Music

Pirates Of The Caribbean: At World's End

Average customer rating:

Wow
Movie Soundtrack Review
Get on the freeway, roll down the windows and DRIVE!
AHOY!
Pirates Of The Caribbean:At World's End CD

Pirates Of The Caribbean: At World's End

Manufacturer: Walt Disney Records
ProductGroup: Music
Binding: Audio CD

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Pirates Of The Caribbean: Dead Man's Chest
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Bring Me That Horizon:: The Making of Pirates of the Caribbean (Welcome Book)
300 Original Motion Picture Soundtrack
The Art of Pirates of the Caribbean

ASIN: B000P0J02E
Release Date: 2007-05-22

Tracks:

Hoist the Colours
Singapore
At Wit's End
Multiple Jacks
Up Is Down
I See Dead People In Boats
The Brethren Court
Parlay
Calypso
What Shall We Die For
I Don't Think Now Is the Best Time
One Day
Drink Up Me Hearties

Amazon.com

The music for this third chapter in the Pirates of the Caribbean franchise is a traditional, efficient action score that, due to the film's setting, occasionally incorporates light Asian touches. The popularity of Hans "Long John" Zimmer (all the credits in the CD's liner notes include pirate-themed nicknames, like the roll call in a Simpsons Halloween episode) isn't in doubt--he sure is one in-demand composer--but afficionados are divided about his artistic worth, and this score isn't about to reconcile them. Some think that Zimmer relies too much on his stable of composers and sticks to tried-and-true recipes; others admire his capacity to weave themes in and out of cues, creating a whole made of subtly interrelated parts. At World's End feeds both camps: Seven of his collaborators are credited with writing "additional music," and the album feels by-the-numbers at times; but those inclined to listen very closely will be rewarded by the way Zimmer sneaks in bits of two main melodies (especially variations on the first track, a pirate theme titled "Hoist the Colours" and cowritten by director Gore Verbinski) throughout. The use of electronics is so light as to be almost undetectable, which will please fans of a more organic orchestral sound. --Elisabeth Vincentelli

Customer Reviews:

Wow.......2007-07-17

This is the best soundtrack in the "Pirates" series. Hans Zimmer has melded the Eastern sounds with the West and composed an intricate melody which is hard to forget. My favorite soundtrack so far!

Movie Soundtrack Review.......2007-07-16

I love his music. And all the movie soundtracks he has done. I already have two of these,one for my car,and one for my home. This purchase was for my best friend on her birthday. His music for soundtracks,always intenses and blends so well with the movie,which it is all about. He's a wonderful composer.

Get on the freeway, roll down the windows and DRIVE!.......2007-07-16

I LOVE this CD! It is just so much fun.
If you gotta' travel the road to work, school, etc.
or you gotta' run errands or you are just in the
mood to GO -
Well, get in the car, get on the road, stick in this CD,
roll the windows all the way down, turn up the sound,
and DRIVE!
Have a ball!

AHOY!.......2007-07-14

Love it. Listening to it is like re+living the movie over and over again.

Pirates Of The Caribbean:At World's End CD.......2007-07-13

The music that Hans Zimmer has written for this movie is outstanding. Once you have seen the movie, you realize the music fits it perfectly. There are several favorites that bring to mind the favorite scenes during which they're played so it's almost like watching the movie while listening to the CD. I have the CD's from all three Pirates movies and, while I love them all and listen to them regularly, the music from AWE is a different type of music. I recommend it highly.

Average customer rating:

REACHING FOR A BIGGER SOUND (3.9 stars)
Unfairly Criticized.
No sophomore slump!!
Every little piece of your life

An End Has a Start
Editors
Manufacturer: Fader Label
ProductGroup: Music
Binding: Audio CD

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Our Love to Admire
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Zeitgeist
Favourite Worst Nightmare

ASIN: B000PUAZDW
Release Date: 2007-07-17

Tracks:

Smokers Outside The Hospital Doors
An End Has A Start
The Weight of The World
Bones
When Anger Shows
The Racing Rats
Push Your Head Towards The Air
Escape The Nest
Spiders
Well Word Hand

Album Description

Following the debut release 'The Back Room', the English indie-rock band is back with their 2nd album. Their brand of sweeping indie rock is frequently compared to the sound of bands such as Interpol, Joy Division, Echo and the Bunnymen, Franz Ferdinand, Kitchens of Distinction, The Chameleons, Big Country and U2. 1st single: Smokers Outside The Hospital Doors. Sony/BMG. 2007.

Customer Reviews:

REACHING FOR A BIGGER SOUND (3.9 stars).......2007-07-17

We've seen this a number of times this year, and it can be a tricky proposal for some. In attempts to broaden and enlarge one's sound, bands can straddle the fence between a big sound and a bland bunch of recordings. On their second full length, An End Has a Start, Editors definitely reach for some of those loftier goals, and while it may miss a few here and there, the record on the whole gets plenty right in the process. The band keep their sound very much intact and only try to improve what has done before.

Leading off with the first single, Smokers Outside the Hospital Doors, the record does in fact sound bigger. The single is a good starting point but it clocks in a bit too long and as some have pointed out, is a little too Coldplay-ish, but I find it still pretty good none-the-less. By the time the second track starts up, you can notice the step up in production. The production on the entire record is rich and full, with a rather large nod going to producer Jacknife Lee. Adding things like a stronger vocal mix for Tom, string sections, and even a choir attest to this bigger, fuller sound.

So how are the "tunes" though? In short, much like (their debut) The Back Room. About half of An End Has a Start can point to a "sister" tune off of the Back Room. Bones for example, is the new Munich while the pacing and sound of Escape the Nest is pretty much what is found on Camera or Fall. Similarities aside, a fan of Editors is going to love the new album. I somehow find it dynamic without it being as hook driven as their first release. There are a couple of forgettable songs on here, but the overall quality of production and songwriting far outweigh any shortcomings. It's a bit of a "grower" as they say, but over time, I'll be happy to mark the doorframe.

P.S.
Anyone thinking about the deluxe package of An End Has A Start, might want to pass unless they HAVE to have it, as it really doesn't have much to offer than an over-sized bound book type of package. There isn't any lyrics or extras photos or anything. Just an FYI.

