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Average customer rating:

Bleck!
Voice of an Angel!!
fun cd
Good? Yes. Great? No. Over-rated? HECK YES!
Enchantment Indeed!

Enchantment
Richard Rodgers , Michel Legrand , Leo Delibes , American Traditional , Erik Satie , British Isles Traditional , Jerome Kern , Johann II Strauss , Lucy Simon , David Foster , Sian Edwards , John Clark , Eric Rigler , Frank Ricotti , John Parricelli , Mark Hammond , Paul Keogh , and Michael Thompson
Manufacturer: Sony
ProductGroup: Music
Binding: Audio CD

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Prelude: The Best of Charlotte Church
Voice of an Angel
Charlotte Church
Dream a Dream
Tissues and Issues

ASIN: B00005OWEJ
Release Date: 2001-10-09

Tracks:

Tonight
Carrickfergus
Habanera
Bali Ha'i
Papa Can You Hear Me?
The Flower Duet
The Little Horses
From My First Moment
The Water Is Wide
Can't Help Lovin' Dat Man
The Laughing Song
If I Loved You
A Bit Of Earth
Somewhere
The Prayer

Amazon.com

Of course, we couldn't expect time to freeze its relentless path and forever preserve the Welsh sensation Charlotte Church in a chrysalis of precocious youth. And yet, at 15 and now taking bolder steps into expanding her repertory on Enchantment, the soprano remains a marvel of a prodigy. Here, she scours a wider range of sources than on her previous albums. Church moves with breathtaking ease from classic Broadway (West Side Story, Show Boat, South Pacific) to traditional Celtic, film ballads, and even a couple of high-operatic numbers. Church's straightforward approach to the melody of "La Habanera" may not exactly be what Bizet had in mind for his Carmen, but fans will get double pleasure out of the singer's exquisite duet with herself on the haunting "Flower Duet" from Delibes's Lakmé. What's more, there's a greater freedom of expression and sense of how to shape a phrase in many of these tracks--notice how much there is to savor, for instance, in "The Water Is Wide" and "Carrickfergus." It all adds up to a widely varied course, demonstrating the continued growth of a singularly gifted young artist. --Sarah Chin

Customer Reviews:

Bleck!.......2007-05-30

Charlotte has a producing voice, not quite mature, but it's bearable. I don't really appreciate opera unless your name is Sarah Brightman, Hayley Westenra or Holly Stell. Carrickfergus and Somewhere are decent for her voice, but "The Prayer" and "The Water is Wide" is very damaging to my ears due to the fact, her Italian sucks, her range is not wide enough in "Water".

Voice of an Angel!!.......2007-02-05

I enjoy listening to this cd by Charlotte Church! She has such a lovely voice. I especially love listening to Habañera and The Flower Duet as both are sung beautifully by Ms. Church!!

fun cd.......2006-12-29

I love this cd and have had it quite a while. I was just enjoying it again today and thought I'd write a review because I do enjoy it so much. It's just a fun, enjoyable album. Pretty orchestration, a lovely voice, nice to sing along with. Especially at the top of my lungs in the car (alone when no one can hear me!)
I really don't know why one would NOT enjoy this cd.

Good? Yes. Great? No. Over-rated? HECK YES!.......2006-12-15

I bought this CD when I was still in high school, singing soprano I & II in choir. It's not bad but she does much better than even some older kids attempting soprano. I think due to the popularity she gained this poor girl has endured much harsh criticism. True, we can't cut her slack JUST because she is a little girl but on the other hand for someone to sing opera at that age her work IS superb. Whether she's a prodigy or victim of over-ambitious parents & media, she deserves credit where it's due. At least she DID break out as some-what of a mainstream artist & exposed this type of music to those who stereotyped it as fat ladies w/powder-white make-up belting out notes that would shatter glass. Some say the same for Josh Groban who broke into the scene as a mainstream tenor/baritone vocalist. As far as skills & talent, he not the greatest either but many people adore his music. The same credit should go to Charlotte Church.

As far as feedback on the quality...
It's VERY hard to believe the deliverance of her performance. A 15-year-old (even younger on her debut cd) singing songs about love & being able to see the world seems silly. Cracking voice? Yeah, you can really tell she had a difficult time hitting the high note in The Laughing Song because it got all air-y. Honestly, some trained sopranos over-shoot their high notes too & get extremely SHARP so I didn't mind her air-i-ness. I think she did a great job on The Flower Duet though. It still has the same relaxing quality as some other versions I've heard from various movie soundtracks. But compare this to the likes of professionals - real professionals - she's merely tolerable. Try Sarah Brightman if you want to listen to some nice musical sopranos. She even has some pretty remakes of modern songs.

Enchantment Indeed!.......2006-08-20

This CD is simply amazing! However, I am sick and tired of people pressuring her to be someone that she's not! Trying to fit into today's popular music scene, Charlotte has turned to pop, and her career isn't flying well because of it! Her voice is simply amazing for opera, and I will not hear another insulting word about her!

Anyways, the CD is genius! Tonight from "West Side Story" is beautifully sung. Carrickfergus, Habanera, and Bali Ha'i are sung with a hypnotizing beauty. Papa, Can you Hear Me and The Flower Duet are amazing as well!

However, on The Flower Duet, Church's vocals seem strained a bit. The Little Horses is a decent piece, a remake of the standard English folk song. I prefer it straight instead of a varied beat, so that Church's voice could soar on and on.

From my First Moment is a fairly nice song, but The Water is Wide is simply amazing! Her vocals are soaring and mezmerizing!

Can't Help Lovin' Dat Man is NOT the song for her, because she puts a weird accent on the song, like she's trying to sound like a hoodlum! The Laughing Song is something that SHOULD NOT be tried by children, because the vocals are so strained! If I Loved You is a simple yet wonderful piece!

A Bit of Earth and Somewhere are both beautiful pieces, with excellent work from the orchestra.

Overall, this CD is very beautiful! BUY IT!

Average customer rating:

Instruments of the Orchestra - Great Reference Material!
Beginner or Expert
Very Informative and Enjoyable
Frank's view
Excellent Intro for Those Not Familiar with the Orchestra

Instruments of the Orchestra
Various Artists
Manufacturer: Naxos
ProductGroup: Music
Binding: Audio CD

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Britten: Young Person's Guide to the Orchestra Op34; Simple Symphony Op4
The Life and Works of Ludwig van Beethoven
What to Listen for in Music
Study of Orchestration, Third Edition
The Life and Works of Frédéric Chopin

ASIN: B00006O0NT
Release Date: 2002-12-03

Tracks:

Overture To 'Tannhauser'
Domna, Pos Vos Ay Chausida
We Don't Merely Use Instruments, We Play On Them. And They Play On Us.
Hungarian Dance No.7
The Violin Is One Of The Most Tender And Beautiful Instruments Ever Invented.
Violin Concerto In D Major (Adagio)
But For A Long Time It Was Seen As The Instrument Of The Devil.
The Soldier's Tale: Triumphal March Of The Devil
The Manipulative Seductiveness Of The Gypsy Violin.
Csardas Music
The Violin And The Initiation Of Nature
The Four Seasons (Spring, Mvt 1)
Birds Are Again Evoked In The Second Concerto, Especially Music's Natural Favourite.
The Four Seasons (Summer, Mvt 1)
Like The Devil, The Violin Is A Master Of Disguise.
Old Viennese Dance No.3 'Schon Rosmarin'
The Menacing Sensuality Of Ravel's Tzigane: A Very Different Side Of The Violin:
Tzigane
Do We Now Have The True Measure Of This Instrument? Not Just Yet.
Caprice No.24
The Many Effects Of The String Tremolando: Brandenburg Concerto No.4 (Last Mvt)/From Joy To Fright/Quartettsatz In C Minor/The String Tremolo Practically Spells The World Agitato.
Variations On A Theme Of Frank Bridge (No.7)
Prokofiev's Tremolo In Romeo And Juliet Should Not Be Heard Just Before Bedtime.
Romeo And Juliet: Act IV
Vivaldi Use It To Illustrate The Shivering Of Travellers Crossing The Ice.
The Four Seasons (Winter, Mvt 1)
The Violin Muted
Clair De Lune
The Gentleness Of Muted Strings Persists Even When A Whole Orchestra Plays.
Piano Concerto No.21 In C Major, K.467 (Slow Mvt)
The Pizzicato Violin
Pizzicato Polka
In Prokofiev's Second Violin Concerto, The Accompaniment Is Pizzicato.
Violin Concerto No.2 In G Minor (Slow Mvt)
Varieties Of Pizzicato: Colas Breugnon (The People's Feast)/Now A Drier, Leaner, Hungrier Pizzicato. There's Not A Lot Of Comfort Here./Capriol Suite (Tordion)/The Use Of Pizzicato As 'Percussion'/Romeo And Juliet (Act I)/Mahler Used Pizzicato...
The Planets (Mars - The Bringer Of War)
The Technique Of Double-Stopping Enables The Violin To Play Duets With Itself./Sonata No.3 In C Major For Unaccompanied Violin (Fugue)/Now A Later Example Of The Same Technique
Hungarian Dance No.4
Double-Stopping Is A Standard Feature Of A Lot Of Folk Music.
The Four Seasons (Autumn, Mvt 1)
Now The Same Technique, But The Sound Might Have Come From Another World.
Bolero
Double-Stopping Can Only Approximate The Sound Of A Real Violin Duet.
Cadenza To The Violin Concerto By Brahms
Now Compare That With A Real Violin Duet.
Forty-Four Duos (No. 1: Teasing Song)
Another Duo By Bartok, Demonstrating The Violin's Rich Lower Register
Forty-Four Duos (No.2: Maypole Dance)
And Now What May Be The Most Beautiful Accompanied Violin Duet In History
Concerto In D Minor For Two Violins (Largo)
The Soul Of The Violin Is In Song; But What About This Weird Passage?
Violin Concerto No.1 In D Major (Mvt 2)
The Use Of Harmonies In The Orchestra Can Be Both Magical And Unsettling.
Symphony No.1 'Titan' (Mvt 1, Opening)
Tchaikovsky's Use Of Harmonics In The Sleeping Beauty Is Both Strange And Darling.
The Sleeping Beauty (Act II, No.15: Entr'Acte)
Ravel's Harmonics In Mother Goose Effect A Magical Transformation.
Ma Mere L'Oye - Mother Goose (Beauty And The Beast)
Stravinsky's Harmonics In The Firebird Transport Us Almost Into Another World./The Firebird (Introduction)
The Natural Upper Notes Of The Violins Have A Unique Emotional 'Grab'.
Also Sprach Zarathustra (Of The Afterworldsmen)
Still In Their Upper Register, The Violins Unleash The Energy Of A Young Colt.
Variations On A Theme Of Frank Bridge (No. 4)
Elsewhere, Britten Uses The Same High Register To Create A Very Different Mood.
Four Sea Interludes (Dawn) From 'Peter Grimes'
To End This Outing With The Violins, A Charming Little Elfin Dance
Elfenreigen

