-03

If you've been into brass for 40 years, you probably already know that this is a very unusual gathering of the top of the top!
My only complaint is with the web site sound samples being MONO !
This album is in STEREO and really portrays the placement of the 3 major antiphonal quintets! You won't be disapointed.

5 out of 5 stars I think Gabrieli would like this album.......2005-04-28

The purists have a good point - this recording is not historically accurate. In Gabrieli's time most written music was for sacred events. I'm sure the church officials would have objected to the volume level and intensity of this recording. Composers in the Renaissance and Baroque periods were pretty much slaves to their employers. I think that if Gabrieli had present day instruments and full performance control he would have performed his works differently.
If you love quality brass music read the five star reviews and buy this album!
Same Train, Different Time
Average customer rating: 5 out of 5 stars
  • Review of the CD I bought
  • The Best County Singer ever salutes the Father of Country Music
  • Keeping The Tradition Alive
  • Brilliant musicianship
  • The Hag's Best Ever
 Same Train, Different Time
Merle Haggard & the Strangers
Manufacturer: Bear Family
ProductGroup: Music
Binding: Audio CD

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Similar Items:
  1. A Tribute to the Best Damn Fiddle Player in the World/It's All in the Movies
  2. Strangers/Swinging Doors & The Bottle Let Me Down
  3. Recordings 1927-1933
  4. Sings The Songs Of Jimmie Rodgers
  5. Peer Sessions

ASIN: B000006K5N
Release Date: 1993-11-08

Tracks:

  1. Jimmie the Kid
  2. My Rough and Rowdy Ways
  3. California Blues [Blue Yodel No. 4]
  4. Narration, No. 1
  5. Hobo's Meditation
  6. Waiting for a Train
  7. Mother, the Queen of My Heart
  8. My Carolina Sunshine Girl
  9. Narration, No. 2
  10. Train Whistle Blues
  11. Why Should I Be Lonely?
  12. Jimmie's Texas Blues
  13. Midnight Turning Day Blues (Blue Yodel No. 6)
  14. Narration, No. 3
  15. Mule Skinner Blues (Blue Yodel No. 8)
  16. Peach Picking Time in Georgia
  17. Down the Old Road to Home
  18. Travelin' Blues
  19. Miss the Mississippi and You
  20. Frankie and Johnny
  21. No Hard Times
  22. Narration, No. 4
  23. Hobo Bill's Last Ride
  24. My Old Pal
  25. Nobody Knows But Me
  26. Narration, No. 5
  27. Jimmie Rodgers' Last Blue Yodel (Women Make a Fool Out of Me)
  28. Mississippi Delta Blues
  29. Gambling Polka Dot Blues

Amazon.com essential recording

Oddly enough, Merle Haggard first heard the songs of Jimmie Rodgers on Lefty Frizzell's 1951 tribute record. Just as Frizzell (as well as Hank Snow and Ernest Tubb) did, Haggard took advantage of his station atop the country charts by paying homage to country's first legendary figure. Recorded across seven sessions between August 1968 and February 1969, the double-album Same Train barely registered on radar screens upon its initial release, but it remains a loving memorial to one of Hag's idols as well as one of Hag's most sensitive and engaging vocal performances. After all, Haggard could easily relate to the displaced and disillusioned characters that Rodgers portrayed. It's also testament to Rodgers's genius that his characters stayed relevant and his music fit seamlessly into the Strangers' clothes 40 years after the fact. --Marc Greilsamer

Customer Reviews:

5 out of 5 stars Review of the CD I bought.......2007-02-08

I received the exact product I wanted in a reasonable length. No problems at all.

5 out of 5 stars The Best County Singer ever salutes the Father of Country Music.......2005-11-04

I was living in England when this album was issued and purchased the single LP condensation of the US two record set. When I got back Stateside I bought the two record set, which I have to this day. Although sometimes I get a little impatient with Hag's narrations, I always play the entire side through. I was delighted to find it on CD but when I'm home I still listen to the LP, reserving the CD for use in the car. This set has a very authentic feel with Hag's Strangers doing a good job of replicating the sound of the JR originals. While I think that Hag's singing improved subsequent to this album, his vocals here are clearly a labor of love,complete with yodels.