Unfairly Criticized. .......2007-07-17

I just did a search for The Editors here and I think it is kind of funny that Interpol's new CD turned up four positions down on the page result because the only reason an old guy like me has even heard of this band was due to my conducting a search a few weeks ago regarding the release date for Our Love to Admire. I came across an article in which the reporter claimed that The Editors were a rip-off of Interpol. Whether that is true or not I cannot say although the influence of the great band on The Editors is undeniable in the tracks of An End Has a Start. That they may possibly be derivative is irrelevant to me, however, as I love these songs and love this album. I am not surprised that another reviewer had a line from "The Weight of the World" as his title because the tune is both haunting and excellent. Really, the first time through I thought this was an uneven CD and one that I would give three stars to but I was totally wrong. I now appreciate every song and think they range from excellent to above average.

No sophomore slump!!.......2007-07-17

"An end has a start" is British rock group Editors' sophomore disc, following up their Mercury prize nominated #2 debut "The back room". At just ten tracks, every track stands out! The album ahs already topped the UK album charts.

The sound isn't drastically different this time around, still gloomy and upbeat in the right places, with loads of piano, jangling and rippling guitar sounds. Lead singer Tom Smith has a rich, sonorous voice, which fits the songs perfectly.

This though is a bit more guitar driven with wider "stadium" sounds a-la Coldplay or U2. Perfect example is opening cut and lead off single, the stadium-esque "Smokers outside the hospital doors".

More upbeat is the title track "An end has a start" with fiercely pulsing guitars. My favourite track though is the lovely midtempo "Weight of the world" with lyrics pondering death, and lines like "Every little piece of your life/Will mean something to someone". Pensive, yet catchy!

"Bones" is a driving dance/rocker with a catchy guitar riff. "When anger shows" reminds me a wee bit of "Wires" by Athlete. "The racing rats" (full of nice jangly and wailing guitars) is a nice dance/rocker with lyrics like "If a plane were to fall from the sky/how big a hole would it leave/In the surface of the earth".

Lowering the tempo, there's the piano driven "Put your head towards the air" (which builds in intensity), "Escape the nest" (brilliant guitars), the simply stunning "Spiders", and closing piano epic, the melancholic "Well worn hand".

Look out for even bigger things from The Editors!!

Every little piece of your life .......2007-07-17

It's something of a poke in the eye to Editors that when they debuted a few years back, they were mainly referred to as "that band that sounds a lot like Interpol/Joy Division."

And while their second album "End Has A Start" sticks mostly to the same sound, the Birmingham band does try to embellish their music with more epic stylings and stronger lyrics. It's not brilliant, but it has the dark, moody stirrings of potential genius in the future -- and in the present, it's just a stirring listen.

"Pull the blindfold down/So your eyes can't see/Now run as fast as you can/Through this field of trees," Tom Smith intones over a bed of ringing guitar and solid piano-drums combos. "I can't shake this feeling I've got/My dirty hands, have I been in the wars?... We've all been changed/From what we were/Our broken parts/Left smashed off the floor."

Then they kick into a dancier melody with the title track, a sort of dirty disco sound about "You came on your own/And that's how you'll leave." But it rings more of a single than of the overall album, which explores darker corners: dark rippling guitar pop, high-speed rockers, a gentle piano finale, thudding sinuous rock, and soaring epic pop of the type bands like Snow Patrol do.

"End Has A Start" is not really an album for someone seeking novelty and originality, but for music that's loaded down with influence from other bands, played with passion. It isn't as immediately endearing as their debut, but as it winds on darkly through the different songs, it becomes more interesting and likable -- even powerful in moments.

Ringing, cycling guitar takes center stage in most of these songs -- almost every song is awash in silvery expanses of this sound, sometimes reaching epic heights. There are some exceptions, like "Bones," where the Editors twine some driving, spare riffs instead. And Ed Lay's solid drums set down solid beats, with the occasional interlude of piano or ripply synth blips.

Smith has a lovely voice, no doubt about it -- deep, resonant and smooth. And the songs he sings are more mature, more complex in their wording, and more bittersweet in their themes. "In the end all you can hope for/Is the love you felt to equal the pain you've gone through... Bones, starved of flesh/Surround your aching heart/Full of love."

Editors still lean on their influences too much, but they are growing strong in other areas. I wouldn't say it has reached brilliance yet, but their music is slowly growing up toward it.

Average customer rating:

The Junkies Just Improve With Age
Fantastic
What a great CD...
Same Talent, Different Direction

At the End of Paths Taken
The Cowboy Junkies
Manufacturer: Zoe Records
ProductGroup: Music
Binding: Audio CD

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ASIN: B000NVIXIW
Release Date: 2007-04-17

Tracks:

Brand New World
Still Lost
Cutting Board Blues
Spiral Down
My Little Basquiat
Someday Soon
Follower 2
It Doesn't Really Matter Anyway
Blues Eyed Saviour
Mountain
My Only Guarantee

Amazon.com

The Cowboy Junkies' gothic Americana takes a psychedelic hue on At the End of Paths Taken, replete with Beatlesque string sections and snarling, distorted guitar leads. It's an often epic album, exemplified by the opening track, "Brand New World," which starts off like a lament and ends with a triumph of surging strings. Atop it all sits singer Margo Timmins. She's the lover everyone wants, a voice that is at once world-weary and inviting, domineering and seductive. She's the perfect vehicle for writer and brother Michael Timmins--especially on an album that deals with adult themes--because if nothing else, Margo sounds like an adult, a woman who has experienced the world and life and things that maybe we shouldn't talk about. A mother's frustration never sounded as ominous and threatening as on "Cutting Board Blues." Sitting astride a buzzsaw guitar riff and a groove of doom, she talks about walking away from it all, leaving her cutting board behind. Many of the themes concern adulthood and children with a sense of despair about the world those children are entering on songs like "My Little Basquiat." There are moments of light and hope on At the End of Paths Taken, but overall it is a deliriously dark and brooding album. --John Diliberto

Album Description

Despite its title, the new Cowboy Junkies album, At the End of Paths Taken, is as much about new beginnings as it is about endings. It is also about human connections, the struggle to sustain those connections over time, and the complexities that can arise even when those connections are maintained. It is, in other words, a classic Cowboy Junkies album - a suite of smart, richly textured songs that value subtlety over broad, generic strokes, songs that prize insight and casual revelations over easily digestible clichÃ©s. Family lies at the heart of the album's eleven songs, and, of course, that is appropriate, too. Three of the band's members - singer Margo Timmins; songwriter, producer and guitarist Michael Timmins; and drummer Peter Timmins - are siblings, and bassist Alan Anton has been a member since the group formed in Toronto in 1985. Few bands have lasted nearly as long with their original line-up intact, and fewer still have created as consistently satisfying a body of work.

