Music
- A Plus de Cent
- I'll stand by you (2-MCD-Set, numbered item)
- The Isle of View
- Kid (plus 'The isle of view', 'Creep', 1995)
- Further [US-Import]
- Discipline
- Next Stop Neurosis
- Swell
- The Extasie
- The Devil May Care
- Laughing Academy [UK-Import]
- Qntal 2
- A Little More Speed
- Live in Tokyo
- Lounge [UK-Import]
- Contemplating the Engine Room [US-Import]
- Chicken World [UK-Import]
- Welcome
- Cruisin' Down [UK-Import]
- I'm on Fire [UK-Import]
- The Real People [UK-Import]
- Black Snakes
- Working late
- A Look Back in Anger [UK-Import]
- This Is England [UK-Import]
Average customer rating:
- Excellent, but What Are the Words?
- outstanding collection
- Awesome
- 7.5 hours of superb music at a most reasonable price.
|
Les tres riches heures du Moyen Age: A Medieval Journey
Manufacturer: Harmonia Mundi Fr.
ProductGroup: Music
Binding: Audio CD
All Works by Machaut
| Machaut, Guillaume de
| ( M )
| Featured Composers, A-Z
| Classical
| Styles
| Music
Ballads
| Forms & Genres
| Classical
| Styles
| Music
General
| Baroque (c.1600-1750)
| Historical Periods
| Classical
| Styles
| Music
General
| Early Music
| Historical Periods
| Classical
| Styles
| Music
Sacred & Religious
| Early Music
| Historical Periods
| Classical
| Styles
| Music
| Requiems
Vocal & Song
| Early Music
| Historical Periods
| Classical
| Styles
| Music
| Requiems
Sacred & Religious
| Renaissance (c.1450-1600)
| Historical Periods
| Classical
| Styles
| Music
General
| Classical
| Styles
| Music
Compilations
| Classical
| Styles
| Music
General
| Opera & Vocal
| Styles
| Music
Chants
| Vocal Non-Opera
| Opera & Vocal
| Styles
| Music
Madrigals
| Songs & Lieder
| Vocal Non-Opera
| Opera & Vocal
| Styles
| Music
General
| Songs & Lieder
| Vocal Non-Opera
| Opera & Vocal
| Styles
| Music
Masses
| Vocal Non-Opera
| Opera & Vocal
| Styles
| Music
Motets
| Vocal Non-Opera
| Opera & Vocal
| Styles
| Music
Noels
| Vocal Non-Opera
| Opera & Vocal
| Styles
| Music
Partsongs
| Vocal Non-Opera
| Opera & Vocal
| Styles
| Music
Renaissance (c.1450-1600)
| Historical Periods
| Opera & Vocal
| Styles
| Music
Classical
| Imports
| Stores
| Music
Similar Items:
- Perotin / The Hilliard Ensemble
ASIN: B00000074R
Release Date: 1995-11-21 |
Tracks:
- 1. By Way Of A Preamble: Byzantine Chant: Alleluia - Tropaire de la venue de l'epoux (Lundi Saint) - MEDIEVAL JOURNEY
- 1. By Way Of A Preamble: Byzantine Chant: Exapostilarion de l'Office de Mardi Saint: Version arabe - MEDIEVAL JOURNEY
- 1. By Way Of A Preamble: Byzantine Chant: Exapostilarion de l'Office de Mardi Saint: Version grecque - MEDIEVAL JOURNEY
- 1. By Way Of A Preamble: Byzantine Chant: Exapostilarion de l'Office de Mardi Saint - Version arabe - MEDIEVAL JOURNEY
- 1. By Way Of A Preamble: Chants sacres Melchites (IV siecle): Hymne a la Vierge (Liturgie grecque de saint Jean Chrysostome) - MEDIEVAL JOURNEY
- 1. By Way Of A Preamble: Chants sacres Melchites (IV siecle): Office de la Nativite de la Mere de Dieu (Grand Canon de saint Jean Damascene) - MEDIEVAL JOURNEY
- 2. Monody Before Gregorian Chant: Chants de l'Eglise de Milanaise: Psaume: 'Tecum principium in die virtutis tue'' - MEDIEVAL JOURNEY
- 2. Monody Before Gregorian Chant: Chants de l'Eglise de Milanaise: Responsorium: 'Congratulamini mihi omnes qui diligitis Dominum'' - MEDIEVAL JOURNEY