Tracks:

Introduction To The Viola
Viola Concerto (Mvt 1)
Khatchaturian Gets A Very Different Sound From It: Fuller, Fruitier, More Exotic.
Gayane Suite No.1 (Armen's Solo)
Very Nearly The Whole Of The Violin's Upper Register Is Also Available To The Viola.
Passacaglia, Op.33b From 'Peter Grimes'
The Viola Can Bring A Special, Rich Twanginess To Pizzicato That The Violins Lack./Don Quixote/Berlioz Drew Sounds From It That Retain Their Metallic Strangeness Even Today.
Harold In Italy (Mvt 4)
The Muted Viola: Intimate, Gentle, Poignant In Dvork
Cypresses (No.9)
The Massed Violas Of The Modern Symphony Orchestra In Mahler
Symphony No.4 (Mvt 3)
The 'Period' Viola In Bach
Brandenburg Concerto No.6 (Last Mvt)
The Cello: A Voice Of Unique Nobility
Suite No.1 For Unaccompanied Cello (Prelude)
Brahms And The 'Soul' Of The Cello
Piano Concerto No.2 In B Flat Major (Mvt 3)
Most Orchestral Composers Tend To Emphasize The Cello's Lower Register.
Cantata 'Herz Und Mund Und Tat Und Leben', BWV 147 (Soprana Aria: Bereite Dir, Jesu)
In The Time Of Beethoven The Cello Remained As Fundamental As Ever.
Symphony No.3 'Eroica' (Finale)
But The Cello Is Not Condemned To Spend Its Life In The Basement.
Elfentanz, Op.39
Not Only In Recital Showpieces Like That Is The Cello Is Used In Its Highest Register.
The Protecting Veil (Opening)
A Cello With An Identity-Crisis: The Pizzicato Flamencan
Flamenco
Double-Stopping In The Lower Reaches Of The Cello's Range
Solo Suiet For Cello And Piano (Sardana)
It's In The Middle Register That The Cello Really Comes Into Its Own.
Oriental Dance, Op.2 No.2
It Was To The Cellos That Beethoven Gave Two Of His Most Famous Themes./Symphony No.5 (Mvt 2)/Still More Famous Than That Theme Is This One From The Ninth Symphony.
Symphony No.9 (Finale)
Introduction To The Double-Bass
The Carnival Of The Animals (The Elephant)
But The Double-Bass Can Be Intensely Expressive And Graceful.
Elegy No.1 In D Major
The Range Of The Double-Bass Is The Greatest Of All The String Instruments/Allegro Di Concerto, 'Alla Mendelssohn'/And It's Also Capable Of Very Considerable Virtuosity.
Capriccio Di Bravura
Double-Bass Solos In Orchestral Scores Are Rare But Often Memorable./Symphony No.1 'Titan' (Mvt 3)/In His Third Symphony Mahler Makes A Very Different Use Of The Instrument./Symphony No.3 (Mvt 1)
The Double-Bass Muted In Prokofiev/Lieutenant Kije Suite (Kije's Wedding)/In Another Work Prokofiev Uses The Double-Bass To Enhance The Winds./Romeo And Juliet (Act III)/And He Combines The Bass Clarinet With A Shivering Tremolo From The Double-Basses....
Symphony No.5 (Mvt 3)/So Much For The Strings/On Now To The Winds

Tracks:

The Antiquity And Magic Of The Flute
Prelude A L'Apres-Midi D'Un Faune
The Versatility And Agility Of The Flute
Orchestral Suite No.2 In B Minor (Badinerie)
The Flute In Fifteenth-Century Spain
Sa'Dawi
Other Flutes: The Bass And Alto
Chamber Music No.II
The Piccolo - Aptly Named
La Naissance D'Osiris (Mvt 6)
From A Piccolo Of The Eighteenth Century To One Of Its Descendants In The Twentieth
Suite No.1 For Small Orchestra (Valse)
A Variety Of Techniques
Chamber Music No.II
Flutter-Tonguing. But Tchaikovsky Got There Eighty Years Before.
The Nutcracker (Act II, No.2: Scene)
From The Transverse To The Vertical: The Baroque Recorder
Recorded Suite In A Minor (Menuet II)
An Unfamiliar, Early Vision Of The Instrument
Naelden, Naelden
The Bachian Oboe
Cantata 'Ein Feste Burg Ist Unser Gott', BWV 80 (No.7: Duetto)
Introduction To The Cor Anglais Or 'English Born'
Symphony No.9 'From The New World' (Mvt 2)
The Loneliness Of The Cor Anglais
The Swan Of Tuonela
The Cor Anglais Joins The French Horn In Haydn.
Symphony No.22 'The Philosopher' (Opening)
Introduction To The Oboe D'Amore, Beloved Of Bach - But Also Of Ravel
Bolero
The Clarinet Family: Boxing The Compass, From The Depths Of The Bass Clarinet.../The Egyptian (Violence)/...To The Raucous And Squealy.../Taras Bulba (The Death Of Ostap)/...To The Shrill And Complaining...
Petrushka (No.8: Peasant With Bear)/...To The High Sprits Of A Playful Puppy./Symphonie Fantastique (Last Mvt)/And To The Downright Jazzy/Romeo And Juliet (Act II)
As The High Clarinets Tend To Be Loud, So The Bass Tends To Be Soft:
Gayane Suite No. 1 (Mvt 5)
The Bass Clarinet Is Used By Most Composers Mainly As A Colouring Agent.../Petrushka (No.4: The Blackamoor)/...But It Does Occasionally Get A Whole Tune To Itself./Iberia (Almeria).
The Range Of The Normal Clarinet Parts Goes Quite High...
The Snow Maiden (Scene 5: Melodrama)
...And Quite Low.
Peter And The Wolf (The Cat)
The Clarinet As Concerto Soloist
Clarinet Concerto In A Major (Rondo)
But That's Not The Instrument Mozart Wrote It For; This Is:
Clarinet Concerto In A Major (Rondo)
Introduction To The Saxophone
Hary Janos Suite (Mvt 4)
The Soprano Saxophone Has Quite A Different Feel To It.
L'Arlesienne Suite No.1 (Minuet)
The Little Sopranino Sax Goes Even Higher.
Bolero
The Most Famous Use Of The Saxophone Is In An Orchestration By Ravel.
Pictures At An Exhibition (The Old Castle)
The Saxophone Can Be Quite Contagiously Good-Humoured.
Sax-O-Phun
The Puffa-Puffa Image Of The Bassoon
Peter And The Wolf (Grandfather)
The Bachian Bassoon, In Accompanimental Mode
Cantata 'Weichet Nur, Betrubte Schatten' ('Wedding Cantata'), BWV 202 (Aria No.1)
Bizet Leaves The Puffa-Puffa Image Out, Allowing The Bassoon To Sing./Carmen Suite No.1 (Les Dragons D'Alcala)
And Ravel, Also In Spanish Mode, Does Likewise.
Bolero
The Bassoon As A Voice Of High Seriousness, Indeed Desolate Loneliness
Symphony No.3 (Opening)
The Eerie Bassoon In Its Highest Register
The Rite Of Spring (Opening)
Stravinsky Now Draws On Its Lowest Register, Lonely And Melancholy.
The Firebird Suite (1919, Berceuse)
The Bassoon As Concerto Soloist, Avoiding All Exaggeration
Bassoon Concerto In G Minor (Finale)
The Deep-Voiced Contra-Bassoon, As A Fairy-Tale Beast
Ma Mere L'Oye - Mother Goose (Beauty And The Beast)
The French Horn Under Its Woodwind Hat
Wind Quintet, Op.43 (Last Mvt)
Now A More Prominent Role, In A Woodwind Quintet From An Earlier Era
Wind Quintet In A Minor, Op.100 No.5 (Mvt 2)
The Horn In Harmonious Blend With Strings In Another Quintet
Horn Quintet, K.407 (Finale)