Customer Reviews:

The Junkies Just Improve With Age.......2007-06-21

How anyone could rate this less than five stars is completely beyond me. I have followed the Junkies since their second album, and really got into them with an assigned review of 'Lay It Down', which I still consider a masterpiece. But this recording is something else entirely. I've lived with it now for quite awhile (I think I had it about a month before official release, so add that time to the date of this 'review'), and I'm still awed by its strength in all directions. The writing is superb, Michael's guitar work gets better and better as time goes on, Margo's voice sounds more tuned and better than it did twenty something years ago with 'Whites Off Earth Now', and the arrangements (including strings) are simply amazing. Try listening to 'Brand New World' (the first track), and see if you don't feel optomistic about the world today. By the time the closing track, 'My Only Guarantee' finishes, it's clear that you've reached the end of THIS path taken, but I can't wait to hear where they will go next. I stand up and applaud this grand achievement of the Junkies, quite possibly the finest recording of their long career and one I will treasure for years to come. Now if they would only issue it on vinyl too...

Fantastic.......2007-05-02

I've just listened to this once, so there's probably so much more that I didn't catch yet. But what a fantastic, gorgeous, and enthralling album. This is the Junks 11th studio release - and it's the same band from when they began more than 20 years ago. But this is not the same sound sonically. Michael's guitar playing and approach continues to mature and grow (listen to Cutting Board Blues). Margo's voice has never sounded better, IMO - it's like a fine wine aging to perfection. Peter is here, along with long-time guests Jaro Czerwinec and Jeff Bird. Alan's trademark bass is very under-stated on most of the tracks, though. But the big difference is the presence of strings on nearly all of the songs. It's a great fit with Margo's voice and the tone of the album, which is very oriented towards family. There's a children's choir on the ending song, along with a recording of Father Timmins (which makes up the under-lying element of Mountain).

Highlights of the album are Cutting Board Blues, My Little Basquiat, Follower 2, and It Doesn't Really Matter. The album reminds me of Open in some ways - a big departure in sound from their previous albums. I'd rank it up there with One Soul Now, which is my favourite album of theirs in the last decade (Caution Horses remains my personal favourite).

Buy the album - and don't forget to see the band live if they're coming to your neck of the woods (unfortunately no Texas dates yet - drat).

What a great CD..........2007-04-21

I am a longtime Cowboy Junkies fan. Their sound has taken various twists and turns over their various releases, but overall they still find a way to keep their "signature" sound within each release. "At The End of Paths Taken" is yet another example. They still sound like the Junkies, but again, they have found a way to incorporate something different and new in this release. I love it. The mellowness, the moodiness, the creativity, the complexity. I think it's one of their best. There's something that just grabs you in from the first song, and makes you want to keep listening until the last. It's easy to get lost in this CD. Thanks for more great music, CJ's!

Same Talent, Different Direction.......2007-04-21

This album is very different from the work the Cowboy Junkies did in the nineties and late eighties (I haven't listened to the 2004 One Soul Now, so I'm not sure how it compares). Their characteristic harmonica has taken a vacation, and drums have a much larger role along with several additional instruments (many that I can't even correctly identify). Further, the music is more complex, layered and psychedelic than in their 80's and 90's albums. Finally, their themes have changed, and instead of being about heartbreak, violence and despair and they are now about "family" (using Margo's term).

I have noticed these same changes in other artists' music as they have matured. In most cases, I have found these developments disappointing (Sting, Annie Lennox, Tori Amos, Peter Gabriel) as it seems like the angst and edge that originally drove these artists' creativity later gave way too something over-worked, something more science than art, something more benignly pleasant than engaging. In this case, however, I am not disappointed for the most part. Margo's hauntingly beautiful voice is still entrancing (although its changed a little too). The family themes are real rather than overly sentimental. The Cowboys still have some edge, as shown in Cutting Board Blues. And there's still some of that forlorn feeling of their earlier work in Spiral Down. It Doesn't Really Matter Anyway has a little of each and is a great song. Someday Soon didn't work for me at all, but maybe its just a matter of taste. Also, even though Mountain could be a great song, I don't like the rambling male voice in the background, its too distracting. And I wasn't hip on the kids' voices in My Only Guarantee, even though it would also be an otherwise great song. (Maybe these two songs waded into the "over worked" category just a bit).

Ultimately, while there are selected albums out there that I like better than any of the Cowboy Junkies albums that I have, I think the Cowboy Junkies could easily be characterized as consistently being the best band of the last three decades. They deserve more recognition than they have received in the U.S, but perhaps a lack of commercial success in the U.S. is part of what has kept them so great over the years. Also, Cowboy Junkies, if you read this - thank you for coming to Idaho to play. I never thought I'd get a chance to see you live and it was wonderful.

Average customer rating:

Awsome CD
Christian Rock SUCKS
Surprise, Surprise!
I love RED!
Surprise!!

End of Silence
Red
Manufacturer: Red Int / Red Ink
ProductGroup: Music
Binding: Audio CD

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ASIN: B000FIHJLU
Release Date: 2006-06-13

Tracks:

BREATHE INTO ME
LET GO
ALREADY OVER
LOST
PIECES
BREAK ME DOWN
WASTING TIME
GAVE IT ALL AWAY
HIDE
ALREADY OVER, PT. 2

Album Description

Deriving from a variety of influences such as Muse, Chevelle, Blindside and Linkin Park, Red brings a unique blend of heavy guitars, intense string arrangements and dynamic vocals. They are quickly gaining fans with an exceedingly intense live show every bit as compelling as their debut cd. Already touring heavily in the mid-west and west coast, Red has quickly made many fans along the way. With over 20,000 friends on myspace, the band makes it a priority to write each and every fan back personally. Randy Armstrong says, "It is important that our fans see us as genuine guys who care." The songs on their debut release deal with the struggles that all humans face, while leading listeners to a place of redemption in the midst of the brokenness. Red hopes their music impacts people in a way that causes them to not feel alone in their struggles. Randy explains, "I hope that our music has a profound impact on people. You never know what people are dealing with in their every day lives, but I am willing to bet that at some point, we all have experienced the same feelings of anger, sadness, confusion, etc. Our music talks about a lot of those times that we have struggled dealing with those feelings and the situations that caused them. I hope our music makes them feel like they are not struggling alone." Produced by Dove nominated producer Rob Graves and mixed by Ben Grosse, End of Silence releases June 13th. The band will be touring with Day of Fire this spring then playing at many major festivals this summer and will continue to hit the road throughout the fall.