- 2. Monody Before Gregorian Chant: Le Chant Beneventain: Communio: 'Qui manducaverit' - MEDIEVAL JOURNEY
- 2. Monody Before Gregorian Chant: Les Chants de l'Eglise de Rome (VII-VIII siecles): Introit 'Resurrexi' - MEDIEVAL JOURNEY
- 2. Monody Before Gregorian Chant: Les Chants de l'Eglise de Rome (VII-VIII siecles): Office de l'Adoration de la Croix; Improperes: 'Agios o Theos, Sanctus Deus' - MEDIEVAL JOURNEY
- 2. Monody Before Gregorian Chant: Le Chant Mozarabe: Cathedrale de Tolded: Sacrificium 'Vox clamantis' - MEDIEVAL JOURNEY
Tracks:
- 1. Gallican Chant: Versus de l'eveque Theodulfe d'Orleans: 'Gloria laus' - Deller Consort
- 1. Gallican Chant: Semaine Sainte: repons du 7 mode: 'Tenebrae factae sunt' - Deller Consort
- 2. An Immense Corpus: Missa da Requiem Gregorienne: Introit: 'Requiem aeternam' - Deller Consort
- 2. An Immense Corpus: Missa da Requiem Gregorienne: Kyrie eleison - Deller Consort
- 2. An Immense Corpus: Missa da Requiem Gregorienne: Graduel 'Requiem aeternam' - Deller Consort
- 2. An Immense Corpus: Missa da Requiem Gregorienne: Trait: 'Absolve, Domine' - Deller Consort
- 2. An Immense Corpus: Missa da Requiem Gregorienne: Sequence: 'Dies irae' - Deller Consort
- 2. An Immense Corpus: Missa da Requiem Gregorienne: Offertoire: 'Domine Jesu Christe' - Deller Consort
- 2. An Immense Corpus: Missa da Requiem Gregorienne: Sanctus - Deller Consort
- 2. An Immense Corpus: Missa da Requiem Gregorienne: Agnus Dei - Deller Consort
- 2. An Immense Corpus: Missa da Requiem Gregorienne: Communion: 'Lux aeterna' - Deller Consort
- 2. An Immense Corpus: Missa da Requiem Gregorienne: Repons: 'Libera me' - Deller Consort
- 2. An Immense Corpus: Missa da Requiem Gregorienne: Antienne: 'In paradisum' - Deller Consort
- 2. An Immense Corpus: Planctus Hugonis Abbatis: 'Hug dulce nomen' pour la mort d'Hugues, fils de Charlemagne, en 844 - Deller Consort
- 3. The Aquitaine Tradition, Or The Problem Of Notation: Antiphona ad processionem: 'O beata infantia' - Schola Hungarica
- 3. The Aquitaine Tradition, Or The Problem Of Notation: Introitus cum tropis: 'Quam queritis in praesepe - Puer natus est' - Schola Hungarica
- 3. The Aquitaine Tradition, Or The Problem Of Notation: Alleluja 'Dies sanctificatus' - Schola Hungarica
- 3. The Aquitaine Tradition, Or The Problem Of Notation: Communio cum tropis: 'Desinat esse dolor - Viderunt Omnes' - Schola Hungarica
- 3. The Aquitaine Tradition, Or The Problem Of Notation: Alleluia cum tropis in octava - Schola Hungarica
- 3. The Aquitaine Tradition, Or The Problem Of Notation: Cantio ad laudem cantoris: 'Annus novus in gaudio' - Schola Hungarica
- 4. The Cistercian Exception: Repons de Matines pour la fete de Saint Bernard: Virtute multa - Ensemble Organum
- 4. The Cistercian Exception: Repons de Matines pour la fete de Saint Bernard: In timore Dei - Ensemble Organum
- 4. The Cistercian Exception: Repons de Matines pour la fete de Saint Bernard: 'Testamentum eternum' - Ensemble Organum
- 4. The Cistercian Exception: Repons de Matines pour la fete de Saint Bernard: 'Dedit Dominus confessionem sancto suo' - Ensemble Organum
Tracks:
- The Art Of The Troubadours: A l'entrada del temps clar - MEDIEVAL JOURNEY
- The Art Of The Troubadours: Vida - MEDIEVAL JOURNEY
- The Art Of The Troubadours: Quand vei la laudeta mover - MEDIEVAL JOURNEY
- The Art Of The Troubadours: Vida - MEDIEVAL JOURNEY