A very important set of recordings

5 out of 5 stars Keeping The Tradition Alive.......2005-07-24

As tribute albums go it dosn't get any better than this. Merle produced two superlative tribute albums in the 1970's. "Same Train, A Different Time": The Songs Of Jimmie Rodgers and "My Tribute To The Best Damn Fiddle Player In The World": Bob Wills. With each of these, Merle demonstrates a deep rooted affection for not only the music, but for the men who defined the "Blue Yodel Sound" and "Western Swing". Without comming off as heavy handed or pompus Merle takes the listener on a musical journey through the past, into a time and place where hobos rode the rails, always on the watch for the railroad cops, always searching for that next town beyond the bend. A place where they might find a few days work peach pickin' or maybe choppin' wood. And with the Bob Wills album, Merle brings us back to the western Grange Halls where swing bands played a unique blend of country, swing and polkas all night long and fellas snuck out back to steal a kiss from their best gal. Merle knows the music better than anyone alive. He's played it and he's lived it and we can only hope he'll be around for many more years, keeping the sounds and the traditions alive of great musicians like, The "Singing Breakman", Jimmie Rodgers and "The King Of Western Swing", Bob Wills. Long live the sweet sounds of Bakersfield and long may you live live old friend, Merle Haggard.

5 out of 5 stars Brilliant musicianship.......2005-04-21

Anyone who likes country-blues (especially the all-acoustic variety) will love this CD.

Firstly, the songs are the compositions of someone who needs no introduction, the legendary Jimmie Rodgers. Most of them are based on a 12-bar blues pattern, with the lyrics repeating the first verse twice over the first chord-change - a traditional form that was very dear to Rodgers. The words are a good reflection of depression-era themes, such as railroad hoboing (Hobo Bill), scrounging up a modest living (No hard time blues) and, of course, loving and leaving in their many facets (California blues, Jimmie's last Blue Yodel).

Haggard's vocal rendition is somewhat different then Rodgers,' but the result is equally engaging. While Rodgers' voice is haunting and languid, Haggard's is more round and palpable. Also, Haggard's yodeling is much less frequent, but when employed is extremely effective, equally "plodding" and never over-used. In a sense, it is by being completely himself that Haggard nails the spirit of Rodgers' songs.

The arrangements are one of the many strong suits of this CD. For the most part, pieces feature acoustic instruments - drums, bass, guitars, dobros (one played with the slide, the other a dobro-guitar), and blues-harp. A couple pieces have horns, played in a quasi-Dixieland style reminiscent of those in Rodgers' own recordings - while a violin, an electric guitar and a steel guitar surface in a minority of the tracks. Most pieces are moderate "2/4" two-steps, with the occasional waltz.

The accompaniment is provided by Haggard's own band (the Strangers) and the studio artists sometimes heard in his earlier recordings. Among the latter is none other than James Burton, one of the fathers of Country Guitar styles and, of course, the guitarist who toured with Elvis from 1969 to 1977. While most listeners are accustomed to hearing Burton's Telecaster, it is amazing to hear him pick away at a round-neck dobro with equal flair and musicianship (his fiery solo in "No hard time blues" is an oft-copied masterpiece).

Song-choice is varied and representative of Rodgers' output. Also, the recording is interspersed with a few (very brief) tracks of Haggard's narration of Rodgers' life and deeds - which can be easily skipped over once they are familiar to the listener.

Overall, I recommend this CD very enthusiastically to all who enjoy this style of music - a CD that has only strengths and no weaknesses.

5 out of 5 stars The Hag's Best Ever.......2004-07-16

I bought this album in 1969 when it was first released and I still have it now. Even though my old record player is in bad shape I still listen to it whenever I get the time. One can not just sit and listen to one or two of the songs on this album and then cut it off, because when it starts you find yourself getting caught up in the singer the times and music and before you know it you have listened to every song on this two album set. I do not believe that there ever has been or ever will be someone quite like Merle Haggard. He has a voice with depth and quality that no one can duplicate or be compared to. He is truly one of a kind. I too feel that if Jimmy Rodgers was alive to hear this music he would truly be amazed at what he was hearing and wished (even though he could sing these same songs superbly) he could sing them the same way that the Hag could and does here. I have always been a fan of the Hag and always will be. God don't make singers of country music like him any more. This is the kind of music that takes you back to front porches and porch swings. Back to when time seemed to stand still. This music will live forever because of the heart and soul that was put into this music by Jimmy Rodgers first then Merle Haggard. Thanks Merle for sharing Jimmy Rodger's songs and your great talent with all that will give an ear to this great form of music.
Instruments of the Orchestra
Average customer rating: 4.5 out of 5 stars
  • Instruments of the Orchestra - Great Reference Material!
  • Beginner or Expert
  • Very Informative and Enjoyable
  • Frank's view
  • Excellent Intro for Those Not Familiar with the Orchestra
 Instruments of the Orchestra
Various Artists
Manufacturer: Naxos
ProductGroup: Music
Binding: Audio CD