Customer Reviews:

Awsome CD.......2007-07-16

Where did they come from? I was looking to get the new Linkin Park but after I read mixed reviews people were actually recommending RED so I gave it a shot. RED gets more play than the new Linkin Park now. Great CD, no need to fast forward, just put it in and let it play.

Christian Rock SUCKS.......2007-06-21

I really like the song Breathe. I thought about buying the album until I discovered I was tricked into liking a song by a Christian "rock" group, lol!!! So much for Red...

Surprise, Surprise!.......2007-06-08

This is the second time this year that I went out on a limb and just bought some music that someone had recommended in their review of some other album (both of which were garbage albums from previously great bands).

This is the second time this year that I've been surprised at how good my "limb" decision music is (the other was Stage, which I've since decided is one of the greatest rock albums I've ever heard).

Although End of Silence is relatively short, it fills that time frame with great songs. The Already Over tracks are probably my favorite; they contrast each other perfectly with a mix of heavy riffs, piano, violin, and screaming/crooning lyrics that really set the tone for the whole CD.

The only negative that I found with the work, as a whole, was that RED seems a little short on variety, which could make the album a slightly predictable. It's certainly not redundant, though, and as they mature I'm sure they'll experiment with new sounds.

The Bottom Line: At 4.2 stars, it's a definite buy.

I love RED!.......2007-06-06

What all can I say? I love the band RED, I first heard of them through their song "Already over" on my Christian rock HITS CD, and I became a fan, and I became more of a fan when I bought this CD Of theirs, all of the songs are 100% awesome! I wasn't a huge fan of much hard rock until I started listening to more Christian rock groups, such as Seventh Day Slumber, Disciple, Pillar, P.O.D. etc... and now I love Christian rock music, and this album is really awesome, I think you all should buy it, if you like hard rock or Christian rock, you'll love this CD!

Surprise!!.......2007-05-28

Why must people continually make comparisons to other works? These guys sound nothing like Linkin Park, they sound like RED. Ever think that they have their own style, no matter what your twisted little brains tell you, They have very much a different style than LP. Don't get me wrong, I love LP, but these guys are great in their own way.

Anyway, I bought this cd for the song Breathe Into Me (who didn't?), and I am very impressed with the rest of the cd. I was a little surprised for the "Christioan Rock" categorization, but there have been others that surprised me in this way as well. This bands vocals, guitars, percussions, pianos and strings are all VERY well done, and make every second of this production worth the listen. A bold piece, all the tracks here are the best one.

The Lord of the Rings: Fellowship of the Ring - The Complete Recordings

Average customer rating:

Beautiful
Awesome
Excellent Music tracks from Movie
Complete?
Great Collection, Poor Packaging

The Lord of the Rings: Fellowship of the Ring - The Complete Recordings
Howard Shore
Manufacturer: Reprise / Wea
ProductGroup: Music
Binding: Audio CD

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The Lord of the Rings Trilogy (Theatrical and Extended Limited Edition)

ASIN: B000BNI90O
Release Date: 2005-12-13

Tracks:

Lord of the Rings: The Fellowship of the Ring/Prologue: One Ring ...
Lord of the Rings: The Fellowship of the Ring/The Shire
Lord of the Rings: The Fellowship of the Ring/Bag End (Featuring ...)
Lord of the Rings: The Fellowship of the Ring/Very Old Friends
Lord of the Rings: The Fellowship of the Ring/Flaming Red Hair
Lord of the Rings: The Fellowship of the Ring/Farewell Dear Bilbo
Lord of the Rings: The Fellowship of the Ring/Keep It Secret, Keep ...
Lord of the Rings: The Fellowship of the Ring/A Conspiracy Unmasked
Lord of the Rings: The Fellowship of the Ring/Three Is Company
Lord of the Rings: The Fellowship of the Ring/The Passing of the Elves
Lord of the Rings: The Fellowship of the Ring/Saruman the White
Lord of the Rings: The Fellowship of the Ring/A Shortcut to Mushrooms
Lord of the Rings: The Fellowship of the Ring/Strider
Lord of the Rings: The Fellowship of the Ring/The Nazgul ...

Tracks:

Lord of the Rings: The Fellowship of the Ring/Weathertop
Lord of the Rings: The Fellowship of the Ring/The Caverns of Isengard
Lord of the Rings: The Fellowship of the Ring/Give Up the Halfling
Lord of the Rings: The Fellowship of the Ring/Orthanc
Lord of the Rings: The Fellowship of the Ring/Rivendell
Lord of the Rings: The Fellowship of the Ring/The Sword That Was ...
Lord of the Rings: The Fellowship of the Ring/The Council of ...
Lord of the Rings: The Fellowship of the Ring/The Great Eye
Lord of the Rings: The Fellowship of the Ring/Gilraen's Memorial
Lord of the Rings: The Fellowship of the Ring/The Pass of Caradhras
Lord of the Rings: The Fellowship of the Ring/The Doors of Durin
Lord of the Rings: The Fellowship of the Ring/Moria
Lord of the Rings: The Fellowship of the Ring/Gollum
Lord of the Rings: The Fellowship of the Ring/Balin's Tomb

Tracks:

Khazad-Dum
Caras Galadhon (featuring Lament for Gandalf, performed by Elizabeth Fraser)
The Mirror of Galadriel
The Fighting Uruk-hai
Parth Galen
The Departure of Boromir
The Road Goes Ever On (part 1)
May It Be (composed and performed by Enya)
The Road Goes Ever On (part 2. featuring In Dreams, perfomed by Edward Ross)
Lord of the Rings: The Fellowship of the Ring/Khazad-D
Lord of the Rings: The Fellowship of the Ring/Caras Galadhon ...
Lord of the Rings: The Fellowship of the Ring/The Mirror of Galadriel
Lord of the Rings: The Fellowship of the Ring/The Fighting Uruk-Hai
Lord of the Rings: The Fellowship of the Ring/Parth Galen
Lord of the Rings: The Fellowship of the Ring/The Departure of Boromir
Lord of the Rings: The Fellowship of the Ring/The Road Goes Ever ...
Lord of the Rings: The Fellowship of the Ring/May It Be
Lord of the Rings: The Fellowship of the Ring/The Road Goes Ever ...