- The Art Of The Troubadours: Sitot me soi - MEDIEVAL JOURNEY
- Cantigas de Santa Maria: Cantiga 77 (Flute a bec et percussion) - MEDIEVAL JOURNEY
- Cantigas de Santa Maria: Prologue: 'Porque Trobar' - MEDIEVAL JOURNEY
- Cantigas de Santa Maria: Cantiga 37 (Flute de berger et zarb) - MEDIEVAL JOURNEY
- Cantigas de Santa Maria: Cantiga 7: 'Santa Maria leva' - MEDIEVAL JOURNEY
- Cantigas de Santa Maria: Cantiga 100: 'Santa Maria, strela do dia' - MEDIEVAL JOURNEY
- Carmina Burana (XIII siecle): 'Bacche, bene venies' (CB 200) - MEDIEVAL JOURNEY
- Carmina Burana (XIII siecle): 'In taberna quando sumus' (CB 196) - MEDIEVAL JOURNEY
- Carmina Burana (XIII siecle): 'Axe Phebus aureo' (CB 71) - MEDIEVAL JOURNEY
- Carmina Burana (XIII siecle): 'Deduc Syon, uberrimas' (CB 34) - MEDIEVAL JOURNEY
- Carmina Burana (XIII siecle): 'Flete flenda' (CB 5) - MEDIEVAL JOURNEY
- Les Minnesanger: 'Sinc an, guldin huon!' - MEDIEVAL JOURNEY
- Les Minnesanger: Ich lobe ein wip (Instr.) - MEDIEVAL JOURNEY
- Les Minnesanger: 'Owe dirre not' - MEDIEVAL JOURNEY
- Les Minnesanger: Wol auff, gesell (Instr.) - MEDIEVAL JOURNEY
Tracks:
- 1. 12th Century Polyphony In Aquitaine: 'Domine labia mea aperies' - 'Deus in adjutorium meum' (Choeur) - Ensemble Organum
- 1. 12th Century Polyphony In Aquitaine: Versus: 'O primus homo coruit' (a 2 voix) - Ensemble Organum
- 1. 12th Century Polyphony In Aquitaine: Versus: 'Veri solis radium' (a 2 voix) - Ensemble Organum
- 2. The Notre-Dame School: Messe du Jour de noel (XIII siecle) - Excerpts: Introit trope: 'Puer natus est' - Ensemble Organum
- 2. The Notre-Dame School: Messe du Jour de noel (XIII siecle) - Excerpts: Kyrie - Ensemble Organum
- 2. The Notre-Dame School: Messe du Jour de noel (XIII siecle) - Excerpts: Graduel: 'Viderunt omnes' - Ensemble Organum
- 2. The Notre-Dame School: Messe du Jour de noel (XIII siecle) - Excerpts: Sanctus (organum) - Ensemble Organum
- 2. The Notre-Dame School: Messe du Jour de noel (XIII siecle) - Excerpts: Agnus Dei - Ensemble Organum
- 2. The Notre-Dame School: Messe du Jour de noel (XIII siecle) - Excerpts: Ite missa est - Deo Gratias - Ensemble Organum
- 3. The Gradual Of Eleanor Of Brittany - A Particular Practice Of Polyphony: Kyrie 'Orbis factor' - Ensemble Organum
- 3. The Gradual Of Eleanor Of Brittany - A Particular Practice Of Polyphony: Credo in unum Deum - Ensemble Organum
- 3. The Gradual Of Eleanor Of Brittany - A Particular Practice Of Polyphony: Sequence: 'Res est admirabilis' - Ensemble Organum
- 4. The Motets From The Montpellier Codex, Jewels Of The Ars Antiqua: Plus bele que flor - Quant revient - L'autrier joer - Flos Filius - Anonymous 4
- 4. The Motets From The Montpellier Codex, Jewels Of The Ars Antiqua: Puisque bele dame m'eime - Flos Filius - Anonymous 4
- 4. The Motets From The Montpellier Codex, Jewels Of The Ars Antiqua: Celui en qui - La bele estoile - La bele, en qui - Iohanne - Anonymous 4
- 4. The Motets From The Montpellier Codex, Jewels Of The Ars Antiqua: Amor potest - Ad amorem sequitur - Anonymous 4
- 4. The Motets From The Montpellier Codex, Jewels Of The Ars Antiqua: S'on me regarde - Prennes i garde - He, mi enfant - Anonymous 4
- 4. The Motets From The Montpellier Codex, Jewels Of The Ars Antiqua: Qui d'amour se plaint - Lux Magna - Anonymous 4
- 4. The Motets From The Montpellier Codex, Jewels Of The Ars Antiqua: On doit fin(e) Amor - La biaute - In Seculum - Anonymous 4
