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Average customer rating:

Pure Pop for Punk People
this album absolutely kicks backside
Disappointing Final Release
"Familiar places that we turned into gardens"
Best album by someone I had never heard of.

Warehouse: Songs and Stories
Hüsker Dü
Manufacturer: Warner Bros / Ada
ProductGroup: Music
Binding: Audio CD

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Flip Your Wig
New Day Rising
Zen Arcade
Metal Circus
Eight Miles High/Makes No Sense At All [EP]

ASIN: B000005JAM
Release Date: 1990-10-25

Tracks:

These Important Years
Charity, Chastity, Prudence, And Hope
Standing In The Rain
Back From Somewhere
Ice Cold Ice
You're A Soldier
Could You Be The One?
Too Much Spice
Friend, You've Got To Fall
Visionary
She Floated Away
Bed Of Nails
Tell You Why Tomorrow
It's Not Peculiar
Actual Condition
No Reservations
Turn It Around
She's A Woman (And Now He Is A Man)
Up In The Air
You Can Live At Home

Amazon.com essential recording

"Ice Cold Ice," in which Bob Mould rails against "barren lands and barren minds" and Grant Hart falls in on the supercatchy chorus, exemplifies the Hüsker Dü career development that peaks on this final album. Without sacrificing the emotional intensity of earlier albums, the Minneapolis trio beefs up the guitar-based melodies and sneaks in pop songcraft in lieu of the old fast-and-loud hardcore style. On this 1987 double album, as usual, guitarist Mould supplies the personal songs ("Standing in the Rain"), while drummer Hart remains more broadly political ("Tell You Why Tomorrow"). --Steve Knopper

Customer Reviews:

Pure Pop for Punk People.......2007-06-22

No, it's not the feverish, raging genius of Zen Arcade and the 8 Miles High cover. But it's unfairly maligned as "soft" and "corporate". I unfortunately remember mainstream music from 1987, and Warehouse is a far cry from Winger. Bitter introspection and rumination mixed with super-catchy, Lennon/McCartney-esque melodies and choruses. Thrown in bold relief, it's easy to see how badly Bob, Grant & Greg have been ripped off the past 20 years. An indie rock landmark.

this album absolutely kicks backside.......2007-02-15

If you like melodic rock that combines fantastic songwriting with high energy performances and insightful lyrics, then this album is for you. However, be warned that this is not your father's Husker Du. Gone are the brief noisefests played at breakneck speed. With 'Warehouse' you have a slew of catchy rock songs that are wonderfully diverse in their structures. The production is good, and although there is only one guitar, Bob Mould creates a wonderful droning wall of sound with his open tunings that allow him to strum all the strings while fingering individual notes. Both Mould and Grant Hart contribute solid numbers, with Mould clearly the songwriting leader. The emotion and energy in numbers such as "Up in the Air" "Turn it Around" "No Reservations" "It's Not Peculiar" and "These Important Years" cannot be described in words - you just have to listen to the album. Old-school Husker Du fans may resent the bands shift from post-punk to rock, but music lovers will appreciate the fruits of this transition immensely

Disappointing Final Release.......2006-10-06

That this record gets better listener reviews than Flip Your Wig drives me crazy. Yes, there are some very catchy pop tinged songs on this release that I really do like but this record as a whole totally lacks the intensity of the SST works. Am I just a bitter fan who wanted to keep the band small and non-corporate? -Maybe, okay almost certainly.- I do understand that bands evolve and their sound changes ( I feel your pain Metallica fans!) with each trip to the studio but this recording sounds totally phoned in and forced. No, it's not terrible but clearly is the work of a band well on there way to imploding. If you are a fan you should certainly have this in your Husker Du library but if you are not familiar with the band start at Zen Arcade and work your way to this one.