Amazon.com

As fans of Peter Jackson's Lord of the Rings trilogy know, each film exists in two versions: the theatrical one and the extended one that appeared on DVD. This luxurious box set--which also comes with a detailed essay on the movie's musical themes--features the full extended score, so many cues not on the CDs of the individual movies are included. Granted, the majority of listeners will be perfectly happy with the shorter versions of the scores--it's a safe bet that most people can live without hearing, say, Ian McKellen's 35-second-long ditty "The Road Goes Ever On" at the beginning of "Bag End," or Viggo Mortensen's performance of his own composition, "The Song of Lúthien," within the track "The Nazgûl." But if you're a completist and/or a devotee of Howard Shore's pounding tympani and overwhelming choral compositions (featured particularly prominently on disc 3, a large chunk of which is devoted to a battle scene), then this set is a dream come true. Audiophiles should note that the fourth disc, a DVD, offers the score in Dolby Digital 5.1 Surround Sound. Fire up those speakers so the whole shire can hear. --Elisabeth Vincentelli

Album Description

An epic film score receives epic treatment with The Lord of the Rings: Fellowship of the Ring/Complete Recordings. Released for the first time on CD, the complete score for the first film in the Lord of the Rings trilogy contains more than 180 minutes of music on three CDs plus a DVD-Audio disc of the entire score in Surround Sound. Breathtaking and majestic, the 2001 Oscar and Grammy winning score compsted by Howard Shore also includes Enya's Oscar nominated "May It Be." For fans of any of The Lord of the Rings films, the Fellowship of the Ring/Complete Recordings is an essential experience.

Customer Reviews:

Beautiful.......2007-06-15

I picked up this set because I am both a LOTR fan, movies and books and I need music to help me work. There are some tracks that I skipped over, like the short little ditties in the bar, but many of the songs, such as the Elvish chants are easy to get lost in - its just too bad they don't last longer. The packaging really is well done, though the DVD disc was loose when I received it in the mail, but unharmed. I will have to wait until the price on the second set comes down a little more, but I can't wait for ROTK.

Awesome.......2007-06-12

This is by far the editon to get if you loved the lord of the rings soundtrack. It has every song on it from the extended edition. and the DVD-A version is very nice.

Excellent Music tracks from Movie.......2007-05-03

Brings the movie back as you listen to the full version of the track.

Complete?.......2007-04-07

This CD collection is wonderful; it has much of the material from the movie that was only included in the extended edition DVD, but it is far from complete. While it does have the complete version of "The Passing of the Elves" and two versions of "The Road Goes Ever On", many of the songs are highly incomplete and inferior to the originals. "Aniron," the theme for Aragorn and Arwen performed by Enya, is incomplete and the lyrics are hard to match to what is being sung. The sound quality for this song is even worse on the accompanying DVD, which is supposed to have all of the music in "superior sound". The song "Prophecy" is reduced to two barely-audible lines and "May It Be" is shortened and different than the original. $60 for this when there are more complete songs on the original soundtrack is ridiculous.

Great Collection, Poor Packaging.......2007-04-03

I realy can't add to what others have said about this set, the music is simply the best LOTR soundtrack collection out there! It is all here, and the contents of this set will make any LOTR fan happy and the music DVD is a great one disc addition if you want to hear the entire score in one sitting (to which I have done a number of times already).
My only complaint is the somewhat flimsy cardboard box that houses the contents of this musical treasure. Mine came damaged, and considering the price, I expected better packaging. This is a minor quabble on my part and NO, I havent returned it due to the fact that the music itself Is what I truly treasure, It just would have been nicer to have recieved it undamaged.

Music-5
Packaging-3

*for the record I had rated this Item 5 stars not the 3 stars that is showing at the top of my review*

Average customer rating:

Vintage Vince and Andy - Welcome Back Erasure!
STOP! Stand there where you are...and DON'T buy this version of the CD!!!

Light at the End of the World
Erasure
Manufacturer: Mute U.S.
ProductGroup: Music
Binding: Audio CD

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I Could Fall in Love with You
On the Road to Nashville
Sunday Girl
Abba-esque
Union Street

ASIN: B000OLHGD4
Release Date: 2007-05-22

Tracks:

Sunday Girl
I Could Fall In Love With You
Sucker For Love
Storm In A Teacup
Fly Away
Golden Heart
How My Eyes Adore You
Darlene
When A Lover Leaves You
Glass Angel

Album Description

Recorded in Autumn 2006 in a converted home studio in Maine, LIGHT AT THE END OF THE WORLD is ERASURE'S return to pop form after 2006's critically-acclaimed acoustic album, UNION STREET. Features the single, "I Could Fall In Love With You". Andy Bell declares: "This album is to show people that our pop isn't finished... it's saying we can still do it, we can still write great songs".

Customer Reviews:

Vintage Vince and Andy - Welcome Back Erasure!.......2007-05-31

I've been an Erasure fan since the beginning -- unlike many who got on board much later, I actually remember the rare Thomas the Train cover for "Oh L'Amour" -- and I have to say this is a terrific album! After the interesting but ultimately unsatisfying reinvention for "Union Street" and the equally interesting but not terribly original "Other People's Songs" -- and let's not even talk about "Loveboat", this is a much-needed return to their vintage synth-driven sound.

More upbeat and peppy than "Nightbird" (which I also loved), "Light at the End of the World" sounds like a cross between "Cowboy" and "Wild!" to me -- with a little bit of "Chorus" and "I Say I Say I Say" thrown in for good measure. "Sucker For Love" sounds like an updated version of "La Gloria", and it's even more fun. "Sunday Girl" is a perfect synthpop masterpiece. "I Could Fall In Love With You" puts me in mind of "Don't Say Your Love Is Killing Me", and so it goes on with all Vince's vintage bleeps, buzzes, and knob-twiddling. By the way, if you've got quick ears, you'll also here echoes of "Always", "Treasure", "Snappy", "Crown of Thorns", and even "March On Down The Line". Listen closely! :)

It sounds like he's dusted off some of the old analog keyboards and sequencers, to great effect. Andy's vocals are in tip-top shape, only stretched a little on the deepest notes (like the notes he used to lose himself in so beautifully on "You Surround Me"). A fantastic album, and it couldn't come at a better time.