- 5. An English Ladymass In Salisbury Cathedral (13th Century): Kyrie: 'Kyria christifera' - Anonymous 4
- 5. An English Ladymass In Salisbury Cathedral (13th Century): Gloria - Anonymous 4
- 5. An English Ladymass In Salisbury Cathedral (13th Century): Sanctus - Benedictus - Anonymous 4
- 5. An English Ladymass In Salisbury Cathedral (13th Century): Agnus Dei: 'Virtute numinis' - Anonymous 4
Tracks:
- 1. Le Roman de Fauvel (1310-1316): In mari miserie - Clemencic Consort
- 1. Le Roman de Fauvel (1310-1316): Vers 149 a 168 - Clemencic Consort
- 1. Le Roman de Fauvel (1310-1316): Ad solitum vomitum - Clemencic Consort
- 1. Le Roman de Fauvel (1310-1316): Porchier miex estre. Vers 250 a 280 - Clemencic Consort
- 1. Le Roman de Fauvel (1310-1316): J'ai fait nouveletement - Clemencic Consort
- 1. Le Roman de Fauvel (1310-1316): Quoniam secta latronum - Clemencic Consort
- 1. Le Roman de Fauvel (1310-1316): Vers 5905-5926 - Mario, virgo viginum - Clemencic Consort
- 1. Le Roman de Fauvel (1310-1316): Vers 6023-6050 - Clemencic Consort
- 1. Le Roman de Fauvel (1310-1316): Quare fremuerunt - Clemencic Consort
- 2. La Messe de Tournai (c.1330-40) - Excerpts: Kyrie - Ensemble Organum
- 2. La Messe de Tournai (c.1330-40) - Excerpts: Gloria in excelsis Deo - Ensemble Organum
- 2. La Messe de Tournai (c.1330-40) - Excerpts: Sanctus - Ensemble Organum
- 2. La Messe de Tournai (c.1330-40) - Excerpts: Agnus Dei - Ensemble Organum
- 3. The Chansons Of The French And Italian Ars Nova: 'De toutes flours' - Ensemble Organum
- 3. The Chansons Of The French And Italian Ars Nova: 'Honte, paour, doubtance' - Ensemble Organum
- 3. The Chansons Of The French And Italian Ars Nova: 'Honte, paour, doubtance', version instrumentale - Ensemble Organum
- 3. The Chansons Of The French And Italian Ars Nova: 'Che pena e quest'al cor' - Ensemble Organum
- 3. The Chansons Of The French And Italian Ars Nova: 'Imperiale sendendo fra pi stelle' - Ensemble Organum
- 3. The Chansons Of The French And Italian Ars Nova: Rondeau-canon 'Tout par compas' - Ensemble Organum
- 3. The Chansons Of The French And Italian Ars Nova: Rondeau 'Belle, bonne, sage' - Ensemble Organum
- 3. The Chansons Of The French And Italian Ars Nova: Rondeau 'Fumeux fume par fumee' - Ensemble Organum
- 3. The Chansons Of The French And Italian Ars Nova: Ballade 'On voit tout' - Ensemble Organum
- Sacred Music In 14th Century England: 'Campanis cum cymbalis - Honoremus Dominam' - The Hilliard Ensemble
- Sacred Music In 14th Century England: 'Mater ora filium' - The Hilliard Ensemble
- Sacred Music In 14th Century England: 'Edi be thu' - The Hilliard Ensemble
- Sacred Music In 14th Century England: 'Gabriel From Heven-King' - The Hilliard Ensemble
- Sacred Music In 14th Century England: 'Gaude virgo Mater Christi' - The Hilliard Ensemble
Tracks:
- Johannes Ciconia (c. 1335-1414): 'Ligiadra donna' pour vielles - The Newberry Consort
- 1. 15th Century English Music: Les Carols: Alleluya: 'A Nywe werke' - Anonymous 4
- 1. 15th Century English Music: Les Carols: 'Ecce quod natura' - Anonymous 4
- 1. 15th Century English Music: Les Carols: Nowel: 'Owt Of Your Slepe Aryse' - Anonymous 4
- 1. 15th Century English Music: Les Carols: 'Anna Mater Matris Christi' - The Hilliard Ensemble