Tracks:

The Trumpet As Virtuoso Soloist
Brandenburg Concerto No.2 (Last Mvt)
The Special Brillance Of Paired Trumpets
Concerto In C For Two Trumpets, RV537 (Mvt 1)
The Ceremonial Trumpet
Fanfare For The Common Man
Trumpets And Drums - An Incomparable Alliance
Messiah (The Trumpet Shall Sound)
The Versatility Of The Trumpet, From The Most Public To The Most Lonely
Piano Concerto In F (Slow Mvt)
The Trumpet As The Voice Of The City/An American In Paris/The Trumpet As Recruitment Officer/The Soldier's Tale (The March)/The Trumpet As Swaggerer
Carmen Suite No.2 (Habanera)
The Trumpet As The Voice Of Strength And Courage
Carmet Suite No.2 (Toreador's Song)
The Trumpet Muted/Petrushka (No.4: The Blackamoor)/Lieutenant Kije Suite (Opening)/The Trumpet As The Voice Of Weariness
Billy The Kid
The Trumpet As Character Actor
Pictures At An Exhibition (No.6)
The Trumpet As The Voice Of God
Mass In B Minor ('Et Exspecto')
The Birth Of The Trombone
Aenmerckt Nu Hier
The Birth Of The Brass As A Family
Canzon 12 In Double Echo
The Trombone In The Eighteenth Century
Trombone Concerto In B Flat Major (Finale)
The Tone Of The Tenor Trombone/Romance For Trombone And Organ/The Memorable Voice Of The Bass Trombone/Requiem (Mvt 2)/But The Bass Trombone Is More Than An Instrumental Bullfrog.
Hosannah
The Trombones Become Part Of The Orchestra.
Symphony No.5 (Finale)
The Wagnerian Trombone:/Overture To 'Tannhauser'
The Trombone As Caricaturist
Pulcinella (No.19: Vivo)
The Trombone As Raspberry/Concerto For Orchestra (Intermezzo)
The Horn And The Hunt
Horn Concerto No.4 In E Flat, K.495 (Finale)
The Challenging Horn Of The Baroque
Abaris Ou Les Boreades (Menuet)
The Scarcity Of First-Rate Players In Handel's Time
Walter Music (Minuet 1)
The Horn As Magician/The Firebird Suite (1919, Finale)
Horns And The Sound Of Nobility
Overture To 'Tannhauser' (Opening)
The Special Sound Of The Horn In Its Higher Register
Mass In B Minor ('Quoniam Tu Solus Sanctus')
The Trumpet-Like Sound Of Massed Horns
Symphony No.3 (Mvt 1, Opening)
The Tuba - Unfairly Maligned?
Symphony No.6 (Mvt 3)
The Tuba Perfectly Cast By Ravel
Pictures At An Exhibition (Bydlo)

Tracks:

Introduction. And We Begin With A Bang.
Fanfare For The Common Man/The Bass Drum On The Battlefields/Wellington's Victory, Op.91 (Opening)
At The Opposite Extreme Is The Triangle.
Piano Concerto No.1 In E Flat (Scherzo)
Categories Of Percussion: Tuned And Untuned. The Side Drum
Overture To 'La Gazza Ladra' - The Thieving Magpie (Opening)
The Side Drum In An Effective But Unexpected Role/Clarinet Concerto (Mvt 1)
The Tambourine. One Of The Oldest Instruments In The World
Den Hoboecken Dans
Even Older Is The Originally Oriental Gong.
Ma Mere L'Oye - Mother Goose (Laideronette)
No Single Instrument Can Match The Gong In Evoking The Breaking Of Waves./Passacaglia, Op.33b From 'Peter Grimes'/But Gongs Don't Have To Be Struck To Be Effective.
Gymnopedie No.2
The Cymbals Are Generally Discovered Early In Life./The Sanguine Fan/And They Do More Than Clash Together Loudly. They Can Be Clashed Together Softly./Studio Example: But They Needn't Be Clashed Together At All/Studio Example: They Can Be Lightly...
Other Untuned Percussion Instruments Include The Whip.: Piano Concerto In G Major (Opening)/And Here Are No Fewer Than Twenty, Cracked By Tchaikovsky: The Nutcracker (Act I, Scene 5)
More Versatile Than The Whip Are The Wood Blocks.../Studio Example/...Which Crop Up All Over The Place In Twentieth-Century American Music.
Rodeo (Hoe-Down)
Related To The Wood Blocks, By Sound, Are The Castanets./Jota Aragonesa/But The Castanets Were Also Used By Monteverdi Back In The Seventeenth Century.
Scherzi Musicali (Damigella Tutta Belle)
A Still Earlier Example From Fifteenth-Century Spain
Yo M'Enamori D'Un Aire
The Birth Of The Bongo
Symphonic Dances From 'West Side Story'
From The Streets Of New York To The Blacksmith's Shop/Il Trovatore ('Anvil Chorus')
Desert-Island Decibels: Grand Canyon Suite (On The Trail)/Arcana
From One Vegetable To Another: The Humble Squash, Or Marrow/Huapango
Onwards To The Tuned Percussion. First, The Timpani
Also Sprach Zarathustra (Introduction)
But The Drum Roll Can Be More Effectively Frightening Than The Big Bang.: Symphony No.2 'Resurrection' (Mvt 3)
Not One Drum Roll, But Many/Grand Canyon Suite (Sunrise)/Symphonie Fantastique (Last Mvt)
Taking Advantage Of Tunability
Music For Strings, Percussion And Celeste (Mvt 2)
The Russian Composer Rodion Shchedrin Takes A Downward Turn./Carmen Suite (Changing Of The Guard)/Tuned, Yes; But For The Truly Melodic We Must Look Elsewhere.
Introducing The Glockenspiel/Carmen Suite (Carmen's Entrance And Habanera)
Saint-Saens And The Xylophone
The Carnival Of The Animals (Fossils)
Ravel And The Xylophone
Ma Mere L'Oye - Mother Goose (Laideronette)
Introducing The Marimba/Carmen Suite (First Intermezzo)
Introducing The Vibraphone
The Treasure Of The Sierra Madre (Narange Dolce)
The Vibraphone Goes Russian.../Carmen Suite (Carmen's Entrance And Habanera)/...And Is Joined By The Marimba./Carmen Suite (Carmen's Entrance And Habanera)
Introducing The Hungarian Cimbalom
Folk Dances
The Cimbalom And The Symphony Orchestra
Hary Janos Suite (Mvt 3)
Introducing The Tubular Bells
Hary Janos Suite (Viennese Musical Clock)
A More 'Up-Front' Approach From Rodion Shchedrin
Carmen Suite (Introduction)
But The Bells Can Also Make The Sinister Even More Sinister./Symphony No.7 'Sinfonia Antartica' (Mvt 1)
Introducing The Celeste
The Nutcracker (Dance Of The Sugar Plum Fairy)
Magic, In The Use Of Collective Percussion
Miroirs (La Vallee Des Cloches)
Plucked Instruments: The 'Undercover Percussion'/Carmen Suite (Scene)
A Prime Case In Point Is The Harp, Irresistible To The Romantics./The Nutcracker (Act II, No.1: Scene)/The Non-Solo Harp As An Integral Part Of The Orchestra/Hungarian Rhapsody No.1
The Traditionally Subservient Role Of The Harpsichord In The Baroque Orchestra
Brandenburg Concerto No.2 (Slow Mvt)
The Piano: King Of The Tuned Percussion/Symphony No.3 'Organ' (Mvt 3)/And A Quarter Of A Century After That:
Petrushka (Russian Dance)
The Anti-Romantic Piano As An Integral Part Of The Orchestra
Music For Strings, Percussion And Celeste (Last Mvt)

Tracks:

Keyboard Instruments In The Orchestra - The Most Powerful Of Them All:
Symphony No.3 'Organ' (Finale)
But Things In Handel's Day Were Very Different.
Organ Concerto In B Flat, Op.4 No.3 (Last Mvt)
The Organ Is Difficult To Classify.
An Unexpected, Organ-related Guest
Concerto Pour Zampogna (Last Mvt)
Peasant-Fancying... And A Touch Of The Roaming Cowboy
Les Miserables (Drink With Me)
Outside Artefacts And The Power Of Association
Mahler's Sleighbells
Symphony No.4 (Opening)
A Roll-Call Of Some Unusual Guests/The Typewriter/Parade
Chains, And More/Integrales/An American In Paris/Sandpaper Ballet
Purpose-Built Oddities: Wind Machines/Symphony No.7 'Sinfonia Antartica' (Opening)
Don Quixote (Variation VIII)
National Calling Cards: The Guitar For Spain/Concierto De Aranjuez (Finale)
And The Guitar's Poor American Relative, The Banjo/Washington Breakdown
And Poorer Still, The Mouth Organ/The Treasure Of The Sierra Madre (Packing Up)
The Balalaika For Russia/Romeo And Juliet (Act II: No.14)
The Maracas For Mexico/The Treasure Of The Sierra Madre (El Desayuno)
The Bongos And Congas And A Whole Wealth Of Other Drums For Africa And Central America/Studio Example
The Sitar Of India/Evening Raga: Bhapoli
The Accordion For France (Especially Paris)/Paris Canaille
The Zither For Vienna/The Third Man (Theme)
The Cimbalom For Hungary/Folk Dances
The Guitar As An Integral Part Of The Orchestra/Rondena
There Are Whole Orchestras Of Balalaikas./Sveit Mesiats
The Effect Of The Wordless Human Voice, Used Purely As An Instrument/Symphony No.7 'Sinfonia Antartica' (Mvt 1)
Nocturnes
Instruments And the Imitation Of Nature. The Clarinet As Cuckoo
The Carnival Of The Animals (The Cuckoo)
The Flute As An All-purpose Aviary
The Carnival Of The Animals (The Aviary)
The Oboe As Duck
Peter And The Wolf (The Duck)
The Recording Of Reality. Does It Work As Well?
The Pines Of Rome (The Pines Of The Janiculum)
The Recording Of Reality Electronically Reborn In New Guises
Cantus Articus - Concerto For Birds And Orchesra (Mvt 2)
Beethoven Turns Avian: Cuckoo, Nightingale, And Quail
Symphony No.6 'Pastoral' (Andante Molto Mosso)
Some Improbable Casting: The Violin As Braying Donkey
The Carnival Of The Animals (Persons With Long Ears)
A Truly Orchestral Hee-haw To Be Reckoned With
Overture To 'A Midsummer Night's Dream'
A Thunderstorm In A Million
Symphony No.6 'Pastoral (Allegro-Allegretto)
the Instrumental Depiction Of A Silent World
The Carnival Of The Animals (The Aquarium)
Saint-Saens' Menagerie Takes A Curtain Call.
The Carnival Of The Animals (Finale)

Tracks:

The Grouping Of Instrumental Families. An Additive Approach. First, Two Violins
Forty-Four Duos (No.4)
A Great Contrast, Of Both Pitch And Character: Violin And Viola
Duo For Violin And Viola In B Flat Major, K.424 (Finale, Vars 1 & 2)/Studio Example
Arrival Of The Standard String Trio: Violin, Viola, And Cello
String Trio In B Flat (Menuetto)
The String Quartet: Two Violins, Viola, And Cello
String Quartet In F, Op.18 No.1 (Mvt 3)
The String Quintet - When The Extra Instrument Is A Second Viola
String Quartet No.5 In D, K.593 (Adagio)
The String Quintet - When The Extra Instrument Is A Second Cello
String Quintet In C (Mvt 3)
The String Sextet: Two Violins, Two Violas, And Two Cellos
String Sextet In B Flat (Mvt 2)
The String Octet: The Standard String Quaret Times Two
Octet In E Flat, Op.20 (Mvt 1)
Double The String Octet: A Fully Fledged String Orchestra
String Symphony No.2 (Finale)
The Massed Strings Of A Symphony Orchestra
Fantasia On A Theme Of Thomas Tallis
Contrasts Of Pitch And Instrumental 'Colour' In The Woodwind Section
Wind Quintet In A Minor, Op.100 No.5 (Theme)
In The First Variation It's The Horn That Gets The Lion's Share.
Wind Quintet In A Minor, Variation 1
In Variation Two The Torch Is Handed To The Bassoon.
Wind Quintet In A Minor, Variation 2
In Variation Three The Oboe Leads.
Wind Quintet In A Minor, Variation 3
Variation Four: Conversation Before Returning To A Solo-dominated Texture
Wind Quintet In A Minor, Variation 4
And Variation Five is Dominated By The Clarinet.
Wind Quintet In A Minor, Variation 5
The Next To Be Featured Is The Virtuoso Flute.
Wind Quintet In A Minor, Variation 6
Individual Farewells And A Closing Chorus
Wind Quintet In A Minor, Variation 7
A Mixed Group: Clarinet, Bassoon, Horn, String Quartet, And Double-Bass
Octet In F (Mvt 3)
The Early Classical Symphony Orchestra Of Haydn And Mozart
Symphony No.29 In A, K.201 (Finale)
Strings, Wind, But No Brass. What Haydn And Mozart Never Knew
Canzon 28
Beethoven's Fifth: Two Horns, Two Trumpets, And Three Trombones Join The Team.
Symphony No.5 (Finale)
From Beethoven To The Massive Orchestras Of Berlioz, Wagner, And Mahler
Beethoven Changed The Face Of The Symphony And The Orchestra Forever
Symphoy No.6 'Tragic' (Mvt 1)
The Cult Of Orchestral Elephantiasis Reaches Its Peak.
Symphony No.1 'Gothic' (VI: Te Ergo Quaesumus)
When Large Doesn't Necessarily Mean Loud: Debussy
Images (Gigues)
A Crisis Of Confidence; The Orchestra's Survival Hangs In The Balance, But It Still Develops. The Ondes Martenot:
Turangalila Symphony (Chant D'amour 1)
The Advent Of The 'Early Music' Movement Brings A New Vitality And Freshness.
Balle De Xerxes (Gavotte En Rondeau)
Computer And Synthesiser: Friends Or Foes?
Concerto In D Minor For Two Violins (Largo)
A Speculative Look Ahead/Mass In B Minor ('Dona Nobis Pacem')

Customer Reviews:

Instruments of the Orchestra - Great Reference Material!.......2007-04-04

This set lends itself to greatly enhancing one's knowledge of the orchestra, instruments in it, and their usage. I am a huge music buff, and I still picked up a great deal I previously did not know. I highly recommend this for all who wish to understand the origin of music, as well as the processes that are employed to create music!

Beginner or Expert.......2007-03-12

This CD is excellent for the beginner or expert! To be able to haear the instrumets separately and then together really provides a good education. and/or refresher. The book thaty comes with the CD is alomost worth the price by itself!

Very Informative and Enjoyable.......2006-11-20

Whether you're a music novice or pro, "The instruments of the Orchestra" is a very worthwhile purchase. The 7 CDs, with a total of 8 hours, are expertly narrated by Jeremy Siepmann. He's a great speaker, very much like the late Leonard Bernstein was. Mr. Siepmann takes you on an unforgetable musical journey covering the origins and use of the various orchestral instruments throughout musical history. The balance between his narration and a wealth of musical examples, which range from snippets to entire movements, is superb. The comprehensive enclosed booklet is excellent and faithfully follows the 7 CDs in content. Even with my 40+ years of music training I still learned new things from this wonderful collection. Considering the excellence of the content, and a cost that translates to about $5 per disc, this collection is a great value. Grab it, you won't regret that you did. Five solid stars!

Frank's view.......2006-08-19

This boxed set of CD's with booklet achieved all I had hoped that it would. There are good samples of individual instruments and well done commentary on each. The only drawback was that some of the samples were too brief and could have been longer, hoiwever I guess this fits in with time constraints of the medium. It has given me a lot of clues as to future purchases of CD's for listening to individual instruments. Altogeth a satisfactory purchase and a welcome addition to my collection.

Excellent Intro for Those Not Familiar with the Orchestra.......2003-11-08

I've listened to classical music for years and am interested in composition. I bought this CD set to learn how an orchestra and its instruments work. I thought the CDs would be a nice but boring lecture. They aren't! Not only are they FUN but they are informative as well. I learned a huge amount from each CD and couldn't wait to listen to the next one.

The narrator and writer is a great speaker and holds your attention well. He is definitely knowledgeable. He provides musical examples for each point he makes, so you get to "hear" what he just talked about. I'd say the CDs are about 65% music and 35% narration. You'll learn about the range of instruments, some history, different ways to play them, how they sound, and how they are used in the orchestra. This CD set was a great learning experience and is sold at such a low price!

I recommend this CD for those who want to learn about classical music and those who know about it but are interested in learning more about the inner workings of an orchestra. You'll learn much useful information. For instance, the Rite of Spring (with that eerie start) is written for bassoon! I never knew a bassoon could sound like that but now I do.

The one complaint I have is the last CD. This deals with the orchestra. I wanted more of a tour of how the orchestra has been used through history up to the present. Instead, it was a tour of how different groups of instruments sound. I thought it could have been better. The other 6 CDs are excellent.