Welcome back, Erasure!

STOP! Stand there where you are...and DON'T buy this version of the CD!!!.......2007-05-23

Immediately search for the album again and get the 'limited edition' version with the two bonus tracks. It's less money than this version--and the two bonus tracks are two of Erasure's best!!!

Out Of Africa: Music From The Motion Picture Soundtrack

Average customer rating:

Simply beautiful
CD has missing track
Disappointed
Worth Buying!
Great Album

Out Of Africa: Music From The Motion Picture Soundtrack

Manufacturer: Mca
ProductGroup: Music
Binding: Audio CD

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Out of Africa
Somewhere In Time: Original Motion Picture Soundtrack
Dances with Wolves
The Mission: Original Soundtrack From The Motion Picture
Legends Of The Fall: Original Motion Picture Soundtrack

ASIN: B000002O4X
Release Date: 1990-10-25

Tracks:

Main Title (I Had A Farm In Africa)
I'm Better At Hello (Karen's Theme l)
Have You Got A Story For Me
Concerto For Clarinet and Orhestra
Safari
Karen's Journey - Siyawe (African Traditional)
Flight Over Africa
I Had A Compass From Denys (Karen's Theme II)
Alone On The Farm
Let The Rest Of The World Go By
If I Know A Song Of Africa (Karen's Theme III)
End Title (You Are Karen)

Amazon.com essential recording

The great irony of John Barry's Academy Award-winning score for Out of Africa (which also took the Oscar as Best Picture) is that it almost never was; director Sydney Pollack had originally envisioned the film with native African music, going as far as laying the indigenous score down as he was editing. But the weight of John Barry's arguments--not to mention his considerable track record and composing gifts--held sway, and the composer delivered on his intent: a lush, romantic masterpiece for the ages. --Jerry McCulley

Customer Reviews:

Simply beautiful.......2007-01-11

Out of Africa is a CD with beautiful music. When I listen to it, I imagine myself in the nature of Africa. You will enjoy it!

CD has missing track.......2006-12-03

John Barry's compositions are pleasantly sweeping. There's nothing wrong with this album, just not really enough to recommend it.

I was puzzled to learn that some time between my buying the LP record and the issuing of this CD, the track "The Music of Goodbye (love theme from Out of Africa)" was omitted. It's not that this song, sung by Melissa Manchester, is a must-have; it's more that it's sneaky to leave off tracks when you reissue a soundtrack in another format.

Disappointed.......2006-11-10

I absolutely love the music from Out of Africa, but I do not recommend this CD at all. The sound quality is so poor that I could only bear listening to it once.

Worth Buying!.......2006-11-06

Highly recommended for those who love instrumental music. A lot of beautiful flute, strings and some piano and harp. Very contemplative and hauntingly beautiful music.

Great Album.......2006-11-04

For me, one of the best music of last decade. Romantic, full of sense. Please give a listen at least

Average customer rating:

Easily a classic!
My Favorite Group of All-Time
one of the worst groups ever
It's like Butter Baby!
This album provides some of Hip Hops intelligent rhythms and fun lyrics.

The Low End Theory
A Tribe Called Quest
Manufacturer: Jive
ProductGroup: Music
Binding: Audio CD

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Illmatic

ASIN: B0000004X7
Release Date: 1991-09-24

Tracks:

Excursions
Buggin' Out
Rap Promoter
Butter
Verses From The Abstract
Show Business
Vibes and Stuff
The Infamous Date Rape
Check The Rhime
Everything Is Fair
Jazz (We've Got)
Skypager
What?
Scenario

Amazon.com essential recording

De La Soul are remembered as the premier Native Tongues posse, those rappers who got low-key, self-consciously thoughtful, and jazzy in the face of gangsta's hardcore threats. But A Tribe Called Quest may have been even stronger, especially on their excellent second album, the bass-thumping, heavily jazz-sampled The Low End Theory. According to the opening "Excursions," rapper Q-Tip's old man says the disc's jazz-rap "reminded him of bebop," and Q calls himself "prominent like Shakespeare." But if Charlie Parker had ever written poetic couplets and backed them with funky-drummer and Ron Carter-on-bass grooves this irresistible, he might have been as big as the Bard and Brother James combined. --David Cantwell

Customer Reviews:

Easily a classic!.......2007-05-26

I recently bought this and I'm regretting not buying this earlier! You know, Tribe has, without a doubt, revolutionized rap. For a 1991 album, this doesnt sound very much like in its era, you could place this in any era and it would still feel fresh. The music is perfect, the lyrics are perfect, the flow is perfect, this album is timeless! Each song is filled with so much, and Q-Tip raps so well.

This is a must buy for any rap fan, just like Illmatic.

My Favorite Group of All-Time .......2007-02-14

Giving "The Low End-Theory" anything less than 4 stars is like scuffing at Michaelangelos "The Last Judgement" in the Sistine Chapel. I mean, I wonder if people actually got a hold of a chopped and screwed version of this masterwork. The only other reasonable explanation is the manufacturers messed up and placed a Vanilla Ice record inside the album cover. There is a reason why "The Low-End Theory" received the impossible to get 5 mics in the source. They released back to back to back classics in a span of 3-4 years, ranked #154 in Rolling Stones Greatest albums of all-time, ranked #32 in Spins greatest albums of the 1990's, received extreme critical acclaim from every major JAZZ critics poll, and is brought to the forefront as one of the greatest hip hop records ever in any hip hop discussion. Not bad for the worst group ever with foul lyrics and no roots in jazz.