- 1. 15th Century English Music: Les Carols: 'Tota pulcra es, amica mea' - The Hilliard Ensemble
- 1. 15th Century English Music: 15th Century Marial Polyphony: Conduit 'O Maria stella maris' - Anonymous 4
- 1. 15th Century English Music: 15th Century Marial Polyphony: Sequence 'Salve virgo singularis' - Anonymous 4
- 1. 15th Century English Music: 15th Century Marial Polyphony: Motet 'Veni mater gracie - Dou Way, Robin' - Anonymous 4
- 2. The Emergence Of Specifically Instrumental Music: Musicue instrumentale a la Cour d'Espagne: 'Propinan de Melyor' - The Newberry Consort
- 2. The Emergence Of Specifically Instrumental Music: Musicue instrumentale a la Cour d'Espagne: --sans titre - The Newberry Consort
- 2. The Emergence Of Specifically Instrumental Music: Musicue instrumentale a la Cour d'Espagne: 'La Spagna' - The Newberry Consort
- 2. The Emergence Of Specifically Instrumental Music: Musicue instrumentale a la Cour d'Espagne: 'La Spagna' - The Newberry Consort
- 3. Johannes Ockeghem (c. 1420-1497) - Requiem - Excerpts: Introit. 'Requiem eternam dona eis Domine' - Ensemble Organum
- 3. Johannes Ockeghem (c. 1420-1497) - Requiem - Excerpts: Kyrie - Ensemble Organum
- 3. Johannes Ockeghem (c. 1420-1497) - Requiem - Excerpts: Tractus: 'Sicut servus desideral ad fontes aquarum' - Ensemble Organum
- 3. Johannes Ockeghem (c. 1420-1497) - Requiem - Excerpts: Sanctus - Ensemble Organum
- Lute Music: Ricercar 'L'autre jour' - Paul O'Dette
- Lute Music: 'Nous bergiers' - Paul O'Dette
- Lute Music: Ricercar No. 33 - Paul O'Dette
- Lute Music: 'Il est bel et bon' - Paul O'Dette
Customer Reviews:
Excellent, but What Are the Words?.......2006-07-04
This is a wonderful collection of music spanning many centuries, some of which you are unlikely to encounter anywhere else. The performances are beautiful, too. The one drawback is that the liner notes contain very few song text translations, a big problem for a large CD set with music that is primarily vocal.
outstanding collection.......2002-09-27
I have quite a number of CDs with Medieval Age polyphony, byzantine chant and renaissance music, but this collection goes beyond what could usually be expected from such boxsets. I'd highly recommend it to all.
Awesome.......2001-09-20
This is the best collection of medieval music I have ever heard. The performances are top-notch, and all of the songs are well done. I highly reccomend this collection not only for fans of medieval music, but for any music lover.
7.5 hours of superb music at a most reasonable price........1999-12-24
There isn't a clunker in this set. All the performers are top drawer and the recordings are good. The notes are a little brief and a bit scholarly, but can be ignored easily.
You will get an idea of the different kinds of medieval music as well as the top groups and soloists working currently in the field.
When I got this set, my mother and I listened to all 7+ hours straight through. We then started buying CDs from the different performers we had to hear more from.
At twice the price, this would still be an excellent addition to any classical or medieval music collection, as well as the best introduction to medieval music around.
Average customer rating:
- Superb Early Music. Buy It.
- A Fiver from one of the Archangels of early music performance
- Outdated but Still Rivetingly Interesting
- If 6 were available, this would get them!