Average customer rating:

Another amazing collection from Aussie Group

Water
The Beautiful Girls
Manufacturer: Cornerstone Ras Inc.
ProductGroup: Music
Binding: Audio CD

General | Alternative Rock | Styles | Music

Indie Rock | Indie & Lo-Fi | Alternative Rock | Styles | Music

General | Indie & Lo-Fi | Alternative Rock | Styles | Music

Singer-Songwriters | Pop | Styles | Music

Pop Rock | Pop | Styles | Music

Adult Alternative | Pop | Styles | Music

General | Rock | Styles | Music

Rock Jam Bands | Jam Bands | Rock | Styles | Music

Roots Rock | Rock | Styles | Music

General | Classic Rock | Styles | Music
Similar Items:

Learn Yourself
We're Already Gone
Morning Sun
Solace
Mishka

ASIN: B000I2J7FY
Release Date: 2006-10-10

Tracks:

Periscopes
Morning Sun
Clear Day
Goodtimes
Water
First Sign Of Trouble
Music
La Mar
Freedom
Weight Of The World
Need To Give This Broken Heart Away

Album Description

"With melodies full of sunshine & lyrics dipped in darkness, Australia's Beautiful Girls graft a heady modern groove onto something Black Uhuru and others began." -- RELIX

"I have had an opportunity to play with the Beautiful Girls over the last few years and they always connect with a cool, groovin', summertime vibe!" -- G LOVE

"With the melodies of Ben Harper and the sheer power of Bob Marley in moments, you can listen to the vocals of Mat McHugh all night." -- SNAP (Australia)

The Beautiful Girls are back with Water, their second U.S. release on Cornerstone RAS. After releasing last year's We're Already Gone to amazing reviews and touring the nation to support it, the guys from down under knew a follow-up album and another tour was a no-brainer. Taking songs from their extensive Aussie catalog, they put together this eleven-song gem that takes you on a kiwi holiday filled with smooth guitars and soothing vocals. Singer/songwriter Mat McHugh really shows off his range with feel-good tracks "Music" and "Good Times" while expressing personal heartbreak on a track like "Need to Give This Broken Heart Away." Songs for every mood await you on this triumphant sophomore release from everyone's favorite Australian import since Yahoo Serious ...ok, Mel Gibson ... ok, Fosters. Hey, what do you know--The Beautiful Girls ARE everyone's favorite Australian export after all!

Customer Reviews:

Another amazing collection from Aussie Group.......2007-01-09

If you're fans of G. Love, Jack Johnson, & Ben Harper, then this is a must for your collection! I've bought every release they've made available in the States and every one has been fantastic. If you like these guys, I would also recommend checking out the John Butler Trio, another amazing Aussie group.

Average customer rating:

breakdown by cd.
I'm not a music expert

Dvorák: The Masterworks [Box Set]

Manufacturer: Brilliant Classics
ProductGroup: Music
Binding: Audio CD

Dances | Ballets & Dances | Classical | Styles | Music

Waltzes | Ballets & Dances | Classical | Styles | Music

Quartets | Chamber Music | Classical | Styles | Music

Quintets | Chamber Music | Classical | Styles | Music

Trios | Chamber Music | Classical | Styles | Music

General | Chamber Music | Classical | Styles | Music

General | Symphonies | Classical | Styles | Music

General | Sacred & Religious | Classical | Styles | Music

General | Classical | Styles | Music

General | Opera & Vocal | Styles | Music

Romantic (c.1820-1910) | Historical Periods | Opera & Vocal | Styles | Music

Czech | Languages | Opera & Vocal | Styles | Music

Oratorios | Vocal Non-Opera | Opera & Vocal | Styles | Music

Requiems | Vocal Non-Opera | Opera & Vocal | Styles | Music

Blowout Box Sets | Classical Music Blowout | Stores | Music

More Titles at Least 20% Off | Classical Music Blowout | Stores | Music

All Classical Music Blowout | Classical Music Blowout | Stores | Music

Opera & Vocal | Classical Music Blowout | Stores | Music

Brilliant Classics | Amazon.com Label Stores | Stores | Music
Similar Items:

Mendelssohn: The Masterworks [Box Set]
Vivaldi: The Masterworks (Box Set)
Haydn: The Masterworks [Box Set]
Brahms: The Masterworks (Box Set)
Schubert: The Masterworks [Box Set]

ASIN: B00062FLJW
Release Date: 2004-11-30

Customer Reviews:

breakdown by cd........2007-01-14

CD1-7:SYMPHONIES 1-9

CD8:PIANO CONCERTO

CD9:VIOLIN CONCERTO & CELLO CONCERTO

CD10-11:REQUIEM

CD12-13:STABAT MATER

CD14:PIANO TRIOS OP.90 "DUMKY" & 21

CD15:PIANO TRIOS OP.65 & 26

CD16:PIANO QUARTETS

CD17:PIANO QUINTETS

CD18:STRING QUINTETS

CD19-20:MUSIC FOR VIOLIN AND PIANO

C21:SERENADE/HAUSMUSIK

CD22-31:THE COMPLETE STRING QUARTETS

CD32:SLAVONIC DANCES OP.46 & 72

CD33:PIANO DUET SLAVONIC DANCES

CD34:PIANO DUET LEGENDS FROM THE BOHEMIAN FOREST

CD35:PIANO WORKS

CD36-37:RUSALKA

CD38-40:SYMPHONIC POEMS

I'm not a music expert.......2005-08-25

I don't know too much about music. I own over 700 cds, but I don't play music and I don't have much experience with this music. My only point of reference was the ninth symphony, seeing as every other piece in this box set was new to me. It sounds fine, nothing wrong with it as far as I can see.

Now, here's what you'll get in this box set, seeing as Amazon does not give it a description. 40 cds! no joke, you get 40 cds in this box set. It features:
1. Complete symphonies
2. Complete symphonic poems
3. Cello concerto
4. Piano concerto
5. Violin concerto
6. Requiem
7. Stabat Mater
8. Slavonic Dances
9. Complete String quartets
10. Chamber music
11. Piano Works (solo and duet)
12. Rusalka

As far as I can tell, the only things missing are The Spectre's Bride and Jacobin. Seeing as it is 40 cds, i have not had an opportunity to listen to it, however what i have heard i have been quite satisfied with.

Average customer rating:

Phenomonal Album
how can.
Frontier Index
top shelf
Take a Road Trip With Berman & Co

American Water
Silver Jews
Manufacturer: Drag City
ProductGroup: Music
Binding: Audio CD

General | Alternative Rock | Styles | Music

Indie Rock | Indie & Lo-Fi | Alternative Rock | Styles | Music

Alt-Country & Americana | Country | Styles | Music

Singer-Songwriters | Pop | Styles | Music

Pop Rock | Pop | Styles | Music

General | Rock | Styles | Music
Similar Items:

Tanglewood Numbers
Actual Air
Tennessee
Bee Thousand
Shut Up I Am Dreaming

ASIN: B00000AG9W
Release Date: 1998-10-20

Tracks:

Random Rules
Smith & Jones Forever
Night Society
Federal Dust
People
Blue Arrangements
We Are Real
Send In The Clouds
Like Like The The The Death
Buckingham Rabbit
Honk If You're Lonely
The Wild Kindness

Amazon.com's Best of 1998

In the past the Silver Jews were commonly known--and often dismissed--as a Pavement side project. Not anymore. On American Water, D.C. Berman comes into his own as both a poet and a songwriter, effortlessly tossing off lines like the album-opening "In 1984 I was hospitalized for approaching perfection" while the band plays on, unimpressed. --Randy Silver

Amazon.com

"All my favorite singers couldn't sing," Dave Berman of the Silver Jews idiosyncratically speak-croons on "Blue Arrangements." To make the point hit hardest, he doesn't sing so well himself, but it's well-taken: from Lou Reed to Bob Dylan, John Cale to Palace, conventionally "good" singing isn't the most necessary element in effective storyteller-troubadour music. Berman is a prose poet by day and rocker by night, and his lazy-sounding, countrified, skeletal, yet invigorating music celebrates the union of word with sound in a manner simultaneously classic and seldom heard. It's hard not to like a record that begins with the line "In 1984 I was hospitalized for reaching perfection." Thankfully, Berman doesn't trade in the wordplay he and collaborator Steve Malkmus are so expert at. If only Pavement's Brighten the Corners were this relaxed, full of melodic hooks, and cagily profound. --Mike McGonigal

Customer Reviews:

Phenomonal Album.......2004-12-03

This is the ultimate in laid back folk rock. The guitars are powerful but relaxed, the lyrics actually mean something, and the vocals are hollow and bold. "Now you know my two middle names are wrong and right" is to this day my favorite song lyric. And there is plenty more included. Listening to this album is like eating a warm turkey sandwich at five in the morning on a winter day. It is filling, wildly impressive, and truly one of the best albums I own. Plus, you really can't beat a name like Silver Jews. Who wouldn't want to add a band name like that to their album collection?

how can........2004-09-22

This album is just, nice. And down to earth. Very simplistic, at best.

Berman's poetic lyrics outshine Malkmus and his wails.

Frontier Index.......2004-08-31

David Berman is an amazing artist that maintains a really low profile. He's never really been in any spot light, but yet for a 7 year stretch he put out some really amazing stuff. All three of the first Silver Jews albums are worth owning along with his book. Anyway, this album finds David Berman teaming up with college friend and Pavement member Steve Malkmus again. This album is very loose and breazy with a sort of Pavement meets Bob Dylan feel. This album definitely ranks up there with either of the albums Pavement put out after Wowee Zowee, and is far better than 90% of the indie rock I hear coming out anymore. I also think that Steve Malkmus played some incredible guitar on this album, and if you hear it you'll see that he has a more restrained approach on this album. I wish these two would work together more often because the results are often amazing.

top shelf.......2004-06-21

one of the very best records of the last few years.