So why the hell is A Tribe Called Quest so popular. In three words, "Beats, Rhymes, Life". This album is a consummate link between the jazz and hip hop generation showing that they originate from the same center, as displayed in the amazing "Excursions". It also displays the growth of a young and hungry Phife Dawg becoming a star lyricist rather than a sidekick in the shadows as exemplified in "Buggin' Out" and "Butter". "Show Business" is one of the greatest songs that attacks major labels which signs acts and crosses them over because they don't have respect for real hip hop. The videos for arguably the three greatest singles on any hip hop record, "Check The Rhime" "Jazz" and "Scenario" were so groundbreakingly fresh that their ideas are still being jacked by video makers todays. Who can forget Busta Rhymes breakthrough performance.

Overall, this album captures everything great about hip hop and what it used to be. I could quote lyrics on this album all day. I could rave about the creative use of sampling and chances Tribe took to risk ridicule or alienation. Tribe is popular because they were able to connect with their fanbase that so many bubblegum critics and so-called artists could never hold a candle to. So grab a Q-Tip and clean your ears out because "The Low-End Theory" is timeless music. As a poetic Q-Tip once said, "I love my young nation" - and it loves him back.

one of the worst groups ever.......2007-02-04

I love hip hop and I love jazz, but a tribe called quest has roots in neither. Just because you have some vibes and flutes in the music doesn't make it "jazz influenced". Their rapping (especially q-tip's) is extremely symmetrical, showing absolutely no relationship to jazz whatsoever. I mean, how many times can you rhyme "hip-hop" to "bebop"? This is one of the worst cd's I've ever bought. I'd rather recommend Aceyalone for capturing the true innovative spirit of jazz and using it in his hip hop. I just don't understand why a tribe called quest is so popular...perhaps the only interesting part of the album is hearing Ron Carter lay down some great bass lines, but it can't save this extremely lame cd. I've never heard a more boring hip hop album.

It's like Butter Baby!.......2006-11-14

Second classic in a row from the Tribe. Great fusion of Jazz, Rap and the great chemistry of Q-Tip and Phife Diggy.

Standout Tracks:
All of them.
Check it out!

This album provides some of Hip Hops intelligent rhythms and fun lyrics........2006-09-22

Got to love Q and Phife! I grew up hearing and watching them as well as our other forefathers of hip hop. One thing that makes an album good is the ability to be so complex that one can listen to it over and over and never get bored with the songs such as theirs. If you dig the Roots, Digital Planets, Black Eyed Peas, or any other hip-hop group that has the slightest tinge of jazz to it, you have "The Low End Theory" to thank. Ali Shaheed Muhammed fuses up-beat hip-hop with funky jazz, and must of felt real good when he was finished. But it's not like this album was simply influential and not essential, or that it's solely revolutionary in one sense and not able to stand on its own in others.

All through the album the beats are deep and the bass is funky without being overbearing. There are a few tracks that are less than superb, but the album is still great. "Buggin' Out," "Butter," "Rap Promoter," "Rhymes and Stuff," "Jazz," and "Scenario" are all perfect. All these tracks either have your heads nodding, hips shaking, and minds working. The way the music matches Q-tips rhymes flawlessly always astounds me and Phife's lyrics keep the beat going.

Q-Tip and Phife are two of the most skilled lyricists and MCs of all time, and their vocal contributions to Ali's beats do nothing but enhance them. This album stands out as their finest. For those who do not listen to hip hop, this would be an excellent choice for a "symbol" rap album. I know few who have failed to be satisfied, and most are mesmerized. As for rap fans, none should be allowed to call themselves a hip hop head if they do not already have this laying around your rack/desk/or shelf.

Average customer rating:

All the Silva Zimmer tracks under one roof
"Essential Music of Hans Zimmer ... City of Prague ... Silva Screen Records"

Film Music Of Hans Zimmer

Manufacturer: Silva America
ProductGroup: Music
Binding: Audio CD

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Film Music by Jerry Goldsmith

ASIN: B000PAU032
Release Date: 2007-06-26

Tracks:

Symphonic Suite
Now We Are Free (Vocal Version)
The Village - The City Of Prague Philharmonic Orchestra
Main Title
Chevaliers De Sangreal
Kyrie For The Magdalene
Las Vegas
Main Theme
Main Title
Heart Of the Volunteer
Suite

Tracks:

Roll Tide
Eternal Father, Strong To Save
Restless Elephants
Walking Talking Man
Eptesicus
Vide Cor Meum
You're So Cool
End Title
Main Theme
The Kraken
Symphonic Suite
Now We Are Free (Instrumental Version)

Customer Reviews:

All the Silva Zimmer tracks under one roof.......2007-06-27

Silva's newest composer compilation is a great addition to it's "Essential" line of CD releases.

There are plenty of new tracks here conducted by producer James Fitzpatrick (Crimson Tide, The Thin Red Line, Thelma & Louise, The Da Vinci Code, Green Card, Driving Miss Daisy, and Pirates of the Caribbean: Dead Man's Chest.)

Recycled tracks from previous Silva Screen CDs are:
Gladiator - Symphonic Suite - 2002's The Fantasy Album and 2005's EPICS
Gladitor - Now We Are Free (Vocal) - 2005's Epics
The Da Vinci Code - Kyrie for the Magdelene - 2006's Greatest Cinema Choral Classics
Rain Man - 1994's Music from the Films of Tom Cruise
Days of Thunder - 1994's Music from the Films of Tom Cruise
Pearl Harbor - 2004's Longest Day: Ultimate World War Themes
The Last Samurai - 2005's EPICS
Batman Begins - 2006's Comic Strip Heroes
Hannibal - 2001's Cinema Choral Classics III
The Rock - 1998's Hollywood Stars: Music from the Films of Sean Connery
Pirates of the Caribbean: Curse of the Black Pearl - 2005's EPICS
Gladitor - Now We Are Free (Instrumental) - 2004's Reel Chill

Highly recommended for fans who are not familiar with Hans Zimmer's music, or those who want to hear a different take on it.

Producer James Fitzpatrick states in the informative liner notes that "the orchestrators, arrangers and myself decided to go for a totally symphonic approach and treatment of the music : as if the music has been arranged for the concert hall....Other tracks are all essentially orchestral but with a few subtle synthetic additives, mostly in the "bottom end" and the percussion department."

Definitely worth a spin, and a welcome release to put all the Silva Zimmer tracks in one fine collection.

Edited to add: Mark Ayres provides (uncredited) additional keyboards and percussion on "The Rock".