"Familiar places that we turned into gardens".......2006-04-04

Warehouse: Songs and Stories was the last Husker Du studio album. It was released in 1987. They are one of my all-time favorite bands and they seemed to get better and better with each album they made. In Warehouse they left their fans with a double-album filled with great tracks and absolutely no fillers. It's unfortunate that they broke up seemingly so soon, but both Grant Hart and Bob Mould continued with excellent solo records (I especially recommend Intolerance by Hart and Workbook and Black Sheets of Rain by Mould) as well as new bands Nova Mob and Sugar. Here is the warehouse-full of awesome tracks offered on this album:

"These Important Years" (Mould) 3:49: An excellent track to begin the album. Great rocker.
"Charity, Chastity, Prudence, and Hope" (Hart) 3:11: Grant Hart kept getting better and better as a songwriter and here he offers up some amazing rockers that even have a slight country rock sound. This track just flies and never lets up. The guitar solo is yeehaw good!
"Standing in the Rain" (Mould) 3:41: One of Mould's more popular tracks but it is not one of my favorites. It's good, of course, but seems a bit mundane.
"Back From Somewhere" (Hart) 2:16: Another country-style, yeehaw rocker by Grant Hart. I like Hart's vocals on this one (yeehaw style again).
"Ice Cold Ice" (Mould) 4:23: One of my favorite Mould tracks here. It begins with menacing guitar and then rocks. I wish Hart's backing vocals were clearer as I think it would have made the song even better. It sounds great on the live album The Living End.
"You're a Soldier" (Hart) 3:03: This song is just OK. I can actually take it or leave it. Anti-war songs are so prevalent and this one isn't very special. I don't like the backing vocals and the line "knocking over everything that's standing in your way. Can you tell me just how many did you kill today" line sounds like another song, but I can't put my finger on which song that is.
"Could You Be the One?" (Mould) 2:32: This is probably the most recognizable song from this album. They made a music video for it. I never thought I liked it that much but I find myself humming this track a lot, so it must be pretty addictive.
"Too Much Spice" (Hart) 2:57: Another yeehaw rocker by Hart. I love this stuff! I like the lyrics and Hart's vocals are crisp and clear and not barely audible like on some of his tracks. Definitely a sing-along-to song. And a rockin' guitar solo, too.
"Friend, You've Got to Fall" (Mould) 3:20: Catchy track. Up there with "Ice Cold Ice" and "Up in the Air" as my favorite Mould track on this album. Great guitar as always.
"Visionary" (Mould) 2:30: This track is OK, but is not a memorable as most of the others here. I don't care for the chorus that much.

"She Floated Away" (Hart) 3:32: A nice change-of-pace. It has a hard, pulsating beat between the verses, but at the verses and chorus it has a transporting almost gospel-like quality (well, not as gospel as "She Can See the Angels" off Hart's solo album Intolerance). Interesting track.
"Bed of Nails" (Mould) 4:44: Rough Mould rocker that bites like a rusty saw. The "Please don't drive your nails into this heart of mine" line always bugged me as it seems very contrived.
"Tell You Why Tomorrow" (Hart) 2:42: A track that builds with intensity and also has a groovy bass line.
"It's Not Peculiar" (Mould) 4:06: Starts out with this pulsating riff which if OK but when Mould actually sings to this riff "It's not peculiar, there's nothing to devise at all-a-a-a-a-a-a-all right." Yuck. The verses leading up to it are actually pretty good, and Hart's higher backing vocals help it a little but it just bugs me.
"Actual Condition" (Hart) 1:50: Another Hart rocker, but my least favorite. This one is a bit too yeehaw for my tastes.
"No Reservations" (Mould) 3:40: Nice, slower-paced track.
"Turn It Around" (Mould) 4:32: This song is the only one on this track that I really do not like. It is almost embarrassing to listen to. I'm surprised Mould wrote it. It is just so contrived, silly, and mundane. I like the line "But the biggest thing to me is making this thing work for life." That really hits it home but most of the other lyrics and the musical aspect of the song I can definitely leave. Oh well, one ringer out of 20 is not bad.
"She's a Woman (And Now He is a Man)" (Hart) 3:19: I LOVE THIS SONG!! It may be my all-time favorite Grant Hart track! Great lyrics, great vocals, rocks, never lets up! I can't praise it enough!
"Up in the Air" (Mould) 3:03: Mould turns it around (so to speak) with this track. Excellent, catchy track. The chorus with the backing vocals is superb.
"You Can Live at Home" (Hart) 5:25: Appropriate ending to an incredible double-album. A long rocker that sounds like everyone is involved in the vocals and fades out. The bass really drives this one.

Best album by someone I had never heard of........2006-01-14

I listened to this album, loved it, and bought every Husker Du album. Unfortunately, this is the only one I really liked. I still play "Up in the Air" all the time. Every song is a masterpiece. I then bought every Bob Mould album and every Sugar album. This is still the only one I love. I like pop rock with catchy choruses. This is the only must-have album that Bob Mould has been involved with, although he is a talented artist.

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