Take a Road Trip With Berman & Co.......2004-05-22

Like many people, I got into the Jews as a Pavement fan - this was the first Silver Jews album I ever bought, and mostly chose it for the Malkmus influence. Many people I've talked to about the CD who bought it the same way found it hard to get into at first ... it slowly drifted into the back of my CD collection ...

But after giving American Water a serious listen one day, I realized how amazing it is. Not that American Water needs a "serious" listen - it's a perfect CD for all occasions, from the sitting and reading on a rainy night to drinking lemonade with your friends ... American Water is essentially a perfect album because you can put as much or as little effort into it as you want. You can listen to it with full attention and pour over the different layers of pop, alt, and classic county, or use it as the vague but awesomely present background to the aforementioned road trip.

Each listen brings out something different to notice, from the "Smith & Jones" and "Random Rules" fixations from the first listens to the end of the album, where you discover later gems like "Honk if You're Lonely Tonight." David Berman is an incredible poet (see his book, Actual Air), and American Water is like the best of Actual Air set to the best of Wilco (with vague Pavement elements) ... which adds up to, of course, the best someone can ask for in a CD.

Average customer rating:

Outstanding
Incredible..Worth 30 stars
Superb singing matched with superb arrangements
Beautiful music
Beautiful Music, Yet There Is No There Here

Blue Wheat
Stephen Foster , John , American Traditional , Spiritual Traditional , and Dale Warland Singers
Manufacturer: American Choral
ProductGroup: Music
Binding: Audio CD

General | Classical | Styles | Music

General | Folk | Styles | Music

General | Opera & Vocal | Styles | Music

Harvest Home
Christmas With the Dale Warland Singers
Cathedral Classics
December Stillness
Christmas Echoes, Vol. 1

ASIN: B000003M4T
Release Date: 1996-06-18

Tracks:

Oh, Shenandoah (Traditional)
He's Goin' Away (Traditional)
Skip To My Lou (Traditional)
Steal Away (Spiritual)
Wayfarin' Stranger (Traditional)
Soldier, Soldier Won't You Marry Me? (Traditional)
Pretty Saro (Traditional)
Johnny Has Gone For A Soldier
Black Is The Color (Traditional)
Red River Valley 9 (Traditional)
Nelly Bly (Stephen Foster)
My Lord, What A Mornin' (Spiritual)
Jeanie With The Light Brown Hair (Stephen Foster)
Hard Times Come Again No More (Stephen Foster)
Single Girl (Traditional)
Deep River (Spiritual)
Buffalo Gals (Cool White [John Hodges])
The Water is Wide (Traditional)
Black Sheep (African-American lullaby)

Customer Reviews:

Outstanding.......2007-06-06

Robert De Cormier's remarkable arrangement and Marie Spar Dymit's and Lynette Johnson's pure vocals of "Johnny Has Gone for a Soldier" are well worth the price of the entire CD.

Incredible..Worth 30 stars.......2007-05-16

The Dale Warland Singers are my benchmark by which I judge all other choirs. The uniformity of sound, blend, and precise entrances, uniformity are incredible - almost inhuman. Excluding the all male Chanticleer from the roster, this was the finest choir in America. Now that they have broken up, buy all of their CD's you won't be disappointed!

Superb singing matched with superb arrangements.......2004-07-03

A project like this one inevitably highlights the skill of arrangers, and Dale Warland has selected some of the most talented anywhere. Most of these selections will be familiar to listeners, but I doubt most people have heard, for example, "Red River Valley" in Carol Barnett's haunting version here, and ditto for her magnificent "Deep River."

The disc opens with a spectacular, panoramic "Shenandoah" that takes maximum advantage of the Dale Warland Singers' refined sound, and things only get better (if that's possible). Other favorites are a cheery, fizzing "Nelly Bly" and Mark Keller's strong reworking of Stephen Foster's "Hard Times Come Again No More."

Throughout the recording, the freshness of the arrangements is matched by the irresistible singing. This group is known for its outstanding performances and recordings, but this must be counted as one of their all-time best. The sound quality is terrific, capturing the gorgeous blend and precision of the group in a natural-sounding acoustic. Just stunning.

Beautiful music.......2003-07-03

I bought this CD after hearing a few of the recordings on our local NPR radio station. I was not disappointed in any of the selections. Very beautiful.

Beautiful Music, Yet There Is No There Here.......2003-01-13

The Dale Warland Singers (DWS) are among the relatively few musical professionals, who by their aesthetic standards and demonstrated artistry, have taken the less traveled and narrow road to exemplary artistic excellence.

The sound quality and acoustics are excellently engineered in this 20-bit original recording. The most delicately blend and inflection of the singers' voice can be heard. This sheaf of choral works has once existed in real space and time in the kaleidoscopic folklife of past generations. In recording the "Blue Wheat", the 40-member DWS, the creme de la creme of professional choral ensembles, has elevated the common oral tradition of American folk music into a rarified choral art form a capella "in the style of the chapel."

If the soul of the DWS is a capella singing, then Warland and the arrangers are the wings of the same soul. Among the kapellmeisters whose arrangements have graced this folksong anthology are the late Norman Luboff and Roger Wagner. Also included in this album are contemporary arrangements by other esteemed composers: John Rutter (conductor of The Cambridge Singers), Carol Barnett (the DWS resident composer from 1992 to 2001), and Stephen Paulus.

Gertrude Stein is famous for saying of her childhood home, Oakland, California, "When you get there, there's no there there." Purportedly, Stein opined this city by the San Francisco Bay lacked a defining sense of place. Bel canto notwithstanding, the folk melodies of "Blue Wheat" invoke a longing for something no longer possible. The abyss between the America today and the its past is impossible to bridge. Already, we have yielded to the abstractness of political correctness. Our past is either neglected, actively destroyed, or selectively museumed. We do not live in an understood land and culture. There is no there here in the presence of this music. It is only the poignancy of the moment that these beautifully rendered tunes live in our mind. We have to accept this reality as part and parcel of our rootlessness.

If the Oakland Raiders do make it to and win the Superbowl in 2003, there is a there there for some in the football community, albeit fleeting.

Average customer rating:

"Harvest Home" Serves Up a Feast
Amazing
Exquisite
Exquisite
Emotional and poignant

Harvest Home

Manufacturer: Gothic Records
ProductGroup: Music
Binding: Audio CD

General | Classical | Styles | Music

General | Opera & Vocal | Styles | Music
Similar Items:

Christmas With the Dale Warland Singers
Blue Wheat
December Stillness
Christmas Echoes, Vol. 1
Cathedral Classics

ASIN: B000B8QFBY
Release Date: 2005-10-11

Tracks:

Beautiful River (Shall We Gather At The River)
Simple Gifts
She'll Be Comin' Round The Mountain
Peace
McKay
A La Claire Fontaine
Deep River
We Gather Together
Not One Sparrow Is Forgotten
Cindy
Gentle Annie
We Shall Walk Through The Valley In Peace
The Water Is Wide
By And By
The Old Church
Lay Me Low
The Road Home

Album Description

This CD is the second of the final CDs to be issued by The Dale Warland Singers, who disbanded in 2004. The program is a "harvest" of popular songs, hymns and spirituals, including "Simple Gifts," "Deep River," and "We Gather Together". The Grammy-nominated Dale Warland Singers were specialists in performing American works. Includes 16-page booklet with full texts and notes on the works! The Dale Warland Singers CDs are among the best selling American choral CDs in recent history. This CD is a "volume 2" of their best seller, Blue Wheat, issued previously on ACC. Based in Minneapolis/St. Paul, the Dale Warland Singers were recognized as one of the world's foremost a cappella choral ensembles. This 40-voice professional choir recently celebrated its 31st and final season of concerts, tours, radio broadcasts, and critically acclaimed recordings, following the retirement of founder and director Dale Warland.

Customer Reviews:

"Harvest Home" Serves Up a Feast.......2006-03-10

Most CD recordings of choral music do not attract the attention of the population at large, and "Harvest Home" is clearly an exception. Word came to me about this remarkable album through a fellow faculty member at the Boston Conservatory. He was rightly proud of having written two of the arrangements, but prouder still of the fact that it had become a red-hot bestseller through the word-of-mouth network of choristers all over the country. Needless to say, I was curious but a bit skeptical. Generally, things that become that popular have an aesthetic downside. I ordered my copy from Amazon and got it just before I left to go to a concert with a couple of musician friends. We were frankly thrilled with the quality of the singing, the beautifully shaped nuances, and the richness of the several of the arrangements. It is clear that its popularity among choral singers has to do with the musical material, as with its execution. The arrangements are based on mostly religious American folk songs and show off the delicate intonational skills of Dale Warland's legendary group. It's just the kind of thing that church choir members can really appreciate, but unfortunately cannot stand up to repeated listing -- it has to be the work of great composers for me to hear recordings over and over again. Nevertheless, I played it for my choral group, and they jumped all over it. That's the market audience. Bravo, Mr. Warland.