- One of the finest early music performances ever recorded
|
The Art of Courtly Love - David Munrow & The Early Music Consort of London
Manufacturer: Virgin Records Us
ProductGroup: Music
Binding: Audio CD
Baroque Dance Suites
| Ballets & Dances
| Classical
| Styles
| Music
| Allemandes
| Courantes
| Gigue
| Sarabande
All Works by Dufay
| Dufay, Guillaume
| ( D )
| Featured Composers, A-Z
| Classical
| Styles
| Music
All Works by Machaut
| Machaut, Guillaume de
| ( M )
| Featured Composers, A-Z
| Classical
| Styles
| Music
Ballads
| Forms & Genres
| Classical
| Styles
| Music
Rondos
| Forms & Genres
| Classical
| Styles
| Music
General
| Baroque (c.1600-1750)
| Historical Periods
| Classical
| Styles
| Music
General
| Early Music
| Historical Periods
| Classical
| Styles
| Music
General
| Classical
| Styles
| Music
General
| Chamber Music
| Classical
| Styles
| Music
General
| Opera & Vocal
| Styles
| Music
Chansons
| Vocal Non-Opera
| Opera & Vocal
| Styles
| Music
Motets
| Vocal Non-Opera
| Opera & Vocal
| Styles
| Music
Partsongs
| Vocal Non-Opera
| Opera & Vocal
| Styles
| Music
Virelais
| Vocal Non-Opera
| Opera & Vocal
| Styles
| Music
General
| Songs & Lieder
| Vocal Non-Opera
| Opera & Vocal
| Styles
| Music
Similar Items:
- Music of the Gothic Era
- The Art of the Netherlands
- Music Of The Crusades
- Machaut: La Messe de Nostre Dame; Songs from Le Voir Dit
- Early Music Festival / David Munrow, Early Music Consort
ASIN: B000002SSB
Release Date: 1996-07-16 |
Tracks:
- A vous douce debonaire (Chansons)
- Hareu! Hareu! le feu - Helas! ou sera pris confors (motet)
- Amours me fait desirer (ballade)
- Trop plus est belle - Biaute paree - je ne sui mie certeins (motet)
- Amis tout dous vis (rondeau)
- Se ma dame m'a guerpy (virelai)
- Se je souspir (virelai)
- Dame se vous m'estes lointeinne (ballade)
- Quant je sui mis au retour (virelai)
- Mes esperis se combat (ballade)
- Ma fin est mon commencement (rondeau)
- Douce dame jolie (virelai)
- De Bon Espoir - Puis Que la douce rousee (motet)
- De toutes flours (ballade)
- Quant Theseus - Ne quier veoir (double ballade)
- Anon La Septime estampie Real (dance)
- Quant j'ay l'espart (rondeau)
- Phyton le mervilleus serpent (ballade)
- Armes amours - O flours des flours (double ballade)
- A l'arme a l'arme (virelai)
- Phiton Phiton (virelai)
- Two variants on the tenor 'Roussignoulet du bosi' Borlet: He tres doulz roussignol (virelai)
- Fumeux fume (rondeau)
- De home vray (ballade)
- Istampitta Tre fontane (dance)
- Ma douce amour (ballade)
Tracks:
- Tres doulz amis - Ma dame - Cent mille fois (rondeau)
- Plasanche or tost (virelai)
- Amour m'a le cuer mis (ballade)
- Tribum quem (motet)
- Helas! je voy mon cuer (ballade)
- Contre le temps (virelai)
- Andray soulet (canon)
- Le greygnour bien (ballade)
- Restoes restoes (virelai)
- Ce moys de may (rondeau)
- La belle se siet (ballade)
- Je ne fai tousjours que penser (rondeau)
- Files a marier (chanson)
- Amoreux suy et me viente toute joye (rondeau)
- Je loe Amours et ma dame mercye (ballade)
- Navre je sui d'un dart penetratif (rondeau)
- Lamentatio Sanctae Matris Ecclesiae Constantinopolitanae (O tres piteulx - Omnes amici) (motet)
- La Spagna (Variant 1) (basse danse)
- Par droit je puis bien complaidre (rondeau)
- Donnes l'assault (rondeau)
- Vostre tres doulx regart (rondeau)
- Helas mon dueil (virelai)
- Bien puist (rondeau)
- Vergine bella (stropha)
- La Spagna (Variant 2)
Customer Reviews:
Superb Early Music. Buy It........2005-12-13
'The Art of Courtly Love' is a two CD set, condensed from a three LP album performed by The Early Music Consort of London. I know less than I would like about early music, considering how much I enjoy it, but one very important thing I do know is that the director of this recording, David Munrow was, until his untimely death, the big man in early music.
One of the many things I especially like about this collection is that by showcasing a lot of vocal music, the tinny quality of a lot of early music is moved to the background. Antother thing I like is the fact that one can plainly distinguish secular from liturgical music by listening carefully to these selections. The biggest differences I see are the appearance of percussion instruments and male / female duets.
One reviewer commented on the quality of the notes. I agree they are good, but only about average for an old music offering by a major label.
Highly recommended to all who like early music.