"Essential Music of Hans Zimmer ... City of Prague ... Silva Screen Records".......2007-06-26

Silva America brings to the table another music maker with "FILM MUSIC OF HANS ZIMMER", all the splendor of this composer on 2 CD's --- An excellent opportunity to discover ZIMMER for those who still don't know his scores, moreover in orchestro/synthetical arrangements which will certainly arouse his fans' curiosity --- to have a first comprehensive approach of the composer's work --- recreated with all the gusto by the City of Prague Philharmonic Orchestra and Crouch End Festival Chorus, under the ever ready batons of Nic Raine and James Fitzpatrick --- all individually wrapped-up into one neat package --- just the way "film-score-buffs" like 'em!

A list of the selections from the Hans Zimmer Film Score Book (in the order in which they appear)

Disc One:

1. Gladiator - Gladiator Suite
2. Gladiator - Now We Are Free (vocal)
3. The Thin Red Line - The Village
4. Thelma & Louise - Main Theme
5. The Da Vinci Code - Chevaliers De Sangreal
6. The Da Vinci Code - Kyrie For The Magdalene
7. Rain Man - Las Vegas
8. Rain Man - Main Theme
9. Days Of Thunder - Days Of Thunder
10.Pearl Harbor - Heart Of The Volunteer
11.The Last Samurai - The Last Samurai

Disc Two:

1. Crimson Tide - Roll Tide
2. Crimson Tide - Eternal Father, Strong To Slave
3. Green Card - Restless Elephants
4. Regarding Henry - Walking, Talking Man
5. Batman Begins - Eptesicus
6. Hannibal - Vide Cor Meum
7. True Romance - You're So Cool
8. Driving Miss Daisy - End Credits
9. The Rock - The Rock
10.Pirates Of The Caribbean: Dead Man's Chest - The Kraken
11.Pirates Of The Caribbean: The Curse Of The Black Pearl - Pirates Of The Caribbean: The Curse Of The Black Pearl

Bonus Track:
12.Gladiator - Now We Are Free (Instrumental version)

Arrangements & Orchestrations :

1. Nic Raine (Gladiator, Now We Are Free (with Gareth Williams)
2. Matt Hohensee (The Thin Red Line)
3. Gareth Williams (Now We Are Free (with Nick Raine), Thelma & Louise, Green Card, Driving Miss Daisy
4. Christopher Tin (The Da Vinci Code, Chevaliers De Sangreal, The Last Samurai, Pirates Of The Carribean - The Curse Of The Black Pearl
5. Richard Harvey : The Da Vinci Code & Kyrie For The Magdalene
6. Mark Ayres (arranger & performer) : Rain Man, Days Of Thunder, Regarding Henry, The Rock (arranger with Nic Raine)
7. Dominic Nunns : Crimson Tide, Pirates of The Caribbean : Dead Man's Chest
8. Adam Saunders : Batman Begins
9. Patrick Cassidy : Hannibal
10.Dan Head : True Romance

Additional Keyboards & Percussion on "Now We Are Free", "Thelma & Louise", "Chevalier de Sangreal", "Crimson Tide", "Green Card", "Driving Miss Daisy" & "The Kraken" by Gareth Williams

Silva Screen Records has brought film music to another level in soundtracks, flawless from the very first note to the last, pure perfection --- There is no other label I know of today that could come close to what they have done in film score/soundtrack albums --- All in all, this outstanding, fantastic and moving release with awesome material will have film music collectors crying for more!

Must ask the following to take a bow ~ James Fitzpatrick (compilation producer), always in their pitching, Reynold da Silva (executive producer), Rick Clark and Gareth Williams (associate producers) a tremendous asset to every project they undertake --- and the label which made it all possible ... Silva America --- and of course HANS ZIMMER our featured composer.

Total Time: 107 mins on 2 CD's ~ SILCD 1238 ~ (6/26/2007)

Average customer rating:

The End of History
Fionn Regan
Manufacturer: Lost Highway
ProductGroup: Music
Binding: Audio CD

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The Reminder

ASIN: B000QFAG3K
Release Date: 2007-07-10

Tracks:

Be Good Or Be Gone
The Underwood Typewriter
Hunters Map
Hey Rabbit
Black Water Child
Put a Penny In the Slot
The Cowshed
Snowy Atlas Mountains
Noah (Ghost In a Sheet)
The End Of History
Abacus
Bunker Or Basement

Amazon.com

Imagine a whimsical, sunnier Nick Drake. Or perhaps a young Donovan for the 21st century. With his lithe, limber, and conversational tenor complemented by the subtle virtuosity of his acoustic guitar, the Dublin troubadour sustains an engaging intimacy even when his material seems on the slight side (more precocious than profound). Though his childlike innocence extends to the hand-lettered lyrics in the CD booklet, he invokes the literary influence of Saul Bellow and Paul Auster on "Put a Penny in the Slot." Much of this self-produced release finds Regan playing solo (often with double-tracked harmonies), with the spare employment of strings, piano, and percussion making their use all the more striking. An unlisted bonus cut seems to channel the range of Jeff Buckley. --Don McLeese

Album Description

The community of musicians can be divided into two categories -- those who want to create and those who do so because they have no other choice. As he proves on his dauntingly mature, intriguingly nuanced Lost Highway debut, The End of History, singer-songwriter Fionn Regan clearly falls into the decidedly rarefied latter category.

The soft-spoken 26-year-old coaxes an intoxicating array of emotion and detail into his fragile-yet-gripping songs -- a body of work that's already elicited comparisons to forebears as varied as Nick Drake for his guitar playing and to Woody Guthrie for his wordplay. It's easy to understand why, given the filigreed acoustic finger-picking and raw lyrical stance of songs like the cinematic "Be Good or Be Gone" the menacing "Snowy Atlas Mountains" or the allegorical "Hey Rabbit" with its social conscience, songs that paint intensely vivid pictures -- so vivid, in fact, that Regan hesitates to elaborate as to their deeper origins.

He keeps the frills to a minimum on the dozen-song collection, getting his point across with little more than voice, acoustic guitar and piano (most of The End of History's songs were captured in one or two takes) he never gives the idea that he's practicing minimalism for its own sake. That comes into particularly sharp focus when one hones in on his guitar playing, a beguiling brew of rhythmically sturdy finger-picking (the backbone of "Hunters Map") and (as on the twinkling "Abacus"), lissome passages in which every note resonates with crystalline clarity.

Music:

Music