Amazing.......2005-12-26

I've been a fan of the Dale Warland Singers for a long time, and attended many of their concerts. This recording displays perfectly what the choir was capable of. I listen to it constantly. Many of these arrangements are the best I've heard of these songs. "Deep River" is better than that of Chanticleer or Cantus. "She'll be Comin Round the Mountain" is really fun. I got the chance to sing it a few years ago and will never forget it. You NEED to buy this CD. It's well worth the money.

Exquisite.......2005-12-18

Buy this album! This is the finest recording I have purchased this year. The exquisite tonality and the arrangements have kept me listening every day. The audio quality is outstanding - balanced, finely nuanced, lovely soundstage. If you enjoy choral music, purchase this album - NOW.

Exquisite.......2005-11-16

I purchased this on a whim and it is been in my 5-disc player ever since. I have always loved choral settings of folk songs and hymns (with one exception - "The Water is Wide" should never ever ever be sung by a chorus - it doesn't work, but it is the only track I skip on this disc). The selections are all old favorites in often harmonically lush arrangements. Hawley's arrangement of "Not One Sparrow" is transcendent and has become my morning prayer, "Lay Me Low" my evening meditation. The singing is as near perfect as can be, musicality is stunning, and technical merits are high. I cannot recommend this disc enough.

Emotional and poignant.......2005-11-07

On Harvest Home, the Dale Warland Singers delve into the rich legacy of mostly American sacred and folk music. With the lush vocal orchestrations and thoughtful arrangements, many of these familiar songs take on new life and emotional depth.

As a boy, I grew up in the Mennonite church tradition and one of the distinctive things about our church services was the a cappella 4-part harmony. As I got older, I thought this was a bit odd and wished we used instruments in church like most people. In looking back now, I am thankful for that tradition and what it taught me about music and harmony.

Throughout high school I was involved with choral groups, doing several programs each year. The first year after high school I spent a few months at a religious school that had a long-standing tradition of chorale music. I well remember the hours of rehearsal to get the song just right, practicing enunciation and dynamics and expression.

So when I hear a group like the Dale Warland Singers, I have a small insight into the dedication it takes to do choral music at the level of this recording. These are singers and a director at the top of their game, with attention to detail everywhere, creativity in the arrangements and technical brilliance. And what a vocal range, with "how low can they go" bass and sopranos that my normal laptop headphones have trouble reproducing without distortion.

I've long been a fan of spirituals; they are at times moving to hear, at times playful and fun (and can be even more fun to sing). This album features a couple of my favorites: "Shall We Gather At The River" and "Deep River". Upon first hearing this rendition of the latter, I was nearly moved to tears by the stark beauty and emotional depth of this arrangement. It's a prime example of the power of music to take us places emotionally and connect us with the deeper feelings and longings of the soul.

In addition to several spirituals, there is a unique variety of other religious pieces pulled from the traditions of Quakers and Baptists among others. The album also mines some rich treasures from the Shaker tradition, including the comforting "Not One Sparrow Is Forgotten" and the poignant tenderness of "Lay Me Low', with the simple text of

Lay me low where the Lord can find me, where the Lord can own me, where the Lord can bless me

Not everything leans towards the serious or sacred though. A fun, light-hearted arrangement of "She'll Be Comin' Round The Mountain" (arr. by Emma Lou Diemer) features bouncing bass lines and lots of syncopation and sibilance to keep things interesting. And the traditional Dixie folk song "Cindy" tells the story of a heartsick man with tongue-in-cheek lyrics that playfully bounce from part to part.

The liner notes are exceptional, with lots of helpful historic and musical notes on the various selections. This is one of the final albums from The Dale Warland Singers after 31 years. The group disbanded in May 2004 so that the founder Dale Warland could focus more on teaching, consulting and guest conducting. He certainly has left his mark on the choral landscape and this recording is no exception. Highly recommended if you appreciate choral music, especially traditional folk and sacred selections.

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My idea of heaven
Wonderful, but not quite the best of I had hoped
A treasury
Chanticleer: A Portrait

Chanticleer: A Portrait
Caroll Coates , Harold / Mercer, Johnny Arlen , Spiritual Traditional , Vince Guaraldi , Joseph Jennings , Ettore Stratta , Eric Alatorre , Tim Krol , Corey McKnight , Kevin Baum , David Munderloh , and Dawn Upshaw
Manufacturer: Teldec
ProductGroup: Music
Binding: Audio CD

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Our American Journey
How Sweet the Sound: Spirituals & Traditional Gospel Music
Wondrous Love: A World Folk Song Collection
Sing We Christmas
Where the Sun Will Never Go Down

ASIN: B00008J2VP
Release Date: 2003-03-18

Tracks:

Quem Terra Pontus Sidera
Ave Maria (Gregorian Chant)
Alma Redemptoris Mater
The Angel Cried Out
Angelicas Milicias
Wherewithal Shall A Young Man...
Love Is A Beautiful Dream
This Heart That Flutters Near My Heart
Wild Grass
Labbra Vermiglie E Belle
Jeanie With The Light Brown Hair
Dulaman
Shenandoah
Spanish Carol
Love Is Letting Go
Blues In The Night
Wade In The Wate
We Shall Walk Through The Valley In Peace
Christmas Time Is Here

Amazon.com

With this disc, Chanticleer, the internationally renowned, all-male 12-voice chamber choir, celebrates its 25th anniversary. Presenting songs from earlier albums plus one not previously recorded, the selection displays the group's remarkable stylistic and linguistic versatility, as well as all the qualities that have made it famous: the impeccable precision and intonation; the pristine tonal purity; the deep, inner expressiveness; the infinitely variable range of colors, textures, dynamics and moods; and the incredible vocal control that allows voices to stand out as well as to blend into a seamless, sonorous whole. Not for nothing has the group been called "an orchestra of voices" with its ability to sound like a big band in chordal passages and to imitate bass pizzicati as well as patter-songs and gospel shouts. The sopranos take off into stratospheric heights with florid coloratura; it is hard to believe that these are male voices. The program ranges from Gregorian chant and liturgical music of the 16th and 17th century, through traditional and jazz-influenced folk songs and spirituals (some in deplorably bad arrangements), to works by contemporary composers. Chanticleer's mostly vibrato-less vocal style still reflects its roots in its original Renaissance repertoire, but the way the singers use their voices in the popular, jazzy songs makes one aware of the evolving kinship between the two traditions. Though primarily an a capella ensemble, Chanticleer is occasionally joined by various instrumental groups, from period instrument orchestras to a jazz trio, and Dawn Upshaw adds her radiant, smiling, unmistakably "real" soprano to a delightful, high-spirited performance of a Spanish Carol. This disc is a fine, varied sampling of Chanticleer's discography and should inspire listeners to search out all the complete albums. --Edith Eisler

Customer Reviews:

My idea of heaven.......2007-02-17

If you liked Norman Luboff's Song's of the Sea's "Shenandoah", the price of this CD is worth it alone. That's why I ordered the CD. I heard Chanticleer's version and immediately ordered it. The rest is just the icing on the cake.

Then there is the one Kiri Tekanawa (sp?) offering, which is the only female voice on the recording.

Wonderful, but not quite the best of I had hoped.......2006-07-18

Some great material truly shines on this album, but I wsih that the group had been a little less populist in their choice of repertoire. There is a little too many arrangements and folk-like material, with the exception of the wonderful "Dulaman", and I would like to have heard some more varied repertoire. That said this is an excellent starting point for this amazing group.

A treasury.......2005-11-06

As you can tell from the samples, the music here is amazing and covers a wide territory. It is less obvious that much of this is available on other CDs. I am confident, for example, that "We Shall Walk Through the Valley In Peace" is the same track that you will find on their phenomenal and highly recommended gospel collection, _Where the Sun Shall Never Go Down_, and I see a number of familiar-looking titles from other CDs. My advice is: if you're looking for a broad sample of the group's repertoire, then you can't go wrong here -- but if you've already got several Chanticleer albums, then you'll want to check your existing collection for potential duplications before buying this 'treasury.'