A Fiver from one of the Archangels of early music performance.......2005-06-26
I bought this when the album was first released. Even though scholarship has advanced, and it can be argued that Munrow's interpretations are dated, what has been lost over the years is the joy in performing this music. Many modern performances are ponderous and much, much too serious. But David Munrow found this music as a wonderous discovery. Through albums such as this one, he released into the open air music that had been locked away, languishing in the libraries for years, trotted out occasionally for a scholarly study, and then tucked back on the shelves. Munrow's enthusiasm for this music is evident in this collection, and his performances make them walk - no, dance - in the open air once more. This album is beautifully performed. I hope the notes in the CD are as good as the ones in my original release.
In 1974, I had the great pleasure of meeting David Munrow and the other members of the Early Music Consort, and was blown away with that enthusiasm and unselfishness, their willingness to discuss their work - I remember Munrow trading recorder performance tips with a friend of mine - and Munrow's truly amazing store of energy. He radiated! : -)
Outdated but Still Rivetingly Interesting.......2005-05-01
This 2-CD boxed set is the digital version of a 3-LP box from 1973 and was reissued in 1996 as part of the edition with which EMI/Virgin celebrated the twentieth anniversary of David Munrow’s unfortunate demise. The recordings, made at London’s prestigious Abbey Road studios, are digitally remastered to a very high standard, so that I found myself enjoying them via headphones more than via loudspeakers, something which is pretty unusual with CDs from the old analogue days. The two discs contains no less than some 156 minutes (51 tracks) of absolutely fascinating music. The first part is devoted to Guillaume Machault’s songs, works which can be dated around 1350 to 1360. The second part of the programme is concerned with the so-called avantgarde from Avignon (including names such as Matteo da Perugia), composers who wrote for esoteric circles around 1380 to 1410. And the third part (the third LP of the original) is devoted to fifteenth-century music from the court of Burgundy, the two great composers here being Dufay and Binchois.
Of course, David Munrow’s performances, fascinating and rivetingly interesting as they are, were shaped by his own interests and research at the time, and the booklet notes point out that since then “scholarship and performance practices have moved on healthily”, which I interpret to mean that today nobody would dream of performing this music the way Munrow did: for instance, he has most of the songs accompanied by a whole plethora of ancient instruments, although today it is generally agreed that works from this period should be sung unaccompanied or with minimal instrumental support. Munrow also performs some of the songs as purely instrumental pieces, a legitimate decision perhaps. Munrow also uses the two countertenors James Bowman and Charles Brett for many of the songs, and not everyone will appreciate being bombarded with their somewhat forced androgynous falsetto for nearly three hours; personally, it was the singing of Martyn Hill, tenor, and Geoffrey Shaw, baritone, which delighted my ear during these sessions. Along with the instruments, of course: slide trumpet, cornett, shawm, crwth, fiddle, rebec, citole and so on, plus several tracks with the amazing Christopher Hogwood playing an organ that sounds, at least, very old – unfortunately, the otherwise good liner notes give no details concerning the instruments used.
The Old French texts are printed in full with English translations, so it is possible to follow every nuance. Exceptionally good value for money! – For more historically-informed performances of music of this kind, I suggest searching names such as Gothic Voices, Hilliard Ensemble or Binchois Consort.
If 6 were available, this would get them!.......2002-02-16
Lovely, beautiful, amazing, charming, and vital. I'll not replicate the previous reviewer, though my favorites differ from his, but I bought this on LP 25 years ago and it changed my life. These are exhilarating performances, that move you effortlessly through time and space into a world both far away and very, very close. So much great music, wonderfully performed. Take a chance--it might change your life as well!
One of the finest early music performances ever recorded.......2001-09-03
And an intriguing work of scholarship besides. This was originally released back in the early 1970's by the late David Munrow as a three album box set.
The first part of this recording is basically dedicated to Machaut and his contemporaries. The chanson -Amours me fait desirer- remains striking to this day, with its unusual leap in its first measures. -Amis tout dous- is a lovely miniature, and so also is the monophonic -Quant je sui mis au retour-. But the high point of this part of the record is -Quant j'ay l'espart-, a duet between countertenor and bass cornetto (a serpent?), understated and heartbreaking.
The second part is weirdness from the Avignon court of the Popes, the time when rhythmic notation got more sophisticated, and composers grew more experimental. The unusual chromaticism of -Fumeux fume- is given a great performance here. The -Tre fontane- estampie is given a reading here that is truly frenzied. -Plasanche, ou tost- is a lovely song. You also get rhythmic oddities like -Le greygnour bien-.