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Similar Items:
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  2. The Life and Works of Ludwig van Beethoven
  3. What to Listen for in Music
  4. Study of Orchestration, Third Edition
  5. The Life and Works of Frédéric Chopin

ASIN: B00006O0NT
Release Date: 2002-12-03

Tracks:

  1. Overture To 'Tannhauser'
  2. Domna, Pos Vos Ay Chausida
  3. We Don't Merely Use Instruments, We Play On Them. And They Play On Us.
  4. Hungarian Dance No.7
  5. The Violin Is One Of The Most Tender And Beautiful Instruments Ever Invented.
  6. Violin Concerto In D Major (Adagio)
  7. But For A Long Time It Was Seen As The Instrument Of The Devil.
  8. The Soldier's Tale: Triumphal March Of The Devil
  9. The Manipulative Seductiveness Of The Gypsy Violin.
  10. Csardas Music
  11. The Violin And The Initiation Of Nature
  12. The Four Seasons (Spring, Mvt 1)
  13. Birds Are Again Evoked In The Second Concerto, Especially Music's Natural Favourite.
  14. The Four Seasons (Summer, Mvt 1)
  15. Like The Devil, The Violin Is A Master Of Disguise.
  16. Old Viennese Dance No.3 'Schon Rosmarin'
  17. The Menacing Sensuality Of Ravel's Tzigane: A Very Different Side Of The Violin:
  18. Tzigane
  19. Do We Now Have The True Measure Of This Instrument? Not Just Yet.
  20. Caprice No.24
  21. The Many Effects Of The String Tremolando: Brandenburg Concerto No.4 (Last Mvt)/From Joy To Fright/Quartettsatz In C Minor/The String Tremolo Practically Spells The World Agitato.
  22. Variations On A Theme Of Frank Bridge (No.7)
  23. Prokofiev's Tremolo In Romeo And Juliet Should Not Be Heard Just Before Bedtime.
  24. Romeo And Juliet: Act IV
  25. Vivaldi Use It To Illustrate The Shivering Of Travellers Crossing The Ice.
  26. The Four Seasons (Winter, Mvt 1)
  27. The Violin Muted
  28. Clair De Lune
  29. The Gentleness Of Muted Strings Persists Even When A Whole Orchestra Plays.
  30. Piano Concerto No.21 In C Major, K.467 (Slow Mvt)
  31. The Pizzicato Violin
  32. Pizzicato Polka
  33. In Prokofiev's Second Violin Concerto, The Accompaniment Is Pizzicato.
  34. Violin Concerto No.2 In G Minor (Slow Mvt)
  35. Varieties Of Pizzicato: Colas Breugnon (The People's Feast)/Now A Drier, Leaner, Hungrier Pizzicato. There's Not A Lot Of Comfort Here./Capriol Suite (Tordion)/The Use Of Pizzicato As 'Percussion'/Romeo And Juliet (Act I)/Mahler Used Pizzicato...
  36. The Planets (Mars - The Bringer Of War)
  37. The Technique Of Double-Stopping Enables The Violin To Play Duets With Itself./Sonata No.3 In C Major For Unaccompanied Violin (Fugue)/Now A Later Example Of The Same Technique
  38. Hungarian Dance No.4
  39. Double-Stopping Is A Standard Feature Of A Lot Of Folk Music.
  40. The Four Seasons (Autumn, Mvt 1)
  41. Now The Same Technique, But The Sound Might Have Come From Another World.
  42. Bolero
  43. Double-Stopping Can Only Approximate The Sound Of A Real Violin Duet.
  44. Cadenza To The Violin Concerto By Brahms
  45. Now Compare That With A Real Violin Duet.
  46. Forty-Four Duos (No. 1: Teasing Song)
  47. Another Duo By Bartok, Demonstrating The Violin's Rich Lower Register
  48. Forty-Four Duos (No.2: Maypole Dance)
  49. And Now What May Be The Most Beautiful Accompanied Violin Duet In History
  50. Concerto In D Minor For Two Violins (Largo)
  51. The Soul Of The Violin Is In Song; But What About This Weird Passage?
  52. Violin Concerto No.1 In D Major (Mvt 2)
  53. The Use Of Harmonies In The Orchestra Can Be Both Magical And Unsettling.
  54. Symphony No.1 'Titan' (Mvt 1, Opening)
  55. Tchaikovsky's Use Of Harmonics In The Sleeping Beauty Is Both Strange And Darling.
  56. The Sleeping Beauty (Act II, No.15: Entr'Acte)
  57. Ravel's Harmonics In Mother Goose Effect A Magical Transformation.
  58. Ma Mere L'Oye - Mother Goose (Beauty And The Beast)
  59. Stravinsky's Harmonics In The Firebird Transport Us Almost Into Another World./The Firebird (Introduction)
  60. The Natural Upper Notes Of The Violins Have A Unique Emotional 'Grab'.
  61. Also Sprach Zarathustra (Of The Afterworldsmen)
  62. Still In Their Upper Register, The Violins Unleash The Energy Of A Young Colt.
  63. Variations On A Theme Of Frank Bridge (No. 4)
  64. Elsewhere, Britten Uses The Same High Register To Create A Very Different Mood.
  65. Four Sea Interludes (Dawn) From 'Peter Grimes'
  66. To End This Outing With The Violins, A Charming Little Elfin Dance
  67. Elfenreigen