Chanticleer: A Portrait.......2005-10-26

This is a marvelous singing group of all males with a little addition of Dawn Upshaw on a couple of pieces. They are thourally amazing at what they can sing with Male Voices usually unaccompanied. Obviously they have good strong Contra-Tenors that can manage the high notes without any problems. I would recommend this album to anyone who enjoys vocal music, unaccompanied and like Male Voices

Songs of Free Men/ A Paul Robeson Recital

Average customer rating:

Robeson on wax
The voice, the sound quality and the interpretation
A Voice from the 40s, often dated, often moving
Robeson at his best
some of the greatest songs of the last century

Songs of Free Men/ A Paul Robeson Recital

Manufacturer: Sony
ProductGroup: Music
Binding: Audio CD

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Paul Robeson Live at Carnegie Hall
Ballad for Americans
Ol' Man River: His 25 Greatest
Paul Robeson - Here I Stand
Spirituals

ASIN: B0000029YJ
Release Date: 1997-12-09

Tracks:

Balm in Gilead
Chassidic Chant
Quiet Flows The Don: From Border To Border
Quiet Flows The Don: Oh, How Proud Our Quiet Don
Elijah, Op. 70: The Lord God Of Abraham
The Purest Kind Of Guy
Joe Hill
The Peat-Bog Soldiers
The Four Insurgent Generals
Native Land
Song Of The Plains
Cradle Song
Within Four Walls
By An' By
Sometimes I Feel Like A Motherless Child
John Henry
Water Boy
My Curly Headed Baby
Mah Lindy Lou
Wagon Wheels
The House I Live In
Showboat: I Still Suits Me
Sylvia
Showboat: Ol' Man River
Porgy And Bess: It Ain't Necessarily So

Amazon.com

There was nothing like the Robeson sound, ever. To describe his deep, rich, perfectly equalized instrument is futile. Go instead to "Balm in Gilead," the opening track, and see if you can listen to the last pianissimo phrase without falling to pieces. Robeson was at his best when the music was slow and the words contained spiritual or social messages. Faster, lighter fare like Kern's "I Still Suits Me" or Gershwin's "It Ain't Necessarily So" find the serious-minded singer out of his element, lacking irony and swing. "Old Man River," though, gets a simple, dignified treatment. It's Songs of Free Men, though, that will just keep Robeson's artistry rolling along, especially in Sony's astonishing transfers. --Jed Distler

Customer Reviews:

Robeson on wax.......2007-06-19

I found this album in a thrift store last week, for a couple of dollars. It's the original pressing on four 78 RPM records, in a gatefold format. It's in pristine condition. I really bought it for the incredible cover art, although I hope to be able to listen to it in this format at some point.

The voice, the sound quality and the interpretation.......2004-09-24

Put this on your stereo and if it is good enough the depth and richness of Robeson's voice will make your fillings rattle and your chest rumble. The power of his voice is awesome. This CD is superbly recorded with no audible noise at normal listening levels.

A Voice from the 40s, often dated, often moving.......2002-09-01

"Red diaper babies" have greeted this disc with nostalgic joy, and it captures a time and an aesthetic and a political belief with precision. Anyone interested in the emotional life of the pro-Soviet left of the 1940s should buy this disc. It's something like Henry Wallace set to music. There is much more to Robeson than that, however, and Sony has given us Robeson whole: there are songs by American masters of the musical, there are labor songs, religious songs, as well as the kind of faux-folk songs which the butcher supreme Josef Stalin encouraged and which were not taken seriously inside the USSR (except at gunpoint!!) but which were taken up by dupes around the world. This is Robeson at his least savory - willing propagandist for a vile mass murderer. Songs such as "Native Land" (fittingly, Robeson is referring to the Soviet Union) and the Red Army song are the equivalent of the "Horst Wessel Song", anthems of murder, and it is difficult to listen to the worst of them without retching. On the other hand, Robeson's commitment to American folk culture was real. "Balm in Gilead" is deeply beautiful; "John Henry" is heroic; "By an' By" is both resigned yet hopeful. "Joe Hill" captures an era in labor history. Anyone interested in American popular song should hear these. Turning to Broadway, his "Old Man River" is very fine, though Robeson changed the lyrics for political reasons and Leonard Warren has done the song better. I disagree with the editorial reviewer: "I Still Suits Me" is wonderfully playful and shows Robeson using his gorgeously rich voice to tease and poke fun. However, Marc Blitzstein's "Purest Kind of a Guy" is beyond saving - another example of Robeson recording an unworthy song by a political fellow-traveller. Ugh. But for every miss there are two hits. Robeson performs Mendelssohn's Elijah with nobility, and sings his favorite song, "Water Boy", with joyous pride: "There ain't no hammer that's on these mountains that rings like mine, boys, that rings like mine."
No one need have any fears about the mono sound quality. The orchestra in the second half of the program is at times a little dwarfed by Robeson's voice, but it generally sounds clean and colorful, and the great artist's voice rings like no other.

Robeson at his best.......2000-05-12

It's hard to believe that most of these recordings pre-date the advent of magnetic tape: the CD transfer is superlative. The songs and performance are beyond reproach. Notable is the imaginative packaging in miniature 'record album' format, complete with the original cover art, and a replica of the original Columbia record label applied to the CD.

In response to a previous question: Robeson's performance of Danny Boy (Londonderry Air) can be found on the Vanguard LP entitled "Robeson" (VRS-9037).

some of the greatest songs of the last century.......2000-05-05

In the 1940s, before rabid McCarthyism and racism had taken its toll on him, Robeson made these wonderful recordings of spirituals, classics and pop tunes. Accompanied by the solo piano of the incomparable Lawrence Brown, or by an orchestra, the songs ring out with pride, dignity, skill and unmatched integrity. The shameful treatment that Robeson was subject to from American authorities certainly seem grotesquely absurd to a modern listener. The wonderful version of "The House I Live In" included on this cd should forever kill off any suspicion that Robeson did not love his country deeply. This album ought to be heard by millions of people, world wide. Robeson's voice is nothing less than a glorious high point in 20th century music, and it's hard to think of any recording capturing it to greater advantage.

Wade In The Water, Vol.1:African American Spirituals:The Concert Tradition

Average customer rating:

Beyond the Jordan
African American Spirituals: The Concert Tradition
Better than I expected (from collegiate selections)
Excellent!
Quality recording but not true to form.

Wade In The Water, Vol.1:African American Spirituals:The Concert Tradition
Various Artists
Manufacturer: Smithsonian Folkways
ProductGroup: Music
Binding: Audio CD

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Wade In The Water, Vol. 2: African American Congregational Singing
Go Down, Moses
In Bright Mansions
Steal Away - Songs of the Underground Railroad
Afro-American Spirituals, Work Songs, And Ballads

ASIN: B000001DJE
Release Date: 1994-05-01

Tracks:

There Is a Balm in Gilead - The Florida A & M University Concert Choir
We Shall Walk through the Valley in Peace - The Princely Players
Roll, Jordan, Roll - The Princely Players
I've Been Buked and I've Been Scorned - The Florida A & M University
Swing Low, Sweet Chariot - The Princely Players
Joshua Fit de Battle - The Fisk Jubilee Singers
Wade in the Water - The Fisk Jubilee Singers
Deep River - The Howard University Chamber Choir
Listen to the Lambs - The Howard University Chamber Choir
Everytime I Feel the Spirit - The Florida A & M University Concert Choir
Oh Freedom- The Princely Players
Gospel Train - The Princely Players
I'm a-Rolling through an Unfriendly World - The Princely Players
Sometimes I Feel like a Motherless Child - Kehembe Eichelberger
Steal Away - The Princely Players
Go in the Wilderness - The Princely Players
Ezekiel Saw the Wheel - The Florida A & M University Concert Choir
Ain't Got Time to Die - The Howard University Chamber Choir
Wade in the Water - The Howard University Chamber Choir

Album Description

Combining African and European performance styles, spirituals have served to steady and exalt African Americans and enrich the wider society as well. Features The Florida A&M Concert Choir, The Howard Universtiy Chamber Choir, and The Fisk Jubilee Singers. 65 minutes.

Customer Reviews:

Beyond the Jordan.......2006-01-04

This collection beautifully and powerfully captures the experiential essence of the African American Spirituals. They are sung just as they were composed--with spontaneous power, group harmony, and personal authenticity.

Reviewer: Bob Kellemen, Ph.D., is the author of "Beyond the Suffering: Embracing the Legacy of African American Soul Care and Spiritual Direction," "Soul Physicians," "Spiritual Friends," and the forthcoming "Sacred Friendships: Listening to the Voices of Women Soul Care-Givers and Spiritual Directors."

African American Spirituals: The Concert Tradition.......2005-08-13

This is an excellent presentation of glorious music which helped to save the sanity and physical being of slaves.

Better than I expected (from collegiate selections).......2004-01-22

I listen to the last two songs (Ain't Got Time to Die & Wade in the Water) over and over and over again. Selections 5, 7, 10, 16, and 17 are great for sing-along. Seven more still have appeal. 14 of 19 - a better than average CD!

Excellent!.......2002-01-24

Spirituals as presented in the concert tradition, such as were performed by the Jubilee Singers after the Civil War. As such, they are not intended to sound like "field recordings" (as one reviewer here had apparantly expected) but rather, polished concert performances. The documentation (liner notes, bibliography, etc) is outstanding...one could teach a workshop just using the CD and notes.

If you're seeking a field recording sound, I suggest "I Believe in Angels Singing: Songs from the Underground Railroad Era (Cassette)
Order from Highlander Center 1959 Highlander Way
New Market, TN 37820 Tel: (423) 933-3443

Quality recording but not true to form........2000-12-28

This is a nice recording and it is well done. The quality of the music is very good but I was disappointed. All of the pieces are performed by choirs and as such are not true to the spiritual in its purest form. These are songs intended to be sung by people that are weary and heavy laden looking for rest. These are very personal songs which should be sung from the heart by a single voice. If not a single voice, a small group. If you are looking for spirituals sung by a large choir in a tightly controlled environment, this is for you. If you are looking for songs which are sung from the heart and soul, this is not it.

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