The third album nears Renaissance music, and focuses on Dufay and Binchois. Loud instruments like sackbuts and shawms are featured on pieces like -Donnes l'assault-, which seems risky, but sometimes works. The usually quiet pieces on the -La Spagna- ground are here given a marching-band performance on loud winds. The real high points here, though, are the motet -O tres piteulx-, Binchois absolutely gorgeous -Amoureux suy-, and the setting of Petrarch's -Vergine bella-.
This is a definitive early music performance that should never be allowed to go out of print. My only complaint with the CD edition is that it lacks some of the more extensive notes that came with the phonograph record booklet.
Average customer rating:
|
Chanson polyphonique: Songs of the French Renaissance
Manufacturer: Harmonia Mundi
ProductGroup: Music
Binding: Audio CD
Baroque Dance Suites
| Ballets & Dances
| Classical
| Styles
| Music
| Allemandes
| Courantes
| Gigue
| Sarabande
Le Jeune, Claude
| ( L )
| Featured Composers, A-Z
| Classical
| Styles
| Music
Symphonies
| Forms & Genres
| Classical
| Styles
| Music
| Baroque
| Classical
| General
| Modern & 20th Century
| Romantic
| Sinfonia
| Sinfonia Concertante
General
| Classical
| Styles
| Music
General
| Chamber Music
| Classical
| Styles
| Music
General
| Opera & Vocal
| Styles
| Music
Chansons
| Vocal Non-Opera
| Opera & Vocal
| Styles
| Music
ASIN: B00000IXUD
Release Date: 1999-05-11 |
Tracks:
- Ha Seigneur Dieu, Que De Graces Ecloses
- Dans Le Serain De Sa Jumelle Flamme
- Nature Ornant La Dame
- Pavane Et Gaillarde 'La Milanoise'
- Ces Deux Yeux Bruns Doux Flambeaux De Ma Vie
- Je Parangonne Au Soleil Que J'adore
- Gaillarde 'La Piemontoise'
- Oeil Qui Mes Pleurs De Tes Rayons Essuye
- Amour Archer D'une Tirade Ront
- Mon Dieu, Mon Dieu Que Ma Maistresse Est Belle
- Amour, Amour, Donne Moy Paix Ou Treve
- Gaillarde
- Je Vy Ma Nymphe Entre Cent Damoiselles
- Tout Me Desplaist, Mais Rien Ne M'est Si Grief
- Pavane Et Gaillarde 'La Romanesque'
- Avecques Moy Pleurer Vous Devriez Bien
- Certes Mon Oeil Fut Trop Avantureux
- Ce Ris Plus Dous Que L'oeuvre D'une Abeille
Tracks:
- Que Je Porte D'envie
- Je Ne M'eleve Icy
- Premiere Fant
- Tu Ne L'enten Pas
- Je Ne Me Plain
- Susanne Un Jour
- Susanne Un Jour
- Le Chant De L'Alouette
- Quell'eau Quel Air
- Seconde Fant
- Je Voulu Baiser Ma Rebelle
- Je Suis Desheritee
- Troisieme Fant
- Allons, Allons Gay
- Debat La Nostre Trill' En May
- Mais Qui Es-tu
Tracks:
- Qu'est-ce D'amour?
- Une Bergere Un Jour
- Tant Que Vivray
- Le Content Est Riche
- Il Est Bel Et Bon
- Gaillard Pour Luth
- Un Gay Berger
- Petite Fleur Coincte Et Jolye
- Comment Au Departir
- Fant No.10
- En M'en Venant De Veoir
- Fricassee
- La Prise De Calais-Hardis Francoys
- Doulce Memoire
- Finy Le Bien (Response De 'Doulce Memoire')
- Elle Craint L'esperon
- Fricassee
- Dieu Qui Conduictz-Echo
- Je Suis Robert
- D'amours Me Plains
- A Ce Matin
- Las, Je M'y Plains
- Ung Jour Robin
- Mon Amy M'avoit Promis
Music:
- Havin' A Ball [UK-Import]
- To Find a Little Bluebird
- Don'T Get Down
- ABC+d-the Best of
- Forever Alien
- Mad Cows and Englishmen
- Lido
- Wrench [UK-Import]
- 21 Years of Alternative Radio 1
- Dojo Compilation [UK-Import]
Music