Tracks:

  1. Introduction To The Viola
  2. Viola Concerto (Mvt 1)
  3. Khatchaturian Gets A Very Different Sound From It: Fuller, Fruitier, More Exotic.
  4. Gayane Suite No.1 (Armen's Solo)
  5. Very Nearly The Whole Of The Violin's Upper Register Is Also Available To The Viola.
  6. Passacaglia, Op.33b From 'Peter Grimes'
  7. The Viola Can Bring A Special, Rich Twanginess To Pizzicato That The Violins Lack./Don Quixote/Berlioz Drew Sounds From It That Retain Their Metallic Strangeness Even Today.
  8. Harold In Italy (Mvt 4)
  9. The Muted Viola: Intimate, Gentle, Poignant In Dvork
  10. Cypresses (No.9)
  11. The Massed Violas Of The Modern Symphony Orchestra In Mahler
  12. Symphony No.4 (Mvt 3)
  13. The 'Period' Viola In Bach
  14. Brandenburg Concerto No.6 (Last Mvt)
  15. The Cello: A Voice Of Unique Nobility
  16. Suite No.1 For Unaccompanied Cello (Prelude)
  17. Brahms And The 'Soul' Of The Cello
  18. Piano Concerto No.2 In B Flat Major (Mvt 3)
  19. Most Orchestral Composers Tend To Emphasize The Cello's Lower Register.
  20. Cantata 'Herz Und Mund Und Tat Und Leben', BWV 147 (Soprana Aria: Bereite Dir, Jesu)
  21. In The Time Of Beethoven The Cello Remained As Fundamental As Ever.
  22. Symphony No.3 'Eroica' (Finale)
  23. But The Cello Is Not Condemned To Spend Its Life In The Basement.
  24. Elfentanz, Op.39
  25. Not Only In Recital Showpieces Like That Is The Cello Is Used In Its Highest Register.
  26. The Protecting Veil (Opening)
  27. A Cello With An Identity-Crisis: The Pizzicato Flamencan
  28. Flamenco
  29. Double-Stopping In The Lower Reaches Of The Cello's Range
  30. Solo Suiet For Cello And Piano (Sardana)
  31. It's In The Middle Register That The Cello Really Comes Into Its Own.
  32. Oriental Dance, Op.2 No.2
  33. It Was To The Cellos That Beethoven Gave Two Of His Most Famous Themes./Symphony No.5 (Mvt 2)/Still More Famous Than That Theme Is This One From The Ninth Symphony.
  34. Symphony No.9 (Finale)
  35. Introduction To The Double-Bass
  36. The Carnival Of The Animals (The Elephant)
  37. But The Double-Bass Can Be Intensely Expressive And Graceful.
  38. Elegy No.1 In D Major
  39. The Range Of The Double-Bass Is The Greatest Of All The String Instruments/Allegro Di Concerto, 'Alla Mendelssohn'/And It's Also Capable Of Very Considerable Virtuosity.
  40. Capriccio Di Bravura
  41. Double-Bass Solos In Orchestral Scores Are Rare But Often Memorable./Symphony No.1 'Titan' (Mvt 3)/In His Third Symphony Mahler Makes A Very Different Use Of The Instrument./Symphony No.3 (Mvt 1)
  42. The Double-Bass Muted In Prokofiev/Lieutenant Kije Suite (Kije's Wedding)/In Another Work Prokofiev Uses The Double-Bass To Enhance The Winds./Romeo And Juliet (Act III)/And He Combines The Bass Clarinet With A Shivering Tremolo From The Double-Basses....
  43. Symphony No.5 (Mvt 3)/So Much For The Strings/On Now To The Winds

Tracks:

  1. The Antiquity And Magic Of The Flute
  2. Prelude A L'Apres-Midi D'Un Faune
  3. The Versatility And Agility Of The Flute
  4. Orchestral Suite No.2 In B Minor (Badinerie)
  5. The Flute In Fifteenth-Century Spain
  6. Sa'Dawi
  7. Other Flutes: The Bass And Alto
  8. Chamber Music No.II
  9. The Piccolo - Aptly Named
  10. La Naissance D'Osiris (Mvt 6)
  11. From A Piccolo Of The Eighteenth Century To One Of Its Descendants In The Twentieth
  12. Suite No.1 For Small Orchestra (Valse)
  13. A Variety Of Techniques
  14. Chamber Music No.II
  15. Flutter-Tonguing. But Tchaikovsky Got There Eighty Years Before.
  16. The Nutcracker (Act II, No.2: Scene)
  17. From The Transverse To The Vertical: The Baroque Recorder
  18. Recorded Suite In A Minor (Menuet II)
  19. An Unfamiliar, Early Vision Of The Instrument
  20. Naelden, Naelden
  21. The Bachian Oboe
  22. Cantata 'Ein Feste Burg Ist Unser Gott', BWV 80 (No.7: Duetto)
  23. Introduction To The Cor Anglais Or 'English Born'
  24. Symphony No.9 'From The New World' (Mvt 2)
  25. The Loneliness Of The Cor Anglais
  26. The Swan Of Tuonela
  27. The Cor Anglais Joins The French Horn In Haydn.
  28. Symphony No.22 'The Philosopher' (Opening)
  29. Introduction To The Oboe D'Amore, Beloved Of Bach - But Also Of Ravel
  30. Bolero
  31. The Clarinet Family: Boxing The Compass, From The Depths Of The Bass Clarinet.../The Egyptian (Violence)/...To The Raucous And Squealy.../Taras Bulba (The Death Of Ostap)/...To The Shrill And Complaining...
  32. Petrushka (No.8: Peasant With Bear)/...To The High Sprits Of A Playful Puppy./Symphonie Fantastique (Last Mvt)/And To The Downright Jazzy/Romeo And Juliet (Act II)
  33. As The High Clarinets Tend To Be Loud, So The Bass Tends To Be Soft:
  34. Gayane Suite No. 1 (Mvt 5)
  35. The Bass Clarinet Is Used By Most Composers Mainly As A Colouring Agent.../Petrushka (No.4: The Blackamoor)/...But It Does Occasionally Get A Whole Tune To Itself./Iberia (Almeria).
  36. The Range Of The Normal Clarinet Parts Goes Quite High...
  37. The Snow Maiden (Scene 5: Melodrama)
  38. ...And Quite Low.
  39. Peter And The Wolf (The Cat)
  40. The Clarinet As Concerto Soloist
  41. Clarinet Concerto In A Major (Rondo)
  42. But That's Not The Instrument Mozart Wrote It For; This Is:
  43. Clarinet Concerto In A Major (Rondo)
  44. Introduction To The Saxophone
  45. Hary Janos Suite (Mvt 4)
  46. The Soprano Saxophone Has Quite A Different Feel To It.
  47. L'Arlesienne Suite No.1 (Minuet)
  48. The Little Sopranino Sax Goes Even Higher.
  49. Bolero
  50. The Most Famous Use Of The Saxophone Is In An Orchestration By Ravel.
  51. Pictures At An Exhibition (The Old Castle)
  52. The Saxophone Can Be Quite Contagiously Good-Humoured.
  53. Sax-O-Phun
  54. The Puffa-Puffa Image Of The Bassoon
  55. Peter And The Wolf (Grandfather)
  56. The Bachian Bassoon, In Accompanimental Mode
  57. Cantata 'Weichet Nur, Betrubte Schatten' ('Wedding Cantata'), BWV 202 (Aria No.1)
  58. Bizet Leaves The Puffa-Puffa Image Out, Allowing The Bassoon To Sing./Carmen Suite No.1 (Les Dragons D'Alcala)
  59. And Ravel, Also In Spanish Mode, Does Likewise.
  60. Bolero
  61. The Bassoon As A Voice Of High Seriousness, Indeed Desolate Loneliness
  62. Symphony No.3 (Opening)
  63. The Eerie Bassoon In Its Highest Register
  64. The Rite Of Spring (Opening)
  65. Stravinsky Now Draws On Its Lowest Register, Lonely And Melancholy.
  66. The Firebird Suite (1919, Berceuse)
  67. The Bassoon As Concerto Soloist, Avoiding All Exaggeration
  68. Bassoon Concerto In G Minor (Finale)
  69. The Deep-Voiced Contra-Bassoon, As A Fairy-Tale Beast
  70. Ma Mere L'Oye - Mother Goose (Beauty And The Beast)
  71. The French Horn Under Its Woodwind Hat
  72. Wind Quintet, Op.43 (Last Mvt)
  73. Now A More Prominent Role, In A Woodwind Quintet From An Earlier Era
  74. Wind Quintet In A Minor, Op.100 No.5 (Mvt 2)
  75. The Horn In Harmonious Blend With Strings In Another Quintet
  76. Horn Quintet, K.407 (Finale)

Tracks:

  1. The Trumpet As Virtuoso Soloist
  2. Brandenburg Concerto No.2 (Last Mvt)
  3. The Special Brillance Of Paired Trumpets
  4. Concerto In C For Two Trumpets, RV537 (Mvt 1)
  5. The Ceremonial Trumpet
  6. Fanfare For The Common Man
  7. Trumpets And Drums - An Incomparable Alliance
  8. Messiah (The Trumpet Shall Sound)
  9. The Versatility Of The Trumpet, From The Most Public To The Most Lonely
  10. Piano Concerto In F (Slow Mvt)
  11. The Trumpet As The Voice Of The City/An American In Paris/The Trumpet As Recruitment Officer/The Soldier's Tale (The March)/The Trumpet As Swaggerer
  12. Carmen Suite No.2 (Habanera)
  13. The Trumpet As The Voice Of Strength And Courage
  14. Carmet Suite No.2 (Toreador's Song)
  15. The Trumpet Muted/Petrushka (No.4: The Blackamoor)/Lieutenant Kije Suite (Opening)/The Trumpet As The Voice Of Weariness
  16. Billy The Kid
  17. The Trumpet As Character Actor
  18. Pictures At An Exhibition (No.6)
  19. The Trumpet As The Voice Of God
  20. Mass In B Minor ('Et Exspecto')
  21. The Birth Of The Trombone
  22. Aenmerckt Nu Hier
  23. The Birth Of The Brass As A Family
  24. Canzon 12 In Double Echo
  25. The Trombone In The Eighteenth Century
  26. Trombone Concerto In B Flat Major (Finale)
  27. The Tone Of The Tenor Trombone/Romance For Trombone And Organ/The Memorable Voice Of The Bass Trombone/Requiem (Mvt 2)/But The Bass Trombone Is More Than An Instrumental Bullfrog.
  28. Hosannah
  29. The Trombones Become Part Of The Orchestra.
  30. Symphony No.5 (Finale)
  31. The Wagnerian Trombone:/Overture To 'Tannhauser'
  32. The Trombone As Caricaturist
  33. Pulcinella (No.19: Vivo)
  34. The Trombone As Raspberry/Concerto For Orchestra (Intermezzo)
  35. The Horn And The Hunt
  36. Horn Concerto No.4 In E Flat, K.495 (Finale)
  37. The Challenging Horn Of The Baroque
  38. Abaris Ou Les Boreades (Menuet)
  39. The Scarcity Of First-Rate Players In Handel's Time
  40. Walter Music (Minuet 1)
  41. The Horn As Magician/The Firebird Suite (1919, Finale)
  42. Horns And The Sound Of Nobility
  43. Overture To 'Tannhauser' (Opening)
  44. The Special Sound Of The Horn In Its Higher Register
  45. Mass In B Minor ('Quoniam Tu Solus Sanctus')
  46. The Trumpet-Like Sound Of Massed Horns
  47. Symphony No.3 (Mvt 1, Opening)
  48. The Tuba - Unfairly Maligned?
  49. Symphony No.6 (Mvt 3)
  50. The Tuba Perfectly Cast By Ravel
  51. Pictures At An Exhibition (Bydlo)

Tracks:

  1. Introduction. And We Begin With A Bang.
  2. Fanfare For The Common Man/The Bass Drum On The Battlefields/Wellington's Victory, Op.91 (Opening)
  3. At The Opposite Extreme Is The Triangle.
  4. Piano Concerto No.1 In E Flat (Scherzo)
  5. Categories Of Percussion: Tuned And Untuned. The Side Drum
  6. Overture To 'La Gazza Ladra' - The Thieving Magpie (Opening)
  7. The Side Drum In An Effective But Unexpected Role/Clarinet Concerto (Mvt 1)
  8. The Tambourine. One Of The Oldest Instruments In The World
  9. Den Hoboecken Dans
  10. Even Older Is The Originally Oriental Gong.
  11. Ma Mere L'Oye - Mother Goose (Laideronette)
  12. No Single Instrument Can Match The Gong In Evoking The Breaking Of Waves./Passacaglia, Op.33b From 'Peter Grimes'/But Gongs Don't Have To Be Struck To Be Effective.
  13. Gymnopedie No.2
  14. The Cymbals Are Generally Discovered Early In Life./The Sanguine Fan/And They Do More Than Clash Together Loudly. They Can Be Clashed Together Softly./Studio Example: But They Needn't Be Clashed Together At All/Studio Example: They Can Be Lightly...
  15. Other Untuned Percussion Instruments Include The Whip.: Piano Concerto In G Major (Opening)/And Here Are No Fewer Than Twenty, Cracked By Tchaikovsky: The Nutcracker (Act I, Scene 5)
  16. More Versatile Than The Whip Are The Wood Blocks.../Studio Example/...Which Crop Up All Over The Place In Twentieth-Century American Music.
  17. Rodeo (Hoe-Down)
  18. Related To The Wood Blocks, By Sound, Are The Castanets./Jota Aragonesa/But The Castanets Were Also Used By Monteverdi Back In The Seventeenth Century.
  19. Scherzi Musicali (Damigella Tutta Belle)
  20. A Still Earlier Example From Fifteenth-Century Spain
  21. Yo M'Enamori D'Un Aire
  22. The Birth Of The Bongo
  23. Symphonic Dances From 'West Side Story'
  24. From The Streets Of New York To The Blacksmith's Shop/Il Trovatore ('Anvil Chorus')
  25. Desert-Island Decibels: Grand Canyon Suite (On The Trail)/Arcana
  26. From One Vegetable To Another: The Humble Squash, Or Marrow/Huapango
  27. Onwards To The Tuned Percussion. First, The Timpani
  28. Also Sprach Zarathustra (Introduction)
  29. But The Drum Roll Can Be More Effectively Frightening Than The Big Bang.: Symphony No.2 'Resurrection' (Mvt 3)
  30. Not One Drum Roll, But Many/Grand Canyon Suite (Sunrise)/Symphonie Fantastique (Last Mvt)
  31. Taking Advantage Of Tunability
  32. Music For Strings, Percussion And Celeste (Mvt 2)
  33. The Russian Composer Rodion Shchedrin Takes A Downward Turn./Carmen Suite (Changing Of The Guard)/Tuned, Yes; But For The Truly Melodic We Must Look Elsewhere.
  34. Introducing The Glockenspiel/Carmen Suite (Carmen's Entrance And Habanera)
  35. Saint-Saens And The Xylophone
  36. The Carnival Of The Animals (Fossils)
  37. Ravel And The Xylophone
  38. Ma Mere L'Oye - Mother Goose (Laideronette)
  39. Introducing The Marimba/Carmen Suite (First Intermezzo)
  40. Introducing The Vibraphone
  41. The Treasure Of The Sierra Madre (Narange Dolce)
  42. The Vibraphone Goes Russian.../Carmen Suite (Carmen's Entrance And Habanera)/...And Is Joined By The Marimba./Carmen Suite (Carmen's Entrance And Habanera)
  43. Introducing The Hungarian Cimbalom
  44. Folk Dances
  45. The Cimbalom And The Symphony Orchestra
  46. Hary Janos Suite (Mvt 3)
  47. Introducing The Tubular Bells
  48. Hary Janos Suite (Viennese Musical Clock)
  49. A More 'Up-Front' Approach From Rodion Shchedrin
  50. Carmen Suite (Introduction)
  51. But The Bells Can Also Make The Sinister Even More Sinister./Symphony No.7 'Sinfonia Antartica' (Mvt 1)
  52. Introducing The Celeste
  53. The Nutcracker (Dance Of The Sugar Plum Fairy)
  54. Magic, In The Use Of Collective Percussion
  55. Miroirs (La Vallee Des Cloches)
  56. Plucked Instruments: The 'Undercover Percussion'/Carmen Suite (Scene)
  57. A Prime Case In Point Is The Harp, Irresistible To The Romantics./The Nutcracker (Act II, No.1: Scene)/The Non-Solo Harp As An Integral Part Of The Orchestra/Hungarian Rhapsody No.1
  58. The Traditionally Subservient Role Of The Harpsichord In The Baroque Orchestra
  59. Brandenburg Concerto No.2 (Slow Mvt)
  60. The Piano: King Of The Tuned Percussion/Symphony No.3 'Organ' (Mvt 3)/And A Quarter Of A Century After That:
  61. Petrushka (Russian Dance)
  62. The Anti-Romantic Piano As An Integral Part Of The Orchestra
  63. Music For Strings, Percussion And Celeste (Last Mvt)

Tracks:

  1. Keyboard Instruments In The Orchestra - The Most Powerful Of Them All:
  2. Symphony No.3 'Organ' (Finale)
  3. But Things In Handel's Day Were Very Different.
  4. Organ Concerto In B Flat, Op.4 No.3 (Last Mvt)
  5. The Organ Is Difficult To Classify.
  6. An Unexpected, Organ-related Guest
  7. Concerto Pour Zampogna (Last Mvt)
  8. Peasant-Fancying... And A Touch Of The Roaming Cowboy
  9. Les Miserables (Drink With Me)
  10. Outside Artefacts And The Power Of Association
  11. Mahler's Sleighbells
  12. Symphony No.4 (Opening)
  13. A Roll-Call Of Some Unusual Guests/The Typewriter/Parade
  14. Chains, And More/Integrales/An American In Paris/Sandpaper Ballet
  15. Purpose-Built Oddities: Wind Machines/Symphony No.7 'Sinfonia Antartica' (Opening)
  16. Don Quixote (Variation VIII)
  17. National Calling Cards: The Guitar For Spain/Concierto De Aranjuez (Finale)
  18. And The Guitar's Poor American Relative, The Banjo/Washington Breakdown
  19. And Poorer Still, The Mouth Organ/The Treasure Of The Sierra Madre (Packing Up)
  20. The Balalaika For Russia/Romeo And Juliet (Act II: No.14)
  21. The Maracas For Mexico/The Treasure Of The Sierra Madre (El Desayuno)
  22. The Bongos And Congas And A Whole Wealth Of Other Drums For Africa And Central America/Studio Example
  23. The Sitar Of India/Evening Raga: Bhapoli
  24. The Accordion For France (Especially Paris)/Paris Canaille
  25. The Zither For Vienna/The Third Man (Theme)
  26. The Cimbalom For Hungary/Folk Dances
  27. The Guitar As An Integral Part Of The Orchestra/Rondena
  28. There Are Whole Orchestras Of Balalaikas./Sveit Mesiats
  29. The Effect Of The Wordless Human Voice, Used Purely As An Instrument/Symphony No.7 'Sinfonia Antartica' (Mvt 1)
  30. Nocturnes
  31. Instruments And the Imitation Of Nature. The Clarinet As Cuckoo
  32. The Carnival Of The Animals (The Cuckoo)
  33. The Flute As An All-purpose Aviary
  34. The Carnival Of The Animals (The Aviary)
  35. The Oboe As Duck
  36. Peter And The Wolf (The Duck)
  37. The Recording Of Reality. Does It Work As Well?
  38. The Pines Of Rome (The Pines Of The Janiculum)
  39. The Recording Of Reality Electronically Reborn In New Guises
  40. Cantus Articus - Concerto For Birds And Orchesra (Mvt 2)
  41. Beethoven Turns Avian: Cuckoo, Nightingale, And Quail
  42. Symphony No.6 'Pastoral' (Andante Molto Mosso)
  43. Some Improbable Casting: The Violin As Braying Donkey
  44. The Carnival Of The Animals (Persons With Long Ears)
  45. A Truly Orchestral Hee-haw To Be Reckoned With
  46. Overture To 'A Midsummer Night's Dream'
  47. A Thunderstorm In A Million
  48. Symphony No.6 'Pastoral (Allegro-Allegretto)
  49. the Instrumental Depiction Of A Silent World
  50. The Carnival Of The Animals (The Aquarium)
  51. Saint-Saens' Menagerie Takes A Curtain Call.
  52. The Carnival Of The Animals (Finale)

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